Development of the Jew in English Drama from the Liturgical Plays Through Shakespeare's Shylock PDF Download
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Author: Albert Charles Nattsas
Publisher:
ISBN:
Category :
Languages : en
Pages : 76
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Author: Albert Charles Nattsas
Publisher:
ISBN:
Category :
Languages : en
Pages : 76
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Author: Myer Jack Landa
Publisher: London : P.S. King
ISBN:
Category : Drama
Languages : en
Pages : 350
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Book Description
Examines the portrayal of the Jew in British drama, as well as Jewish dramatic works and Jewish actors who were prominent on the Jewish and non-Jewish stage. Discusses, with particular emphasis, antisemitic depictions of the Jew from the Middle Ages to the present, including the passion plays, Marlowe's "The Jew of Malta", Shakespeare's "The Merchant of Venice", the figures of Judas and of the Wandering Jew, Richard Cumberland's "The Jew" as an attempt to counter the antisemitic depictions (produced in 1794), and several works of the 19th century. The 19th century saw the development of sympathetic depictions of Jews as well, and of a thriving Jewish theater (both in English and Yiddish).
Author: Martin D. Yaffe
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 228
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"Yaffe provides a wide-ranging and probing reflection on the portrayal of Jews and Judaism in early modern thought. His innovative approach to the problem of Shakespeare's treatment of Shylock can stand for the originality of his book as a whole... Yaffe's interpretations are likely to prove controversial, but they are always thought-provoking." -- Virginia Quarterly Review Much attention has been paid to the place of Shylock in the history of anti-Semitism. Most scholars have agreed with Harold Bloom that Shakespeare's famous villain is drawn with a "murderous anti-Semitism" and that Shakespeare uncritically mirrors the rife anti-Semitism of his times. While others see only gross caricature in The Merchant of Venice, however, Martin Yaffe finds a subtle analysis of the Jew's place in a largely Christian society. In Shylock and the Jewish Question, Yaffe challenges the widespread assumption that Shakespeare is, in the final analysis, unfriendly to Jews. He finds that Shakespeare's consideration of Judaism in The Merchant of Venice provides an important contrast to Marlowe's virulent The Jew of Malta. In many ways, he argues, Shakespeare's play is even more accepting than Francis Bacon's notably inclusive New Atlantis or the Jewish philosopher Benedict Spinoza's argument for tolerance in the Theologico-Political Treatise. "Although Yaffe focuses on the Jewish question, his study is a lead-in to a study of the rise of liberal democracy, the development of religious toleration, the relation of church and state, and the inter-relation between politics, economics and religion -- all of these being vital in history's evolution towards modernity." -- Serge Liberman, Australian JewishNews "In a critique that promises to refuel scholarly controversy over the portrait of Shylock... Yaffe's retro-prospective approach to its political philosophy suggests interesting possibilities for contrasting popular anti-Semitic culture and the more tolerant, enlightened statesmanship of the seventeenth-century." -- Frances Barasch, Shakespeare Bulletin
Author: Sara Coodin
Publisher: Edinburgh University Press
ISBN: 1474418392
Category : Literary Criticism
Languages : en
Pages : 272
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What happens when we consider Shakespeare's The Merchant of Venice as a play with 'real' Jewish characters who are not mere ciphers for anti-Semitic Elizabethan stereotypes? Is Shylock Jewish studies Shakespeare's extensive use of stories from the Hebrew Bible in The Merchant of Venice, and argues that Shylock and his daughter Jessica draw on recognizably Jewish ways of engaging with those narratives throughout the play. By examining the legacy of Jewish exegesis and cultural lore surrounding these biblical episodes, this book traces the complexity and richness of Merchant's Jewish aspect, spanning encounters with Jews and the Hebrew Bible in the early modern world as well as modern adaptations of Shakespeare's play on the Yiddish stage.
Author: James Shapiro
Publisher: Columbia University Press
ISBN: 0231541872
Category : Literary Criticism
Languages : en
Pages : 351
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Book Description
First published in 1996, James Shapiro's pathbreaking analysis of the portrayal of Jews in Elizabethan England challenged readers to recognize the significance of Jewish questions in Shakespeare's day. From accounts of Christians masquerading as Jews to fantasies of settling foreign Jews in Ireland, Shapiro's work delves deeply into the cultural insecurities of Elizabethans while illuminating Shakespeare's portrayal of Shylock in The Merchant of Venice. In a new preface, Shapiro reflects upon what he has learned about intolerance since the first publication of Shakespeare and the Jews.
Author: Lisa Lampert
Publisher: University of Pennsylvania Press
ISBN: 0812237757
Category : History
Languages : en
Pages : 286
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Book Description
Although representations of medieval Christians and Christianity are rarely subject to the same scholarly scrutiny as those of Jews and Judaism, "the Christian" is as constructed a term, category, and identity as "the Jew." Medieval Christian authors created complex notions of Christian identity through strategic use of representations of Others: idealized Jewish patriarchs or demonized contemporary Jews; Woman represented as either virgin or whore. In Western thought, the Christian was figured as spiritual and masculine, defined in opposition to the carnal, feminine, and Jewish. Women and Jews are not simply the Other for the Christian exegetical tradition, however; they also represent sources of origin, as one cannot conceive of men without women or of Christianity without Judaism. The bifurcated representations of Woman and Jew found in the literature of the Middle Ages and beyond reflect the uneasy figurations of women and Jews as both insiders and outsiders to Christian society. Gender and Jewish Difference from Paul to Shakespeare provides the first extended examination of the linkages of gender and Jewish difference in late medieval and early modern English literature. Focusing on representations of Jews and women in Chaucer's Canterbury Tales, selections from medieval drama, and Shakespeare's Merchant of Venice, Lampert explores the ways in which medieval and early modern authors used strategies of opposition to—and identification with—figures of Jews and women to create individual and collective Christian identities. This book shows not only how these questions are interrelated in the texts of medieval and early modern England but how they reveal the distinct yet similarly paradoxical places held by Woman and Jew within a longer tradition of Western thought that extends to the present day.
Author: Michael Burger
Publisher: GRIN Verlag
ISBN: 3638942759
Category : Language Arts & Disciplines
Languages : en
Pages : 41
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Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Augsburg, course: Proseminar, 9 entries in the bibliography, language: English, abstract: William Shakespeare's The Merchant of Venice surely can be considered one of the playwright's greatest works. Still today critics are not fully aware of its actual meaning and there are many different opinions of how this play is to be interpreted. As a matter of fact we can say that Shakespeare has created one of the most diverse plays in the history of drama. Containing two equally important plot-lines and several sub-plots it is very difficult to make out even one main character or to be absolutely sure about their variety of intentions. On the one hand there is one of the main characters, the Jew Shylock, "a comic antagonist far more important than any such figure had been in his Shakespeare's] earlier comedies," who plays the role of a non-Christian villain. And opposing him we have the Venetian society with all its flaws and hypocrisies which are pointed out during the conflict with Shylock. On the other hand there is the romantic love story between Portia and Bassanio located in remote Belmont, which is the actual trigger for the conflict between Antonio and Shylock and also brings a solution to it. This solution is due to Portia's cunning and liberation as a woman, which can be seen in her disguising as the judge in order to be able to save Antonio's life; there are only two qualities which are supposed to be quite unusual for a female character of that time. But at the same time she has to fulfil her typical role as "a faithful daughter whatever the consequence," yielding to fate by obeying her father's will. And Portia is not the only ambigous and exceptional figure of the play.
Author: Israel Gollancz
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 72
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Author: Edna Nahshon
Publisher:
ISBN: 9781108163200
Category : LITERARY CRITICISM
Languages : en
Pages :
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"Shakespeare's The Merchant of Venice occupies a unique place in world culture. As the fictional, albeit iconic, character of Shylock has been interpreted as exotic outsider, social pariah, melodramatic villain and tragic victim, the play, which has been performed and read in dozens of languages, has served as a lens for examining ideas and images of the Jew at various historical moments. In the last two hundred years, many of the play's stage interpreters, spectators, readers and adapters have themselves been Jews, whose responses are often embedded in literary, theatrical and musical works. This volume examines the ever-expanding body of Jewish responses to Shakespeare's most Jewishly relevant play"--
Author: Edward Davidson Coleman
Publisher: New York : New York Public Library
ISBN:
Category : Literary Criticism
Languages : en
Pages : 344
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