Describing and Enhancing Creativity in Chinese Writing

Describing and Enhancing Creativity in Chinese Writing PDF Author: Wai-Ming Cheung
Publisher: Open Dissertation Press
ISBN: 9781361417874
Category :
Languages : en
Pages :

Get Book Here

Book Description
This dissertation, "Describing and Enhancing Creativity in Chinese Writing" by Wai-ming, Cheung, 張慧明, was obtained from The University of Hong Kong (Pokfulam, Hong Kong) and is being sold pursuant to Creative Commons: Attribution 3.0 Hong Kong License. The content of this dissertation has not been altered in any way. We have altered the formatting in order to facilitate the ease of printing and reading of the dissertation. All rights not granted by the above license are retained by the author. Abstract: Abstract of thesis entitled DESCRIBING AND ENHANCING CREATIVITY IN CHINESE WRITING submitted by CHEUNG WAI MING for the degree of Doctor of Philosophy at The University of Hong Kong in December 2005 This dissertation consists of three studies which addressed the issue of describing creativity and enhancing creativity in Chinese writing among primary school students in Hong Kong. Although creativity is valued in the Curriculum Reform of Hong Kong, the degree to which creativity is incorporated into teaching by Chinese Language teachers was unknown. Study One addressed this issue by a survey using a tailor-designed 14-item questionnaire conducted among 449 Chinese Language teachers in primary schools to tap the respondents' perceptions of creativity, perceived ways of developing students' creativity, and their day-to-day practice of writing in classrooms. The results show that most of the teacher respondents conformed to the traditional method of teaching writing. Results suggested a detailed study to enhance teacher's skills in teaching creativity in Chinese which formed the foundation for Study Three. With Study One as the foundation, distinctions between Eastern and Western perspectives of creativity may be explored in future. Study Two was the development and validation of the Chinese Creative Writing Scale (CCWS) that was later applied as an outcome measure for creative writing in Chinese language in Study Three. The development of CCWS contributes to the measurement of creative writing in Chinese. With its good internal consistency, inter-rater reliability and construct validity, it can be used as an outcome measure for assessing the effectiveness of enhancing creativity in Chinese writing. With minor modifications, the scale can be applied in Mainland China, Taiwan, and Chinese societies elsewhere in the world. In Study Three, we first developed four learning studies using the phenomenographic approach and the Theory of Variation. To test the effect of the learning study approach, a quasi-experimental trial was then conducted in a primary school in Hong Kong. Four teachers joined the learning study for one academic year. Some 277 students were randomly allocated into the target group (137) and comparison group (140). The target group received creative teaching of writing by the four teachers involved while the comparison group received traditional teaching. Outcome assessments, the Chinese Creative Writing Scale and the Williams Scale, revealed that the students in the target group showed improvement in almost all aspects of creativity whereas the students in the comparison group did not. This study provided empirical evidence to the positive effects of learning study. Through the learning study, teachers discovered the necessary conditions for the learning of specific objects of learning in Chinese writing. Meanwhile, teachers could enhance the generic capability of creativity which went beyond specific thing. The ground-breaking aspect of this study is that it contributes to both the discernment of specific objects of learning and the enhancement of generic attribute of creativity. Implications to educational policy, teaching practice and further research were suggested. (447words) DOI: 10.5353/th_b3621996 Subjects: Chinese language - Composition and exercises - Study and teaching (Elementary) - China - Hong Kong Creative ability

Describing and Enhancing Creativity in Chinese Writing

Describing and Enhancing Creativity in Chinese Writing PDF Author: Wai-Ming Cheung
Publisher: Open Dissertation Press
ISBN: 9781361417874
Category :
Languages : en
Pages :

Get Book Here

Book Description
This dissertation, "Describing and Enhancing Creativity in Chinese Writing" by Wai-ming, Cheung, 張慧明, was obtained from The University of Hong Kong (Pokfulam, Hong Kong) and is being sold pursuant to Creative Commons: Attribution 3.0 Hong Kong License. The content of this dissertation has not been altered in any way. We have altered the formatting in order to facilitate the ease of printing and reading of the dissertation. All rights not granted by the above license are retained by the author. Abstract: Abstract of thesis entitled DESCRIBING AND ENHANCING CREATIVITY IN CHINESE WRITING submitted by CHEUNG WAI MING for the degree of Doctor of Philosophy at The University of Hong Kong in December 2005 This dissertation consists of three studies which addressed the issue of describing creativity and enhancing creativity in Chinese writing among primary school students in Hong Kong. Although creativity is valued in the Curriculum Reform of Hong Kong, the degree to which creativity is incorporated into teaching by Chinese Language teachers was unknown. Study One addressed this issue by a survey using a tailor-designed 14-item questionnaire conducted among 449 Chinese Language teachers in primary schools to tap the respondents' perceptions of creativity, perceived ways of developing students' creativity, and their day-to-day practice of writing in classrooms. The results show that most of the teacher respondents conformed to the traditional method of teaching writing. Results suggested a detailed study to enhance teacher's skills in teaching creativity in Chinese which formed the foundation for Study Three. With Study One as the foundation, distinctions between Eastern and Western perspectives of creativity may be explored in future. Study Two was the development and validation of the Chinese Creative Writing Scale (CCWS) that was later applied as an outcome measure for creative writing in Chinese language in Study Three. The development of CCWS contributes to the measurement of creative writing in Chinese. With its good internal consistency, inter-rater reliability and construct validity, it can be used as an outcome measure for assessing the effectiveness of enhancing creativity in Chinese writing. With minor modifications, the scale can be applied in Mainland China, Taiwan, and Chinese societies elsewhere in the world. In Study Three, we first developed four learning studies using the phenomenographic approach and the Theory of Variation. To test the effect of the learning study approach, a quasi-experimental trial was then conducted in a primary school in Hong Kong. Four teachers joined the learning study for one academic year. Some 277 students were randomly allocated into the target group (137) and comparison group (140). The target group received creative teaching of writing by the four teachers involved while the comparison group received traditional teaching. Outcome assessments, the Chinese Creative Writing Scale and the Williams Scale, revealed that the students in the target group showed improvement in almost all aspects of creativity whereas the students in the comparison group did not. This study provided empirical evidence to the positive effects of learning study. Through the learning study, teachers discovered the necessary conditions for the learning of specific objects of learning in Chinese writing. Meanwhile, teachers could enhance the generic capability of creativity which went beyond specific thing. The ground-breaking aspect of this study is that it contributes to both the discernment of specific objects of learning and the enhancement of generic attribute of creativity. Implications to educational policy, teaching practice and further research were suggested. (447words) DOI: 10.5353/th_b3621996 Subjects: Chinese language - Composition and exercises - Study and teaching (Elementary) - China - Hong Kong Creative ability

Describing and Enhancing Creativity in Chinese Writing

Describing and Enhancing Creativity in Chinese Writing PDF Author: Wai-ming Cheung (Ph.D.)
Publisher:
ISBN:
Category : Chinese language
Languages : en
Pages : 590

Get Book Here

Book Description


On the Learning of Chinese

On the Learning of Chinese PDF Author:
Publisher: BRILL
ISBN: 9460912699
Category : Education
Languages : en
Pages : 194

Get Book Here

Book Description
Although more people speak Chinese than any other language on Earth, proficiency in Chinese is largely confined to the people who live in or adjacent to the Chinese Mainland and Taiwan, and to the ethnic Chinese inhabitants of the various “Chinatowns” in countries around the world. Despite its allure, many people find Chinese a hard language to learn, including a considerable number of children who learn it as mother tongue.

Necessary Conditions of Learning

Necessary Conditions of Learning PDF Author: Ference Marton
Publisher: Routledge
ISBN: 1317811941
Category : Education
Languages : en
Pages : 324

Get Book Here

Book Description
Necessary Conditions of Learning presents a research approach (phenomenography) and a theory (the variation theory of learning) introduced and developed by Ference Marton and taken up by his wide and varied following around the world—together with their practical applications in educational contexts. Reflecting Marton’s whole lifetime's work, the unique and significant contribution of this book is to offer an evidence-based answer to the questions "How do we make novel meanings our own?" and "How do we learn to see things in more powerful ways?" The presentation makes use of hundreds of empirical studies carried out in Europe and Asia which build on the theory. The line of reasoning and the way in which the examples are put together is consistent with the theory—it is both presented and applied. The main argument is that in order to learn we have to discern, and to discern the intended ideas we must be presented with carefully structured variation, against a background of invariance. We then go through processes of contrast, generalization, and fusion in order to make sense. These insights form a practical framework for those who design teaching and teaching materials. Necessary Conditions of Learning is a major original work for which scholars of pedagogical theory have been waiting a long time.

Realising Learning

Realising Learning PDF Author: Keith Wood
Publisher: Routledge
ISBN: 1317803825
Category : Education
Languages : en
Pages : 207

Get Book Here

Book Description
The best professional development for teachers focuses on issues they encounter in the classroom. It is collaborative, school-based, learning-focused and supports teachers in solving problems of pedagogy in context. Through lesson study teachers are empowered to make decisions to improve pedagogy, curriculum and assessment based on evidence of the effect of design on learning. Being explicit about the theories of learning underpinning their teaching decisions allows teachers to develop a shared vocabulary for the diagnosis of learning problems, redesign and evaluation of learning situations. Learning study introduces a new Variation Theory of Learning. It provides a framework for teachers to make critical decisions about what is to be learnt and how. The fusion of lesson and learning study is changing the nature of professional development and providing teachers with a voice in the field of educational research. In Realising Learning, teachers, teacher educators and policy makers can share the progress achieved by teachers in Asia and Europe to improve teaching and learning.

Hacking Chinese

Hacking Chinese PDF Author: Olle Linge
Publisher:
ISBN: 9781530334889
Category :
Languages : en
Pages : 246

Get Book Here

Book Description
Learning Chinese can be frustrating and difficult, partly because it's very different from European languages. Following a teacher, textbook or language course is not enough. They show you the characters, words and grammar you need to become proficient in Chinese, but they don't teach you how to learn them! Regardless of what program you're in (if any), you need to take responsibility for your own learning. If you don't, you will miss many important things that aren't included in the course you're taking. If you study on your own, you need to be even more aware of what you need to do, what you're doing at the moment and the difference between them. Here are some of the questions I have asked and have since been asked many times by students: How do I learn characters efficiently? How do I get the most out of my course or teacher? Which are the best learning tools and resources? How can I become fluent in Mandarin? How can I improve my pronunciation? How do I learn successfully on my own? How can I motivate myself to study more? How can I fit learning Chinese into a busy schedule? The answers I've found to these questions and many others form the core of this book. It took eight years of learning, researching, teaching and writing to figure these things out. Not everybody has the time to do that! I can't go back in time and help myself learn in a better way, but I can help you! This book is meant for normal students and independent language learners alike. While it covers all major areas of learning, you won't learn Chinese just by reading this book. It's like when someone on TV teaches you how to cook: you won't get to eat the delicious dish just by watching the program; you have to do the cooking yourself. That's true for this book as well. When you apply what you learn, it will boost your learning, making every hour you spend count for more, but you still have to do the learning yourself. This is what a few readers have said about the book: "The book had me nodding at a heap of things I'd learnt the hard way, wishing I knew them when I started, as well as highlighting areas that I'm currently missing in my study." - Geoff van der Meer, VP engineering "This publication is like a bible for anyone serious about Chinese proficiency. It's easy for anyone to read and written with scientific precision." - Zachary Danz, foreign teacher, children's theatre artist About me I started learning Chinese when I was 23 (that's more than eight years ago now) and have since studied in many different situations, including serious immersion programs abroad, high-intensity programs in Sweden, online courses, as well as on the side while working or studying other things. I have also successfully used my Chinese in a graduate program for teaching Chinese as a second language, taught entirely in Chinese mostly for native speakers (the Graduate Institute for Teaching Chinese as a Second Language at National Taiwan Normal University). All these parts have contributed to my website, Hacking Chinese, where I write regularly about how to learn Mandarin.

Chinese Character Manipulation in Literature and Divination

Chinese Character Manipulation in Literature and Divination PDF Author: Anne Kathrin Schmiedl
Publisher: BRILL
ISBN: 9004422374
Category : History
Languages : en
Pages : 368

Get Book Here

Book Description
In Chinese Character Manipulation in Literature and Divination, Anne Schmiedl analyses the historical development and linguistic properties of Chinese character manipulation, focusing on a late imperial work on this subject, the Zichu by Zhou Lianggong (1612–1672).

Chinese Creative Writing Studies

Chinese Creative Writing Studies PDF Author: Mo-Ling Rebecca Leung
Publisher: Springer Nature
ISBN: 9819909317
Category : Language Arts & Disciplines
Languages : en
Pages : 183

Get Book Here

Book Description
This book introduces Chinese creative writing to the English-speaking world, considering various aspects of literary and creative theories in research in Chinese writing. It covers recent trends such as cross-media practices, pedagogy in creative writing in China, Taiwan and Hong Kong, specifically, and looks at how Chinese classical culture brings new interpretations to creative writing within a global context. Consisting of 14 chapters by established scholars and experts, writers, and poets working in various genres within the Chinese writing tradition, the book presents data accrued from personal reflections, classroom teaching, video games, museum studies, radio dramas, TV series, and cyber-literature. The book includes leading Chinese leading scholars’ reflections on research and the field, providing an omnibus perspective on theories of creative writing. It focuses on the interconnection between Chinese creative writing and pedagogy and examines different writer-training methods in Mainland China, Hong Kong, and Taiwan, offering a comparative perspective that deepens the understanding of institutional effects on the development of creative writing. It unpacks the interaction between Chinese creative writing and multimedia and ascertains the possibilities of incorporating media studies into writing practices. It also presents new interpretations of Chinese classical culture assets to new creative or literary manuscripts, such as TV series adaptation and Internet literature. Relevant to researchers, teachers, and students working Chinese creative writing and Chinese literature, it is also a landmark text in exposing English-speaking creative writing scholars to the wealth of Chinese creative writing, in English.

The Psychology of Creative Writing

The Psychology of Creative Writing PDF Author: Scott Barry Kaufman
Publisher: Cambridge University Press
ISBN: 1139480936
Category : Psychology
Languages : en
Pages : 409

Get Book Here

Book Description
The Psychology of Creative Writing takes a scholarly, psychological look at multiple aspects of creative writing, including the creative writer as a person, the text itself, the creative process, the writer's development, the link between creative writing and mental illness, the personality traits of comedy and screen writers, and how to teach creative writing. This book will appeal to psychologists interested in creativity, writers who want to understand more about the magic behind their talents, and educated laypeople who enjoy reading, writing, or both. From scholars to bloggers to artists, The Psychology of Creative Writing has something for everyone.

Dissertation Abstracts International

Dissertation Abstracts International PDF Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 734

Get Book Here

Book Description