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Author: C.D. Wright
Publisher: Copper Canyon Press
ISBN: 1619320940
Category : Poetry
Languages : en
Pages : 122
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Book Description
Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. "In my book," she writes, "poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so." C.D. Wright was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island. "Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical ‘goblets of magnolialight,’ and recurrent, mysterious, semi-allegorical figures like ‘the snakeman’ and ‘the boneman’ share space with place names, lexicographies, exhortations and wacky graffiti (‘God is Louise’).… cherish Wright's latest ‘once-and-for-all thing, opaque and revelatory, ceaselessly burning.’"—Publishers Weekly "For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers—still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything—human and angry and beautiful."—Michael Ondaatje "C.D. Wright is entirely her own poet, a true original."—The Gettysburg Review
Author: C.D. Wright
Publisher: Copper Canyon Press
ISBN: 1619320940
Category : Poetry
Languages : en
Pages : 122
Get Book Here
Book Description
Rebellious and fiercely lyrical, the poems of C.D. Wright incorporate elements of disjunction and odd juxtaposition in their exploration of unfolding context. "In my book," she writes, "poetry is a necessity of life. It is a function of poetry to locate those zones inside us that would be free, and declare them so." C.D. Wright was born and raised in the Ozark Mountains of Arkansas. She has received numerous awards for her work, including grants from the National Endowment for the Arts, the Guggenheim Foundation, the American Academy and Institute for Arts and Letters, and the Lila Wallace-Reader's Digest Foundation. She teaches at Brown University in Rhode Island. "Expertly elliptical phrasings, and an uncounterfeitable, generous feel for real people, bodies and places, have lately made Wright one of America's oddest, best and most appealing poets. Her tenth book consists of a single long poem whose sentences, segments and prose-blocks weave loosely around and about, and grow out of, a road trip through the rural South. Clipped twangs, lyrical ‘goblets of magnolialight,’ and recurrent, mysterious, semi-allegorical figures like ‘the snakeman’ and ‘the boneman’ share space with place names, lexicographies, exhortations and wacky graffiti (‘God is Louise’).… cherish Wright's latest ‘once-and-for-all thing, opaque and revelatory, ceaselessly burning.’"—Publishers Weekly "For me, C.D. Wright's poetry is river gold. 'Love whatever flows.' Her language is on the page half pulled out of earth and rivers—still holding onto the truth of the elements. I love her voice and pitch and the long snaky arms of her language that is willing to hold everything—human and angry and beautiful."—Michael Ondaatje "C.D. Wright is entirely her own poet, a true original."—The Gettysburg Review
Author: C.D. Wright
Publisher: Copper Canyon Press
ISBN: 1619320169
Category : Poetry
Languages : en
Pages : 180
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Book Description
Honored in "Best Books of the Year" listings from The New Yorker, National Public Radio, Library Journal, and The Huffington Post. "One With Others represents Wright's most audacious experiment yet."—The New Yorker "[A] book . . . that defies description and discovers a powerful mode of its own."— National Public Radio "[A] searing dissection of hate crimes and their malignant legacy."—Booklist Today, Gentle Reader, the sermon once again: "Segregation After Death." Showers in the a.m. The threat they say is moving from the east. The sheriff's club says Not now. Not nokindofhow. Not never. The children's minds say Never waver. Air fanned by a flock of hands in the old funeral home where the meetings were called [because Mrs. Oliver owned it free and clear], and that selfsame air, sanctified and doomed, rent with racism, and it percolates up from the soil itself . . . In this National Book Award finalist and National Book Critics Circle Award finalist, C.D. Wright returns to her native Arkansas and examines explosive incidents grounded in the Civil Rights Movement. In her signature style, Wright interweaves oral histories, hymns, lists, interviews, newspaper accounts, and personal memories—especially those of her incandescent mentor, Mrs. Vittitow—with the voices of witnesses, neighbors, police, and activists. This history leaps howling off the page. C.D. Wright has published over a dozen works of poetry and prose. Among her honors are the Griffin Poetry Prize and a MacArthur Fellowship. She teaches at Brown University and lives outside of Providence, Rhode Island.
Author: C.D. Wright
Publisher: Copper Canyon Press
ISBN: 1619320967
Category : Poetry
Languages : en
Pages : 240
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Book Description
"Wright proves herself to be one of the most complex and fascinating poets writing today." -Library Journal
Author: C.D. Wright
Publisher: Copper Canyon Press
ISBN: 1619320150
Category : Poetry
Languages : en
Pages : 122
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Book Description
C. D. Wright takes her title from a line of legal defense, peculiar to Texas courts, in which it is held that if a man kills before having had time “to cool” after receiving an injury or an insult he is not guilty of murder. Cooling Time is a new type of book, an unruly vigil that is an interconnected memoir-poem-essay about contemporary American poetry. Ever focused on possibilities, Wright demonstrates that “the search for models becomes a search for alternatives,” and thereby defines the terms by which poets can chart their own course. These are some of the things I have touched in my life that are forbidden: paintings behind velvet ropes, electric fencing, a vault in an office, gun in a drawer, my brother’s folding money, the poet’s anus, the black holes in his heart—where his life went out of him. Tell me, what is the long stretch of road for if not to sort out the reasons why we are here and why we do what we do, from why we are not in the other lane doing what others do. Poetry is like food remarked one of my first teachers, freeing me to dislike Rocky Mountain Oysters and Robert Lowell. The menu is vast, the list of things I don’t want in my mouth relatively short. C.D. Wright, author of nine books of poetry, teaches at Brown University. She lives in Providence, Rhode Island, with poet Forrest Gander.
Author: C. D. Wright
Publisher: Copper Canyon Press
ISBN: 1556592582
Category : Poetry
Languages : en
Pages : 114
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Book Description
Emerging from society's most hidden and reviled structures is a poetry of majestic, riveting intensity.
Author: Deborah Luster
Publisher:
ISBN: 9780964277236
Category : Photography, Artistic
Languages : en
Pages : 32
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Book Description
Author: Bruce Smith
Publisher: University of Chicago Press
ISBN: 0226764354
Category : Literary Criticism
Languages : en
Pages : 100
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Book Description
"These poems visit high schools, laundromats, motels, films, and dreams in order to measure the American hunger and thirst. They are interested in the things we profess to hold most dear as well as what's unspoken and unbidden. While we're receiving a call or while we're passing through an X-ray machine, the personal is intersected--sometimes violently, sometimes tenderly--with the hum and buzz of the culture. Whether in New York or Tuscaloosa, Seattle or Philadelphia, past or present, the culture carries the burden of race and 'someone's idea of beauty.'"--Book cover.
Author: Michael Wiegers
Publisher: Copper Canyon Press
ISBN: 1619322870
Category : Poetry
Languages : en
Pages : 271
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Book Description
A compendium of stories about the importance of poems in people’s lives, accumulating a remarkable history of Copper Canyon Press. For its fiftieth anniversary, Copper Canyon Press invited a broad community of staffers, board members, and poets to help curate a celebratory anthology that it named A House Called Tomorrow. The response to that invitation, however, exceeded the book. The Press received so many stories about the poems, from people far and wide, that it knew it had to publish a second volume—this one. Come Shining is both an oral (and visual) history of Copper Canyon Press and a lasting testament to the power of poetry within people’s lives. If A House Called Tomorrow is the birthday cake, this is the birthday party: a joyous din of reminiscences, laughter, support, and yet more poems, all bound between two covers. Contributor stories are organized across thematic sections—such as “Personal Voltas” and “Stories for Our Tomorrow”—and are accompanied by a timeline of the Press, historic photos, and facsimiles of touching notes that Copper Canyon has received from readers and poets. The result is a remarkable account of a half-century of publishing, proof positive that poetry is, indeed, vital to language and living.
Author: Arthur Sze
Publisher: Copper Canyon Press
ISBN: 1619321033
Category : Poetry
Languages : en
Pages : 114
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Book Description
Sze's poetry is bold and versatile and brings together "disparate realms of experience." -The New Yorker
Author: Bill Lavender
Publisher: University of Alabama Press
ISBN: 0817312412
Category : Poetry
Languages : en
Pages : 313
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Book Description
Gathers the best work of flourishing but often-neglected avant-garde southern poets Another South is an anthology of poetry from contemporary southern writers who are working in forms that are radical, innovative, and visionary. Highly experimental and challenging in nature, the poetry in this volume, with its syntactical disjunctions, formal revolutions, and typographic playfulness, represents the direction of a new breed of southern writing that is at once universal in its appeal and regional in its flavor. Focusing on poets currently residing in the South, the anthology includes both emerging and established voices in the national and international literary world. From the invocations of Andy Young’s “Vodou Headwashing Ceremony” to the blues-informed poems of Lorenzo Thomas and Honorée Jeffers, from the different voicings of John Lowther and Kalamu ya Salaam to the visual, multi-genre art of Jake Berry, David Thomas Roberts, and Bob Grumman, the poetry in Another South is rich in variety and enthusiastic in its explorations of new ways to embody place and time. These writers have made the South lush with a poetic avant-garde all its own, not only redefining southern identity and voice but also offering new models of what is possible universally through the medium of poetry. Hank Lazer’s introductory essay about “Kudzu textuality” contextualizes the work by these contemporary innovators. Like the uncontrollable runaway vine that entwines the southern landscape, their poems are hyperfertile, stretching their roots and shoots relentlessly, at once destructive and regenerative. In making a radical departure from nostalgic southern literary voices, these poems of polyvocal abundance are closer in spirit to "speaking in tongues" or apocalyptic southern folk art—primitive, astonishing, and mystic.
