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Author: Bernadette van Haute
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 428
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Book Description
This monograph presents a contextual study of the work of David III Ryckaert (1612-1661), who established a reputation as a painter of peasant scenes. According to twentieth-century critics, Ryckaert was no more than a minor imitator of other Flemish painters, particularly Adriaen Brouwer and David II Teniers. Underlying such relegation of Ryckaert is an uncritical and distinctly modernist glorification of originality, or merely novelty, which was alien to the culture of Flemish painting in which David III Ryckaert flourished. Drawing on the work of other artists, sometimes employing other artists to complete works or consciously incorporating elements of famous paintings as a signatory compliment, were all part of the creative community of art. Adaptation of existing styles, techniques and subjects was a minute and testing undertaking. These aesthetic norms were recognized by artist and public alike so that creative and refining variation operated as praiseworthy criteria. The chief argument of this study is that a careful reconstruction of the socio-cultural circumstances surrounding the production of Ryckaert's paintings allows a serious re-appraisal of his eclecticism and a wider appreciation of his individual endeavours and possibly the work of other artists as well. In order to demonstrate the workings of the Flemish artistic community, a number, or series, of contextual frames is presented in which to view the production and achievement of David III Ryckaert. Each chapter provides a new frame-moving from the most general yet foundational influences of his family to the more specific and obviously identifiable relations of contemporary artists and David III Ryckaert. Within each chapter, a chronological approach is followed, which provides an opportunity to trace Ryckaert's artistic development and to place it precisely within contemporary trends in genre painting.
Author: Bernadette van Haute
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 428
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Book Description
This monograph presents a contextual study of the work of David III Ryckaert (1612-1661), who established a reputation as a painter of peasant scenes. According to twentieth-century critics, Ryckaert was no more than a minor imitator of other Flemish painters, particularly Adriaen Brouwer and David II Teniers. Underlying such relegation of Ryckaert is an uncritical and distinctly modernist glorification of originality, or merely novelty, which was alien to the culture of Flemish painting in which David III Ryckaert flourished. Drawing on the work of other artists, sometimes employing other artists to complete works or consciously incorporating elements of famous paintings as a signatory compliment, were all part of the creative community of art. Adaptation of existing styles, techniques and subjects was a minute and testing undertaking. These aesthetic norms were recognized by artist and public alike so that creative and refining variation operated as praiseworthy criteria. The chief argument of this study is that a careful reconstruction of the socio-cultural circumstances surrounding the production of Ryckaert's paintings allows a serious re-appraisal of his eclecticism and a wider appreciation of his individual endeavours and possibly the work of other artists as well. In order to demonstrate the workings of the Flemish artistic community, a number, or series, of contextual frames is presented in which to view the production and achievement of David III Ryckaert. Each chapter provides a new frame-moving from the most general yet foundational influences of his family to the more specific and obviously identifiable relations of contemporary artists and David III Ryckaert. Within each chapter, a chronological approach is followed, which provides an opportunity to trace Ryckaert's artistic development and to place it precisely within contemporary trends in genre painting.
Author: Bernadette M. R. Van Haute
Publisher:
ISBN:
Category : Art
Languages : en
Pages :
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Book Description
Author: Robert Watson
Publisher: University of Pennsylvania Press
ISBN: 0812204255
Category : Literary Criticism
Languages : en
Pages : 446
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Book Description
Selected by Choice magazine as an Outstanding Academic Title Sweeping across scholarly disciplines, Back to Nature shows that, from the moment of their conception, modern ecological and epistemological anxieties were conjoined twins. Urbanization, capitalism, Protestantism, colonialism, revived Skepticism, empirical science, and optical technologies conspired to alienate people from both the earth and reality itself in the seventeenth century. Literary and visual arts explored the resulting cultural wounds, expressing the pain and proposing some ingenious cures. The stakes, Robert N. Watson demonstrates, were huge. Shakespeare's comedies, Marvell's pastoral lyrics, Traherne's visionary Centuries, and Dutch painting all illuminate a fierce submerged debate about what love of nature has to do with perception of reality.
Author:
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 728
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Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870993569
Category : Painters
Languages : en
Pages : 361
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Book Description
Two volumes, including works by the three foremost seventeenth-century Flemish artists{u2014}Rubens, Van Dyck, and Jordaens{u2014}as well as works by their contemporaries. -- Metropolitan Museum of Art website.
Author: Jane P. Davidson
Publisher: Routledge
ISBN: 042972778X
Category : Biography & Autobiography
Languages : en
Pages : 181
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Book Description
For some time there has existed a need for a new account of the life and stylistic development of David Teniers the Younger (1610-1690). This need is made all the more obvious by the fact that Adolf Rosenberg's book, writ-ten in 1898, remains a most complete study of Teniers. 1 De Peyre's Biogra-phie Critique of 1910 added little information not already published by Rosenberg.2 A number of recent articles have dealt with various aspects of Teniers's life or style, but none has been entirely satisfactory. 5 Some are incomplete; others contain errors gleaned from earlier sources. None has dealt with the artist's stylistic evolution from his early works to the works of the mature Teniers.
Author: Hans Vlieghe
Publisher: Yale University Press
ISBN: 9780300104691
Category : Art
Languages : en
Pages : 356
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Book Description
02 This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp. This beautifully illustrated book provides a complete overview of the art of the Southern Netherlands from 1585 to 1700. The author examines the development of Flemish and specifically Antwerp painting, the work of Rubens and other leading masters, and the Antwerp tradition of specialization among painters as well as the sculpture and architecture of this period. “A major moment of artistic culture has been magisterially sketched by one of its leading authorities.”—Larry Silver, The Art Book“Consistently rewarding . . . a book that is going to transform how Flemish art is understood.”—Jeremy Wood, Apollo Magazine“As well as examining the output and influence of leading figures such as Rubens and Van Dyke, Vlieghe provides the historical, social and cultural context for the development of history painting and other specializations. . . . This book will attract both the informed and general reader.”—Alison Smith, Art Newspaper“Essential for current study of Belgian art.”—ChoiceHans Vlieghe is professor of art history at the Katholieke Universiteit Leuven (Louvain) and research director of the Belgian Nationaal Fonds voor Wetenschappelijk Onderzoek at the Rubenianum, Antwerp.
Author: Emmanuel Bénézit
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 1238
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Book Description
Author: David Kunzle
Publisher: BRILL
ISBN: 9004475680
Category : History
Languages : en
Pages : 717
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Book Description
The art of the Netherlands (Dutch and Flemish) is unique in Early Modern Europe in its concern for military cruelty against civilians, principally the peasantry. Decimated by time and changes in taste, this popular iconography proves varied and extensive, stretching from Bruegel to and past Rubens. 'Massacres of the Innocents' continue to be a favourite subject through the Eighty Years War, in contrast to ruling-class glorifications of war. Dutch patriotic siege prints lay claim to 'scientific' precision in landscapes free of military terror, while the idea of military conquest is presented as generous rather than cruel in the ever-popular figure of Scipio Africanus. Most of the pictorial material is unfamiliar, some of it even to specialists and never before published; new light is shed on the more familiar phenomena of the civic guard groups and Ter Borch courtier-officers, 'good soldiers' overcoming a bad image.
Author: Sir Robert Clermont Witt
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 270
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Book Description
