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Author: Jim Ellis
Publisher: U of Minnesota Press
ISBN: 0816653127
Category : Performing Arts
Languages : en
Pages : 329
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Book Description
Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session
Author: Jim Ellis
Publisher: U of Minnesota Press
ISBN: 0816653127
Category : Performing Arts
Languages : en
Pages : 329
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Book Description
Printbegrænsninger: Der kan printes 10 sider ad gangen og max. 40 sider pr. session
Author: Derek Jarman
Publisher: U of Minnesota Press
ISBN: 1452915717
Category : Motion picture producers and directors
Languages : en
Pages : 258
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Book Description
Author: Rowland Wymer
Publisher: Manchester University Press
ISBN: 9780719056918
Category : Performing Arts
Languages : en
Pages : 230
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Book Description
Rowland Wymer gives detailed, original critical readings of Derek Jarman's eleven feature-length films, and argues that he occupies a major and influential place in European and world cinema.
Author: Derek Jarman
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 324
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Book Description
Originally published: Woodstock, N.Y.: Overlook Press, 1994.
Author: Martin Frey
Publisher: Martin Frey
ISBN: 9783200044951
Category : Amateur films
Languages : en
Pages : 247
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Book Description
The English painter, film-maker and writer Derek Jarman (1942-1994) is mainly known for his work in the medium of film, but he always saw himself primarily as a painter. In this study of his lesser known home movies, Super 8 films and the 'cinema of small gestures' that Jarman developed out of them, Martin Frey discusses numerous Super 8 films as well as the films THE LAST OF ENGLAND, IN THE SHADOW OF THE SUN and THE ANGELIC CONVERSATION. He examines Jarman's filming techniques and way of working and also analyses influences from the fields of painting and literature, such as Allen Ginsberg, Robert Rauschenberg, David Hockney and Yves Klein. For Jarman, life and work represented an indivisible unity. Numerous autobiographical elements from his works are thus considered in this volume: his repressed childhood and adolescence in post-war England, his coming out and the liberated life of the seventies, his struggle against the unequal treatment of homosexuals during the Thatcher era, his dealing with his own HIV infection and finally his personal commitment to fighting discrimination against people who are HIV-positive or who have already developed Aids. www.jarman-film-book.com/
Author: Derek Jarman
Publisher: U of Minnesota Press
ISBN: 1452915725
Category :
Languages : en
Pages : 253
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Book Description
Soon after he started filming "The Last of England" (which had much autobiographical content) in 1986, Derek Jarman started work on this book, which contains diary entries, interviews and notes from the script. He writes of his childhood and his kleptomaniac father, the process through which he came to terms with his homosexuality, his early work as a painter and designer, and his debut as a film director. Serious themes are followed thoughout, as Jarman writes of what he regards as the corruption of the cinema industry, the moral and personal consequences of the AIDS virus, and the down side of Thatcher's Britain.
Author: Michael Charlesworth
Publisher: Bloomsbury Publishing
ISBN: 1350385743
Category : Philosophy
Languages : en
Pages : 257
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Book Description
Derek Jarman's place in the history of film is assured by virtue of his vibrant, defiant films that experiment with the very process of film-making and create new forms. His paintings, their excitements and their profundity, are less well known. Michael Charlesworth sheds light on the varied ramifications of Jarman's artistic practice from his years at Prospect Cottage, Dungeness, and provides the first book-length study of his interest in depth psychology. He draws on Jarman's paintings, especially his landscapes from the 1960s and 70s, his multiple series such as 'black' and 'broken glass', GBH, Queer and Evil Queen, and his last Ecstatic Landscapes (1991-3). He also showcases Jarman's excellence as a writer with respect to his memoir, Kicking the Pricks. In a novel approach to Jarman's cinema, selecting films such as Journey to Avebury (1973), Caravaggio (1986), The Garden (1990) and Blue (1993), Charlesworth emphasizes themes and artistry rather than narrative. Exploring the ways in which Jungian and post-Jungian psychology were absorbed into Jarman's varied works, Derek Jarman's Visionary Arts provides a fresh perspective on his painting, film and writing. It celebrates him as one of the major British artists of the late 20th century, engaging with current debates about queer sexualities, environmentalism and climate catastrophe.
Author: Alex Cox
Publisher: Oldacastle Books
ISBN: 0857301772
Category : Performing Arts
Languages : en
Pages : 105
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Book Description
The enormously puzzling TV series The Prisoner has developed a rapt cult following, and has often been described as "surreal" or "Kafkaesque." In I Am (Not) a Number, Cox takes an opposing view. While the series has surreal elements, he believes it provides the answers to all the questions which have confounded viewers: who is Number 6? Who runs The Village? Who—or what—is Number 1? According to Cox, the key is to view the series in the order in which the episodes were made, not in the order of the UK or US television screenings. In this book he does exactly that, and provides an entirely original and controversial "explanation" for what is perhaps the best, and certainly the most perplexing, TV series of all time.
Author: Steven Dillon
Publisher: University of Texas Press
ISBN: 9780292702240
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
Derek Jarman was the most important independent filmmaker in England during the 1980s. Using emblems and symbols in associative contexts, rather than conventional, cause-and-effect narrative, he created films noteworthy for their lyricism and poetic feeling and for their exploration of the gay experience. His style of filmmaking also links Jarman with other prominent directors of lyric film, including Pier Paolo Pasolini, Andrei Tarkovsky, Jean Cocteau, and Jean Genet. This pathfinding book places Derek Jarman in the tradition of lyric film and offers incisive readings of all eleven of his feature-length films, from Sebastiane to Blue. Steven Dillon looks at Jarman and other directors working in a similar vein to establish how lyric films are composed through the use of visual imagery and actual poetry. He then traces Jarman's use of imagery (notably mirrors and the sea) in his films and discusses in detail the relationship between cinematic representations and sexual identity. This insightful reading of Jarman's work helps us better understand how films such as The Last of England and The Garden can be said to cohere and mean without being reduced to clear messages. Above all, Dillon's book reveals how truly beautiful and brilliant Jarman's movies are.
Author: John Addington Symonds
Publisher:
ISBN:
Category : 1893
Languages : en
Pages : 338
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Book Description
