Author: Ina Brosseau Marx
Publisher: Potter Craft
ISBN: 9780823044191
Category : Color decoration and ornament
Languages : en
Pages : 0
Book Description
Detailed demonstrations show how to utilize all kinds of special paint techniques. Business aspects are also covered.
Professional Painted Finishes
Author: Ina Brosseau Marx
Publisher: Potter Craft
ISBN: 9780823044191
Category : Color decoration and ornament
Languages : en
Pages : 0
Book Description
Detailed demonstrations show how to utilize all kinds of special paint techniques. Business aspects are also covered.
Publisher: Potter Craft
ISBN: 9780823044191
Category : Color decoration and ornament
Languages : en
Pages : 0
Book Description
Detailed demonstrations show how to utilize all kinds of special paint techniques. Business aspects are also covered.
The Glory of Gold
Author: Sue Trytell
Publisher: Sally Milner Publishing
ISBN: 9781863511469
Category : Art
Languages : en
Pages : 88
Book Description
Sue Tyrell provides instructions for gilding ornamental and functional items, and experiments with the application of a range of surfaces, including wood, plastic, stainless steel, glass and ceramic. She demonstrates the use of a range of gilding materials, such as gold leaf and metal leaf.
Publisher: Sally Milner Publishing
ISBN: 9781863511469
Category : Art
Languages : en
Pages : 88
Book Description
Sue Tyrell provides instructions for gilding ornamental and functional items, and experiments with the application of a range of surfaces, including wood, plastic, stainless steel, glass and ceramic. She demonstrates the use of a range of gilding materials, such as gold leaf and metal leaf.
The Grove Encyclopedia of Decorative Arts
Author: Gordon Campbell
Publisher: Oxford University Press
ISBN: 0195189485
Category : Architecture
Languages : en
Pages : 1277
Book Description
The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.
Publisher: Oxford University Press
ISBN: 0195189485
Category : Architecture
Languages : en
Pages : 1277
Book Description
The Grove Encyclopedia of Decorative Arts covers thousands of years of decorative arts production throughout western and non-western culture. With over 1,000 entries, as well as hundreds drawn from the 34-volume Dictionary of Art, this topical collection is a valuable resource for those interested in the history, practice, and mechanics of the decorative arts. Accompanied by almost 100 color and more than 500 black and white illustrations, the 1,290 pages of this title include hundreds of entries on artists and craftsmen, the qualities and historic uses of materials, as well as concise definitions on art forms and style. Explore the works of Alvar Aalto, Charles and Ray Eames, and the Wiener Wekstatte, or delve into the history of Navajo blankets and wing chairs in thousands of entries on artists, craftsmen, designers, workshops, and decorative art forms.
The Journal of decorative art
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 436
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 436
Book Description
Gold Leaf, Paint & Glass
Author: Frances Federer
Publisher: Gatekeeper Press
ISBN: 1662910894
Category : Crafts & Hobbies
Languages : en
Pages : 253
Book Description
This pioneering book is the first publication in English to devote itself to the methods, techniques and history of reverse painting and gilding on glass, often known as 'verre eglomise'. Since the Renaissance the practice has passed in and out of fashion but today it is enjoying a resurgence in popularity. Discerning designers commission decorated glass for wall and ceiling panelling and for furniture inserts, while artists are increasingly exploring the medium, pushing at its boundaries. This book is written for students, artists, conservators, curators, interested amateurs, teachers and designers, many of whom will have been patiently waiting to learn more on this topic. The history of unfired decoration on glass is recounted in depth, illustrated with hitherto unpublished pictures. In the practical section clear step-by-step projects, suitable for a beginner as well as for a more experienced artist, serve as a singular introduction to an elegant, sophisticated art. Book Review 1: This is probably the most condensed (and refreshingly so), yet comprehensive book to date on gilded and painted glass. Concise and easy to read it mainly covers the most widely used cold process of gold and painted decoration on glass. Frances wastes no time in pointing out and clearing up the true meaning of the term verre eglomise, now commonly used as a general title for any type of decoration applied to glass, but let's not give too much away. This is all covered, including both cold and hot methods, in the opening paragraphs and under the Terminology section. There are many old books from medieval manuscripts to un-translated documentation, so this book is very welcomed. There has been a long gap in the market for gilded glass, but now the art of glass decoration is enjoying such a revival, and with so many new and varied designs, this couldn't really be better timed. The book moves from techniques (ancient to modern day) to origins and the development of glass decoration throughout the world. Fabulous examples of historic and important pieces are illustrated, each with a brief description of techniques and materials used. Some of these examples show a real diversity in design and methods used. The step by step approach for the entire gilding process is also explained and shown in great detail, covering initial design process for geometric and free hand patterns, the process of laying the leaf, engraving and colouring. Recipes, materials & tools, suppliers and useful references to websites make it easy for even a complete beginner or an amateur who has never laid a single leaf, but may wish to try their hand. Even for the professional there is nothing comparable to this book. It is up to date, an excellent concise reference manual with a wealth of useful information, in essence it is a book that can teach even the most experienced restorer or gilder something new. -- Dominic Schuster for The BAFRA, British Antique Furniture Restorers Association. Book Review 2: ...This book... brings together the results of years of research by the author... time-tested arcane formulae have been thoroughly modernized; intricate order-sensitive processes are thoroughly explained. Anyone practicing today has to get many things 'right' if they expect their work to last really long-term: that is why this book is so very important. -- William Gudenrath, Resident Advisor at The Studio of The Corning Museum of Glass, NY, USA. Book Review 3: I started reading your book and I think that it is great - it contains amazing amounts of information and yet it doesn't beat about the bush. -- Nina Binnington, mirror specialist, Germany. Book Review 4: Have now read four times, ever more slowly and with increasing understanding of the variables. Your experience and comments about what can be laid on top of what have in particular been very handy indeed for working out some potential snags ....I do so agree about repeating basic instructions in each separate context - from the reader's point of view, this is a blessing. Not to have to dash back and forth to re-establish an idea from a previous chapter, keeping a thumb in the page, is genuinely sensible.... I have put pencil marks all over the pages to remind me of small important details in the text. For me, that is clear proof that this is a book... genuinely useful workaday... to learn from and work with, not just to gawp at... -- Richard Byrne, UK. Book Review 5: It's a work of gilded art! This book will encourage and teach students for years to come. -- David Smith, ornamental glass artist, UK. Book Review 6: ...I want to say how much I am enjoying the book! Its such a fantastic resource and so inspiring - a real gift to the glass world. -- Lucy Batt, glass artist, UK. Book Review 7: ... after so much time, research and careful thought, it is truly an inspiration. I am very keen to explore this use of gold and colour in what I hope eventually will be my own personal expression. -- Christopher Ainslie, glass engraver, UK. Book Review 8: ...I just got the book in the post. It's lovely! Really well done, so easy to follow and beautifully illustrated. -- Lynne Rutter, decorative artist, San Francisco, USA. Book Review 9: ...Such a handsome book, and so filled with fascinating photos and text. It is beautifully organized, and will provide many worthwhile hours for readers of all levels. Congratulations, and thank you from all of us in the gilding community. -- Ina and Allen Marx, conservators and decorative artists, USA.
Publisher: Gatekeeper Press
ISBN: 1662910894
Category : Crafts & Hobbies
Languages : en
Pages : 253
Book Description
This pioneering book is the first publication in English to devote itself to the methods, techniques and history of reverse painting and gilding on glass, often known as 'verre eglomise'. Since the Renaissance the practice has passed in and out of fashion but today it is enjoying a resurgence in popularity. Discerning designers commission decorated glass for wall and ceiling panelling and for furniture inserts, while artists are increasingly exploring the medium, pushing at its boundaries. This book is written for students, artists, conservators, curators, interested amateurs, teachers and designers, many of whom will have been patiently waiting to learn more on this topic. The history of unfired decoration on glass is recounted in depth, illustrated with hitherto unpublished pictures. In the practical section clear step-by-step projects, suitable for a beginner as well as for a more experienced artist, serve as a singular introduction to an elegant, sophisticated art. Book Review 1: This is probably the most condensed (and refreshingly so), yet comprehensive book to date on gilded and painted glass. Concise and easy to read it mainly covers the most widely used cold process of gold and painted decoration on glass. Frances wastes no time in pointing out and clearing up the true meaning of the term verre eglomise, now commonly used as a general title for any type of decoration applied to glass, but let's not give too much away. This is all covered, including both cold and hot methods, in the opening paragraphs and under the Terminology section. There are many old books from medieval manuscripts to un-translated documentation, so this book is very welcomed. There has been a long gap in the market for gilded glass, but now the art of glass decoration is enjoying such a revival, and with so many new and varied designs, this couldn't really be better timed. The book moves from techniques (ancient to modern day) to origins and the development of glass decoration throughout the world. Fabulous examples of historic and important pieces are illustrated, each with a brief description of techniques and materials used. Some of these examples show a real diversity in design and methods used. The step by step approach for the entire gilding process is also explained and shown in great detail, covering initial design process for geometric and free hand patterns, the process of laying the leaf, engraving and colouring. Recipes, materials & tools, suppliers and useful references to websites make it easy for even a complete beginner or an amateur who has never laid a single leaf, but may wish to try their hand. Even for the professional there is nothing comparable to this book. It is up to date, an excellent concise reference manual with a wealth of useful information, in essence it is a book that can teach even the most experienced restorer or gilder something new. -- Dominic Schuster for The BAFRA, British Antique Furniture Restorers Association. Book Review 2: ...This book... brings together the results of years of research by the author... time-tested arcane formulae have been thoroughly modernized; intricate order-sensitive processes are thoroughly explained. Anyone practicing today has to get many things 'right' if they expect their work to last really long-term: that is why this book is so very important. -- William Gudenrath, Resident Advisor at The Studio of The Corning Museum of Glass, NY, USA. Book Review 3: I started reading your book and I think that it is great - it contains amazing amounts of information and yet it doesn't beat about the bush. -- Nina Binnington, mirror specialist, Germany. Book Review 4: Have now read four times, ever more slowly and with increasing understanding of the variables. Your experience and comments about what can be laid on top of what have in particular been very handy indeed for working out some potential snags ....I do so agree about repeating basic instructions in each separate context - from the reader's point of view, this is a blessing. Not to have to dash back and forth to re-establish an idea from a previous chapter, keeping a thumb in the page, is genuinely sensible.... I have put pencil marks all over the pages to remind me of small important details in the text. For me, that is clear proof that this is a book... genuinely useful workaday... to learn from and work with, not just to gawp at... -- Richard Byrne, UK. Book Review 5: It's a work of gilded art! This book will encourage and teach students for years to come. -- David Smith, ornamental glass artist, UK. Book Review 6: ...I want to say how much I am enjoying the book! Its such a fantastic resource and so inspiring - a real gift to the glass world. -- Lucy Batt, glass artist, UK. Book Review 7: ... after so much time, research and careful thought, it is truly an inspiration. I am very keen to explore this use of gold and colour in what I hope eventually will be my own personal expression. -- Christopher Ainslie, glass engraver, UK. Book Review 8: ...I just got the book in the post. It's lovely! Really well done, so easy to follow and beautifully illustrated. -- Lynne Rutter, decorative artist, San Francisco, USA. Book Review 9: ...Such a handsome book, and so filled with fascinating photos and text. It is beautifully organized, and will provide many worthwhile hours for readers of all levels. Congratulations, and thank you from all of us in the gilding community. -- Ina and Allen Marx, conservators and decorative artists, USA.
Western Decorative Arts: Volume 1
Author: National Gallery of Art (U.S.)
Publisher: Princeton University Press
ISBN: 0521470684
Category : Art
Languages : en
Pages : 369
Book Description
This volume is one of several that examines the National Gallery of Art's distinguished collection of decorative arts. (The second volume will be published in 1996.) The group treated here is composed primarily of works acquired from the Widener Collection, and amplified by holdings acquired from the Kress family. Included are more than eighty Medieval, Renaissance, and later historic objects in a wide variety of media, encompassing metalwork, stained glass, enamels, ceramics, and jewels. Among the highlights are a Limoges reliquary chasse, a Mosan lion aquamanile, thirty-eight pieces in a remarkable cohesive group of Italian maiolica, three of the very rare pottery objects known as 'Saint-Porchaire', and, the centerpiece of the collection, the Suger chalice, an ancient sardonyx cup to which the Abbot Suger added a bejewelled golden setting in the twelfth century. Like other volumes in the Systematic Catalogue of the National Gallery of Art Collections,Western Decorative Arts includes a thoroughly researched entry for each object, together with an artist biography, up-to-date bibliography, and a technical analysis.
Publisher: Princeton University Press
ISBN: 0521470684
Category : Art
Languages : en
Pages : 369
Book Description
This volume is one of several that examines the National Gallery of Art's distinguished collection of decorative arts. (The second volume will be published in 1996.) The group treated here is composed primarily of works acquired from the Widener Collection, and amplified by holdings acquired from the Kress family. Included are more than eighty Medieval, Renaissance, and later historic objects in a wide variety of media, encompassing metalwork, stained glass, enamels, ceramics, and jewels. Among the highlights are a Limoges reliquary chasse, a Mosan lion aquamanile, thirty-eight pieces in a remarkable cohesive group of Italian maiolica, three of the very rare pottery objects known as 'Saint-Porchaire', and, the centerpiece of the collection, the Suger chalice, an ancient sardonyx cup to which the Abbot Suger added a bejewelled golden setting in the twelfth century. Like other volumes in the Systematic Catalogue of the National Gallery of Art Collections,Western Decorative Arts includes a thoroughly researched entry for each object, together with an artist biography, up-to-date bibliography, and a technical analysis.
Cyclopedia of Painting
Author: George D. Armstrong
Publisher:
ISBN:
Category : Painting, Industrial
Languages : en
Pages : 454
Book Description
Publisher:
ISBN:
Category : Painting, Industrial
Languages : en
Pages : 454
Book Description
The Gilded Edge
Author: Eli Wilner
Publisher: Chronicle Books
ISBN: 9780811820707
Category : Art
Languages : en
Pages : 214
Book Description
Consider the frame as a work of art itself. This in-depth examination of the beauty and diversity of antique American frames is comprised of diverse essays by curators, scholars, artists, and art lovers. The craft of matching frame to work is beautifully illustrated in the 150 images.
Publisher: Chronicle Books
ISBN: 9780811820707
Category : Art
Languages : en
Pages : 214
Book Description
Consider the frame as a work of art itself. This in-depth examination of the beauty and diversity of antique American frames is comprised of diverse essays by curators, scholars, artists, and art lovers. The craft of matching frame to work is beautifully illustrated in the 150 images.
Specifications and Drawings of Patents Issued from the United States Patent Office for ...
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 848
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 848
Book Description
Pottery and Porcelain of All Times and Nations
Author: William Cowper Prime
Publisher:
ISBN:
Category : Pottery
Languages : en
Pages : 552
Book Description
Publisher:
ISBN:
Category : Pottery
Languages : en
Pages : 552
Book Description