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Author: Daniel M. Grimley
Publisher: Cambridge University Press
ISBN: 1108560318
Category : Music
Languages : en
Pages : 607
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Book Description
Few composers have responded as powerfully to place as Frederick Delius (1862–1934). Born in Yorkshire, Delius resided in the United States, Germany, and Scandinavia before settling in France, where he spent the majority of his professional career. This book examines the role of place in selected works, including 'On Hearing the First Cuckoo in Spring', Appalachia, and The Song of the High Hills, reading place as a creative and historically mediated category in his music. Drawing on archival sources, contemporary art, and literature, and more recent writing in cultural geography and the philosophy of place, this is a new interpretation of Delius' work, and he emerges as one of the most original and compelling voices in early twentieth-century music. As the popularity of his music grows, this book challenges the idea of Delius as a large-scale rhapsodic composer, and reveals a richer and more productive relationship between place and music.
Author: Daniel M. Grimley
Publisher: Cambridge University Press
ISBN: 1108560318
Category : Music
Languages : en
Pages : 607
Get Book Here
Book Description
Few composers have responded as powerfully to place as Frederick Delius (1862–1934). Born in Yorkshire, Delius resided in the United States, Germany, and Scandinavia before settling in France, where he spent the majority of his professional career. This book examines the role of place in selected works, including 'On Hearing the First Cuckoo in Spring', Appalachia, and The Song of the High Hills, reading place as a creative and historically mediated category in his music. Drawing on archival sources, contemporary art, and literature, and more recent writing in cultural geography and the philosophy of place, this is a new interpretation of Delius' work, and he emerges as one of the most original and compelling voices in early twentieth-century music. As the popularity of his music grows, this book challenges the idea of Delius as a large-scale rhapsodic composer, and reveals a richer and more productive relationship between place and music.
Author: Daniel M. Grimley
Publisher: Cambridge University Press
ISBN: 1108470394
Category : Music
Languages : en
Pages : 337
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Book Description
Offers a radical and interdisciplinary analysis that will transform readers' understanding of this deeply compelling early twentieth-century composer.
Author: Eric Fenby
Publisher: Courier Corporation
ISBN: 9780486280424
Category : Biography & Autobiography
Languages : en
Pages : 316
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Book Description
An intimate portrait of Delius by the man who notated many of the disabled composer's last works. Includes 33 musical examples.
Author: Andrew J. Boyle
Publisher: Boydell & Brewer
ISBN: 178327199X
Category : Biography & Autobiography
Languages : en
Pages : 346
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Book Description
Frontcover -- Contents -- List of illustrations and tables -- Preface -- Abbreviations -- Selected glossary of landscape terms used in place names -- 1 Norway's awakening -- 2 1862-1888: Bradford, Florida and Leipzig -- 3 1888-1889: With Grieg on the heights -- 4 1890-1891: 'C'est de la Norderie' -- 5 1892-1895: Norway lost -- 6 1896: Norway regained -- 7 1897: Front page news -- 8 1898-1902: Unshakeable self-belief -- 9 1903-1907: Breakthrough in Germany and England -- 10 1908-1912: Changes of direction -- 11 1912-1918: High hills, dark forests -- 12 1919-1934: Myth and reality in Lesjaskog -- Appendix I: List of visits to Norway -- Appendix II: Works with Norwegian and Danish texts and associations -- Selected bibliography and archival sources -- Index
Author: Friedrich Christian Delius
Publisher: Macmillan + ORM
ISBN: 1466802154
Category : Fiction
Languages : en
Pages : 93
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Book Description
In Rome one January afternoon in 1943, a young German woman is on her way to listen to a Bach concert at the Lutheran church. The war is for her little more than a daydream, until she realizes that her husband might never return. Portrait of the Mother as a Young Woman, winner of the prestigious Georg Büchner prize, is a mesmerizing psychological portrait of the human need to safeguard innocence and integrity at any cost—even at the risk of excluding reality. More than just the story of this single woman, it is a compelling and credible description of a typical young German woman during the Nazi era.
Author: Vicki P Stroeher
Publisher: Composers in Context
ISBN: 1108496695
Category : Music
Languages : en
Pages : 427
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Book Description
A thematically organised overview of the musical, social and cultural contexts for the multi-faceted career of this pivotal British composer.
Author: Daniel M. Grimley
Publisher: Boydell Press
ISBN: 9781843832102
Category : Music
Languages : en
Pages : 276
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Book Description
An examination of the role of landscape and cultural identity in the music of Edvard Grieg.
Author: Wilfrid Mellers
Publisher: University of Illinois Press
ISBN: 9780252025297
Category : Music
Languages : en
Pages : 232
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Book Description
Mellers (composer and professor emeritus, University of York) begins with the confusion of the (unfamiliar) forest within, audible in Wagner's late and Shoenberg's early works, in Delius's A Village Romeo and Juliet, and Debussy's Pelleas et Melisande. The next section, The Forest Without, examines Charles Koechlin's Le Foret Feerique and Milhaud's Le Boeuf Sur le Toit which embrace the real jungle without and the imaginative jungle within. Part 3 shows Villa-Lobos and Carlos Chavez connecting, as Mellers puts it, "the jungle within the mind and the asphalt jungle of a rapidly industrialized metropolis." Part four explores interrelationships between wilderness and machine through the work of Carl Ruggles, Varese, Partch, Reich, and the Australian, Peter Sculthorpe. Finally, the erasure of border between wilderness and civilization is the focus in works by Ellington and Gershwin. Suitable for both musicians and non-musicians. c. Book News Inc.
Author: Ellie M. Hisama
Publisher: Cambridge University Press
ISBN: 0521028434
Category : Music
Languages : en
Pages : 221
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Book Description
This book explores the work of three significant American women composers of the twentieth century: Ruth Crawford, Marion Bauer and Miriam Gideon. It offers information on both their lives and music and skillfully interweaves history and musical analysis in ways that both the specialist and the more general reader will find compelling. Ellie Hisama suggests that recognising the impact of a composer's identity on the music itself imparts valuable ways of hearing and understanding these works and breaks important new ground towards constructing a feminist music theory.
Author: Simon McVeigh
Publisher: Boydell & Brewer
ISBN: 1837651345
Category : History
Languages : en
Pages : 345
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Book Description
Traversing London's musical culture, this book boldly illuminates the emergence of Edwardian London as a beacon of musical innovation. The dawning of a new century saw London emerge as a hub in a fast-developing global music industry, mirroring Britain's pivotal position between the continent, the Americas and the British Empire. It was a period of expansion, experiment and entrepreneurial energy. Rather than conservative and inward-looking, London was invigorated by new ideas, from pioneering musical comedy and revue to the modernist departures of Debussy and Stravinsky. Meanwhile, Elgar, Holst, Vaughan Williams, and a host of ambitious younger composers sought to reposition British music in a rapidly evolving soundscape. Music was central to society at every level. Just as opulent theatres proliferated in the West End, concert life was revitalised by new symphony orchestras, by the Queen's Hall promenade concerts, and by Sunday concerts at the vast Albert Hall. Through innumerable band and gramophone concerts in the parks, music from Wagner to Irving Berlin became available as never before. The book envisions a burgeoning urban culture through a series of snapshots - daily musical life in all its messy diversity. While tackling themes of cosmopolitanism and nationalism, high and low brows, centres and peripheries, it evokes contemporary voices and characterful individuals to illuminate the period. Challenging issues include the barriers faced by women and people of colour, and attitudes inhibiting the new generation of British composers - not to mention embedded imperialist ideologies reflecting London's precarious position at the centre of Empire. Engagingly written, Simon McVeigh's groundbreaking book reveals the exhilarating transformation of music in Edwardian London, which laid the foundations for the century to come.
