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Author: Ágnes Kriza
Publisher:
ISBN: 9780192596260
Category : Christian art and symbolism
Languages : en
Pages : 0
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Book Description
"The image of Divine Wisdom, traditionally associated with the Sophia Cathedral in Novgorod, is an innovation of the fifteenth century. The icon represents the winged, royal, red-faced Sophia flanked by the Mother of God and John the Baptist. Although the image has a contemporaneous commentary, and although it exercised a profound influence on Russian cultural history, its meaning, together with the dating and localisation of the first appearance of the iconography, has remained an art-historical conundrum. By exploring the message, roots, function, and historical context of the creation of the first, most emblematic and enigmatic Russian allegorical iconography, Depicting Orthodoxy in the Russian Middle Ages deciphers the meaning of this icon. In contrast to previous interpretations, Kriza argues that the winged Sophia is the personification of the Orthodox Church. The Novgorod Wisdom icon represents the Church of Hagia Sophia, that is, Orthodoxy, as it was perceived in fifteenth-century Rus. Depicting Orthodoxy asserts that the icon, together with its commentary, was a visual-textual response to the Union of Florence between the Catholic and Orthodox Churches, signed in 1439 but rejected by the Russians in 1441. This interpretation is based on detailed interdisciplinary research, drawing on philology, art history, theology, and history. Kriza's study challenges some key assumptions concerning the relevance of Church Schism of 1054, the polemics between the Greeks and the Latins about the bread of Eucharist, and the role of the Union of Florence in the history of Russian art. In particular, by studying both well- and lesser-known works of art alongside overlooked textual evidence, this volume investigates how the Christian Church and its true faith were defined and visualized in Rus and Byzantium throughout the centuries"--Publisher's description.
Author: Ágnes Kriza
Publisher:
ISBN: 9780192596260
Category : Christian art and symbolism
Languages : en
Pages : 0
Get Book Here
Book Description
"The image of Divine Wisdom, traditionally associated with the Sophia Cathedral in Novgorod, is an innovation of the fifteenth century. The icon represents the winged, royal, red-faced Sophia flanked by the Mother of God and John the Baptist. Although the image has a contemporaneous commentary, and although it exercised a profound influence on Russian cultural history, its meaning, together with the dating and localisation of the first appearance of the iconography, has remained an art-historical conundrum. By exploring the message, roots, function, and historical context of the creation of the first, most emblematic and enigmatic Russian allegorical iconography, Depicting Orthodoxy in the Russian Middle Ages deciphers the meaning of this icon. In contrast to previous interpretations, Kriza argues that the winged Sophia is the personification of the Orthodox Church. The Novgorod Wisdom icon represents the Church of Hagia Sophia, that is, Orthodoxy, as it was perceived in fifteenth-century Rus. Depicting Orthodoxy asserts that the icon, together with its commentary, was a visual-textual response to the Union of Florence between the Catholic and Orthodox Churches, signed in 1439 but rejected by the Russians in 1441. This interpretation is based on detailed interdisciplinary research, drawing on philology, art history, theology, and history. Kriza's study challenges some key assumptions concerning the relevance of Church Schism of 1054, the polemics between the Greeks and the Latins about the bread of Eucharist, and the role of the Union of Florence in the history of Russian art. In particular, by studying both well- and lesser-known works of art alongside overlooked textual evidence, this volume investigates how the Christian Church and its true faith were defined and visualized in Rus and Byzantium throughout the centuries"--Publisher's description.
Author: Ágnes Kriza
Publisher:
ISBN: 9780191888595
Category : Christian art and symbolism
Languages : en
Pages :
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Book Description
The image of Divine Wisdom, traditionally associated with the Sophia Cathedral in Novgorod, is an innovation of the 15th century. The icon represents the winged, royal, red-faced Sophia flanked by the Mother of God and John the Baptist. Although the image has a contemporaneous commentary, and although it exercised a profound influence on Russian cultural history, its meaning has remained an art-historical conundrum. By exploring the message, roots, function and historical context of the creation of the first, most emblematic and enigmatic Russian allegorical iconography, this title deciphers the meaning of this icon.
Author: Ágnes Kriza
Publisher: Oxford University Press
ISBN: 0198854307
Category : Christianity and art
Languages : en
Pages : 385
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Book Description
The image of Divine Wisdom, traditionally associated with the Sophia Cathedral in Novgorod, is an innovation of the fifteenth century. The icon represents the winged, royal, red-faced Sophia flanked by the Mother of God and John the Baptist. Although the image has a contemporaneous commentary, and although it exercised a profound influence on Russian cultural history, its meaning, together with the dating and localisation of the first appearance of the iconography, has remained an art-historical conundrum. By exploring the message, roots, function, and historical context of the creation of the first, most emblematic and enigmatic Russian allegorical iconography, Depicting Orthodoxy in the Russian Middle Ages deciphers the meaning of this icon. In contrast to previous interpretations, Kriza argues that the winged Sophia is the personification of the Orthodox Church. The Novgorod Wisdom icon represents the Church of Hagia Sophia, that is, Orthodoxy, as it was perceived in fifteenth-century Rus. Depicting Orthodoxy asserts that the icon, together with its commentary, was a visual-textual response to the Union of Florence between the Catholic and Orthodox Churches, signed in 1439 but rejected by the Russians in 1441. This interpretation is based on detailed interdisciplinary research, drawing on philology, art history, theology, and history. Kriza's study challenges some key assumptions concerning the relevance of Church Schism of 1054, the polemics between the Greeks and the Latins about the bread of Eucharist, and the role of the Union of Florence in the history of Russian art. In particular, by studying both well- and lesser-known works of art alongside overlooked textual evidence, this volume investigates how the Christian Church and its true faith were defined and visualized in Rus and Byzantium throughout the centuries.
Author:
Publisher: Penn State Press
ISBN: 0271046023
Category :
Languages : en
Pages : 306
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Book Description
Author: Ágnes Kriza
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110779226
Category : History
Languages : en
Pages : 408
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Book Description
Enigma in Rus and Medieval Slavic Cultures is a thematic essay volume to investigate the history and function of enigma in Orthodox Slavic cultures with a special focus on the cultural history of Rus and Muscovy. Its seventeen case studies across disciplinary boundaries analyze Slavic biblical and patristic translations, liturgical commentaries, occult divinatory texts, and dream interpretations. Slavic riddles inscribed on walls and compilations of riddles in question-and-answer format are all subjects of this volume. Not only written, but also pictorial enigmas are examined, together with their relationships to texts suggesting novel methodologies for their deciphering. This kaleidoscopic survey of Enigma in Rus and Medieval Slavic Cultures by an international group of scholars demonstrates the historiographical challenges that medieval enigmatic thought poses for researchers and offers new approaches to the interpretation of medieval sources, both verbal and visual.
Author: Gyula Klima
Publisher: Springer Nature
ISBN: 3031402502
Category : Philosophy
Languages : en
Pages : 469
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Book Description
This volume is about the most mind-boggling sacrament of the Christian faith, also referred to as the Sacrament of the Altar, the Eucharist: in its Roman Catholic interpretation, the conversion of the substance of the bread and wine into the body and blood of Christ for Holy Communion. The challenge of providing a rational interpretation of this doctrine of faith proved to be one of the most contentious issues in the Western history of ideas, apparently going against self-evident metaphysical principles (requiring accidents existing without a substance, and a body in several places at the same time, etc.), and dividing schools of thought, indeed, eventually, warring religious factions. The volume addresses both the metaphysical, theoretical issues involved in this challenge and the historical, theological developments of how meeting this challenge played out first in the schools and even later in religious schisms, leading to the paradigmatic shift from medieval to modern forms of thought. The essays of the volume derive from the lectures of an eponymous international conference held in Budapest, Hungary, which was also the occasion of founding the Society for the History of European Ideas (SEHI); accordingly, the book is the first volume of the annual Proceedings of the SEHI. This book is aimed just as much at laymen and religious scholars seeking a better understanding of their faith as at anyone seeking this understanding with a non-religious attitude.
Author: Vera Shevzov
Publisher: Oxford University Press
ISBN: 0198035195
Category : Religion
Languages : en
Pages : 373
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Book Description
Since the collapse of the Soviet Union, Orthodox Christianity in Russia has enjoyed a remarkable resurgence. Many Russians are now looking to the history of their faith as they try to rebuild a lost way of life. Vera Shevzov has spent ten years researching Orthodoxy as it was lived in the years before the 1917 Revolution. In Russian Orthodoxy on the Eve of Revolution, she draws on a rich variety of previously untapped archival sources and published works unavailable in the West to reconstruct the religious world of lay people. Shevzov traces the means by which men and women shaped their religious lives in an ecclesiastical system that was often dominated by bureaucrats and monastic bishops. She finds vivid displays of resistance to the official system and equally vivid affirmations of faith. Focusing on various "centers" of religious life--the church temple, chapels, feasts, icons, and the Virgin Mary--she traces the rituals, beliefs, and communal dynamics that lent these centers meaning. Shevzov also presents the conflicting voices of ecclesiastical officials. She questions the notion that the only challenge to Orthodoxy at the end of the ancien regime came from outsiders such as Marxist revolutionaries, atheistic intellectuals, and urban factor workers. Instead, she shows that a different but equally great challenge emerged within the faith community itself. Indeed, the late nineteenth and early twentieth century is revealed as one of the most dynamic periods in the history of Russian Orthodoxy, characterized by debates analogous to the Reformation or the era of Vatican II. Russian Orthodoxy on the Eve of Revolution breaks new ground by giving voice to the previously-ignored common people during this period immediately preceding one of the most important events of the twentieth century.
Author: Robert Ousterhout
Publisher: Oxford University Press
ISBN: 0190058404
Category : Architecture
Languages : en
Pages : 528
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Book Description
The rich and diverse architectural traditions of the Eastern Mediterranean and adjacent regions are the subject of this book. Representing the visual residues of a "forgotten" Middle Ages, the social and cultural developments of the Byzantine Empire, the Caucasus, the Balkans, Russia, and the Middle East parallel the more familiar architecture of Western Europe. The book offers an expansive view of the architectural developments of the Byzantine Empire and areas under its cultural influence, as well as the intellectual currents that lie behind their creation. The book alternates chapters that address chronological or regionally-based developments with thematic studies that focus on the larger cultural concerns, as they are expressed in architectural form.
Author: Mirela Ivanova
Publisher: Oxford University Press
ISBN: 0198891563
Category : History
Languages : en
Pages : 295
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Book Description
Few alphabets in the world are actively celebrated, and none more so than the Slavonic. Annually across Eastern Europe, the alphabet and its inventors, Cyril and Methodios, are celebrated with parades, concerts, liturgical services, and public addresses by presidents, ministers, and mayors. Inventing Slavonic: Cultures of Writing Between Rome and Constantinople offers a new reading of the invention of the Slavonic alphabet and its implications. Its premise is simple: namely, that the alphabet was not invented once, but that it continued to be contested and redefined in the century after its creation. However, Inventing Slavonic goes against the grain of modern scholarship and popular common sense, where a stable and fossilized story about Cyril, his brother and companion Methodios, and the alphabet still persists. Mirela Ivanova shows that this well-known story is, in fact, a Frankenstein's monster, bolted together from texts which originally attributed quite different and often conflicting meanings to the elements which make up this supposedly unified narrative. In this narrative's place, the book offers a series of new readings of our earliest sources for the alphabet's appearance. In doing so, it constructs a new social history of the early script's fragility, and the ways in which its existence was conditioned by changes in socio-political life between Rome and Constantinople.
Author: Baukje van den Berg
Publisher: Oxford University Press
ISBN: 0192865439
Category :
Languages : en
Pages : 279
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Book Description
Homer the Rhetorician is the first monograph study devoted to the monumental Commentary on the Iliad by Eustathios of Thessalonike, one of the most renowned orators and teachers of the Byzantine twelfth century. Homeric poetry was a fixture in the Byzantine educational curriculum and enjoyed special popularity under the Komnenian emperors. For Eustathios, Homer was the supreme paradigm of eloquence and wisdom. Writing for an audience of aspiring or practising prose writers, he explains in his commentary what it is that makes Homer's composition so successful in rhetorical terms. This study explores the exemplary qualities that Eustathios recognizes in the poet as author and the Iliad as rhetorical masterpiece. In this way, it advances our understanding of the rhetorical thought of a leading intellectual and the role of a cultural authority as respected as Homer in one of the most fertile periods in Byzantine literary history.