David Smith in Two Dimensions PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download David Smith in Two Dimensions PDF full book. Access full book title David Smith in Two Dimensions by Sarah Hamill. Download full books in PDF and EPUB format.
Author: Sarah Hamill
Publisher:
ISBN: 9780520355842
Category : ART
Languages : en
Pages : 0
Get Book
Book Description
How does photography shape the way we see sculpture? In David Smith in Two Dimensions, Sarah Hamill broaches this question through an in-depth consideration of the photography of American sculptor David Smith (1906-1965). Smith was a modernist known for radically shifting the terms of sculpture, a medium traditionally defined by casting, modeling, and carving. He was the first to use industrial welding as a sustained technique for large-scale sculpture, influencing a generation of minimalists to come. What is less known about Smith is his use of the camera to document his own sculptures as well as everyday objects, spaces, and bodies. His photographs of his sculptures were published in countless exhibition catalogs, journals, and newspapers, often as anonymous illustrations. Far from being neutral images, these photographs direct a pictorial encounter with spatial form and structure the public display of his work. David Smith in Two Dimensions looks at the sculptor's adoption of unconventional backdrops, alternative vantage points, and unusual lighting effects and exposures to show how he used photography to dramatize and distance objects. This comprehensive and penetrating account also introduces Smith's expansive archive of copy prints, slides, and negatives, many of which are seen here for the first time. Hamill proposes a new understanding of Smith's sculpture through photography, exploring issues that are in turn vital to discourses of modern sculpture, sculptural aesthetics, and postwar art. In Smith's photography, we see an artist moving fluidly between media to define what a sculptural object was and how it would be encountered publicly."
Author: Sarah Hamill
Publisher:
ISBN: 9780520355842
Category : ART
Languages : en
Pages : 0
Get Book
Book Description
How does photography shape the way we see sculpture? In David Smith in Two Dimensions, Sarah Hamill broaches this question through an in-depth consideration of the photography of American sculptor David Smith (1906-1965). Smith was a modernist known for radically shifting the terms of sculpture, a medium traditionally defined by casting, modeling, and carving. He was the first to use industrial welding as a sustained technique for large-scale sculpture, influencing a generation of minimalists to come. What is less known about Smith is his use of the camera to document his own sculptures as well as everyday objects, spaces, and bodies. His photographs of his sculptures were published in countless exhibition catalogs, journals, and newspapers, often as anonymous illustrations. Far from being neutral images, these photographs direct a pictorial encounter with spatial form and structure the public display of his work. David Smith in Two Dimensions looks at the sculptor's adoption of unconventional backdrops, alternative vantage points, and unusual lighting effects and exposures to show how he used photography to dramatize and distance objects. This comprehensive and penetrating account also introduces Smith's expansive archive of copy prints, slides, and negatives, many of which are seen here for the first time. Hamill proposes a new understanding of Smith's sculpture through photography, exploring issues that are in turn vital to discourses of modern sculpture, sculptural aesthetics, and postwar art. In Smith's photography, we see an artist moving fluidly between media to define what a sculptural object was and how it would be encountered publicly."
Author: Sarah Hamill
Publisher: Univ of California Press
ISBN: 0520280342
Category : Art
Languages : en
Pages : 270
Get Book
Book Description
How does photography shape the way we see sculpture? In David Smith in Two Dimensions, Sarah Hamill broaches this question through an in-depth consideration of the photography of American sculptor David Smith (1906Ð1965). Smith was a modernist known for radically shifting the terms of sculpture, a medium traditionally defined by casting, modeling, and carving. He was the first to use industrial welding as a sustained technique for large-scale sculpture, influencing a generation of minimalists to come. What is less known about Smith is his use of the camera to document his own sculptures as well as everyday objects, spaces, and bodies. His photographs of his sculptures were published in countless exhibition catalogs, journals, and newspapers, often as anonymous illustrations. Far from being neutral images, these photographs direct a pictorial encounter with spatial form and structure the public display of his work. David Smith in Two Dimensions looks at the sculptorÕs adoption of unconventional backdrops, alternative vantage points, and unusual lighting effects and exposures to show how he used photography to dramatize and distance objects. This comprehensive and penetrating account also introduces SmithÕs expansive archive of copy prints, slides, and negatives, many of which are seen here for the first time. Hamill proposes a new understanding of SmithÕs sculpture through photography, exploring issues that are in turn vital to discourses of modern sculpture, sculptural aesthetics, and postwar art. In SmithÕs photography, we see an artist moving fluidly between media to define what a sculptural object was and how it would be encountered publicly.
Author: Karen Wilkin
Publisher: Grassfield Press, Incorporated
ISBN:
Category : Art
Languages : en
Pages : 118
Get Book
Book Description
The essay & over 40 color & 20 b/w photographs are on a little known aspect of Smith's work; his reliefs in bronze, plaster & painted assemblage.
Author: Candida N. Smith
Publisher:
ISBN: 9780960627059
Category : Art
Languages : en
Pages : 0
Get Book
Book Description
Looks at David Smiths sculptural work
Author: David Smith
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 124
Get Book
Book Description
The late David Smith is regarded worldwide as one of the most important American sculptors. Through the photographs of Uga Mulas, "David Smith in Italy" documents the exhibition of his work as it was displayed at in Milan's dramatic PradaMilanoArte. The exhibition was comprised of works that were loaned by the most prestigious private and institutional collections in the United States, and was curated by Smith's daughter. It included 13 large sculptures, 24 mixed-media works, watercolors and several original photographs by Mulas. Smith's artistic relationship with Mulas (and indeed with Italy) dates back to 1962, when Smith created an exhibition for the Spoleto Two Worlds Festival and was photographed by Mulas.
Author: Sarah Hamill
Publisher:
ISBN: 9783906915036
Category :
Languages : en
Pages : 112
Get Book
Book Description
This monograph brings together works by the two artists, not only shedding light on the richness of their individual practices, but also offering an opportunity to clearly see some shared interests and how much these artists actually had to say to each other. Contributions by Sarah Hamill and Elizabeth Hutton Turner inform about these artists' paths and their encounters and collaboration with photographer Ugo Mulas. Hamill looks closely at the many photographs Mulas took of Calder' and Smith's sculpture at the 1962 Festival of the Two Worlds, in Spoleto. Turner explores how and why Calder and Smith found common ground in their shared identification with the American culture of invention. Exhibition: Hauser & Wirth, Zurich, Switzerland (12.06.-16.09.2017).
Author: Sarah B. H. Hamill
Publisher:
ISBN:
Category :
Languages : en
Pages : 918
Get Book
Book Description
Author: David Smith
Publisher: Cambridge Manhattan Group
ISBN: 0972832823
Category : Business & Economics
Languages : en
Pages : 415
Get Book
Book Description
Author: David Smith
Publisher: Profile Books
ISBN: 1847651399
Category : Business & Economics
Languages : en
Pages : 301
Get Book
Book Description
'Free of jargon, obfuscation and interminable subordinate clauses, his prose is just the job' The Times A fully updated and revised edition of the classic guide. The economy has never been so relevant to so many people as it is now. 'There's no such thing as a free lunch' is the one phrase everyone has heard from economics. But why not? What does economics tell us about the price of lunch - and everything else? Set out like a good lunchtime conversation, Free Lunch will escort you through the mysteries of the economy. Your guides will be some of the greatest names in the field, including Smith, Marx and Keynes. This clever and witty introduction to economics is essential reading in these times of economic uncertainty, and far more satisfying than even the most gourmet banquet.
Author: Michael Brenson
Publisher: Farrar, Straus and Giroux
ISBN: 0374604037
Category : Biography & Autobiography
Languages : en
Pages : 579
Get Book
Book Description
“An essential account of America’s greatest sculptor . . . [A] magnum opus.” —Marjorie Perloff, The Times Literary Supplement The landmark biography of the inscrutable and brilliant David Smith, the greatest American sculptor of the twentieth century. David Smith, a pioneer of Abstract Expressionism, did more than any other sculptor of his era to bring the plastic arts to the forefront of the American scene. Central to his project of reimagining sculptural experience was challenging the stability of any identity or position—Smith sought out the unbounded, unbalanced, and unexpected, creating works of art that seem to undergo radical shifts as the spectator moves from one point of view to another. So groundbreaking and prolific were his contributions to American art that by the time Smith was just forty years old, Clement Greenberg was already calling him “the greatest sculptor this country has produced.” Michael Brenson’s David Smith: The Art and Life of a Transformational Sculptor is the first biography of this epochal figure. It follows Smith from his upbringing in the Midwest, to his heady early years in Manhattan, to his decision to establish a permanent studio in Bolton Landing in upstate New York, where he would create many of his most significant works—among them the Cubis, Tanktotems, and Zigs. It explores his at times tempestuous personal life, marked by marriages, divorces, and fallings-out as well as by deep friendships with fellow artists like Helen Frankenthaler and Robert Motherwell. His wife Jean Freas described him as “salty and bombastic, jumbo and featherlight, thin-skinned and Mack Truck. And many more things.” This enormous, contradictory vitality was true of his work as well. He was a bricoleur, a master welder, a painter, a photographer, and a writer, and he entranced critics and attracted admirers wherever he showed his work. With this book, Brenson has contextualized Smith for a new generation and confirmed his singular place in the history of American art.
