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Author: Friedrich A. Kittler
Publisher: Stanford University Press
ISBN: 9780804732338
Category : Language Arts & Disciplines
Languages : en
Pages : 364
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Book Description
On history of communication
Author: Friedrich A. Kittler
Publisher: Stanford University Press
ISBN: 9780804732338
Category : Language Arts & Disciplines
Languages : en
Pages : 364
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Book Description
On history of communication
Author: Thomas Deane Tucker
Publisher: Lexington Books
ISBN: 9780739116227
Category : Art
Languages : en
Pages : 114
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Book Description
Derridada explores the affinities between the work of Marcel Duchamp and the discipline of deconstruction. It is the first text to explore Duchamp's work in the context of the theories of Derrida and deconstruction.
Author: Leonard Jackson
Publisher: Routledge
ISBN: 1317898257
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
The Poverty of Structuralism is the first in a sequence of volumes which examine in turn the basic ideas of Saussure, Marx and Freud, and analyse the way in which they have been developed and applied to art, culture and modern textual theory. The text offers a critical introduction to the structuralist foundations of modern literary theory. It gives an account of the way such foundations have been developed, twisted and distorted to become part of the language that contemporary literary and cultural theoreticians use. It also addresses some of the fundamental issues about language and society that are presupposed by the often difficult language of modern literary and cultural theory.
Author: Christian Hite
Publisher: punctum books
ISBN: 0998531898
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
Coming from behind (derrière)-how else to describe a volume called "Derrida and Queer Theory"? - as if arriving late to the party, or, indeed, after the party is already over. After all, we already have Deleuze and Queer Theory and, of course, Saint Foucault. And judging by Annamarie Jagose's Queer Theory: An Introduction, in which there is not a single mention of "Derrida" (or "deconstruction") - even in the sub-chapter titled "The Post-Structuralist Context of Queer" - one would think that Derrida was not only late to the party, but was never there at all. This untimely volume, then, with wide-ranging essays from key thinkers in the field, addresses, among other things, what could be called the disavowed debt to "Derrida" in canonical "queer theory." TABLE OF CONTENTS // The Gift from (of the) "Behind" (Derrière): Intro-extro-duction - Christian Hite Preposturous Preface: Derrida and Queer Discourse - J. Hillis Miller Impossible Uncanniness: Deconstruction and Queer Theory - Nicholas Royle No Kingdom of the Queer - Calvin Thomas Derrida and the Question of "Woman" - Sarah Dillon Les chats de Derrida - Carla Freccero Derrida's Queer Root(s) - Jarrod Hayes Deco-pervo-struction - Èamonn Dunne A Man For All Seasons: Derrida-cum-"Queer Theory," or the Limits of "Performativity" - Alexander García Düttmann "Practical Deconstruction" A Note on Some Notes by Judith Butler - Martin McQuillan Performing Friendship - Linnell Secomb Postface: Just Queer - Geoffrey Bennington Appendix: Supreme Court (1988) - David Wills
Author: Gale K. Larson
Publisher: Penn State Press
ISBN: 9780271021270
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
SHAW 21 offers readers an eclectic perspective on Shaw, his works, and his contemporaries. Basil Langton, actor and director, reminisces about his early development as an actor, his meeting with Shaw, and his career as director of many of Shaw's plays. He focuses upon Shaw's stagecraft, augmenting his views with those of Sybil Thorndike and Sir Lewis Casson, whom he interviewed in 1960. Galen Goodwin Longstreth analyzes the correspondence between Shaw and Ellen Terry and argues that the exchange is itself a literary genre, a dramatic performance that reveals their personal identities. The next two contributors, Stanley Weintraub and Andrea Adolph, examine the Shaw/Virginia Woolf relationship. Weintraub focuses on those occasions when their respective lives touched each other, what their feelings for each other were, and how those occasions were obliquely woven into Shaw's plays, most notably Heartbreak House. Professor Adoph argues that in Woolf's only dramatic text, Freshwater: A Comedy, she was conforming to the traditional theatrical mode of the day, dominated, of course, by Shaw, but that she subverted his traditional literary depiction of paternity as, for example, the paternity dramatized in Major Barbara. Sidney Albert and Bernard Dukore provide unique perspectives on reading Major Barbara. Albert shows how John Bunyan's The Pilgrim's Progress serves as Shaw's source for Barbara's progress toward enlightened understanding. Dukore, focusing on the perspective of the familial relationship within the play, concludes that Shaw's dialectic gives the kids the future and not the dad. It will be the next generation, not Father Undershaft, who will determine where society will go next. Julie Sparks and Martin Bucco approach Shaw from a comparative basis, juxtaposing him with two American writers, contemporaries of Shaw, Mark Twain and Sinclair Lewis, respectively. Sparks explores the commonality that exists in Shaw's and Twain's thinking about evolution, namely, their heretical visions of a post-Darwinian Eden. Both viewed conventional Christianity iconoclastically, but both arrived at different conclusions about human origin and destiny, a view Sparks describes as emanating from the deist-pessimist-evolutionary-determinist perspective versus the mystic-optimistic-creative-evolutionist perspective, or the Personal Godhead versus the Impersonal Force. Professor Bucco enumerates the many references Sinclair Lewis makes to Bernard Shaw throughout his writings, both prose and fiction, to underscore the American novelist's admiration for the Irish playwright, both recipients of the Nobel Prize for Literature. The final two contributors to SHAW 21, Rodelle Weintraub and William Doan, provide the readers with distinctive perspectives on John Bull's Other Island and The Doctor's Dilemma, respectively. Weintraub recasts the play into a dream sequence whereby Doyle's dream becomes an artifice for problem solving. Implied within Father Keegan's lines in the play, "Every dream is a prophecy: every jest is an earnest in the womb of Time," is the resolution of Doyle's problem with Nora, the girl he had left behind, and of the dream of modernizing Roscullen. Doan suggests that in The Doctor's Dilemma Shaw uses the idea of unconsummated adultery to argue for the efficacy of art over science. In the conflict between the artist and the scientist, the latter plans to have the artist's muse. In the end, not only is he deprived of the wife but also of the works of art themselves and the spirit that animates them. SHAW 21 also includes three reviews of recent additions to Shavian scholarship as well as John R. Pfeiffer's "Continuing Checklist of Shaviana."
Author: William Schultz
Publisher: Routledge
ISBN: 1315470233
Category : Philosophy
Languages : en
Pages : 663
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Book Description
First published in 1992, this book represents the first major attempt to compile a bibliography of Derrida’s work and scholarship about his work. It attempts to be comprehensive rather than selective, listing primary and secondary works from the year of Derrida’s Master’s thesis in 1954 up until 1991, and is extensively annotated. It arranges under article type a huge number of works from scholars across numerous fields — reflecting the interdisciplinary and controversial nature of Deconstruction. The substantial introduction and annotations also make this bibliography, in part, a critical guide and as such will make a highly useful reference tool for those studying his philosophy.
Author: Andrew J. McKenna
Publisher: University of Illinois Press
ISBN: 9780252062025
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
McKenna explicates key elements of the anthropology of Rene Girard and the literary theory of Jacques Derrida in terms of each other--to create an interpretive strategy that he hopes will "salvage deconstruction from the flashy sterility it favors."
Author: Allan Megill
Publisher: Univ of California Press
ISBN: 0520060288
Category : Philosophy
Languages : en
Pages : 424
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Book Description
In this book, the author presents an interpretation of four thinkers: Nietzsche, Heidegger, Foucault, and Derrida. In an attempt to place these thinkers within the wider context of the crisis-oriented modernism and postmodernism that have been the source of much of what is most original and creative in twentieth-century art and thought.
Author: Jean-Luc Nancy
Publisher: Fordham Univ Press
ISBN: 1531503403
Category : Philosophy
Languages : en
Pages : 211
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Book Description
When Jean-Luc Nancy first encountered the work of Jacques Derrida in the 1960s, he knew he was hearing something new, a voice genuinely of its time. Thinking with and against each other over the course of their long friendship, the two thinkers reshaped the European intellectual landscape. Nancy’s writings on Derrida, collected in this volume, reflect on the elements of their shared concerns with politics, the arts, religion, the fate of deconstruction, and the future of sense. Rather than studies, commentaries, or interpretations of Derrida’s thought, they are responses to his presence—not exactly a presence to self, but a presence in the world.
Author: Alistair Heys
Publisher: Bloomsbury Publishing USA
ISBN: 1441177639
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
Here at last is a comprehensive introduction to the career of America's leading intellectual. The Anatomy of Bloom surveys Harold Bloom's life as a literary critic, exploring all of his books in chronological order, to reveal that his work, and especially his classic The Anxiety of Influence, is best understood as an expression of reprobate American Protestantism and yet haunted by a Jewish fascination with the Holocaust. Heys traces Bloom's intellectual development from his formative years spent as a poor second-generation immigrant in the Bronx to his later eminence as an international literary phenomenon. He argues that, as the quintessential living embodiment of the American dream, Bloom's career-path deconstructs the very foundations of American Protestantism.
