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Author: Ibraheem Malik
Publisher:
ISBN:
Category :
Languages : en
Pages : 78
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Book Description
Start your Darbuka journey with excellence with the Darbuka Mastery book series. We will start from the bare basics of how to play the Darbuka, and build up from there all the way to the point where you can execute a wide range of common rhythms with ease and confidence. In this book, we will cover a range of practical and theoretical topics to ensure that you have a well-rounded foundation from which to build an amazing Darbuka legacy. Content covered in this book: Practical content: - Holding the Darbuka- Basic Darbuka strokes (the Doum, Tek and Ka)- Reading and understanding drum tabs- Basic ornamentation, making rhythms more exciting- Detailed introduction to the Maqsum family of rhythms (incl. Maqsum, Sa'idi and Baladi)- Switching between rhythms and using a metronome to practiceTheoretical content: - Origins & structure of the Darbuka- Choosing a good Darbuka- Caring for your Darbuka and keeping it in tune- Guide to clay DarbukasThis books takes each of the above topics and breaks them down into easily understandable concepts, to ensure that you have a seamless and problem-free learning experience. This knowledge is hard to find in English-speaking countries; it usually requires a trip to the Middle East or North Africa to properly master the Darbuka. However, with a book such as this, you will be able to master the Darbuka from anywhere in the world. This is the first book of the three-part Darbuka Mastery series. The series aims to take a complete beginner to the point of Darbuka Mastery, and as such covers a wide range of topics from Darbuka strokes, ornamentations, soloing, caring for your Darbuka, understanding the role of the Darbuka player and split-hand Darbuka technique. The book series can be supplemented with Malik Instruments' Darbuka Mastery Program, a detailed instructional course that makes it even easier to learn the Darbuka. If you're struggling with the concepts covered in any of the books in this series, you will be able to get further help by taking the Darbuka Mastery Program by Malik Instruments. You should note that the Darbuka instrument can also be referred to as the Egyptian Tabla, the Sombaty drum, the Doumbek, the Doholla or the Darabana/Tarabana. As such, if you are looking to learn any of these instruments, this is the book for you!
Author: Ibraheem Malik
Publisher:
ISBN:
Category :
Languages : en
Pages : 78
Get Book Here
Book Description
Start your Darbuka journey with excellence with the Darbuka Mastery book series. We will start from the bare basics of how to play the Darbuka, and build up from there all the way to the point where you can execute a wide range of common rhythms with ease and confidence. In this book, we will cover a range of practical and theoretical topics to ensure that you have a well-rounded foundation from which to build an amazing Darbuka legacy. Content covered in this book: Practical content: - Holding the Darbuka- Basic Darbuka strokes (the Doum, Tek and Ka)- Reading and understanding drum tabs- Basic ornamentation, making rhythms more exciting- Detailed introduction to the Maqsum family of rhythms (incl. Maqsum, Sa'idi and Baladi)- Switching between rhythms and using a metronome to practiceTheoretical content: - Origins & structure of the Darbuka- Choosing a good Darbuka- Caring for your Darbuka and keeping it in tune- Guide to clay DarbukasThis books takes each of the above topics and breaks them down into easily understandable concepts, to ensure that you have a seamless and problem-free learning experience. This knowledge is hard to find in English-speaking countries; it usually requires a trip to the Middle East or North Africa to properly master the Darbuka. However, with a book such as this, you will be able to master the Darbuka from anywhere in the world. This is the first book of the three-part Darbuka Mastery series. The series aims to take a complete beginner to the point of Darbuka Mastery, and as such covers a wide range of topics from Darbuka strokes, ornamentations, soloing, caring for your Darbuka, understanding the role of the Darbuka player and split-hand Darbuka technique. The book series can be supplemented with Malik Instruments' Darbuka Mastery Program, a detailed instructional course that makes it even easier to learn the Darbuka. If you're struggling with the concepts covered in any of the books in this series, you will be able to get further help by taking the Darbuka Mastery Program by Malik Instruments. You should note that the Darbuka instrument can also be referred to as the Egyptian Tabla, the Sombaty drum, the Doumbek, the Doholla or the Darabana/Tarabana. As such, if you are looking to learn any of these instruments, this is the book for you!
Author: Gary Cook
Publisher: Schirmer
ISBN:
Category : Education
Languages : en
Pages : 542
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Book Description
Designed as a core text for college level courses in percussion methods and pedagogy, Teaching Percussion is a comprehensive, up-to-date introduction to teaching methodology and performance techniques. Now updated, Teaching Percussion helps students and performers develop musical understanding and performance skills on some fifty percussion instruments. The Second Edition includes coverage of new developments in world music instruments and performance. In addition, Norman Weinberg, cofounder of the PAS World Percussion Network, has contributed a discussion of electronic percussion and new technology. The outstanding exercises, musical examples, photographs, illustrations, practical advice, and bibliographies - popular features in the first edition - have been retained and enhanced. Teaching Percussion, Second Edition, is an invaluable resource for students, faculty, and performers alike.
Author: Rick Dior
Publisher:
ISBN: 9780976434467
Category :
Languages : en
Pages :
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Book Description
Author:
Publisher:
ISBN: 9789655050295
Category : Drum
Languages : en
Pages : 139
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Book Description
Author: Roshanak Kheshti
Publisher: NYU Press
ISBN: 1479867012
Category : Music
Languages : en
Pages : 199
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Book Description
Inside the global music industry and the racialized and gendered assumptions we make about what we hear Fearing the rapid disappearance of indigenous cultures, twentieth-century American ethnographers turned to the phonograph to salvage native languages and musical practices. Prominent among these early “songcatchers” were white women of comfortable class standing, similar to the female consumers targeted by the music industry as the gramophone became increasingly present in bourgeois homes. Through these simultaneous movements, listening became constructed as a feminized practice, one that craved exotic sounds and mythologized the ‘other’ that made them. In Modernity’s Ear, Roshanak Kheshti examines the ways in which racialized and gendered sounds became fetishized and, in turn, capitalized on by an emergent American world music industry through the promotion of an economy of desire. Taking a mixed-methods approach that draws on anthropology and sound studies, Kheshti locates sound as both representative and constitutive of culture and power. Through analyses of film, photography, recordings, and radio, as well as ethnographic fieldwork at a San Francisco-based world music company, Kheshti politicizes the feminine in the contemporary world music industry. Deploying critical theory to read the fantasy of the feminized listener and feminized organ of the ear, Modernity’s Ear ultimately explores the importance of pleasure in constituting the listening self.
Author: Ahmed Mukhtar
Publisher: Lulu.com
ISBN: 0244443912
Category : Art
Languages : en
Pages : 78
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Book Description
"This book has been written for beginner oud students with no experience playing the oud. The objective of the course is to acquire the basic techniques used to play the oud and understand the characteristics of the maqam music system by studying the eight fundamental maqamaat together with popular traditional repertoire. No previous musical knowledge is required to begin this course, as most music is notated as tablature, a visual representation which does not require understanding of music notation. However, it helps to have basic knowledge of music theory, rhythm, note names, and notation"--Publisher marketing.
Author: Trevor Herbert
Publisher: Cambridge University Press
ISBN: 9781316631850
Category : Music
Languages : en
Pages : 0
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Book Description
Some thirty-two experts from fifteen countries join three of the world's leading authorities on the design, manufacture, performance and history of brass musical instruments in this first major encyclopedia on the subject. It includes over one hundred illustrations, and gives attention to every brass instrument which has been regularly used, with information about the way they are played, the uses to which they have been put, and the importance they have had in classical music, sacred rituals, popular music, jazz, brass bands and the bands of the military. There are specialist entries covering every inhabited region of the globe and essays on the methods that experts have used to study and understand brass instruments. The encyclopedia spans the entire period from antiquity to modern times, with new and unfamiliar material that takes advantage of the latest research. From Abblasen to Zorsi Trombetta da Modon, this is the definitive guide for students, academics, musicians and music lovers.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 512
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Book Description
Author: Kenneth Swanson
Publisher: Alfred Music
ISBN: 9781457467554
Category : Music
Languages : en
Pages : 44
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Book Description
The Belwin Student Instrumental Course is a course for individual instruction and class instruction of like instruments, at three levels, for all band instruments. Each book is complete in itself, but all books are correlated with each other. Although each book can be used separately, all supplementary books should be used as companion books with the method.
Author: Robin D. G. Kelley
Publisher: Harvard University Press
ISBN: 0674065247
Category : Biography & Autobiography
Languages : en
Pages : 267
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Book Description
In Bedford-Stuyvesant, Brooklyn, pianist Randy Weston and bassist Ahmed Abdul-Malik celebrated with song the revolutions spreading across Africa. In Ghana and South Africa, drummer Guy Warren and vocalist Sathima Bea Benjamin fused local musical forms with the dizzying innovations of modern jazz. These four were among hundreds of musicians in the 1950's and '60's who forged connections between jazz and Africa that definitively reshaped both their music and the world. Each artist identified in particular ways with Africa's struggle for liberation and made music dedicated to, or inspired by, demands for independence and self-determination. That music was the wild, boundary-breaking exultation of modern jazz. The result was an abundance of conversation, collaboration, and tension between African and African American musicians during the era of decolonization. This collective biography demonstrates how modern Africa reshaped jazz, how modern jazz helped form a new African identity, and how musical convergences and crossings altered politics and culture on both continents. In a crucial moment when freedom electrified the African diaspora, these black artists sought one another out to create new modes of expression. Documenting individuals and places, from Lagos to Chicago, from New York to Cape Town, Robin Kelley gives us a meditation on modernity: we see innovation not as an imposition from the West but rather as indigenous, multilingual, and messy, the result of innumerable exchanges across a breadth of cultures.
