Author: Manuele Gragnolati
Publisher:
ISBN:
Category : Civilization, Medieval, in literature
Languages : en
Pages : 312
Book Description
Experiencing the Afterlife provides the first sustained analysis of popular, vernacular depictions of the afterlife written in Italy before the Divine Comedy by authors such as Uguccione da Lodi, Giacomino da Verona, and Bonvesin da la Riva. Manuele Gragnolati uses his readings of these poets to provide a new interpretation of Dante's work. Combining elements from several disciplines, he investigates the richness of high medieval eschatology and the concept of personal identity it expresses. Gragnolati is particularly concerned with how the notions of body and pain characteristic of medieval spirituality and devotion inform the eschatological representations of the time, especially in their paradoxical urge to stress at once the physical experience of the separated soul and the final necessity of bodily resurrection. By integrating lesser-known texts and scholarship from other disciplines into the specialized field of Dante studies, Gragnolati sheds new light on some of the most vigorously debated and crucial questions raised by the Divine Comedy, including the embryological discourse of Purgatorio 25, the relation between the soul's experience of pain in Purgatory and the devotion that late medieval culture expressed toward Christ's suffering, and the significance of the audacious vision of resurrected bodies that Dante the pilgrim enjoys at the end of his journey. At the same time, Gragnolati brings these questions back into contemporary discussions of medieval eschatology and opens new perspectives for current and future work on embodiment and identity. Scholars and students of Dante and Italian studies, as well as those in medieval history, religion, culture, and art history, will be rewarded by the fresh insights contained in Experiencing the Afterlife.
Experiencing the Afterlife
Author: Manuele Gragnolati
Publisher:
ISBN:
Category : Civilization, Medieval, in literature
Languages : en
Pages : 312
Book Description
Experiencing the Afterlife provides the first sustained analysis of popular, vernacular depictions of the afterlife written in Italy before the Divine Comedy by authors such as Uguccione da Lodi, Giacomino da Verona, and Bonvesin da la Riva. Manuele Gragnolati uses his readings of these poets to provide a new interpretation of Dante's work. Combining elements from several disciplines, he investigates the richness of high medieval eschatology and the concept of personal identity it expresses. Gragnolati is particularly concerned with how the notions of body and pain characteristic of medieval spirituality and devotion inform the eschatological representations of the time, especially in their paradoxical urge to stress at once the physical experience of the separated soul and the final necessity of bodily resurrection. By integrating lesser-known texts and scholarship from other disciplines into the specialized field of Dante studies, Gragnolati sheds new light on some of the most vigorously debated and crucial questions raised by the Divine Comedy, including the embryological discourse of Purgatorio 25, the relation between the soul's experience of pain in Purgatory and the devotion that late medieval culture expressed toward Christ's suffering, and the significance of the audacious vision of resurrected bodies that Dante the pilgrim enjoys at the end of his journey. At the same time, Gragnolati brings these questions back into contemporary discussions of medieval eschatology and opens new perspectives for current and future work on embodiment and identity. Scholars and students of Dante and Italian studies, as well as those in medieval history, religion, culture, and art history, will be rewarded by the fresh insights contained in Experiencing the Afterlife.
Publisher:
ISBN:
Category : Civilization, Medieval, in literature
Languages : en
Pages : 312
Book Description
Experiencing the Afterlife provides the first sustained analysis of popular, vernacular depictions of the afterlife written in Italy before the Divine Comedy by authors such as Uguccione da Lodi, Giacomino da Verona, and Bonvesin da la Riva. Manuele Gragnolati uses his readings of these poets to provide a new interpretation of Dante's work. Combining elements from several disciplines, he investigates the richness of high medieval eschatology and the concept of personal identity it expresses. Gragnolati is particularly concerned with how the notions of body and pain characteristic of medieval spirituality and devotion inform the eschatological representations of the time, especially in their paradoxical urge to stress at once the physical experience of the separated soul and the final necessity of bodily resurrection. By integrating lesser-known texts and scholarship from other disciplines into the specialized field of Dante studies, Gragnolati sheds new light on some of the most vigorously debated and crucial questions raised by the Divine Comedy, including the embryological discourse of Purgatorio 25, the relation between the soul's experience of pain in Purgatory and the devotion that late medieval culture expressed toward Christ's suffering, and the significance of the audacious vision of resurrected bodies that Dante the pilgrim enjoys at the end of his journey. At the same time, Gragnolati brings these questions back into contemporary discussions of medieval eschatology and opens new perspectives for current and future work on embodiment and identity. Scholars and students of Dante and Italian studies, as well as those in medieval history, religion, culture, and art history, will be rewarded by the fresh insights contained in Experiencing the Afterlife.
Dante’s Bones
Author: Guy P. Raffa
Publisher: Belknap Press
ISBN: 0674980832
Category : Biography & Autobiography
Languages : en
Pages : 385
Book Description
A richly detailed graveyard history of the Florentine poet whose dead body shaped Italy from the Middle Ages and the Renaissance to the Risorgimento, World War I, and Mussolini’s fascist dictatorship. Dante, whose Divine Comedy gave the world its most vividly imagined story of the afterlife, endured an extraordinary afterlife of his own. Exiled in death as in life, the Florentine poet has hardly rested in peace over the centuries. Like a saint’s relics, his bones have been stolen, recovered, reburied, exhumed, examined, and, above all, worshiped. Actors in this graveyard history range from Lorenzo de’ Medici, Michelangelo, and Pope Leo X to the Franciscan friar who hid the bones, the stone mason who accidentally discovered them, and the opportunistic sculptor who accomplished what princes, popes, and politicians could not: delivering to Florence a precious relic of the native son it had banished. In Dante’s Bones, Guy Raffa narrates for the first time the complete course of the poet’s hereafter, from his death and burial in Ravenna in 1321 to a computer-generated reconstruction of his face in 2006. Dante’s posthumous adventures are inextricably tied to major historical events in Italy and its relationship to the wider world. Dante grew in stature as the contested portion of his body diminished in size from skeleton to bones, fragments, and finally dust: During the Renaissance, a political and literary hero in Florence; in the nineteenth century, the ancestral father and prophet of Italy; a nationalist symbol under fascism and amid two world wars; and finally the global icon we know today.
Publisher: Belknap Press
ISBN: 0674980832
Category : Biography & Autobiography
Languages : en
Pages : 385
Book Description
A richly detailed graveyard history of the Florentine poet whose dead body shaped Italy from the Middle Ages and the Renaissance to the Risorgimento, World War I, and Mussolini’s fascist dictatorship. Dante, whose Divine Comedy gave the world its most vividly imagined story of the afterlife, endured an extraordinary afterlife of his own. Exiled in death as in life, the Florentine poet has hardly rested in peace over the centuries. Like a saint’s relics, his bones have been stolen, recovered, reburied, exhumed, examined, and, above all, worshiped. Actors in this graveyard history range from Lorenzo de’ Medici, Michelangelo, and Pope Leo X to the Franciscan friar who hid the bones, the stone mason who accidentally discovered them, and the opportunistic sculptor who accomplished what princes, popes, and politicians could not: delivering to Florence a precious relic of the native son it had banished. In Dante’s Bones, Guy Raffa narrates for the first time the complete course of the poet’s hereafter, from his death and burial in Ravenna in 1321 to a computer-generated reconstruction of his face in 2006. Dante’s posthumous adventures are inextricably tied to major historical events in Italy and its relationship to the wider world. Dante grew in stature as the contested portion of his body diminished in size from skeleton to bones, fragments, and finally dust: During the Renaissance, a political and literary hero in Florence; in the nineteenth century, the ancestral father and prophet of Italy; a nationalist symbol under fascism and amid two world wars; and finally the global icon we know today.
Gladstone and Dante
Author: Anne Isba
Publisher: Boydell & Brewer Ltd
ISBN: 9780861932771
Category : Biography & Autobiography
Languages : en
Pages : 176
Book Description
Close examination of William Gladstone's engagement with Dante, and its effect upon his political and personal life. From the point at which he first read the Commedia, at the age of twenty-four, William Gladstone was to consider Dante Alighieri one of the major influences in his life, on a par with Homer and St Augustine, and to identifyhimself strongly with the poet. Both were statesmen as well as scholars, for whom civic duty was more important than personal convenience. Both were serious theologians as well as simple spiritual pilgrims. Both idealised women. This book shows how Gladstone found in Dante an endorsement of his own beliefs as he negotiated a path through life. Isba traces the development of his enthusiasm against the background of a resurgent Italy in a new Europe, and in the context of the Victorian fashion for all things medieval. She also examines the parallels between the two men's attitudes to sex and religion in particular, and closes by analysing the quality of Gladstone's own writingon Dante (he was to become an internationally recognised Dante scholar) .
Publisher: Boydell & Brewer Ltd
ISBN: 9780861932771
Category : Biography & Autobiography
Languages : en
Pages : 176
Book Description
Close examination of William Gladstone's engagement with Dante, and its effect upon his political and personal life. From the point at which he first read the Commedia, at the age of twenty-four, William Gladstone was to consider Dante Alighieri one of the major influences in his life, on a par with Homer and St Augustine, and to identifyhimself strongly with the poet. Both were statesmen as well as scholars, for whom civic duty was more important than personal convenience. Both were serious theologians as well as simple spiritual pilgrims. Both idealised women. This book shows how Gladstone found in Dante an endorsement of his own beliefs as he negotiated a path through life. Isba traces the development of his enthusiasm against the background of a resurgent Italy in a new Europe, and in the context of the Victorian fashion for all things medieval. She also examines the parallels between the two men's attitudes to sex and religion in particular, and closes by analysing the quality of Gladstone's own writingon Dante (he was to become an internationally recognised Dante scholar) .
Ethics, Politics and Justice in Dante
Author: Giulia Gaimari
Publisher: UCL Press
ISBN: 1787352277
Category : Literary Criticism
Languages : en
Pages : 194
Book Description
Ethics, Politics and Justice in Dante presents new research by international scholars on the themes of ethics, politics and justice in the works of Dante Alighieri, including chapters on Dante’s modern ‘afterlife’. Together the chapters explore how Dante’s writings engage with the contemporary culture of medieval Florence and Italy, and how and why his political and moral thought still speaks compellingly to modern readers. The collection’s contributors range across different disciplines and scholarly traditions – history, philology, classical reception, philosophy, theology – to scrutinise Dante’s Divine Comedy and his other works in Italian and Latin, offering a multi-faceted approach to the evolution of Dante’s political, ethical and legal thought throughout his writing career. Certain chapters focus on his early philosophical Convivio and on the accomplished Latin Eclogues of his final years, while others tackle knotty themes relating to judgement, justice, rhetoric and literary ethics in his Divine Comedy, from hell to paradise. The closing chapters discuss different modalities of the public reception and use of Dante’s work in both Italy and Britain, bringing the volume’s emphasis on morality, political philosophy, and social justice into the modern age of the nineteenth, twentieth, and twenty-first centuries.
Publisher: UCL Press
ISBN: 1787352277
Category : Literary Criticism
Languages : en
Pages : 194
Book Description
Ethics, Politics and Justice in Dante presents new research by international scholars on the themes of ethics, politics and justice in the works of Dante Alighieri, including chapters on Dante’s modern ‘afterlife’. Together the chapters explore how Dante’s writings engage with the contemporary culture of medieval Florence and Italy, and how and why his political and moral thought still speaks compellingly to modern readers. The collection’s contributors range across different disciplines and scholarly traditions – history, philology, classical reception, philosophy, theology – to scrutinise Dante’s Divine Comedy and his other works in Italian and Latin, offering a multi-faceted approach to the evolution of Dante’s political, ethical and legal thought throughout his writing career. Certain chapters focus on his early philosophical Convivio and on the accomplished Latin Eclogues of his final years, while others tackle knotty themes relating to judgement, justice, rhetoric and literary ethics in his Divine Comedy, from hell to paradise. The closing chapters discuss different modalities of the public reception and use of Dante’s work in both Italy and Britain, bringing the volume’s emphasis on morality, political philosophy, and social justice into the modern age of the nineteenth, twentieth, and twenty-first centuries.
Dante's Divine Comedy
Author: Seymour Chwast
Publisher: Bloomsbury Publishing USA
ISBN: 1608198774
Category : Comics & Graphic Novels
Languages : en
Pages : 128
Book Description
The "left-handed designer," Seymour Chwast has been putting his unparalleled take-and influence-on the world of illustration and design for the last half century. In his version of Dante's Divine Comedy, Chwast's first graphic novel, Dante and his guide Virgil don fedoras and wander through noir-ish realms of Hell, Purgatory, and Paradise, finding both the wicked and the wondrous on their way. Dante Alighieri wrote his epic poem The Divine Comedy from 1308 to 1321 while in exile from his native Florence. In the work's three parts (Inferno, Purgatory, and Paradise), Dante chronicles his travels throughthe afterlife, cataloging a multitude of sinners and saints-many of them real people to whom Dante tellingly assigned either horrible punishment or indescribable pleasure-and eventually meeting both God and Lucifer face-to-face. In his adaptation of this skewering satire, Chwast creates a visual fantasia that fascinates on every page: From the multifarious torments of the Inferno to the host of delights in Paradise, his inventive illustrations capture the delirious complexity of this classic of the Western canon.
Publisher: Bloomsbury Publishing USA
ISBN: 1608198774
Category : Comics & Graphic Novels
Languages : en
Pages : 128
Book Description
The "left-handed designer," Seymour Chwast has been putting his unparalleled take-and influence-on the world of illustration and design for the last half century. In his version of Dante's Divine Comedy, Chwast's first graphic novel, Dante and his guide Virgil don fedoras and wander through noir-ish realms of Hell, Purgatory, and Paradise, finding both the wicked and the wondrous on their way. Dante Alighieri wrote his epic poem The Divine Comedy from 1308 to 1321 while in exile from his native Florence. In the work's three parts (Inferno, Purgatory, and Paradise), Dante chronicles his travels throughthe afterlife, cataloging a multitude of sinners and saints-many of them real people to whom Dante tellingly assigned either horrible punishment or indescribable pleasure-and eventually meeting both God and Lucifer face-to-face. In his adaptation of this skewering satire, Chwast creates a visual fantasia that fascinates on every page: From the multifarious torments of the Inferno to the host of delights in Paradise, his inventive illustrations capture the delirious complexity of this classic of the Western canon.
Valley of the Dead
Author: Kim Paffenroth
Publisher: Permuted Press
ISBN: 1934861375
Category : Fiction
Languages : en
Pages : 265
Book Description
Using Dante’s Inferno to draw out the reality behind the fantasy, author Kim Paffenroth tells the true events… During his lost wanderings, Dante came upon an infestation of the living dead. The unspeakable acts he witnessed —cannibalism, live burnings, evisceration, crucifixion, and dozens more—became the basis of all the horrors described in Inferno. At last, the real story can be told.
Publisher: Permuted Press
ISBN: 1934861375
Category : Fiction
Languages : en
Pages : 265
Book Description
Using Dante’s Inferno to draw out the reality behind the fantasy, author Kim Paffenroth tells the true events… During his lost wanderings, Dante came upon an infestation of the living dead. The unspeakable acts he witnessed —cannibalism, live burnings, evisceration, crucifixion, and dozens more—became the basis of all the horrors described in Inferno. At last, the real story can be told.
Dante, Cinema, and Television
Author: Amilcare A. Iannucci
Publisher: University of Toronto Press
ISBN: 9780802088277
Category : Performing Arts
Languages : en
Pages : 268
Book Description
The Divine Comedy of Dante Alighieri (1265-1321) is one of the seminal works of western literature. Its impact on modern culture has been enormous, nourishing a plethora of twentieth century authors from Joyce and Borges to Kenzaburo Oe. Although Dante's influence in the literary sphere is well documented, very little has been written on his equally determining role in the evolution of the visual media unique to our times, namely, cinema and television. Dante, Cinema, and Television corrects this oversight. The essays, from a broad range of disciplines, cover the influence of the Divine Comedy from cinema's silent era on through to the era of sound and the advent of television, as well as its impact on specific directors, actors, and episodes, on national/regional cinema and television, and on genres. They also consider the different modes of appropriation by cinema and television. Dante, Cinema, and Television demonstrates the many subtle ways in which Dante's Divine Comedy has been given 'new life' by cinema and television, and underscores the tremendous extent of Dante's staying power in the modern world.
Publisher: University of Toronto Press
ISBN: 9780802088277
Category : Performing Arts
Languages : en
Pages : 268
Book Description
The Divine Comedy of Dante Alighieri (1265-1321) is one of the seminal works of western literature. Its impact on modern culture has been enormous, nourishing a plethora of twentieth century authors from Joyce and Borges to Kenzaburo Oe. Although Dante's influence in the literary sphere is well documented, very little has been written on his equally determining role in the evolution of the visual media unique to our times, namely, cinema and television. Dante, Cinema, and Television corrects this oversight. The essays, from a broad range of disciplines, cover the influence of the Divine Comedy from cinema's silent era on through to the era of sound and the advent of television, as well as its impact on specific directors, actors, and episodes, on national/regional cinema and television, and on genres. They also consider the different modes of appropriation by cinema and television. Dante, Cinema, and Television demonstrates the many subtle ways in which Dante's Divine Comedy has been given 'new life' by cinema and television, and underscores the tremendous extent of Dante's staying power in the modern world.
Visions of Heaven & Hell Before Dante
Author: Venerable Bede
Publisher: Medieval & Renaissance Texts
ISBN: 9781599102320
Category :
Languages : en
Pages : 318
Book Description
This essential and widely used collection of visions of heaven and hell, the first in English, presents new translations of two visions and newly edited versions of previously translated ones. Describes the place of these works in medieval literature and provides a helpful resource for studying elements of medieval religion. Includes: St. Peter's Apocalypse, St. Paul's Apocalypse, St. Brendan's Voyage, St. Patrick's Purgatory, and the Visions of Furseus, Drythelm, Wetti, Charles the Fat, Tundale, the Monk of Evesham, and Thurkill. Bibliography, index, glossary, notes, illustrated.
Publisher: Medieval & Renaissance Texts
ISBN: 9781599102320
Category :
Languages : en
Pages : 318
Book Description
This essential and widely used collection of visions of heaven and hell, the first in English, presents new translations of two visions and newly edited versions of previously translated ones. Describes the place of these works in medieval literature and provides a helpful resource for studying elements of medieval religion. Includes: St. Peter's Apocalypse, St. Paul's Apocalypse, St. Brendan's Voyage, St. Patrick's Purgatory, and the Visions of Furseus, Drythelm, Wetti, Charles the Fat, Tundale, the Monk of Evesham, and Thurkill. Bibliography, index, glossary, notes, illustrated.
Dante
Author: Nick Havely
Publisher: John Wiley & Sons
ISBN: 047077987X
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
A comprehensive guide to Dante’s life and literature, with an emphasis on his Commedia. This text looks at the influences that shaped Dante’s writing, and the reception of his work by later readers, from the 14th century to the present. Introduces Dante through four main approaches: the context of his life and career; his literary and cultural traditions; key themes, episodes and passages in his own work, especially the Commedia; and the reception and appropriation of his work by later readers, from the fourteenth century to the present Written by an expert Dante scholar Provides new translations of substantial passages from Dante’s poems and from the world of his contemporaries Includes explanatory diagrams of Dante’s 'other-worlds', and a section of illustrations by medieval and modern artists Builds a vivid and complex picture of Dante's imagination, intellect and literary presence Helpful bibliographies include relevant web resources
Publisher: John Wiley & Sons
ISBN: 047077987X
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
A comprehensive guide to Dante’s life and literature, with an emphasis on his Commedia. This text looks at the influences that shaped Dante’s writing, and the reception of his work by later readers, from the 14th century to the present. Introduces Dante through four main approaches: the context of his life and career; his literary and cultural traditions; key themes, episodes and passages in his own work, especially the Commedia; and the reception and appropriation of his work by later readers, from the fourteenth century to the present Written by an expert Dante scholar Provides new translations of substantial passages from Dante’s poems and from the world of his contemporaries Includes explanatory diagrams of Dante’s 'other-worlds', and a section of illustrations by medieval and modern artists Builds a vivid and complex picture of Dante's imagination, intellect and literary presence Helpful bibliographies include relevant web resources
Joyce's Dante
Author: James Robinson
Publisher: Cambridge University Press
ISBN: 1316739139
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
Joyce's engagement with Dante is a crucial component of all of his work. This title reconsiders the responses to Dante in Joyce's work from A Portrait of the Artist as a Young Man to Finnegans Wake. It presents that encounter as an historically complex and contextually determined interaction reflecting the contested development of Dante's reputation, readership and textuality throughout the nineteenth century. This process produced a 'Dante with a difference', a uniquely creative and unorthodox construction of the poet which informed Joyce's lifelong engagement with such works as the Vita Nuova and the Commedia. Tracing the movement through Joyce's writing on exile as a mode of alienation and charting his growing interest in ideas of community, Joyce's Dante shows how awareness of his changing reading of Dante can alter our understanding of one of the Irish writer's lasting thematic preoccupations.
Publisher: Cambridge University Press
ISBN: 1316739139
Category : Literary Criticism
Languages : en
Pages : 247
Book Description
Joyce's engagement with Dante is a crucial component of all of his work. This title reconsiders the responses to Dante in Joyce's work from A Portrait of the Artist as a Young Man to Finnegans Wake. It presents that encounter as an historically complex and contextually determined interaction reflecting the contested development of Dante's reputation, readership and textuality throughout the nineteenth century. This process produced a 'Dante with a difference', a uniquely creative and unorthodox construction of the poet which informed Joyce's lifelong engagement with such works as the Vita Nuova and the Commedia. Tracing the movement through Joyce's writing on exile as a mode of alienation and charting his growing interest in ideas of community, Joyce's Dante shows how awareness of his changing reading of Dante can alter our understanding of one of the Irish writer's lasting thematic preoccupations.