Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 1778872174
Category : Performing Arts
Languages : en
Pages : 205
Book Description
Steve Hutchison reviews 100 amazing horror procedurals from the 2010s. Each film is analyzed and discussed with a synopsis and a rating. The movies are ranked. How many have you seen?
Decades of Terror 2020: 2010s Horror Procedurals
Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 1778872174
Category : Performing Arts
Languages : en
Pages : 205
Book Description
Steve Hutchison reviews 100 amazing horror procedurals from the 2010s. Each film is analyzed and discussed with a synopsis and a rating. The movies are ranked. How many have you seen?
Publisher: Tales of Terror
ISBN: 1778872174
Category : Performing Arts
Languages : en
Pages : 205
Book Description
Steve Hutchison reviews 100 amazing horror procedurals from the 2010s. Each film is analyzed and discussed with a synopsis and a rating. The movies are ranked. How many have you seen?
Decades of Terror 2020: 2010s Horror Movies
Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 1778871690
Category : Performing Arts
Languages : en
Pages : 205
Book Description
Steve Hutchison reviews 100 amazing horror films from the 2010s. Each film is analyzed and discussed with a synopsis and a rating. The movies are ranked. How many have you seen?
Publisher: Tales of Terror
ISBN: 1778871690
Category : Performing Arts
Languages : en
Pages : 205
Book Description
Steve Hutchison reviews 100 amazing horror films from the 2010s. Each film is analyzed and discussed with a synopsis and a rating. The movies are ranked. How many have you seen?
Decades of Terror 2020
Author: Steve Hutchison
Publisher:
ISBN:
Category :
Languages : en
Pages : 114
Book Description
Steve Hutchison reviews 100 amazing horror procedurals from the 2010s. Each film is analyzed and discussed with a synopsis and a rating. The movies are ranked. How many have you seen?
Publisher:
ISBN:
Category :
Languages : en
Pages : 114
Book Description
Steve Hutchison reviews 100 amazing horror procedurals from the 2010s. Each film is analyzed and discussed with a synopsis and a rating. The movies are ranked. How many have you seen?
Decades of Terror 2020
Author: Steve Hutchison
Publisher:
ISBN: 9781652358510
Category :
Languages : en
Pages : 114
Book Description
Steve Hutchison reviews 100 amazing horror films from the 2010s. Each film is analyzed and discussed with a synopsis and a rating. The movies are ranked from best to worst. How many have you seen?
Publisher:
ISBN: 9781652358510
Category :
Languages : en
Pages : 114
Book Description
Steve Hutchison reviews 100 amazing horror films from the 2010s. Each film is analyzed and discussed with a synopsis and a rating. The movies are ranked from best to worst. How many have you seen?
Icons of Terror 2020
Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 1778871801
Category : Performing Arts
Languages : en
Pages : 320
Book Description
This book analyzes 145 horror films grouped in 24 franchises. These franchises feature an antagonist, or villain, who has been present in all or most films. These antagonists are so iconic that they have, in all cases, generated multiple sequels. All movies included in this book are rated and ranked.
Publisher: Tales of Terror
ISBN: 1778871801
Category : Performing Arts
Languages : en
Pages : 320
Book Description
This book analyzes 145 horror films grouped in 24 franchises. These franchises feature an antagonist, or villain, who has been present in all or most films. These antagonists are so iconic that they have, in all cases, generated multiple sequels. All movies included in this book are rated and ranked.
The Philosophy of Horror
Author: Thomas Fahy
Publisher: University Press of Kentucky
ISBN: 0813173701
Category : Philosophy
Languages : en
Pages : 270
Book Description
Sitting on pins and needles, anxiously waiting to see what will happen next, horror audiences crave the fear and exhilaration generated by a terrifying story; their anticipation is palpable. But they also breathe a sigh of relief when the action is over, when they are able to close their books or leave the movie theater. Whether serious, kitschy, frightening, or ridiculous, horror not only arouses the senses but also raises profound questions about fear, safety, justice, and suffering. From literature and urban legends to film and television, horror’s ability to thrill has made it an integral part of modern entertainment. Thomas Fahy and twelve other scholars reveal the underlying themes of the genre in The Philosophy of Horror. Examining the evolving role of horror, the contributing authors investigate works such as Mary Shelley’s Frankenstein (1818), horror films of the 1930s, Stephen King’s novels, Stanley Kubrick’s adaptation of The Shining (1980), and Alfred Hitchcock’s Psycho (1960). Also examined are works that have largely been ignored in philosophical circles, including Truman Capote’s In Cold Blood (1965), Patrick Süskind’s Perfume (1985), and James Purdy’s Narrow Rooms (2005). The analysis also extends to contemporary forms of popular horror and “torture-horror” films of the last decade, including Saw (2004), Hostel (2005), The Devil’s Rejects (2005), and The Hills Have Eyes (2006), as well as the ongoing popularity of horror on the small screen. The Philosophy of Horror celebrates the strange, compelling, and disturbing elements of horror, drawing on interpretive approaches such as feminist, postcolonial, Marxist, and psychoanalytic criticism. The book invites readers to consider horror’s various manifestations and transformations since the late 1700s, probing its social, cultural, and political functions in today’s media-hungry society.
Publisher: University Press of Kentucky
ISBN: 0813173701
Category : Philosophy
Languages : en
Pages : 270
Book Description
Sitting on pins and needles, anxiously waiting to see what will happen next, horror audiences crave the fear and exhilaration generated by a terrifying story; their anticipation is palpable. But they also breathe a sigh of relief when the action is over, when they are able to close their books or leave the movie theater. Whether serious, kitschy, frightening, or ridiculous, horror not only arouses the senses but also raises profound questions about fear, safety, justice, and suffering. From literature and urban legends to film and television, horror’s ability to thrill has made it an integral part of modern entertainment. Thomas Fahy and twelve other scholars reveal the underlying themes of the genre in The Philosophy of Horror. Examining the evolving role of horror, the contributing authors investigate works such as Mary Shelley’s Frankenstein (1818), horror films of the 1930s, Stephen King’s novels, Stanley Kubrick’s adaptation of The Shining (1980), and Alfred Hitchcock’s Psycho (1960). Also examined are works that have largely been ignored in philosophical circles, including Truman Capote’s In Cold Blood (1965), Patrick Süskind’s Perfume (1985), and James Purdy’s Narrow Rooms (2005). The analysis also extends to contemporary forms of popular horror and “torture-horror” films of the last decade, including Saw (2004), Hostel (2005), The Devil’s Rejects (2005), and The Hills Have Eyes (2006), as well as the ongoing popularity of horror on the small screen. The Philosophy of Horror celebrates the strange, compelling, and disturbing elements of horror, drawing on interpretive approaches such as feminist, postcolonial, Marxist, and psychoanalytic criticism. The book invites readers to consider horror’s various manifestations and transformations since the late 1700s, probing its social, cultural, and political functions in today’s media-hungry society.
The Spaces and Places of Horror
Author: Francesco Pascuzzi
Publisher: Vernon Press
ISBN: 1622738632
Category : Art
Languages : en
Pages : 299
Book Description
This volume explores the complex horizon of landscapes in horror film culture to better understand the use that the genre makes of settings, locations, spaces, and places, be they physical, imagined, or altogether imaginary. In The Philosophy of Horror, Noël Carroll discusses the “geography” of horror as often situating the filmic genre in liminal spaces as a means to displace the narrative away from commonly accepted social structures: this use of space is meant to trigger the audience’s innate fear of the unknown. This notion recalls Freud’s theorization of the uncanny, as it is centered on recognizable locations outside of the Lacanian symbolic order. In some instances, a location may act as one of the describing characteristics of evil itself: In A Nightmare on Elm Street teenagers fall asleep only to be dragged from their bedrooms into Freddy Krueger’s labyrinthine lair, an inescapable boiler room that enhances Freddie’s powers and makes him invincible. In other scenarios, the action may take place in a distant, little-known country to isolate characters (Roth’s Hostel films), or as a way to mythicize the very origin of evil (Bava’s Black Sunday). Finally, anxieties related to the encroaching presence of technology in our lives may give rise to postmodern narratives of loneliness and disconnect at the crossing between virtual and real places: in Kurosawa’s Pulse, the internet acts as a gateway between the living and spirit worlds, creating an oneiric realm where the living vanish and ghosts move to replace them. This suggestive topic begs to be further investigated; this volume represents a crucial addition to the scholarship on horror film culture by adopting a transnational, comparative approach to the analysis of formal and narrative concerns specific to the genre by considering some of the most popular titles in horror film culture alongside lesser-known works for which this anthology represents the first piece of relevant scholarship.
Publisher: Vernon Press
ISBN: 1622738632
Category : Art
Languages : en
Pages : 299
Book Description
This volume explores the complex horizon of landscapes in horror film culture to better understand the use that the genre makes of settings, locations, spaces, and places, be they physical, imagined, or altogether imaginary. In The Philosophy of Horror, Noël Carroll discusses the “geography” of horror as often situating the filmic genre in liminal spaces as a means to displace the narrative away from commonly accepted social structures: this use of space is meant to trigger the audience’s innate fear of the unknown. This notion recalls Freud’s theorization of the uncanny, as it is centered on recognizable locations outside of the Lacanian symbolic order. In some instances, a location may act as one of the describing characteristics of evil itself: In A Nightmare on Elm Street teenagers fall asleep only to be dragged from their bedrooms into Freddy Krueger’s labyrinthine lair, an inescapable boiler room that enhances Freddie’s powers and makes him invincible. In other scenarios, the action may take place in a distant, little-known country to isolate characters (Roth’s Hostel films), or as a way to mythicize the very origin of evil (Bava’s Black Sunday). Finally, anxieties related to the encroaching presence of technology in our lives may give rise to postmodern narratives of loneliness and disconnect at the crossing between virtual and real places: in Kurosawa’s Pulse, the internet acts as a gateway between the living and spirit worlds, creating an oneiric realm where the living vanish and ghosts move to replace them. This suggestive topic begs to be further investigated; this volume represents a crucial addition to the scholarship on horror film culture by adopting a transnational, comparative approach to the analysis of formal and narrative concerns specific to the genre by considering some of the most popular titles in horror film culture alongside lesser-known works for which this anthology represents the first piece of relevant scholarship.
I Love Jesus, But I Want to Die
Author: Sarah J. Robinson
Publisher: WaterBrook
ISBN: 0593193539
Category : Religion
Languages : en
Pages : 257
Book Description
A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.
Publisher: WaterBrook
ISBN: 0593193539
Category : Religion
Languages : en
Pages : 257
Book Description
A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.
Darkfall
Author: Dean Koontz
Publisher: Penguin
ISBN: 1440619336
Category : Fiction
Languages : en
Pages : 388
Book Description
A blizzard brings a city to a standstill and ushers in an evil that defies imagination in this gripping tale from #1 New York Times bestselling author Dean Koontz. Winter gripped the city. Terror gripped it, too. They found four corpses in four days, each more hideous than the last. At first the cops thought they were dealing with a psychopath. But soon they heard eerie sounds in the ventilation system—and saw unearthly silver eyes in the snow-slashed night. In a city paralyzed by a blizzard, something watches, something stalks…
Publisher: Penguin
ISBN: 1440619336
Category : Fiction
Languages : en
Pages : 388
Book Description
A blizzard brings a city to a standstill and ushers in an evil that defies imagination in this gripping tale from #1 New York Times bestselling author Dean Koontz. Winter gripped the city. Terror gripped it, too. They found four corpses in four days, each more hideous than the last. At first the cops thought they were dealing with a psychopath. But soon they heard eerie sounds in the ventilation system—and saw unearthly silver eyes in the snow-slashed night. In a city paralyzed by a blizzard, something watches, something stalks…
Torture and Truth
Author: Mark Danner
Publisher: New York Review of Books
ISBN:
Category : History
Languages : en
Pages : 612
Book Description
Includes the torture photographs in color and the full texts of the secret administration memos on torture and the investigative reports on the abuses at Abu Ghraib. In the spring of 2004, graphic photographs of Iraqi prisoners being tortured by American soldiers in Baghdad's Abu Ghraib prison flashed around the world, provoking outraged debate. Did they depict the rogue behavior of "a few bad apples"? Or did they in fact reveal that the US government had decided to use brutal tactics in the "war on terror"? The images are shocking, but they do not tell the whole story. The abuses at Abu Ghraib were not isolated incidents but the result of a chain of deliberate decisions and failures of command. To understand how "Hooded Man" and "Leashed Man" could have happened, Mark Danner turns to the documents that are collected for the first time in this book. These documents include secret government memos, some never before published, that portray a fierce argument within the Bush administration over whether al-Qaeda and Taliban prisoners were protected by the Geneva Conventions and how far the US could go in interrogating them. There are also official reports on abuses at Abu Ghraib by the International Committee of the Red Cross, by US Army investigators, and by an independent panel chaired by former defense secretary James R. Schlesinger. In sifting this evidence, Danner traces the path by which harsh methods of interrogation approved for suspected terrorists in Afghanistan and Guant‡namo "migrated" to Iraq as resistance to the US occupation grew and US casualties mounted. Yet as Mark Danner writes, the real scandal here is political: it "is not about revelation or disclosure but about the failure, once wrongdoing is disclosed, of politicians, officials, the press, and, ultimately, citizens to act." For once we know the story the photos and documents tell, we are left with the questions they pose for our democratic society: Does fighting a "new kind of war" on terror justify torture? Who will we hold responsible for deciding to pursue such a policy, and what will be the moral and political costs to the country?
Publisher: New York Review of Books
ISBN:
Category : History
Languages : en
Pages : 612
Book Description
Includes the torture photographs in color and the full texts of the secret administration memos on torture and the investigative reports on the abuses at Abu Ghraib. In the spring of 2004, graphic photographs of Iraqi prisoners being tortured by American soldiers in Baghdad's Abu Ghraib prison flashed around the world, provoking outraged debate. Did they depict the rogue behavior of "a few bad apples"? Or did they in fact reveal that the US government had decided to use brutal tactics in the "war on terror"? The images are shocking, but they do not tell the whole story. The abuses at Abu Ghraib were not isolated incidents but the result of a chain of deliberate decisions and failures of command. To understand how "Hooded Man" and "Leashed Man" could have happened, Mark Danner turns to the documents that are collected for the first time in this book. These documents include secret government memos, some never before published, that portray a fierce argument within the Bush administration over whether al-Qaeda and Taliban prisoners were protected by the Geneva Conventions and how far the US could go in interrogating them. There are also official reports on abuses at Abu Ghraib by the International Committee of the Red Cross, by US Army investigators, and by an independent panel chaired by former defense secretary James R. Schlesinger. In sifting this evidence, Danner traces the path by which harsh methods of interrogation approved for suspected terrorists in Afghanistan and Guant‡namo "migrated" to Iraq as resistance to the US occupation grew and US casualties mounted. Yet as Mark Danner writes, the real scandal here is political: it "is not about revelation or disclosure but about the failure, once wrongdoing is disclosed, of politicians, officials, the press, and, ultimately, citizens to act." For once we know the story the photos and documents tell, we are left with the questions they pose for our democratic society: Does fighting a "new kind of war" on terror justify torture? Who will we hold responsible for deciding to pursue such a policy, and what will be the moral and political costs to the country?