Das Neue Testament Unseres Herrn und Heilandes Jesu Christi Nach Der Deutschen Uebersebung Dr. Martin Luthers PDF Download
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Languages : en
Pages : 752
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Category :
Languages : en
Pages : 752
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Author: Luther
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Category :
Languages : de
Pages : 750
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Author: L. Nolte
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Languages : en
Pages : 574
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Languages : de
Pages : 430
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Category : Union catalogs
Languages : en
Pages : 712
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Author: Edward Leon Starck
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Languages : en
Pages : 206
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Author: Ed L. Stark
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Category : English language
Languages : en
Pages : 208
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Author: John Eadie
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Category : Bible
Languages : en
Pages : 526
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Author: Richard H. Bell
Publisher: Wipf and Stock Publishers
ISBN: 1630870013
Category : Religion
Languages : en
Pages : 464
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Parsifal, Wagner's final opera, is considered by many to be one of the greatest religious musical works ever composed; but it is also one of the most difficult to understand and many have questioned whether it can be considered a "Christian" work at all. Added to this is the furious debate that has surrounded the composer as an anti-Semite, racist, and inspiration for Hitler. Richard Bell addresses such issues and argues that despite any personal failings Wagner makes a fundamental theological contribution through his many writings and ultimately in Parsifal which, he argues, preaches Christ crucified in a way that can never be captured by words alone. He argues that Wagner offers a vision of the divine and a "theology of Good Friday" that can both function as profound therapy and address current theological controversies.
Author: Richard H. Bell
Publisher: BoD – Books on Demand
ISBN: 0227177479
Category : Religion
Languages : en
Pages : 342
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Wagner’s Ring is one of the greatest of all artworks of Western civilization, but what is it all about? The power and mystery of Wagner’s creation was such that even he felt he stood before his work ‘as though before some puzzle’. A clue to the Ring’s greatness lies in its multiple avenues of self-disclosure and the corresponding plethora of interpretations that over the years has granted ample scope for directors, and will no doubt do so well into the distant future. One possible interpretation, which Richard Bell argues should be taken seriously, is the Ring as Christian theology. In this first of two volumes, Bell considers, among other things, how the composer’s Christian interests may be detected in the ‘forging’ of his Ring, in his appropriation of sources (whether they be myths and sagas, writers, poets, or philosophers), and in works composed around the same time, especially his Jesus of Nazareth.
