Darkling I Listen, and for Many a Time-- and Other Imaginations PDF Download
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Author: James P. Roberts
Publisher: Shelburne, Ont. : Battered Silicon Dispatch Box
ISBN: 9781552466278
Category :
Languages : en
Pages :
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Book Description
Author: James P. Roberts
Publisher: Shelburne, Ont. : Battered Silicon Dispatch Box
ISBN: 9781552466278
Category :
Languages : en
Pages :
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Book Description
Author: John Keats
Publisher: e-artnow
ISBN: 8027200962
Category : Poetry
Languages : en
Pages : 591
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Book Description
This eBook edition of "Ode to a Nightingale" has been formatted to the highest digital standards and adjusted for readability on all devices. "Ode to a Nightingale" is either the garden of the Spaniards Inn, Hampstead, London, or, according to Keats' friend Charles Armitage Brown, under a plum tree in the garden of Keats House, also in Hampstead. According to Brown, a nightingale had built its nest near his home in the spring of 1819. Inspired by the bird's song, Keats composed the poem in one day. It soon became one of his 1819 odes and was first published in Annals of the Fine Arts the following July. "Ode to a Nightingale" is a personal poem that describes Keats's journey into the state of Negative Capability. The tone of the poem rejects the optimistic pursuit of pleasure found within Keats's earlier poems and explores the themes of nature, transience and mortality, the latter being particularly personal to Keats. The nightingale described within the poem experiences a type of death but does not actually die. Instead, the songbird is capable of living through its song, which is a fate that humans cannot expect. John Keats (1795-1821) was an English Romantic poet. The poetry of Keats is characterized by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analyzed in English literature.
Author: Leigh Hunt
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 350
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Book Description
Author: John Fuller
Publisher: Random House
ISBN: 1407075136
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
Part of the pleasure of poetry is unravelling the mysteries and difficulties it contains and solving the puzzles that lie within. Who, for instance, is Ozymandias? What is the Snark? Who is the Emperor of Ice-Cream? Or indeed, who is 'you' in a poem? In this perceptive and playful new book, acclaimed poet John Fuller looks at some of our greatest poems and considers the number of individual puzzles at their heart, casting light on how we should approach these conundrums as readers. From riddling to double entendres, mysterious titles to red herrings, Fuller unpicks the puzzles in works that range from Browning to Bishop, Empson to Eliot, Shelley to Stevens, to help us reach the rewards and revelations that lie at the centre of some of our best-loved poems.
Author: Robert Pinsky
Publisher: Princeton University Press
ISBN: 069121977X
Category : Literary Criticism
Languages : en
Pages : 201
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Book Description
In this book Robert Pinsky writes about contemporary poetry as it reflects its modernist and Romantic past. He isolates certain persistent ideas about poetry's situation relative to life and focuses on the conflict the poet faces between the nature of words and poetic forms on one side, and the nature of experience on the other. The author ranges for his often surprising examples from Keats to the great modernists such as Stevens and Williams, to the contents of recent magazines. He considers work by Ammons, Ashbery, Bogan, Ginsberg, Lowell, Merwin, O'Hara, and younger writers, offering judgments and enthusiasms from a viewpoint that is consistent but unstereotyped. Like his poetry, Robert Pinsky's criticism joins the traditional and the innovative in ways that are thoughtful and unmistakably his own. His book is a bold essay on the contemporary situation in poetry, on the dazzling achievements of modernism, and on the nature or "situation" of poetry itself.
Author: David Sandner
Publisher: Routledge
ISBN: 1317157427
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
Challenging literary histories that locate the emergence of fantastic literature in the Romantic period, David Sandner shows that tales of wonder and imagination were extremely popular throughout the eighteenth century. Sandner engages contemporary critical definitions and defenses of eighteenth- and early nineteenth-century fantastic literature, demonstrating that a century of debate and experimentation preceded the Romantic's interest in the creative imagination. In 'The Fairy Way of Writing,' Joseph Addison first defines the literary use of the supernatural in a 'modern' and 'rational' age. Other writers like Richard Hurd, James Beattie, Samuel Johnson, James Percy, and Walter Scott influence the shape of the fantastic by defining and describing the modern fantastic in relation to a fabulous and primitive past. As the genre of the 'purely imaginary,' Sandner argues, the fantastic functions as a discourse of the sublime imagination, albeit a contested discourse that threatens to disrupt any attempt to ground the sublime in the realistic or sympathetic imagination. His readings of works by authors such as Ann Radcliffe, William Beckford, Horace Walpole, Mary Shelley, Walter Scott, and James Hogg not only redefine the antecedents of the fantastic but also offer a convincing account of how and why the fantastic came to be marginalized in the wake of the Enlightenment.
Author: Margharita Defries Widdows
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 362
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Book Description
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 816
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Book Description
Author: William Hutchings
Publisher: Bloomsbury Publishing
ISBN: 0230358071
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Living Poetry demonstrates that poems are vital expressions of how we live, feel and think. Lucidly written and jargon free, it introduces a range of poems from the Elizabethan age to the present day, presenting practical models of close reading and a stimulating rationale for the power of poetry to move and excite us.
Author: Amelia Worsley
Publisher: Cornell University Press
ISBN: 1501776290
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
Singing by Herself reinterprets the rise of literary loneliness by foregrounding the female and feminized figures who have been overlooked in previous histories of solitude. Many of the earliest records of the terms "lonely" and "loneliness" in British literature describe solitaries whose songs positioned them within the tradition of female complaint. Amelia Worsley shows how these feminized solitaries, for whom loneliness was both a space of danger and a space of productive retreat, helped to make loneliness attractive to future lonely poets, despite the sense of suspicion it evoked. Although loneliness today is often associated with states of atomized interiority, soliloquy, and self-enclosure, this study of eighteenth-century poetry disrupts the presumed association between isolation, singular speech, and bounded models of poetic subjectivity. In five chapters focused on lonely poet figures in the works of John Milton, Anne Finch, Alexander Pope, Thomas Gray, and Charlotte Smith—which also take account of the wider eighteenth-century fascination with literary loneliness—Singing by Herself shows how poets increasingly associated the new literary mode of being alone with states of disembodiment, dispersal, and echoic self-doubling. Seemingly solitary lonely voices often dissolve into polyvocal, allusive community, Worsley argues, when in dialogue with each other and also with classical figures of feminized lament such as Sappho, Echo, and Philomela. The book's provocative reflections on lyric mean that it will have a broad appeal to scholars interested in the history of poetry and poetics, as well as to those who study the literary history of gender, affect, and emotion.
