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Author: Bruno Giberti
Publisher: University Press of Kentucky
ISBN: 0813150167
Category : Architecture
Languages : en
Pages : 320
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Book Description
The 1876 United States Centennial Exhibition in Philadelphia was not only the United States' first important world's fair, it signaled significant changes in the very shape of knowledge. Quarrels between participants in the exhibition represented a greater conflict as the world transitioned between two different kinds of modernity--the Enlightenment of the seventeenth and eighteenth centuries to the High Modern period of the nineteenth and twentieth centuries. At the center of this movement was a shift in the perceived relationship between seeing and knowing and in the perception of what makes an object valuable--its usefulness as a subject of study and learning versus its ability to be bought and sold on the market. Arguments over design of the Centennial reflected these opposing viewpoints. Initial plans were rigidly structured, dividing the exhibits by country and type. But as some exhibitors became more interested in the preferences of their audience, they adopted a more modern stance. Objects traditionally displayed in isolated glass boxes were placed in fictive context -- the necklace draped over a mannequin, the vase set on a table in a model room. As a result, the audience could more easily perceive these items as commodities suitable for their own environments and the fair as a place to find ideas for a material lifestyle. Designing the Centennial is a vital first look at the design process and the nature of the display. Bruno Giberti uses official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to illuminate how the 1876 fair revealed changes to come: in future world's fairs, museums, department stores, and in the nature of display itself.
Author: Bruno Giberti
Publisher: University Press of Kentucky
ISBN: 0813181488
Category : Architecture
Languages : en
Pages : 427
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Book Description
The 1876 United States Centennial Exhibition in Philadelphia was not only the United States' first important world's fair, it signaled significant changes in the very shape of knowledge. Quarrels between participants in the exhibition represented a greater conflict as the world transitioned between two different kinds of modernity—the Enlightenment of the seventeenth and eighteenth centuries to the High Modern period of the nineteenth and twentieth centuries. At the center of this movement was a shift in the perceived relationship between seeing and knowing and in the perception of what makes an object valuable—its usefulness as a subject of study and learning versus its ability to be bought and sold on the market. Arguments over design of the Centennial reflected these opposing viewpoints. Initial plans were rigidly structured, dividing the exhibits by country and type. But as some exhibitors became more interested in the preferences of their audience, they adopted a more modern stance. Objects traditionally displayed in isolated glass boxes were placed in fictive context—the necklace draped over a mannequin, the vase set on a table in a model room. As a result, the audience could more easily perceive these items as commodities suitable for their own environments and the fair as a place to find ideas for a material lifestyle. Designing the Centennial is a vital first look at the design process and the nature of the display. Bruno Giberti uses official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to illuminate how the 1876 fair revealed changes to come: in future world's fairs, museums, department stores, and in the nature of display itself.
Author: United States Centennial Commission
Publisher:
ISBN:
Category : Centennial Exhibition
Languages : en
Pages : 198
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Book Description
Author: J. S. Ingram
Publisher: Philadelphia ; Springfield, Mass., [etc.] : Hubbard Bros.
ISBN:
Category : Centennial Exhibition
Languages : en
Pages : 774
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Book Description
Including history of the Centennial from inception to final closing ceremonies, description of the principal buildings, foreign pavilions, booths and state buildings, with their interesting displays, exhibits of resources and products of the nations of the world; the most ingenious devices in Machinery Hall, woman's work in Woman's Pavilion, mineralogical, archaeological and geological collections from all states of the Union, the wonders of the Swiss watch department, the Centennial live stock exhibition, memorial parades and anniversaries of various orders, great state days, awards to exhibitors foreign and American, and numerous other subjects showing the magnitude and character of the New World's Fair, and illustrating the best achievements of human genius, industry and skill from all lands and all peoples.
Author: George Titus Ferris
Publisher:
ISBN:
Category : Centennial Exhibition
Languages : en
Pages : 184
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Book Description
Author: James D. McCabe
Publisher:
ISBN:
Category : Centennial Exhibition
Languages : en
Pages : 746
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Book Description
Author: John McArthur
Publisher:
ISBN:
Category :
Languages : en
Pages : 39
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Book Description
Author: Matthew Seth Robinson
Publisher:
ISBN:
Category : Centennial Exhibition
Languages : en
Pages : 106
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Book Description
Author: James D. McCabe
Publisher:
ISBN:
Category : Centennial Exhibition
Languages : en
Pages : 972
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Book Description
Author: John McArthur
Publisher: Forgotten Books
ISBN: 9780332979458
Category : Architecture
Languages : en
Pages : 42
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Book Description
Excerpt from Revised Design in Competition for Proposed Centennial Exhibition Building: For Exposition of Industry of All Nations, to Be Held in Philadelphia in 1876 First, we have abandoned altogether the use of galleries for exhibition purposes; and secondly, we have simplified the construction of the temporary portion of the building; omitting the towers and modifying the fronts so as to lessen as far as practicable, the cost of this part of the structure, consistent with a creditable appearance, and a proper adaptation to the purposes in view. The space formerly provided in the galleries has been transferred to the first floor, thereby enlarging the plan, and in this respect, perhaps, increasing the expense; but there is no doubt as to its being a decided improvement for exhibi tion purposes. In order to obtain good views of the scene below, narrow galleries have \been placed in the Memorial Hall, and in certain parts of the Temporary Buildings; but they have not been included in What would be denominated the exhibition space of the structure. The block plan Shows the general arrangement of the building, and its accessories. The portion tinted carmine, represents the Memorial Hall; and that tinted India ink, is the temporary part. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Thompson Westcott
Publisher:
ISBN:
Category : Centennial Exhibition
Languages : en
Pages : 256
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Book Description