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Author: Douglas Cairns
Publisher: Edinburgh University Press
ISBN: 074868011X
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
An examination of what is distinct, what is shared and what is universal in Greek narrative traditions of a wide range of ancient Greek literary genres.
Author: Douglas Cairns
Publisher: Edinburgh University Press
ISBN: 074868011X
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
An examination of what is distinct, what is shared and what is universal in Greek narrative traditions of a wide range of ancient Greek literary genres.
Author: René Nünlist
Publisher: BRILL
ISBN: 9047405706
Category : Literary Criticism
Languages : en
Pages : 608
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Book Description
This is the first in a series of volumes which together will provide an entirely new history of ancient Greek (narrative) literature. Its organization is formal rather than biographical. It traces the history of central narrative devices, such as the narrator and his narratees, time, focalization, characterization, description, speech, and plot. It offers not only analyses of the handling of such a device by individual authors, but also a larger historical perspective on the manner in which it changes over time and is put to different uses by different authors in different genres. The first volume lays the foundation for all volumes to come, discussing the definition and boundaries of narrative, and the roles of its producer, the narrator, and recipient, the narratees.
Author: I.J.F. de Jong
Publisher: BRILL
ISBN: 900422257X
Category : Literary Criticism
Languages : en
Pages : 625
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Book Description
The third volume of the Studies in Ancient Greek narrative deals with the narratological category of space: how is space, including objects which function as 'props', presented in narrative texts and what are its functions (thematic, symbolic, psychologising, or characterising).
Author: Koen De,Temmerman
Publisher: BRILL
ISBN: 9004356312
Category : Literary Criticism
Languages : en
Pages : 721
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Book Description
This is the fourth volume in the series Studies in Ancient Greek Narrative. The book deals with the narratological concepts of character and characterization and explores the textual devices used for purposes of characterization by ancient Greek authors from Homer to Heliodorus.
Author: Tim Whitmarsh
Publisher: Cambridge University Press
ISBN: 1139500589
Category : Literary Collections
Languages : en
Pages : 313
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Book Description
The Greek romance was for the Roman period what epic was for the Archaic period or drama for the Classical: the central literary vehicle for articulating ideas about the relationship between self and community. This book offers a reading of the romance both as a distinctive narrative form (using a range of narrative theories) and as a paradigmatic expression of identity (social, sexual and cultural). At the same time it emphasises the elasticity of romance narrative and its ability to accommodate both conservative and transformative models of identity. This elasticity manifests itself partly in the variation in practice between different romancers, some of whom are traditionally Hellenocentric while others are more challenging. Ultimately, however, it is argued that it reflects a tension in all romance narrative, which characteristically balances centrifugal against centripetal dynamics. This book will interest classicists, historians of the novel and students of narrative theory.
Author: Jonas Grethlein
Publisher: Cambridge University Press
ISBN: 1009339559
Category : History
Languages : en
Pages : 209
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Book Description
The taxonomies of narratology have proven valuable tools for the analysis of ancient literature, but, since they were mostly forged in the analysis of modern novels, they have also occluded the distinct quality of ancient narrative and its understanding in antiquity. Ancient Greek Texts and Modern Narrative Theory paves the way for a new approach to ancient narrative that investigates its specific logic. Jonas Grethlein's sophisticated discussion of a wide range of literary texts in conjunction with works of criticism sheds new light on such central issues as fictionality, voice, Theory of Mind and narrative motivation. The book provides classicists with an introduction to ancient views of narrative but is also a major contribution to a historically sensitive theory of narrative.
Author: Jonas Grethlein
Publisher: Oxford University Press
ISBN: 0192587633
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
Experience, Narrative, and Criticism in Ancient Greece pursues a new approach to ancient Greek narrative beyond the taxonomies of structuralist narratologies. Focusing on the phenomenal and experiential dimension of our response to narrative, it triangulates ancient narrative with ancient criticism and cognitive approaches, opening up new vistas within the study of classical literature while ably deploying the ancient material to demonstrate the value of a historical perspective for cognitive studies. Concepts such as immersion and embodiment help to establish a more comprehensive understanding of ancient narrative and ancient reading habits, as manifested in Greek criticism and rhetorical theory. The thirteen chapters presented here tackle a broad range of narrative genres, broadly understood: besides epic, historiography, and the novel, tragedy and early Christian texts are also considered alongside non-literary media, such as dance and sculpture. Authored by international specialists in the language, literature, and culture of ancient Greece, each chapter utilizes a rich set of theoretical and methodological tools drawn from cognitive studies, phenomenology, and linguistics that place them at the vanguard of a strong new current in classical scholarship and literary criticism more generally.
Author: Jonas Grethlein
Publisher: Oxford University Press, USA
ISBN: 0198848293
Category : History
Languages : en
Pages : 353
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Book Description
Experience, Narrative, and Criticism in Ancient Greece pursues a new approach to ancient Greek narrative beyond the taxonomies of structuralist narratologies. Focusing on the phenomenal and experiential dimension of our response to narrative, it triangulates ancient narrative with ancient criticism and cognitive approaches, opening up new vistas within the study of classical literature while ably deploying the ancient material to demonstrate the value of a historical perspective for cognitive studies. Concepts such as immersion and embodiment help to establish a more comprehensive understanding of ancient narrative and ancient reading habits, as manifested in Greek criticism and rhetorical theory. The thirteen chapters presented here tackle a broad range of narrative genres, broadly understood: besides epic, historiography, and the novel, tragedy and early Christian texts are also considered alongside non-literary media, such as dance and sculpture. Authored by international specialists in the language, literature, and culture of ancient Greece, each chapter utilizes a rich set of theoretical and methodological tools drawn from cognitive studies, phenomenology, and linguistics that place them at the vanguard of a strong new current in classical scholarship and literary criticism more generally.
Author: Anna Lefteratou
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110527510
Category : Literary Criticism
Languages : en
Pages : 370
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Book Description
This book is about the bold, beautiful, and faithful heroines of the Greek novels and their mythical models, such as Iphigenia, Phaedra, Penelope, and Helen. The novels manipulate readerly expectations through a complex web of mythical variants and constantly negotiate their adventure and erotic plot with that of traditional myths becoming, thus, part of the imperial mythical revision to which they add the prospect of a happy ending.
Author: Loren D. Marsh
Publisher: Vandenhoeck & Ruprecht
ISBN: 3949189041
Category : Literary Criticism
Languages : en
Pages : 213
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Book Description
This book presents a new analysis of Aristotle's concept of narrative in the Poetics. Arguing that the term muthos in the Poetics cannot be understood as equivalent to "plot," Marsh shows that the muthos concept is instead a useful tool for grouping larger sets of narratives based on specific criteria. The results of this muthos analysis indicate that in the classical period, neither formal structure nor the structure of events was determined by theatrical genre, but by the specific combination of tone and plot type. Marsh concludes that the category of genre itself may be less helpful for classifying these plays than is typically assumed.
