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Author: Annie Gérin
Publisher: University of Toronto Press
ISBN: 1487502435
Category : Art
Languages : en
Pages : 282
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Book Description
In Devastation and Laughter, Annie G?rin explores the use of satire in the visual arts, the circus, theatre, and cinema under Lenin and Stalin. G?rin traces the rise and decline of the genre and argues that the use of satire in official Soviet art and propaganda was neither marginal nor un-theorized. The author sheds light on the theoretical texts written in the 1920s and 1930s by Anatoly Lunacharsky, the Soviet Commissar of Enlightenment, and the impact his writings had on satirists. While the Avant-Garde and Socialist Realism were necessarily forward-looking and utopian, satire afforded artists the means to examine critically past and present subjects, themes, and practice. Devastation and Laughter is the first work to bring Soviet theoretical writings on the use of satire to the attention of scholars outside of Russia. By introducing important bodies of work that have largely been overlooked in the fields of art history, film and theatre history, Annie G?rin provides a nuanced and alternative reading of early Soviet art.
Author: Annie Gérin
Publisher: University of Toronto Press
ISBN: 1487502435
Category : Art
Languages : en
Pages : 282
Get Book Here
Book Description
In Devastation and Laughter, Annie G?rin explores the use of satire in the visual arts, the circus, theatre, and cinema under Lenin and Stalin. G?rin traces the rise and decline of the genre and argues that the use of satire in official Soviet art and propaganda was neither marginal nor un-theorized. The author sheds light on the theoretical texts written in the 1920s and 1930s by Anatoly Lunacharsky, the Soviet Commissar of Enlightenment, and the impact his writings had on satirists. While the Avant-Garde and Socialist Realism were necessarily forward-looking and utopian, satire afforded artists the means to examine critically past and present subjects, themes, and practice. Devastation and Laughter is the first work to bring Soviet theoretical writings on the use of satire to the attention of scholars outside of Russia. By introducing important bodies of work that have largely been overlooked in the fields of art history, film and theatre history, Annie G?rin provides a nuanced and alternative reading of early Soviet art.
Author: Annie Gérin
Publisher:
ISBN: 9781487515324
Category : ART
Languages : en
Pages :
Get Book Here
Book Description
In Devastation and Laughter, Annie Gérin explores the use of satire in the visual arts, the circus, theatre, and cinema under Lenin and Stalin. Gérin traces the rise and decline of the genre and argues that the use of satire in official Soviet art and propaganda was neither marginal nor un-theorized. The author sheds light on the theoretical texts written in the 1920s and 1930s by Anatoly Lunacharsky, the Soviet Commissar of Enlightenment, and the impact his writings had on satirists. While the Avant-Garde and Socialist Realism were necessarily forward-looking and utopian, satire afforded artists the means to examine critically past and present subjects, themes, and practice. Devastation and Laughter is the first work to bring Soviet theoretical writings on the use of satire to the attention of scholars outside of Russia. By introducing important bodies of work that have largely been overlooked in the fields of art history, film and theatre history, Annie Gérin provides a nuanced and alternative reading of early Soviet art.
Author: Catherine Hernandez
Publisher: Atria Books
ISBN: 1982146028
Category : Fiction
Languages : en
Pages : 272
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Book Description
USA TODAY’s 5 Books Not to Miss Vanity Fair’s Books To Get You Through the Winter Marie Claire’s 2020 Books to Add To Your Reading List PopSugar’s 20 Books Everyone Will Be Talking About Cosmopolitan’s 20 Books to Read this Winter The author of the acclaimed novel Scarborough weaves an unforgettable and timely dystopian tale about a near-future, where a queer Black performer and his allies join forces to rise up when an oppressive regime gathers those deemed “Other” into concentration camps. Set in a terrifyingly familiar near-future, with massive floods leading to rampant homelessness and devastation, a government-sanctioned regime called The Boots seizes on the opportunity to round up communities of color, the disabled, and the LGBTQ+ into labor camps. In the shadows, a new hero emerges. After he loses his livelihood as a drag queen and the love of his life, Kay joins the resistance alongside Bahadur, a transmasculine refugee, and Firuzeh, a headstrong social worker. Guiding them in the use of weapons and close-quarters combat is Beck, a rogue army officer, who helps them plan an uprising at a major televised international event. With her signature “raw yet beautiful, disturbing yet hopeful” (Booklist) prose, Catherine Hernandez creates a vision of the future that is all the more frightening because it is very possible. A cautionary tale filled with fierce and vibrant characters, Crosshairs explores the universal desire to thrive, love, and be loved for being your true self.
Author: Adam Cayton-Holland
Publisher: Simon and Schuster
ISBN: 150117018X
Category : Biography & Autobiography
Languages : en
Pages : 184
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Book Description
“Inspiring, tragic, and at times heart-rendingly funny.” —People Unsentimental, unexpectedly funny, and incredibly honest, Tragedy Plus Time is a love letter to every family that has ever felt messy, complicated, or (even momentarily) magnificent. Meet the Magnificent Cayton-Hollands, a trio of brilliant, acerbic teenagers from Denver, Colorado, who were going to change the world. Anna, Adam, and Lydia were taught by their father, a civil rights lawyer, and mother, an investigative journalist, to recognize injustice and have their hearts open to the universe—the good, the bad, the heartbreaking (and, inadvertently, the anxiety-inducing and the obsessive-compulsive disorder-fueling). Adam chose to meet life’s tough breaks and cruel realities with stand-up comedy; his older sister, Anna, chose law; while their youngest sister, Lydia, struggled to find her place in the world. Beautiful and whip-smart, Lydia was witty, extremely sensitive, fiercely stubborn, and always somewhat haunted. She and Adam bonded over comedy from a young age, running skits in their basement and obsessing over episodes of The Simpsons. When Adam sunk into a deep depression in college, it was Lydia who was able to reach him and pull him out. But years later as Adam’s career takes off, Lydia’s own depression overtakes her, and, though he tries, Adam can’t return the favor. When she takes her own life, the family is devastated, and Adam throws himself into his stand-up, drinking, and rage. He struggles with disturbing memories of Lydia’s death and turns to EMDR therapy to treat his post-traumatic stress disorder when he realizes there’s a difference between losing and losing it. Adam Cayton-Holland is a tremendously talented writer and comedian, uniquely poised to take readers to the edges of comedy and tragedy, brilliance and madness. Tragedy Plus Time is a revelatory, darkly funny, and poignant tribute to a lost sibling that will have you reaching for the phone to call your brother or sister by the last page.
Author: Lydia Amir
Publisher: Routledge
ISBN: 0429000863
Category : Philosophy
Languages : en
Pages : 575
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Book Description
This book investigates the role of humor in the good life, specifically as discussed by three prominent French intellectuals who were influenced by Nietzsche's thought: Georges Bataille, Gilles Deleuze, and Clément Rosset. Lydia Amir begins by discussing Nietzsche’s reception in France, and she explains why and how he came to be considered a "philosopher of laughter" in the French academe. Each of the subsequent three chapters focuses on the significance of humor and laughter in the good life as advocated by Bataille, Deleuze, and Rosset. These chapters also explore the complex relationship between the comic and the tragic, and of humor and laughter to irony, satire, and ridicule. The Legacy of Nietzsche’s Philosophy of Laughter makes an invaluable contribution to recent interpretive work done on Bataille and Deleuze, and offers further introduction to the relatively understudied Rosset. It illuminates the philosophies of these three thinkers, their connection to Nietzsche, and, overall, the significant role that humor plays in philosophy.
Author: Aliou Cisse Niang
Publisher: Wipf and Stock Publishers
ISBN:
Category : Religion
Languages : en
Pages : 472
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Book Description
The meaningful juxtaposition of academics (“experts”) with the day-to-day lives of nonacademics (“nonexperts”) has animated Gerald O. West’s work from the beginning. Seeking to bridge this chasm, West’s approach of reading the Bible with the “ordinary people” (typically marginalized communities) became a core practice not only of his church work but of his scholarship. West has been a strong proponent of taking seriously the “ordinary reader” as a viable and legitimate contributor to our understanding of biblical interpretation. Not only does this undo the “ivory tower” elitism that tends to pervade academic halls of learning, but it also reflects a form of scholarly humility that has been a mainstay of West’s and should be perpetuated more broadly in biblical scholarship.
Author: F. Booth Wilson
Publisher: Rutgers University Press
ISBN: 1978839162
Category : Performing Arts
Languages : en
Pages : 257
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Book Description
Best known for Aelita (1924), the classic science-fiction film of the Soviet silent era, Yakov Protazanov directed over a hundred films in a career spanning three decades. Called "the Russian D.W. Griffith" in the 1910s for his formative role in the first movies in the last years of the Russian Empire, he fled the Civil War and maintained a successful career in Europe before making an unusual decision to return to Russia now under Soviet power. There his films continued their remarkable success with audiences undergoing a bewildering and often brutal revolutionary transformation. Rather than treating him as an indistinct, if capable craftsman, The Cinema of Yakov Protazanov argues that his films are suffused with a unique creative vision that reflects both his mindset as a traditional Russian intellectual and his experience of dislocation and migration after 1917. As he adapted his films to revolutionary culture, they intermingled different voices and reinterpreted his past work from a disavowed era. Offering fresh perspectives of Protazanov’s films, the book will give readers a new appreciation of his career. The book offers a uniquely valuable vantage point from which to explore how cinema reflected a society in transformation and a seminal moment in the development of cinematic art.
Author: Matthew Rendle
Publisher: Oxford University Press
ISBN: 0192576852
Category : History
Languages : en
Pages : 337
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Book Description
The State versus The People provides the first detailed account of the role of revolutionary justice in the early Soviet state. Law has often been dismissed by historians as either unimportant after the October Revolution amid the violence and chaos of civil war, or, in the absence of written codes and independent judges, little more than another means of violence alongside the secret police (Cheka). This is particularly true of the most revolutionary aspect of the new justice system, revolutionary tribunals—courts inspired by the French Revolution and established to target counter-revolutionary enemies. Yet the evidence put forward in this book paints a more complex picture. The Bolsheviks invested a great deal of effort and scarce resources in building an extensive system of tribunals that spread across the country and operated within the military and the transport network. At their peak, hundreds of tribunals heard hundreds of thousands of cases every year. Not all, though, ended in harsh sentences: some were dismissed through lack of evidence; others given a wide range of sentences; and others still, suspended sentences. Instances of early release and amnesty were also common. This book argues that law played a distinct and multi-faceted role for the Bolsheviks. Tribunals, in particular, stood at the intersection between law and violence, offering various advantages to the Bolsheviks by strengthening state control, providing a more effective means of educating the population about counter-revolution, and enabling a more flexible approach to punishing the state's enemies. All of this challenges traditional understandings of the early Soviet state, adding to our knowledge of the civil war and, ultimately, how the Bolsheviks held on to power.
Author: Shannon M. Mussett
Publisher: Rowman & Littlefield
ISBN: 178661247X
Category : Philosophy
Languages : en
Pages : 221
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Book Description
Now is a time of tremendous anxiety about the present and future state of the world. As the second law of thermodynamics states, entropy never decreases, time marches relentlessly forward, and closed systems inevitably break down. Entropy serves as a powerful metaphor capturing expressions of growing malaise and decline. Entropic Philosophy: Chaos, Breakdown, and Creation builds on the meaning of entropy from the Greek entropia, signifying “a turning toward” or “transformation.” Developing a philosophy of entropy, this book draws variously from anthropology, psychoanalysis, literature, art, and the history of philosophy. This approach opens pathways for reverence and care that are crucial in preventing fear, existential inertia, and despair.
Author: Lecturer in Modern European History Simon Huxtable
Publisher: Oxford University Press
ISBN: 019285769X
Category : Journalism
Languages : en
Pages : 266
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Book Description
"News from Moscow: Journalism and the Fate of the Thaw Project is a history of the post-war Soviet press that takes readers from the tense ideological climate of the late Stalin era to the comparative freedom of the Thaw. Through a case study of one of the country's most innovative and popular titles, the youth daily Komsomol'skaia pravda, the book shows how journalists attempted to remake the Soviet newspaper after Stalin's death, but details the many obstacles they faced along the way. The book argues that Thaw journalism was characterised by an unresolvable tension between innovation and conservativism: the more journalists tried to devise new forms to attract readers, the more officials grew anxious about the potentially disruptive consequences of reform. Taking readers from the gloomy climate of late Stalinism to the invasion of Czechoslovakia in 1968, the book's six chapters offer examples of journalists attempts to innovate, from its advocacy for person-centred pedagogy in the late Stalin and Thaw periods, to the creation of the country's first polling institute and its support for Brezhnev's technocratic reforms in the 1960s. Drawing on a range of unseen internal documents, including transcripts of private editorial meetings, the book takes readers into the Soviet newsroom for the first time, and details the conversations - with colleagues, functionaries and readers - that characterised journalists' daily work, and the conflicts with officials that came to characterise the Thaw project"--.
