Author: Harald William Fawkner
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838633939
Category : Drama
Languages : en
Pages : 276
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Book Description
Macbeth is discussed in relation to Derrida's notion of the metaphysics of presence. Fawkner argues that the quest for metaphysical certitude in Macbeth is related to the hero's transformation from a heroic to a post-heroic status.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 0791081761
Category : Regicides in literature
Languages : en
Pages : 233
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Book Description
A collection of critical essays concerning Shakespeare's tragic play of tyranny, revenge, and mental anguish.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 160413884X
Category : Electronic books
Languages : en
Pages : 203
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Book Description
A collection of literary criticism focusing on Shakespeare's play Macbeth.
Author: Christoph Clausen
Publisher: Rodopi
ISBN: 9042018879
Category : Art
Languages : en
Pages : 286
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Book Description
In what sense did Shakespeare's representation of the Weird Sisters participate in the rewriting of village witchcraft? Was it likely to "encourage the Sword"? Did opera's specific medial conditions offer Verdi special opportunities to justify the presence of stage witches more than three centuries later? How valid is the parallel between 19th century opera and the voyeurism of madhouse spectacle? Was Shakespeare's play really engaged in the project of exorcizing Queen Elizabeth's cultural memory? What does Verdi's chorus of Scottish refugees have to do with shifting representations of 'the people'? These are among the questions tackled in this study. It provides the first in-depth comparison of Shakespeare's and Verdi's Macbeth that is written expressly from the perspective of current Shakespearean criticism whilst striving to do justice to the topic's musicological dimension at the same time. Exploring to what extent the play's matrix of possible readings is distinct from Verdi's two operatic versions, the book seeks to relate such differences both to the historical contexts of the works' geneses and to their respective medial conditions. In doing so, it pays particular attention to shifting negotiations of witchcraft, gender, madness, and kingship. The study eventually broadens its discussion to consider other Shakespearean plays and their operatic offshoots, reflecting on some possible relations between historical and medial difference.
Author: SENGUPTA, GAUTAM
Publisher: PHI Learning Pvt. Ltd.
ISBN: 9387472469
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
The Tragedy of Macbeth is the shortest tragedy written by William Shakespeare. Macbeth, the protagonist of the play, is portrayed as a successful Scottish general in the army of King Duncan. Macbeth, one day, gets politically instigated by a trio of witches that he would become the King of Scotland soon. Encouraged by his wife (Lady Macbeth) and taken over by greed and action, Macbeth murders King Duncan, and becomes the King of Scotland. Key Features • Clear language with complete annotations. • Act-wise Scene-wise summary given at the end of every Act. • Plot-wise Commentary given at the end of the text. • Critical Essay explaining 'Themes that emerge out of Macbeth' and 'Under the Critics' Lens' have been provided. Target Audience B.A. / M.A. English
Author: Ton Hoenselaars
Publisher: Bloomsbury Publishing
ISBN: 1408179725
Category : Drama
Languages : en
Pages : 308
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Book Description
Shakespeare's international status as a literary icon is largely based on his masterful use of the English language, yet beyond Britain his plays and poems are read and performed mainly in translation. Shakespeare and the Language of Translation addresses this apparent contradiction and is the first major survey of its kind. Covering the many ways in which the translation of Shakespeare's works is practised and studied from Bulgaria to Japan, South Africa to Germany, it also discusses the translation of Macbeth into Scots and of Romeo and Juliet into British Sign Language. The collection places renderings of Shakespeare's works aimed at the page and the stage in their multiple cultural contexts, including gender, race and nation, as well as personal and postcolonial politics. Shakespeare's impact on nations and cultures all around the world is increasingly a focus for study and debate. As a result, the international performance of Shakespeare and Shakespeare in translation have become areas of growing popularity for both under- and post-graduate study, for which this book provides a valuable companion.
Author: Kay Stockholder
Publisher: John Wiley & Sons
ISBN: 1119059003
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
Explores the challenges of maintaining bonds, living up to ideals, and fulfilling desire in Shakespeare’s plays In Thinking About Shakespeare, Kay Stockholder reveals the rich inner lives of some of Shakespeare’s most enigmatic characters and the ways in which their emotions and actions shape and are shaped by the social and political world around them. In addressing all genres in the Shakespeare canon, the authors explore the possibility of people being constant to each other in many different kinds of relationships: those of lovers, kings and subjects, friends, and business partners. While some bonds are irrevocably broken, many are reaffirmed. In all cases, the authors offer insight into what drives Shakespeare’s characters to do what they do, what draws them together or pulls them apart, and the extent to which bonds can ever be eternal. Ultimately, the most durable bond may be between the playwright and the audience, whereby the playwright pleases and the audience approves. The book takes an in-depth look at a dozen of The Bard’s best-loved works, including: A Midsummer Night’s Dream; Romeo and Juliet; The Merchant of Venice; Richard II; Henry IV, Part I; Hamlet; Troilus and Cressida; Othello; Macbeth; King Lear; Antony and Cleopatra; and The Tempest. It also provides an epilogue titled: Prospero and Shakespeare. Written in a style accessible for all levels Discusses 12 plays, making it a comprehensive study of Shakespeare’s work Covers every genre of The Bard’s work, giving readers a full sense of Shakespeare’s art/thought over the course of his oeuvre Provides a solid overall sense of each play and the major characters/plot lines in them Providing new and sometimes unconventional and provocative ways to think about characters that have had a long critical heritage, Thinking About Shakespeare is an enlightening read that is perfect for scholars, and ideal for any level of student studying one of history’s greatest storytellers.
Author: Sibylle Baumbach
Publisher: Lulu.com
ISBN: 1847600794
Category : Drama
Languages : en
Pages : 208
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Book Description
This book deals with the poetics of the human face, the art of physiognomy, and strategies of nonverbal communication in Shakespeare's plays. It offers new insight into Shakespeare's modes of characterisation, and his art of performance. In Shakespeare's plays, the human face is a focal point. As an area where expression and impression meet (and, ideally, correspond), its reliability and trustworthiness are frequently put to the test, sparking off a controversy which serves as a significant and highly challenging subtext to the overall plot. Professor Baumbach studied at Heidelberg, Cambridge and Munich, and has taught at the universities of Warwick, Giessen, and Stanford. She is now at the University of Innsbruck. Her publications include "'Let me behold thy face'-- Physiognomik und Gesichtslektueren in Shakespeares Tragoedien" (2007), "An Introduction to the Study of Plays and Drama" (as co-author, 2009), and "Literature and Fascination" (2015.
Author: Brian Vickers
Publisher: Yale University Press
ISBN: 9780300061055
Category : Literary Criticism
Languages : en
Pages : 532
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Book Description
During the last two decades, new critical schools of Shakespeare scholarship have emerged, each with its own ideology, each convinced that all other approaches are deficient. This controversial book argues that in attempting to appropriate Shakespeare for their own purposes, these schools omit and misrepresent Shakespeare's text--and thus distort it. Brian Vickers describes the iconoclastic attitudes emerging in French criticism of the 1960s that continue to influence literary theory: that language cannot reliably represent reality; that literature cannot represent life; that since no definitive reading is possible, all interpretation is misinterpretation. Vickers shows that these positions have been refuted, and he brings together work in philosophy, linguistics, and literary theory to rehabilitate language and literature. He then surveys the main conflicting schools in Shakespearean and other current literary criticism--deconstructionism, feminism, new historicism, cultural materialism, and psychoanalytic, Marxist, and Christian interpretations--describing the theoretical basis of each school, both in its own words and in those of its critics. Evaluating the resulting interpretations of Shakespeare, he shows that each is biased and fragmentary in its own way. The epilogue considers two related issues: the attempt of current literary theory to present itself as a coherent system while at the same time wishing to evade accountability; and the way in which different schools "demonize" their rivals, thus adding an intolerant tone to much recent criticism.
Author: Harald William Fawkner
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838633830
Category : Drama
Languages : en
Pages : 212
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Book Description
Utilizing a number of poststructuralist devices, H. W. Fawkner employs an ontodramatic line of approach in order to suggest that a single hidden pattern of hyperontological suggestion organizes Shakespeare's entire imaginative outlook in Antony and Cleopatra.
