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Author: Alison Smithson
Publisher: John Wiley & Sons
ISBN:
Category : Architecture
Languages : en
Pages : 234
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Book Description
Ed: University of Sheffield, 300 illustrations in color & b/w, New essays.
Author: Alison Smithson
Publisher: John Wiley & Sons
ISBN:
Category : Architecture
Languages : en
Pages : 234
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Book Description
Ed: University of Sheffield, 300 illustrations in color & b/w, New essays.
Author: Peter Blundell Jones
Publisher: Routledge
ISBN: 1135144087
Category : Architecture
Languages : en
Pages : 257
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Book Description
Once again, new interpretations are presented of some of the most famous architecture of the period. Work by lesser-known architects, whose influence and role have been overlooked by conventional histories of the subject, is discussed. The case study structure allows each example to be discussed and used as a springboard to explore different theoretical approaches. Filled with beautiful photographs, plans and architect's drawings, this is a clear and accessible discussion on a period of architecture that engages many questions still under debate in architecture today.
Author: Hilton Judin
Publisher: Routledge
ISBN: 1000367118
Category : Architecture
Languages : en
Pages : 185
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Book Description
This book is the first comprehensive investigation of the architecture of the apartheid state in the period of rapid economic growth and political repression from 1957 to 1966 when buildings took on an ideological role that was never remote from the increasingly dominant administrative, legislative and policing mechanisms of the regime. It considers how this process reflected the usurpation of a regional modernism and looks to contribute to wider discourses on international postwar modernism in architecture. Buildings in Pretoria that came to embody ambitions of the apartheid state for industrialisation and progress serve as case studies. These were widely acclaimed projects that embodied for apartheid officials the pursuit of modernisation but carried latent apprehensions of Afrikaners about their growing economic prospects and cultural estrangement in Africa. It is a less known and marginal story due to the dearth of material and documents buried in archives and untranslated documents. Many of the documents, drawings and photographs in the book are unpublished and include classified material and photographs from the National Nuclear Research Centre, negatives of 1960s from Pretoria News and documents and pamphlets from Afrikaner Broederbond archives. State architecture became the most iconic public manifestation of an evolving expression of white cultural identity as a new generation of architects in Pretoria took up the challenge of finding form to their prospects and beliefs. It was an opportunistic faith in Afrikaners who urgently needed to entrench their vulnerable and contested position on the African continent. The shift from provincial town to apartheid capital was swift and relentless. Little was left to stand in the way of the ambitions and aim of the state as people were uprooted and forcibly relocated, structures torn down and block upon block of administration towers and slabs erected across Pretoria. This book will be of great interest to students and scholars of architectural history as well as those with an interest in postcolonial studies, political science and social anthropology.
Author: Corinne Saunders
Publisher: Springer
ISBN: 1137426748
Category : Performing Arts
Languages : en
Pages : 292
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Book Description
An interdisciplinary collection of essays exploring the complex and conflicted topic of beauty in cultural, arts and medicine, looking back through the long cultural history of beauty, and asking whether it is possible to 'recover beauty'.
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 300
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Book Description
Author: Avery Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 712
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Book Description
Author: Helena Webster
Publisher: Wiley
ISBN: 9780471977599
Category : Architecture
Languages : en
Pages : 0
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Book Description
It seems remarkable that to date there has been no published critical review of the complete works of Alison and Peter Smithson. This fact was pointed out by the audience at a symposium dedicated to their work, which was held at the University of Bath in October 1994. As a response to this obvious omission and to the demand for information, especially from the younger generation of architects, this book gathers the papers given at the A+PS Symposium, together with an essay on their buildings and projects, and additional documentary and bibliographical information, with the aim of providing the first collection of critical writing on the work of the Smithsons.
Author: Alison Margaret Smithson
Publisher:
ISBN: 9781580930505
Category : Architecture
Languages : en
Pages : 599
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Book Description
The Smithsons have also added contemporary commentary to provide a context for the work."--BOOK JACKET.
Author: Alison Margaret Smithson
Publisher: MIT Press (MA)
ISBN:
Category : Architecture
Languages : en
Pages : 112
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Book Description
"When le Corbusier assembled "Vers Une Architecture,"" write the Smithsons, "he gave to young architects everywhere a way of looking at the emergent machine-served society, and from that, a way of looking at antiquity and a rationale to support his personal aesthetic. Viollet-le-Duc had performed the same service to architects before le Corbusier: the role they played is traditional to the development of architecture. In this essay, based on material written between 1955 and 1972, we try to do the same as these architects before us."We write to make ourselves see what we have got in the inescapable present...to give another interpretation of the same ruins...to show a glimpse of another aesthetic."The Smithsons gained an international reputation in the early 1950s, both for their buildings and for being instrumental in the development of the "thoughtful" approach to modern architecture. Their theoretical accommodation of the economic and social context in which the architect/urbanist works was set out as succinctly as possible in "Urban Structuring, " published in 1967. "Team 10 Primer, " first published in a special issue of "Architectural Design" in 1962, and subsequently brought up to date and published by The MIT Press in book form in 1968, documented the Smithsons' search with other leading architect/urbanist/teachers for a technique of working together, a skill or way of thinking that past cultures obviously had but that seemed to be lost to the builders in our present cities."Without Rhetoric"--concerned with architectural form and its material embodiment--is a parallel volume to "Ordinariness and Light" (The MIT Press, 1970), which contained those essays concerning urban form written over the years 1952-1960. Architecture tends to be long-lasting, which makes thoughtful architects cautious, anxious to try to understand, to respond intelligently. They tend to dig into things, so that their intuition has as sound a base as possible to work on. "Without Rhetoric" is a refinement of the results of twenty years of such digging, intended to give the reader a real feeling for these particular architects' interests and obsessions. Among the many subjects discussed in word and image are The New Brutalism...the role of advertising in shaping what we think we need...The Rocket, a statement on the present state of architecture...Mies van der Rohe, a homage...some meditations on Braun...The use of repetition....
Author: Alison Margaret Smithson
Publisher: 010 Publishers
ISBN: 9064505284
Category : Architects
Languages : en
Pages : 276
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Book Description
Striving to adapt the progressive ideas of the pre-war modern movement to the specific human needs of post-war reconstruction, Alison and Peter Smithson were among the most influential and controversial architects of the latter half of the twentieth century. As younger members of CIAM (Congrès Internationaux d'Architecture Moderne) and as founding members of Team 10 they were at the heart of the debate on the future course of Modern Architecture. Their polemics and designs - addressing issues such as the rising consumer society and the orientation of urban planning - laid the foundations for New Brutalism and the Pop Art Movement of the 1960s. An important adaptation made by the Smithsons and their generation was the rejection of modernism's machine aesthetics. The new notions of place and territory were juxtaposed to Le Corbusier's machine à habiter. To the Smithsons a house was a particular place, which should be suited to its location and able to meet the ordinary requirements of everyday life and to accommodate its inhabitants' individual patterns of use. This exhibition examines the evolution of the Smithsons' approach to this everyday "art of inhabitation." It does this by extensively documenting most of their designs for individual dwellings, especially their optimistic House of the Future of 1956 and the series of renovations of and additions to the fairy-tale-like Hexenhaus in Germany from the late 1980s onward
