Author: John Earl Bassett
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838636428
Category : Literary Criticism
Languages : en
Pages : 472
Book Description
Defining Southern Literature delineates several phases in the story of Southern literature. Debate over what makes Southern literature different - or even Southern - goes back many decades, and among the answers has been the debate itself, a uniquely pervasive regional self-consciousness over what makes Southern culture different. Certainly no other American region has been so distinctly "marked" as the South has. Attempts to delineate the special mission, nature, problems, and virtues of Southern writers can be traced back at least to the 1830s, when editors called - with only slight success - for a sectional literature and more supportive Southern readers.
Defining Southern Literature
Author: John Earl Bassett
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838636428
Category : Literary Criticism
Languages : en
Pages : 472
Book Description
Defining Southern Literature delineates several phases in the story of Southern literature. Debate over what makes Southern literature different - or even Southern - goes back many decades, and among the answers has been the debate itself, a uniquely pervasive regional self-consciousness over what makes Southern culture different. Certainly no other American region has been so distinctly "marked" as the South has. Attempts to delineate the special mission, nature, problems, and virtues of Southern writers can be traced back at least to the 1830s, when editors called - with only slight success - for a sectional literature and more supportive Southern readers.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838636428
Category : Literary Criticism
Languages : en
Pages : 472
Book Description
Defining Southern Literature delineates several phases in the story of Southern literature. Debate over what makes Southern literature different - or even Southern - goes back many decades, and among the answers has been the debate itself, a uniquely pervasive regional self-consciousness over what makes Southern culture different. Certainly no other American region has been so distinctly "marked" as the South has. Attempts to delineate the special mission, nature, problems, and virtues of Southern writers can be traced back at least to the 1830s, when editors called - with only slight success - for a sectional literature and more supportive Southern readers.
Inventing Southern Literature
Author: Michael Kreyling
Publisher: Univ. Press of Mississippi
ISBN: 9781604737769
Category : History
Languages : en
Pages : 219
Book Description
I take...an outward route, arguing that the Agrarian project was and must be seen as a willed campaign on the part of one elite to establish and control 'the South' in a period of intense cultural maneuvering. The principal organizers of I'll Take My Stand knew full well there were other 'Souths' than the one they touted; they deliberately presented a fabricated South as the one and only real thing. In Inventing Southern Literature Michael Kreyling casts a penetrating ray upon the traditional canon of southern literature and questions the modes by which it was created. He finds that it was, indeed, an invention rather than a creation. In the 1930s the foundations were laid by the Fugitive-Agrarian group, a band of poet-critics that wished not only to design but also to control the southern cultural entity in a conservative political context. From their heyday to the present, Kreyling investigates the historical conditions under which literary and cultural critics have invented the South and how they have chosen its representations. Through his study of these choices, Kreyling argues that interested groups have shaped meanings that preserve a South as the South. As the Fugitive-Agrarians molded the region according to their definition in I'll Take My Stand, they professed to have developed a critical method that disavowed any cultural or political intent or content, a claim that Kreyling disproves. He shows that their torch was taken by Richard Weaver on the Right and Louis D. Rubin, Jr., on the Center-Left and that both critics tried to preserve the Fugitive-Agrarian credo despite the severe stresses imposed during the era of desegregation. As the southern literary paradigm has been attacked and defended, certain issues have remained in the forefront. Kreyling takes on three: reconciling the imperatives of race with the traditional definitions of the South; testing the ways white women writers of the South have negotiated space within or outside the paradigm; and analyzing the critics' use and abuse of William Faulkner (the major figure of southern literature) as they have relied on his achievement to anchor the total project called Southern Literature. Michael Kreyling, a professor of English at Vanderbilt University, is the author of several books, including "Eudora Welty's Achievement of Order" and "Author and Agent: Eudora Welty and Diarmuid Russell."
Publisher: Univ. Press of Mississippi
ISBN: 9781604737769
Category : History
Languages : en
Pages : 219
Book Description
I take...an outward route, arguing that the Agrarian project was and must be seen as a willed campaign on the part of one elite to establish and control 'the South' in a period of intense cultural maneuvering. The principal organizers of I'll Take My Stand knew full well there were other 'Souths' than the one they touted; they deliberately presented a fabricated South as the one and only real thing. In Inventing Southern Literature Michael Kreyling casts a penetrating ray upon the traditional canon of southern literature and questions the modes by which it was created. He finds that it was, indeed, an invention rather than a creation. In the 1930s the foundations were laid by the Fugitive-Agrarian group, a band of poet-critics that wished not only to design but also to control the southern cultural entity in a conservative political context. From their heyday to the present, Kreyling investigates the historical conditions under which literary and cultural critics have invented the South and how they have chosen its representations. Through his study of these choices, Kreyling argues that interested groups have shaped meanings that preserve a South as the South. As the Fugitive-Agrarians molded the region according to their definition in I'll Take My Stand, they professed to have developed a critical method that disavowed any cultural or political intent or content, a claim that Kreyling disproves. He shows that their torch was taken by Richard Weaver on the Right and Louis D. Rubin, Jr., on the Center-Left and that both critics tried to preserve the Fugitive-Agrarian credo despite the severe stresses imposed during the era of desegregation. As the southern literary paradigm has been attacked and defended, certain issues have remained in the forefront. Kreyling takes on three: reconciling the imperatives of race with the traditional definitions of the South; testing the ways white women writers of the South have negotiated space within or outside the paradigm; and analyzing the critics' use and abuse of William Faulkner (the major figure of southern literature) as they have relied on his achievement to anchor the total project called Southern Literature. Michael Kreyling, a professor of English at Vanderbilt University, is the author of several books, including "Eudora Welty's Achievement of Order" and "Author and Agent: Eudora Welty and Diarmuid Russell."
Only Love Can Break Your Heart
Author: Ed Tarkington
Publisher: Algonquin Books
ISBN: 1616205261
Category : Fiction
Languages : en
Pages : 337
Book Description
“A lush mystery-within-a-coming-of-age-tale-within-a-Southern-Gothic.” —NPR Books “A richly textured portrait of small-town dysfunction and murder . . . Secrets abound, imaginations run wild.” —The Atlanta Journal-Constitution Welcome to Spencerville, Virginia, 1977. Eight-year-old Rocky worships his older brother, Paul. Sixteen and full of rebel cool, Paul spends his days cruising in his Chevy Nova blasting Neil Young, cigarette dangling from his lips, arm slung around his beautiful, troubled girlfriend. Paul is happy to have his younger brother as his sidekick. Then one day, in an act of vengeance against their father, Paul picks up Rocky from school and nearly abandons him in the woods. Afterward, Paul disappears. Seven years later, Rocky is a teenager himself. He hasn’t forgotten being abandoned by his boyhood hero, but he’s getting over it, with the help of the wealthy neighbors’ daughter, ten years his senior, who has taken him as her lover. Unbeknownst to both of them, their affair will set in motion a course of events that rains catastrophe on both their families. After a mysterious double murder brings terror and suspicion to their small town, Rocky and his family must reckon with the past and find out how much forgiveness their hearts can hold.
Publisher: Algonquin Books
ISBN: 1616205261
Category : Fiction
Languages : en
Pages : 337
Book Description
“A lush mystery-within-a-coming-of-age-tale-within-a-Southern-Gothic.” —NPR Books “A richly textured portrait of small-town dysfunction and murder . . . Secrets abound, imaginations run wild.” —The Atlanta Journal-Constitution Welcome to Spencerville, Virginia, 1977. Eight-year-old Rocky worships his older brother, Paul. Sixteen and full of rebel cool, Paul spends his days cruising in his Chevy Nova blasting Neil Young, cigarette dangling from his lips, arm slung around his beautiful, troubled girlfriend. Paul is happy to have his younger brother as his sidekick. Then one day, in an act of vengeance against their father, Paul picks up Rocky from school and nearly abandons him in the woods. Afterward, Paul disappears. Seven years later, Rocky is a teenager himself. He hasn’t forgotten being abandoned by his boyhood hero, but he’s getting over it, with the help of the wealthy neighbors’ daughter, ten years his senior, who has taken him as her lover. Unbeknownst to both of them, their affair will set in motion a course of events that rains catastrophe on both their families. After a mysterious double murder brings terror and suspicion to their small town, Rocky and his family must reckon with the past and find out how much forgiveness their hearts can hold.
Southern Gothic Literature
Author: Jay Ellis
Publisher: Salem Press
ISBN: 9781429838238
Category : American fiction
Languages : en
Pages : 0
Book Description
Presents a diverse collection of representative texts from a group of international critics. In addition to exemplary novels from established writers, such as Edora Welty, Flannery O'Conner, Carson McCullers, and Cormac McCarthy, works explored here include poetry, a play, and a fairy tale novella.
Publisher: Salem Press
ISBN: 9781429838238
Category : American fiction
Languages : en
Pages : 0
Book Description
Presents a diverse collection of representative texts from a group of international critics. In addition to exemplary novels from established writers, such as Edora Welty, Flannery O'Conner, Carson McCullers, and Cormac McCarthy, works explored here include poetry, a play, and a fairy tale novella.
Southern Literature, Cold War Culture, and the Making of Modern America
Author: Jordan J. Dominy
Publisher: Univ. Press of Mississippi
ISBN: 1496826442
Category : Literary Criticism
Languages : en
Pages : 185
Book Description
During the Cold War, national discourse strove for unity through patriotism and political moderation to face a common enemy. Some authors and intellectuals supported that narrative by casting America’s complicated history with race and poverty as moral rather than merely political problems. Southern Literature, Cold War Culture, and the Making of Modern America examines southern literature and the culture within the United States from the period just before the Cold War through the civil rights movement to show how this literature won a significant place in Cold War culture and shaped the nation through the time of Hillbilly Elegy. Tackling cultural issues in the country through subtext and metaphor, the works of authors like William Faulkner, Lillian Smith, Robert Penn Warren, Eudora Welty, Ralph Ellison, Alice Walker, and Walker Percy redefined “South” as much more than a geographical identity within an empire. The “South” has become a racially coded sociopolitical and cultural identity associated with white populist conservatism that breaks geographical boundaries and, as it has in the past, continues to have a disproportionate influence on the nation’s future and values.
Publisher: Univ. Press of Mississippi
ISBN: 1496826442
Category : Literary Criticism
Languages : en
Pages : 185
Book Description
During the Cold War, national discourse strove for unity through patriotism and political moderation to face a common enemy. Some authors and intellectuals supported that narrative by casting America’s complicated history with race and poverty as moral rather than merely political problems. Southern Literature, Cold War Culture, and the Making of Modern America examines southern literature and the culture within the United States from the period just before the Cold War through the civil rights movement to show how this literature won a significant place in Cold War culture and shaped the nation through the time of Hillbilly Elegy. Tackling cultural issues in the country through subtext and metaphor, the works of authors like William Faulkner, Lillian Smith, Robert Penn Warren, Eudora Welty, Ralph Ellison, Alice Walker, and Walker Percy redefined “South” as much more than a geographical identity within an empire. The “South” has become a racially coded sociopolitical and cultural identity associated with white populist conservatism that breaks geographical boundaries and, as it has in the past, continues to have a disproportionate influence on the nation’s future and values.
Southscapes
Author: Thadious M. Davis
Publisher: Univ of North Carolina Press
ISBN: 0807835218
Category : Literary Criticism
Languages : en
Pages : 472
Book Description
In this innovative approach to southern literary cultures, Thadious Davis analyzes how black southern writers use their spatial location to articulate the vexed connections between society and environment, particularly under segregation and its legacies.<
Publisher: Univ of North Carolina Press
ISBN: 0807835218
Category : Literary Criticism
Languages : en
Pages : 472
Book Description
In this innovative approach to southern literary cultures, Thadious Davis analyzes how black southern writers use their spatial location to articulate the vexed connections between society and environment, particularly under segregation and its legacies.<
Seeking the Region in American Literature and Culture
Author: Robert Jackson
Publisher: LSU Press
ISBN: 9780807130629
Category : Literary Criticism
Languages : en
Pages : 194
Book Description
Regionalism often evokes provinciality and an affiliation with minor literary genres, but Robert Jackson shows that region is an integral part of American identity, providing grounding for major independent voices. Jackson offers a new critical model of region that contributes to literary and cultural study across a wide range of topics. He addresses American literature since the Civil War with particular attention to Mark Twain, William Faulkner, Flannery O'Connor, and Toni Morrison. In advancing their own diverse aesthetic and social agendas -- reactionary and progressive, theological and secular, gender-based, race-based, and above all, dissident -- these writers, Jackson argues, articulate some of the most perceptive and innovative expressions of the American region in the literary history of the United States. According to Jackson, the region transcends both rigidly defined spatial categories -- the South of slavery, the North of freedom, the West of unlimited possibility -- and derivative cultural connotations of local color to reveal subtle and powerful insights. He provides a regional reading of Twain's greatest novel, The Adventures of Huckleberry Finn, and a meaningful new interpretation of the work and its place in the American canon. He explores Faulkner's obsession with regional identity and places the Mississippian's work in problematic relation to the Depression-era Nashville Agrarian movement. O'Connor, searching for a critical vocabulary to confront mainstream American literature, religion, and gender, transforms the region from a hothouse of sentimentality into a sharp, deadly weapon in her short fiction. Morrison's brilliant appropriation of region enables her to fashion an aesthetic that is both race-conscious and endowed with revisionist agency; through the region she imagines a new grounding for American identity. Jackson illuminates the importance of rethinking long-established assumptions and demonstrates the vast potential of the region in critical considerations of American literature and culture. Even as he devotes significant attention to realism, modernism, southern literature, and African American literature, he speaks to a wide range of fields in American Cultural studies.
Publisher: LSU Press
ISBN: 9780807130629
Category : Literary Criticism
Languages : en
Pages : 194
Book Description
Regionalism often evokes provinciality and an affiliation with minor literary genres, but Robert Jackson shows that region is an integral part of American identity, providing grounding for major independent voices. Jackson offers a new critical model of region that contributes to literary and cultural study across a wide range of topics. He addresses American literature since the Civil War with particular attention to Mark Twain, William Faulkner, Flannery O'Connor, and Toni Morrison. In advancing their own diverse aesthetic and social agendas -- reactionary and progressive, theological and secular, gender-based, race-based, and above all, dissident -- these writers, Jackson argues, articulate some of the most perceptive and innovative expressions of the American region in the literary history of the United States. According to Jackson, the region transcends both rigidly defined spatial categories -- the South of slavery, the North of freedom, the West of unlimited possibility -- and derivative cultural connotations of local color to reveal subtle and powerful insights. He provides a regional reading of Twain's greatest novel, The Adventures of Huckleberry Finn, and a meaningful new interpretation of the work and its place in the American canon. He explores Faulkner's obsession with regional identity and places the Mississippian's work in problematic relation to the Depression-era Nashville Agrarian movement. O'Connor, searching for a critical vocabulary to confront mainstream American literature, religion, and gender, transforms the region from a hothouse of sentimentality into a sharp, deadly weapon in her short fiction. Morrison's brilliant appropriation of region enables her to fashion an aesthetic that is both race-conscious and endowed with revisionist agency; through the region she imagines a new grounding for American identity. Jackson illuminates the importance of rethinking long-established assumptions and demonstrates the vast potential of the region in critical considerations of American literature and culture. Even as he devotes significant attention to realism, modernism, southern literature, and African American literature, he speaks to a wide range of fields in American Cultural studies.
Last Days of the Dog-Men: Stories
Author: Brad Watson
Publisher: W. W. Norton & Company
ISBN: 1324000430
Category : Fiction
Languages : en
Pages : 148
Book Description
"His people and dogs—those wonderful dogs!—come alive with honest, thrumming energy." —The New York Times Book Review Winner of the Sue Kaufman Prize for First Fiction from the American Academy of Arts and Letters and the Great Lakes Colleges Association New Writers Award In prose so precise and beautiful it makes a reader's hair stand on end, Brad Watson writes about people and dogs: dogs as companions, as accomplices, and as unwitting victims of human passions; and people responding to dogs as missing parts of themselves. In each of these stories he captures the animal crannies of the human personality -- yearning for freedom, mourning the loss of something wild, drawn to human connection but also to thoughtless abandon and savagery without judgment. Ultimately, however, people are responsible where dogs are not: "I'm told in medieval times," the narrator of the title story tells us, "animals were regularly put on trial, with witnesses and testimony and so forth. But it is relatively rare today." Funny, dark, sometimes brutal, and stunning in their perfection of expression, Watson's stories herald the arrival of a true talent.
Publisher: W. W. Norton & Company
ISBN: 1324000430
Category : Fiction
Languages : en
Pages : 148
Book Description
"His people and dogs—those wonderful dogs!—come alive with honest, thrumming energy." —The New York Times Book Review Winner of the Sue Kaufman Prize for First Fiction from the American Academy of Arts and Letters and the Great Lakes Colleges Association New Writers Award In prose so precise and beautiful it makes a reader's hair stand on end, Brad Watson writes about people and dogs: dogs as companions, as accomplices, and as unwitting victims of human passions; and people responding to dogs as missing parts of themselves. In each of these stories he captures the animal crannies of the human personality -- yearning for freedom, mourning the loss of something wild, drawn to human connection but also to thoughtless abandon and savagery without judgment. Ultimately, however, people are responsible where dogs are not: "I'm told in medieval times," the narrator of the title story tells us, "animals were regularly put on trial, with witnesses and testimony and so forth. But it is relatively rare today." Funny, dark, sometimes brutal, and stunning in their perfection of expression, Watson's stories herald the arrival of a true talent.
Race Mixing
Author: Suzanne W. Jones
Publisher: JHU Press
ISBN: 9780801883934
Category : History
Languages : en
Pages : 366
Book Description
In the southern United States, there remains a deep need among both black and white writers to examine the topic of race relations, whether they grew up during segregation or belong to the younger generation that graduated from integrated schools. In Race Mixing, Suzanne Jones offers insightful and provocative readings of contemporary novels, the work of a wide range of writers—black and white, established and emerging. Their stories explore the possibilities of cross-racial friendships, examine the repressed history of interracial love, reimagine the Civil Rights era through children's eyes, herald the reemergence of the racially mixed character, investigate acts of racial violence, and interrogate both rural and urban racial dynamics. Employing a dynamic model of the relationship between text and context, Jones shows how more than thirty relevant writers—including Madison Smartt Bell, Larry Brown, Bebe Moore Campbell, Thulani Davis, Ellen Douglas, Ernest Gaines, Josephine Humphreys, Randall Kenan, Reynolds Price, Alice Walker, and Tom Wolfe—illuminate the complexities of the color line and the problems in defining racial identity today. While an earlier generation of black and white southern writers challenged the mythic unity of southern communities in order to lay bare racial divisions, Jones finds in the novels of contemporary writers a challenge to the mythic sameness within racial communities—and a broader definition of community and identity. Closely reading these stories about race in America, Race Mixing ultimately points to new ways of thinking about race relations. "We need these fictions," Jones writes, "to help us imagine our way out of the social structures and mind-sets that mythologize the past, fragment individuals, prejudge people, and divide communities."
Publisher: JHU Press
ISBN: 9780801883934
Category : History
Languages : en
Pages : 366
Book Description
In the southern United States, there remains a deep need among both black and white writers to examine the topic of race relations, whether they grew up during segregation or belong to the younger generation that graduated from integrated schools. In Race Mixing, Suzanne Jones offers insightful and provocative readings of contemporary novels, the work of a wide range of writers—black and white, established and emerging. Their stories explore the possibilities of cross-racial friendships, examine the repressed history of interracial love, reimagine the Civil Rights era through children's eyes, herald the reemergence of the racially mixed character, investigate acts of racial violence, and interrogate both rural and urban racial dynamics. Employing a dynamic model of the relationship between text and context, Jones shows how more than thirty relevant writers—including Madison Smartt Bell, Larry Brown, Bebe Moore Campbell, Thulani Davis, Ellen Douglas, Ernest Gaines, Josephine Humphreys, Randall Kenan, Reynolds Price, Alice Walker, and Tom Wolfe—illuminate the complexities of the color line and the problems in defining racial identity today. While an earlier generation of black and white southern writers challenged the mythic unity of southern communities in order to lay bare racial divisions, Jones finds in the novels of contemporary writers a challenge to the mythic sameness within racial communities—and a broader definition of community and identity. Closely reading these stories about race in America, Race Mixing ultimately points to new ways of thinking about race relations. "We need these fictions," Jones writes, "to help us imagine our way out of the social structures and mind-sets that mythologize the past, fragment individuals, prejudge people, and divide communities."
The Fortunate Ones
Author: Ed Tarkington
Publisher: Algonquin Books
ISBN: 1643752006
Category : Fiction
Languages : en
Pages : 337
Book Description
When young Charlie Boykin gains entry into the wealthy society of the most exclusive part of Nashville, he falls under its spell. But he soon learns what he'd have to give up in return in this novel that asks why people envy and worship a class of people that so often exhibits the worst excesses.
Publisher: Algonquin Books
ISBN: 1643752006
Category : Fiction
Languages : en
Pages : 337
Book Description
When young Charlie Boykin gains entry into the wealthy society of the most exclusive part of Nashville, he falls under its spell. But he soon learns what he'd have to give up in return in this novel that asks why people envy and worship a class of people that so often exhibits the worst excesses.