Author: Sady Doyle
Publisher: Melville House
ISBN: 1612197922
Category : Social Science
Languages : en
Pages : 353
Book Description
Kirkus Reviews Best Book of the Year This “witty, engaging analysis” of female monsters in pop culture offers “provocative and incisive” commentary on society’s fear of female rage and power (Soraya Chemaly, author of Rage Becomes Her) Women have always been seen as monsters. Men from Aristotle to Freud have insisted that women are freakish creatures, capable of immense destruction. Maybe they are. And maybe that’s a good thing. Sady Doyle, hailed as “smart, funny and fearless” by the Boston Globe, takes readers on a tour of the female dark side, from the biblical Lilith to Dracula’s Lucy Westenra, from the T-Rex in Jurassic Park to the teen witches of The Craft. She illuminates the women who have shaped our nightmares: Serial killer Ed Gein’s “domineering” mother Augusta; exorcism casualty Anneliese Michel, who starved herself to death to quell her demons; author Mary Shelley, who dreamed her dead child back to life. These monsters embody patriarchal fear of women, and illustrate the violence with which men enforce traditionally feminine roles. They also speak to the primal threat of a woman who takes back her power. In a dark and dangerous world, Dead Blondes and Bad Mothers asks women to look to monsters for the ferocity we all need to survive. “Some people take a scalpel to the heart of media culture; Sady Doyle brings a bone saw, a melon baller, and a machete.” —Andi Zeisler, author of We Were Feminists Once
Dead Blondes and Bad Mothers
Author: Sady Doyle
Publisher: Melville House
ISBN: 1612197922
Category : Social Science
Languages : en
Pages : 353
Book Description
Kirkus Reviews Best Book of the Year This “witty, engaging analysis” of female monsters in pop culture offers “provocative and incisive” commentary on society’s fear of female rage and power (Soraya Chemaly, author of Rage Becomes Her) Women have always been seen as monsters. Men from Aristotle to Freud have insisted that women are freakish creatures, capable of immense destruction. Maybe they are. And maybe that’s a good thing. Sady Doyle, hailed as “smart, funny and fearless” by the Boston Globe, takes readers on a tour of the female dark side, from the biblical Lilith to Dracula’s Lucy Westenra, from the T-Rex in Jurassic Park to the teen witches of The Craft. She illuminates the women who have shaped our nightmares: Serial killer Ed Gein’s “domineering” mother Augusta; exorcism casualty Anneliese Michel, who starved herself to death to quell her demons; author Mary Shelley, who dreamed her dead child back to life. These monsters embody patriarchal fear of women, and illustrate the violence with which men enforce traditionally feminine roles. They also speak to the primal threat of a woman who takes back her power. In a dark and dangerous world, Dead Blondes and Bad Mothers asks women to look to monsters for the ferocity we all need to survive. “Some people take a scalpel to the heart of media culture; Sady Doyle brings a bone saw, a melon baller, and a machete.” —Andi Zeisler, author of We Were Feminists Once
Publisher: Melville House
ISBN: 1612197922
Category : Social Science
Languages : en
Pages : 353
Book Description
Kirkus Reviews Best Book of the Year This “witty, engaging analysis” of female monsters in pop culture offers “provocative and incisive” commentary on society’s fear of female rage and power (Soraya Chemaly, author of Rage Becomes Her) Women have always been seen as monsters. Men from Aristotle to Freud have insisted that women are freakish creatures, capable of immense destruction. Maybe they are. And maybe that’s a good thing. Sady Doyle, hailed as “smart, funny and fearless” by the Boston Globe, takes readers on a tour of the female dark side, from the biblical Lilith to Dracula’s Lucy Westenra, from the T-Rex in Jurassic Park to the teen witches of The Craft. She illuminates the women who have shaped our nightmares: Serial killer Ed Gein’s “domineering” mother Augusta; exorcism casualty Anneliese Michel, who starved herself to death to quell her demons; author Mary Shelley, who dreamed her dead child back to life. These monsters embody patriarchal fear of women, and illustrate the violence with which men enforce traditionally feminine roles. They also speak to the primal threat of a woman who takes back her power. In a dark and dangerous world, Dead Blondes and Bad Mothers asks women to look to monsters for the ferocity we all need to survive. “Some people take a scalpel to the heart of media culture; Sady Doyle brings a bone saw, a melon baller, and a machete.” —Andi Zeisler, author of We Were Feminists Once
The Mother Wave
Author: Andrea O'Reilly
Publisher: Demeter Press
ISBN: 1772585181
Category : Social Science
Languages : en
Pages : 399
Book Description
Matricentric feminism seeks to make motherhood the business of feminism by positioning mothers' needs and concerns as the starting point for a theory and politic on and for the empowerment of women as mothers. Based on the conviction that mothering is a verb, it understands that becoming and being a mother is not limited to biological mothers or cisgender women but rather to anyone who does the work of mothering as a central part of their life. The Mother Wave, the first-ever book on the topic, compellingly explores how mothers need a matricentric mode of feminism organized from and for their particular identity and work as mothers, and because mothers remain disempowered despite sixty years of feminism. The anthology makes visible the power of matricentric feminism as it is theorized, enacted, and represented to realize and achieve the subversive potential of mothers and their contributions to feminist theory and activism. Contributors share the impact and influence of matricentric feminism on families and children, culture, art/literature, education, public policy, social media, and workplace practices through personal reflections, scholarly essays, memoir, creative non-fiction, poetry, and photography. The mother wave of matricentric feminism invites conversations with others and offers a praxis of feminism that aims to coexist, overlap, and intersect with others.
Publisher: Demeter Press
ISBN: 1772585181
Category : Social Science
Languages : en
Pages : 399
Book Description
Matricentric feminism seeks to make motherhood the business of feminism by positioning mothers' needs and concerns as the starting point for a theory and politic on and for the empowerment of women as mothers. Based on the conviction that mothering is a verb, it understands that becoming and being a mother is not limited to biological mothers or cisgender women but rather to anyone who does the work of mothering as a central part of their life. The Mother Wave, the first-ever book on the topic, compellingly explores how mothers need a matricentric mode of feminism organized from and for their particular identity and work as mothers, and because mothers remain disempowered despite sixty years of feminism. The anthology makes visible the power of matricentric feminism as it is theorized, enacted, and represented to realize and achieve the subversive potential of mothers and their contributions to feminist theory and activism. Contributors share the impact and influence of matricentric feminism on families and children, culture, art/literature, education, public policy, social media, and workplace practices through personal reflections, scholarly essays, memoir, creative non-fiction, poetry, and photography. The mother wave of matricentric feminism invites conversations with others and offers a praxis of feminism that aims to coexist, overlap, and intersect with others.
Maw
Author: Jude Ellison S. Doyle
Publisher: Boom! Studios
ISBN: 1646686144
Category : Comics & Graphic Novels
Languages : en
Pages : 132
Book Description
Critically acclaimed journalist & opinion writer Jude Ellison S. Doyle (Dead Blonds and Bad Mothers), breakout artist A.L. Kaplan, and colorist Fabiana Mascolo (Firefly: Brand New ‘Verse) weave a provocative horror story of sisterly bonds, deep trauma, and the dormant monsters buried within us, perfect for readers of Redlands and Something is Killing the Children! Marion Angela Weber hopes to gain some perspective and empowerment at a feminist retreat with her sister Wendy on the remote island of Angitia — some perspective that isn’t at the bottom of a bottle for once. But after an assault on her first night on the island, everything goes horribly wrong. The violent encounter awakens something monstrous in Marion, triggering warped mutations in her body, and bringing forth a hunger she can’t bring herself to name... Collects the complete Maw #1-5.
Publisher: Boom! Studios
ISBN: 1646686144
Category : Comics & Graphic Novels
Languages : en
Pages : 132
Book Description
Critically acclaimed journalist & opinion writer Jude Ellison S. Doyle (Dead Blonds and Bad Mothers), breakout artist A.L. Kaplan, and colorist Fabiana Mascolo (Firefly: Brand New ‘Verse) weave a provocative horror story of sisterly bonds, deep trauma, and the dormant monsters buried within us, perfect for readers of Redlands and Something is Killing the Children! Marion Angela Weber hopes to gain some perspective and empowerment at a feminist retreat with her sister Wendy on the remote island of Angitia — some perspective that isn’t at the bottom of a bottle for once. But after an assault on her first night on the island, everything goes horribly wrong. The violent encounter awakens something monstrous in Marion, triggering warped mutations in her body, and bringing forth a hunger she can’t bring herself to name... Collects the complete Maw #1-5.
White Terror
Author: Russell Meeuf
Publisher: Indiana University Press
ISBN: 0253060397
Category : Art
Languages : en
Pages : 227
Book Description
What kinds of terror lurk beneath the surface of White respectability? Many of the top-grossing US horror films between 2008 and 2016 relied heavily on themes of White, patriarchal fear and fragility: outsiders disrupting the sanctity of the almost always White family, evil forces or transgressive ideas transforming loved ones, and children dying when White women eschew traditional maternal roles. Horror film has a long history of radical, political commentary, and Russell Meeuf reveals how racial resentments represented specifically in horror films produced during the Obama era gave rise to the Trump presidency and the Make America Great Again movement. Featuring films such as The Conjuring and Don't Breathe, White Terror explores how motifs of home invasion, exorcism, possession, and hauntings mirror cultural debates around White masculinity, class, religion, socioeconomics, and more. In the vein of Jordan Peele, White Terror exposes how White mainstream fear affects the horror film industry, which in turn cashes in on that fear and draws voters to candidates like Trump.
Publisher: Indiana University Press
ISBN: 0253060397
Category : Art
Languages : en
Pages : 227
Book Description
What kinds of terror lurk beneath the surface of White respectability? Many of the top-grossing US horror films between 2008 and 2016 relied heavily on themes of White, patriarchal fear and fragility: outsiders disrupting the sanctity of the almost always White family, evil forces or transgressive ideas transforming loved ones, and children dying when White women eschew traditional maternal roles. Horror film has a long history of radical, political commentary, and Russell Meeuf reveals how racial resentments represented specifically in horror films produced during the Obama era gave rise to the Trump presidency and the Make America Great Again movement. Featuring films such as The Conjuring and Don't Breathe, White Terror explores how motifs of home invasion, exorcism, possession, and hauntings mirror cultural debates around White masculinity, class, religion, socioeconomics, and more. In the vein of Jordan Peele, White Terror exposes how White mainstream fear affects the horror film industry, which in turn cashes in on that fear and draws voters to candidates like Trump.
The Bad Corset
Author: Rebecca Gibson
Publisher: Bloomsbury Publishing
ISBN: 1350295205
Category : Design
Languages : en
Pages : 273
Book Description
Both a translation and critique of an early 20th century seminal French text on the physical effects of corseting, The Bad Corset explores contemporary anti-woman bias to challenge the commonly accepted assertions about corsetry's contribution to disease, disfigurement, and disorders of the female body. The original 1908 French book, Le Corset by Ludovic O'Followell-with its graphic illustrations, some of which are reproduced here-tells a story, familiar to anyone interested in popular culture and fashion history, of women suffering for fashion, tormented by and subject to their corsets. However, a close reading of the texts tells a very different, and more complicated, story. This fascinating exploration, approaching the topic from a scientific perspective, and reproducing facsimiles of the original text, with translations and annotations, critiques the presumptions and anxieties of male medical professionals on the 'damage' caused by corsets to the female body and psyche. Rather than seeing the women who wore these perceived instruments of torture as victims or dupes, The Bad Corset confidently asserts the agency of the women who wore them and highlights the way in which seminal texts can continue to influence our interpretation of the past, and women's lives and histories. The Bad Corset is a remarkable resource for scholars and students of fashion, medicine and gender history, taking a feminist approach to female agency and choice, and helping us reconsider the way we think about the shaping of women's bodies, and their lives.
Publisher: Bloomsbury Publishing
ISBN: 1350295205
Category : Design
Languages : en
Pages : 273
Book Description
Both a translation and critique of an early 20th century seminal French text on the physical effects of corseting, The Bad Corset explores contemporary anti-woman bias to challenge the commonly accepted assertions about corsetry's contribution to disease, disfigurement, and disorders of the female body. The original 1908 French book, Le Corset by Ludovic O'Followell-with its graphic illustrations, some of which are reproduced here-tells a story, familiar to anyone interested in popular culture and fashion history, of women suffering for fashion, tormented by and subject to their corsets. However, a close reading of the texts tells a very different, and more complicated, story. This fascinating exploration, approaching the topic from a scientific perspective, and reproducing facsimiles of the original text, with translations and annotations, critiques the presumptions and anxieties of male medical professionals on the 'damage' caused by corsets to the female body and psyche. Rather than seeing the women who wore these perceived instruments of torture as victims or dupes, The Bad Corset confidently asserts the agency of the women who wore them and highlights the way in which seminal texts can continue to influence our interpretation of the past, and women's lives and histories. The Bad Corset is a remarkable resource for scholars and students of fashion, medicine and gender history, taking a feminist approach to female agency and choice, and helping us reconsider the way we think about the shaping of women's bodies, and their lives.
Gender and Parenting in the Worlds of Alien and Blade Runner
Author: Amanda DiGioia
Publisher: Emerald Group Publishing
ISBN: 1839829427
Category : Social Science
Languages : en
Pages : 118
Book Description
Gender and Parenting in the Worlds of Alien and Blade Runner is a comparative, gendered analysis study of Ridley Scott’s contributions to the genre of science fiction and horror cinema, showcasing how patriarchal and gendered expectations regarding women, usually associated with the past, still run rampant.
Publisher: Emerald Group Publishing
ISBN: 1839829427
Category : Social Science
Languages : en
Pages : 118
Book Description
Gender and Parenting in the Worlds of Alien and Blade Runner is a comparative, gendered analysis study of Ridley Scott’s contributions to the genre of science fiction and horror cinema, showcasing how patriarchal and gendered expectations regarding women, usually associated with the past, still run rampant.
Women, Violence and Postmillennial Romance Fiction
Author: Emma Roche
Publisher: Taylor & Francis
ISBN: 1000870928
Category : Social Science
Languages : en
Pages : 184
Book Description
This book interrogates the significance of the revival and reformulation of the romance genre in the postmillennial period. Emma Roche examines how six popular novels, published between 2005 and 2015 (Twilight, Fifty Shades of Grey, Gone Girl, Sharp Objects and The Girl on the Train), reanimate and modify recognisable tropes from the romance genre to reflect a neoliberal and postfeminist cultural climate. As such, Roche argues, these novels function as crucial spaces for interrogating and challenging those contemporary gender ideologies. Throughout the book, Roche addresses and critiques several key attributes of neoliberal postfeminism, including a pervasive emphasis on individualism and personal responsibility; an insistent requirement for self-monitoring, self-surveillance, and bodywork; the celebration of consumerism and its associated pleasures; the prescription of mandatory optimism and suppressing one’s ‘negative’ emotions; and the endorsement of choice as a primary marker of women’s empowerment. While much critical attention has been devoted to those attributes and their pernicious effects, Roche argues that one crucial repercussion has been largely overlooked in contemporary cultural criticism: how these ideologies function together to effectively sanction gender-based violence. Thus, Roche exploits textual analysis to demonstrate the subtle ways in which neoliberal postfeminism can augment women’s vulnerability to male violence.
Publisher: Taylor & Francis
ISBN: 1000870928
Category : Social Science
Languages : en
Pages : 184
Book Description
This book interrogates the significance of the revival and reformulation of the romance genre in the postmillennial period. Emma Roche examines how six popular novels, published between 2005 and 2015 (Twilight, Fifty Shades of Grey, Gone Girl, Sharp Objects and The Girl on the Train), reanimate and modify recognisable tropes from the romance genre to reflect a neoliberal and postfeminist cultural climate. As such, Roche argues, these novels function as crucial spaces for interrogating and challenging those contemporary gender ideologies. Throughout the book, Roche addresses and critiques several key attributes of neoliberal postfeminism, including a pervasive emphasis on individualism and personal responsibility; an insistent requirement for self-monitoring, self-surveillance, and bodywork; the celebration of consumerism and its associated pleasures; the prescription of mandatory optimism and suppressing one’s ‘negative’ emotions; and the endorsement of choice as a primary marker of women’s empowerment. While much critical attention has been devoted to those attributes and their pernicious effects, Roche argues that one crucial repercussion has been largely overlooked in contemporary cultural criticism: how these ideologies function together to effectively sanction gender-based violence. Thus, Roche exploits textual analysis to demonstrate the subtle ways in which neoliberal postfeminism can augment women’s vulnerability to male violence.
Becoming Alien
Author: Sarah Welch-Larson
Publisher: Wipf and Stock Publishers
ISBN: 1725283018
Category : Performing Arts
Languages : en
Pages : 97
Book Description
The Alien films are perceived to be a fractured franchise, each one loosely related to the others. They are nonlinear, complicated, convoluted: a collection of genre movies ranging from horror to war to farce. But on closer examination, the threads that bind together these films are strong and undeniable. The series is a model of Catherine Keller's cosmology as a cycle of order out of chaos, an illustration of her concept of evil as discreation. When viewed through the lens of Keller's Face of the Deep, the Alien films resolve into a cohesive whole. The series becomes six views of the idea of evil-as-exploitation, its origins, and its consequences. Each film expands on the concept of evil set forth by its predecessors, complicating that conception, and retroactively enriching readings of the films that came before.
Publisher: Wipf and Stock Publishers
ISBN: 1725283018
Category : Performing Arts
Languages : en
Pages : 97
Book Description
The Alien films are perceived to be a fractured franchise, each one loosely related to the others. They are nonlinear, complicated, convoluted: a collection of genre movies ranging from horror to war to farce. But on closer examination, the threads that bind together these films are strong and undeniable. The series is a model of Catherine Keller's cosmology as a cycle of order out of chaos, an illustration of her concept of evil as discreation. When viewed through the lens of Keller's Face of the Deep, the Alien films resolve into a cohesive whole. The series becomes six views of the idea of evil-as-exploitation, its origins, and its consequences. Each film expands on the concept of evil set forth by its predecessors, complicating that conception, and retroactively enriching readings of the films that came before.
Marilyn Monroe: The Last Interview
Author: Sady Doyle
Publisher: Melville House
ISBN: 1612198783
Category : Biography & Autobiography
Languages : en
Pages : 129
Book Description
"I'm so many people. They shock me sometimes. I wish I was just me!" --Marilyn Monroe Nearly sixty years after her death, Marilyn Monroe remains an icon whom everyone loves but no one really knows. The conversations gathered here--spanning her emergence on the Hollywood scene to just days before her death at age 36--show Monroe at her sharpest and most insightful on the thorny topics of ambition, fame, femininity, desire, and more. Together with an introduction by Sady Doyle, these pieces reveal yet another Marilyn: not the tragic heroine she's become in the popular imagination, but a righteously and justifiably angry figure breaking free of the limitations the world forced on her.
Publisher: Melville House
ISBN: 1612198783
Category : Biography & Autobiography
Languages : en
Pages : 129
Book Description
"I'm so many people. They shock me sometimes. I wish I was just me!" --Marilyn Monroe Nearly sixty years after her death, Marilyn Monroe remains an icon whom everyone loves but no one really knows. The conversations gathered here--spanning her emergence on the Hollywood scene to just days before her death at age 36--show Monroe at her sharpest and most insightful on the thorny topics of ambition, fame, femininity, desire, and more. Together with an introduction by Sady Doyle, these pieces reveal yet another Marilyn: not the tragic heroine she's become in the popular imagination, but a righteously and justifiably angry figure breaking free of the limitations the world forced on her.
Unlikeable Female Characters
Author: Anna Bogutskaya
Publisher: Sourcebooks, Inc.
ISBN: 1728274753
Category : Social Science
Languages : en
Pages : 204
Book Description
"A fresh feminist appraisal of the pop culture canon." —Publishers Weekly How bitches, trainwrecks, shrews, and crazy women have taken over pop culture and liberated women from having to be nice. Female characters throughout history have been burdened by the moral trap that is likeability. Any woman who dares to reveal her messy side has been treated as a cautionary tale. Today, unlikeable female characters are everywhere in film, TV, and wider pop culture. For the first time ever, they are being accepted by audiences and even showered with industry awards. We are finally accepting that women are—gasp—fully fledged human beings. How did we get to this point? Unlikeable Female Characters traces the evolution of highly memorable female characters, examining what exactly makes them popular, how audiences have reacted to them, and the ways in which pop culture is finally allowing us to celebrate the complexities of being a woman. Anna Bogutskaya, film programmer, broadcaster, and co-founder of the horror film collective and podcast The Final Girls, takes us on a journey through popular film, TV, and music, looking at the nuances of womanhood on and off-screen to reveal whether pop culture—and society—is finally ready to embrace complicated women. Praise for Unlikeable Female Characters: "Fascinating, insightful, and kick-ass." —Emma Jane Unsworth, internationally bestselling author of Grown Ups and Animals "Beautifully written." —Chelsea G. Summers, author of A Certain Hunger "Part-cultural exposé, part-Taylor Swift album." —Clarisse Loughrey, Chief Film Critic at The Independent "Brilliant masterpiece breaking down the tired tropes of TV and beyond." —Aparna Shewakramani, author of She's Unlikeable and star of Indian Matchmaking
Publisher: Sourcebooks, Inc.
ISBN: 1728274753
Category : Social Science
Languages : en
Pages : 204
Book Description
"A fresh feminist appraisal of the pop culture canon." —Publishers Weekly How bitches, trainwrecks, shrews, and crazy women have taken over pop culture and liberated women from having to be nice. Female characters throughout history have been burdened by the moral trap that is likeability. Any woman who dares to reveal her messy side has been treated as a cautionary tale. Today, unlikeable female characters are everywhere in film, TV, and wider pop culture. For the first time ever, they are being accepted by audiences and even showered with industry awards. We are finally accepting that women are—gasp—fully fledged human beings. How did we get to this point? Unlikeable Female Characters traces the evolution of highly memorable female characters, examining what exactly makes them popular, how audiences have reacted to them, and the ways in which pop culture is finally allowing us to celebrate the complexities of being a woman. Anna Bogutskaya, film programmer, broadcaster, and co-founder of the horror film collective and podcast The Final Girls, takes us on a journey through popular film, TV, and music, looking at the nuances of womanhood on and off-screen to reveal whether pop culture—and society—is finally ready to embrace complicated women. Praise for Unlikeable Female Characters: "Fascinating, insightful, and kick-ass." —Emma Jane Unsworth, internationally bestselling author of Grown Ups and Animals "Beautifully written." —Chelsea G. Summers, author of A Certain Hunger "Part-cultural exposé, part-Taylor Swift album." —Clarisse Loughrey, Chief Film Critic at The Independent "Brilliant masterpiece breaking down the tired tropes of TV and beyond." —Aparna Shewakramani, author of She's Unlikeable and star of Indian Matchmaking