Decoding Gender in Science Fiction PDF Download
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Author: Brian Attebery
Publisher: Psychology Press
ISBN: 9780415939508
Category : Fiction
Languages : en
Pages : 228
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Book Description
First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Brian Attebery
Publisher: Psychology Press
ISBN: 9780415939508
Category : Fiction
Languages : en
Pages : 228
Get Book Here
Book Description
First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Brian Attebery
Publisher: Routledge
ISBN: 1317971477
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
From Frankenstein to futuristic feminist utopias, Decoding Gender in Science Fiction examines the ways science fiction writers have incorporated, explored, and revised conventional notions of sexual difference. Attebery traces a fascinating history of men's and women's writing that covertly or overtly investigates conceptions of gender, suggesting new perspectives on the genre.
Author: Ursula K. Le Guin
Publisher: R.S. Means Company
ISBN: 9780393972412
Category : Fiction
Languages : en
Pages : 869
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Book Description
A collection of sixty-seven contemporary American science fiction stories includes contributions by Poul Anderson, Margaret Atwood, Octavia Butler, Samuel R. Delany, and Philip K. Dick
Author: Brian Atterby
Publisher: Wesleyan University Press
ISBN: 081957368X
Category : Fiction
Languages : en
Pages : 329
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Book Description
Essays about the inherently collaborative nature of science fiction As a geometric term, parabola suggests a narrative trajectory or story arc. In science fiction, parabolas take us from the known to the unknown. More concrete than themes, more complex than motifs, parabolas are combinations of meaningful setting, character, and action that lend themselves to endless redefinition and jazzlike improvisation. The fourteen original essays in this collection explore how the field of science fiction has developed as a complex of repetitions, influences, arguments, and broad conversations. This particular feature of the genre has been the source of much critical commentary, most notably through growing interest in the "sf megatext," a continually expanding archive of shared images, situations, plots, characters, settings, and themes found in science fiction across media. Contributors include Jane Donawerth, Terry Dowling, L. Timmel Duchamp, Rachel Haywood Ferreira, Pawel Frelik, David M. Higgins, Amy J. Ransom, John Rieder, Nicholas Ruddick, Graham Sleight, Gary K. Wolfe, and Lisa Yaszek.
Author: Brian Attebery
Publisher: Oxford University Press, USA
ISBN: 0199316074
Category : Fiction
Languages : en
Pages : 251
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Book Description
The first comprehensive study of fantasy's uses of myth, this book offers insights into the genre's popularity and cultural importance. Combining history, folklore, and narrative theory, Attebery's study explores familiar and forgotten fantasies and shows how the genre is also an arena for negotiating new relationships with traditional tales.
Author: Edward James
Publisher: Cambridge University Press
ISBN: 9780521016575
Category : Literary Criticism
Languages : en
Pages : 330
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Book Description
Table of contents
Author: Elyce Rae Helford
Publisher: Univ. Press of Mississippi
ISBN: 149680872X
Category : Social Science
Languages : en
Pages : 236
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Book Description
Contributions by Marleen S. Barr, Shiloh Carroll, Sarah Gray, Elyce Rae Helford, Michael R. Howard II, Ewan Kirkland, Nicola Mann, Megan McDonough, Alex Naylor, Rhonda Nicol, Joan Ormrod, J. Richard Stevens, Tosha Taylor, Katherine A. Wagner, and Rhonda V. Wilcox Although the last three decades have offered a growing body of scholarship on images of fantastic women in popular culture, these studies either tend to focus on one particular variety of fantastic female (the action or sci-fi heroine), or on her role in a specific genre (villain, hero, temptress). This edited collection strives to define the "Woman Fantastic" more fully. The Woman Fantastic may appear in speculative or realist settings, but her presence is always recognizable. Through futuristic contexts, fantasy worlds, alternate histories, or the display of superpowers, these insuperable women challenge the laws of physics, chemistry, and/or biology. In chapters devoted to certain television programs, adult and young adult literature, and comics, contributors discuss feminist negotiation of today's economic and social realities. Senior scholars and rising academic stars offer compelling analyses of fantastic women from Wonder Woman and She-Hulk to Talia Al Ghul and Martha Washington; from Carrie Vaughn's Kitty Norville series to Cinda Williams Chima's The Seven Realms series; and from Battlestar Gallactica's female Starbuck to Game of Thrones's Sansa and even Elaine Barrish Hammond of USA's Political Animals. This volume furnishes an important contribution to ongoing discussions of gender and feminism in popular culture.
Author: Bonnie Noonan
Publisher: McFarland
ISBN: 0786459743
Category : Performing Arts
Languages : en
Pages : 229
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Book Description
The 1950s era of science fiction film effectively ended when space flight became a reality with the first manned orbit of Earth in 1962. As the genre's wildly speculative depictions of science and technology gave way to more reality-based representations, relations between male and female characters reflected the changing political and social climates of the era. Drawing on critical analyses, film reviews and cultural commentaries, this book examines the development of science fiction film and its representations of gender, from the groundbreaking films of 1968--including 2001: A Space Odyssey, Barbarella and Planet of the Apes--through its often overlooked "Middle Period," which includes such films as Colossus: The Forbin Project (1970), The Stepford Wives (1975) and A Boy and His Dog (1975). The author examines intersections of gender and race in The Omega Man (1971) and Frogs (1972), gender and dystopia in Soylent Green (1973) and Logan's Run (1976), and gender and computers in Demon Seed (1977). The big-budget films of the late 1970s--Close Encounters of the Third Kind, Alien and Star Wars--are also discussed.
Author: Ursula K. Le Guin
Publisher: Penguin
ISBN: 0441478123
Category : Fiction
Languages : en
Pages : 369
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Book Description
50TH ANNIVERSARY EDITION—WITH A NEW INTRODUCTION BY DAVID MITCHELL AND A NEW AFTERWORD BY CHARLIE JANE ANDERS Ursula K. Le Guin’s groundbreaking work of science fiction—winner of the Hugo and Nebula Awards. A lone human ambassador is sent to the icebound planet of Winter, a world without sexual prejudice, where the inhabitants’ gender is fluid. His goal is to facilitate Winter’s inclusion in a growing intergalactic civilization. But to do so he must bridge the gulf between his own views and those of the strange, intriguing culture he encounters... Embracing the aspects of psychology, society, and human emotion on an alien world, The Left Hand of Darkness stands as a landmark achievement in the annals of intellectual science fiction.
Author: Rivers Solomon
Publisher: Akashic Books
ISBN: 1617755990
Category : Fiction
Languages : en
Pages : 242
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Book Description
A breathtaking science fiction debut from a worthy successor to Octavia Butler. —One of Esquire magazine’s 50 Best Sci-Fi Books of All Time “Solomon debuts with a raw distillation of slavery, feudalism, prison, and religion that kicks like rotgut moonshine . . . Stunning.” —Publishers Weekly, Starred Review Aster has little to offer folks in the way of rebuttal when they call her ogre and freak. She’s used to the names; she only wishes there was more truth to them. If she were truly a monster, she’d be powerful enough to tear down the walls around her until nothing remains of her world. Aster lives in the lowdeck slums of the HSS Matilda, a space vessel organized much like the antebellum South. For generations, Matilda has ferried the last of humanity to a mythical Promised Land. On its way, the ship’s leaders have imposed harsh moral restrictions and deep indignities on dark-skinned sharecroppers like Aster. Embroiled in a grudge with a brutal overseer, Aster learns there may be a way to improve her lot—if she’s willing to sow the seeds of civil war.
