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Author: Gelsey Kirkland
Publisher: John Curley & Assoc
ISBN: 9781555043254
Category : Biography & Autobiography
Languages : en
Pages : 585
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Book Description
The candid self-portrait of one of America's most famous ballerinas and a story of the high-pressure world of dance that brought the acclaimed dancer to a nightmare world of illness, drug addiction, and suicidal despair
Author: Gelsey Kirkland
Publisher: John Curley & Assoc
ISBN: 9781555043254
Category : Biography & Autobiography
Languages : en
Pages : 585
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Book Description
The candid self-portrait of one of America's most famous ballerinas and a story of the high-pressure world of dance that brought the acclaimed dancer to a nightmare world of illness, drug addiction, and suicidal despair
Author: Aidan Chambers
Publisher: Harper Trophy
ISBN: 9780064405799
Category : Death
Languages : en
Pages : 0
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Book Description
Hal's summer affair with Barry Goldman ends tragically when Hal discovers he is much more committed to the relationship than his friend.
Author: Nigel Barley
Publisher:
ISBN: 9780349107769
Category : Comparative civilization
Languages : en
Pages : 240
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Book Description
Seeking to merge the information of theologians and anthropologists, this book looks at the variety of ways in which cultures around the world deal with death and give it meaning. In some cultures, most famously Ancient Egypt, families would virtually financially ruin themselves in order to deal with the death of just one person. Other cultures such as the nomadic peoples of southern Africa, simply pull down the roof of their dwelling onto the body and move on, while the wrapped bodies in Torajan (Indonesian) houses are used as shelves. The reader is guided through such diverse areas as myths about death, belief about ways to mourn, joking at funerals, post-mortem videos, cannibalism, headhunting and royal mortuary ritual.
Author: Elizabeth A. I. Powell
Publisher:
ISBN: 9781574232561
Category : Poetry
Languages : en
Pages :
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Book Description
The liberating power of anger has rarely felt so good and healing as in this complete collection of a landmark in feminist poetry."She digs her teeth into the slaveries of woman, she cries them aloud with such fulminating energy that the chains begin to melt of themselves. Reaching into the hive of her angers, she plucks out images of fear and delight that are transparent yet loaded with the darknesses of life. Diane Wakoski is an important and moving poet."--The New York TimesIn 1971, Diane Wakoski published The Motorcycle Betrayal Poems to tremendous acclaim. In the decades that followed, she wrote additional "betrayal" poems, which are now collected here in one volume for the first time. Relevant, moving--at times shocking--it is Wakoski's honesty and bravery as an artist that continues to astonish, delight, inspire, and liberate readers.Wakoski responds to betrayal in a variety of ways including fantasies such as drilling bullet holes into the bodies of unfaithful lovers. But even her anger can be winking, as in the book's sly dedication to "all those men who betrayed me at one time or another, in hopes they will fall off their motorcycles and break their necks." There is joy here because it is self-knowledge that the writer seeks, as in the collection's title poem: So some white wolves and I will sing on your grave, old man and dance for the joy of your death. "Is this an angry statement?" "No, it is a statement of joy." "Will the sun shine again?" "Yes, yes, yes," because I'm going to dance dance danceDiane Wakoski's art as a confessional, storytelling poet has rarely been equaled. Her revelations become shared emotional truth with readers. The collection's new introduction by poet and Green Mountains Review editor Elizabeth A. I. Powell gives context to the long wake of Wakoski's inspiring influence on generations of readers. Dancing on the Grave of a Son of a Bitch is for anyone who ever lost a love and wishes to embrace the freedom, rather than the pain, it can bring.
Author: Diana Montane
Publisher: Penguin
ISBN: 0698191927
Category : True Crime
Languages : en
Pages : 149
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Book Description
From the co-author of I Would Find a Girl Walking and an award-winning true-crime television reporter comes the shocking story of Debbie Flores, a Las Vegas showgirl whose dreams of a dazzling career ended in a nightmare… Vivacious Debbie Flores was a college educated Washington Redskins cheerleader when she headed for “Sin City.” It was a smart move for the aspiring showgirl who’d soon be making her star-making solo debut at the legendary Luxor. But after the morning rehearsals of December 12, 2010, no one saw Debbie alive again. A cryptic text message she left for her mother led authorities to Debbie’s charismatic boyfriend, Jason “Blu” Griffith. A fellow Vegas dancer, Blu was hiding a terrible secret. It involved a rental van, bags of cement, two plastic tubs, and a handsaw. When the details of the crime unfolded, everyone asked: how could a girl with such passion and promise come to an end so violent and unexpected? In time, the truth would reveal a life more tumultuous than believed—and what exactly transpired on Debbie’s tragic final day would stun the nation. INCLUDES PHOTOS
Author: Carolyn Graves-Brown
Publisher: Bloomsbury Publishing
ISBN: 1441161228
Category : History
Languages : en
Pages : 264
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Book Description
The fragmentary evidence allows us only tantalising glimpses of the sophisticated and complex society of the ancient Egyptians, but the Greek historian Herodotus believed that the Egyptians had 'reversed the ordinary practices of mankind' in treating their women better than any of the other civilizations of the ancient world . Carolyn Graves-Brown draws on funerary remains, tomb paintings, architecture and textual evidence to explore all aspects of women in Egypt from goddesses and queens to women as the 'vessels of creation'. Perhaps surprisingly the most common career for women, after housewife and mother, was the priesthood, where women served deities, notably Hathor, with music and dance. Many would come to the temples of Hathor to have their dreams interpreted, or to seek divine inspiration. This is a wide ranging and revealing account told with authority and verve.
Author: Barclays Ayakoroma
Publisher:
ISBN:
Category :
Languages : en
Pages : 94
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Book Description
Author: Jacques D'Amboise
Publisher: Knopf
ISBN: 0307595234
Category : Biography & Autobiography
Languages : en
Pages : 465
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Book Description
“Who am I? I’m a man; an American, a father, a teacher, but most of all, I am a person who knows how the arts can change lives, because they transformed mine. I was a dancer.” In this rich, expansive, spirited memoir, Jacques d’Amboise, one of America’s most celebrated classical dancers, and former principal dancer with the New York City Ballet for more than three decades, tells the extraordinary story of his life in dance, and of America’s most renowned and admired dance companies. He writes of his classical studies beginning at the age of eight at The School of American Ballet. At twelve he was asked to perform with Ballet Society; three years later he joined the New York City Ballet and made his European debut at London’s Covent Garden. As George Balanchine’s protégé, d’Amboise had more works choreographed on him by “the supreme Ballet Master” than any other dancer, among them Tchaikovsky Pas de Deux; Episodes; A Midsummer’s Night’s Dream; Jewels; Raymonda Variations. He writes of his boyhood—born Joseph Ahearn—in Dedham, Massachusetts; his mother (“the Boss”) moving the family to New York City’s Washington Heights; dragging her son and daughter to ballet class (paying the teacher $7.50 from hats she made and sold on street corners, and with chickens she cooked stuffed with chestnuts); his mother changing the family name from Ahearn to her maiden name, d’Amboise (“It’s aristocratic. It has the ‘d’ apostrophe. It sounds better for the ballet, and it’s a better name”). We see him. a neighborhood tough, in Catholic schools being taught by the nuns; on the streets, fighting with neighborhood gangs, and taking ten classes a week at the School of American Ballet . . . being taught professional class by Balanchine and by other teachers of great legend: Anatole Oboukhoff, premier danseur of the Maryinsky; and Pierre Vladimiroff, Pavlova’s partner. D’Amboise writes about Balanchine’s succession of ballerina muses who inspired him to near-obsessive passion and led him to create extraordinary ballets, dancers with whom d’Amboise partnered—Maria Tallchief; Tanaquil LeClercq, a stick-skinny teenager who blossomed into an exquisite, witty, sophisticated “angel” with her “long limbs and dramatic, mysterious elegance . . .”; the iridescent Allegra Kent; Melissa Hayden; Suzanne Farrell, who Balanchine called his “alabaster princess,” her every fiber, every movement imbued with passion and energy; Kay Mazzo; Kyra Nichols (“She’s perfect,” Balanchine said. “Uncomplicated—like fresh water”); and Karin von Aroldingen, to whom Balanchine left most of his ballets. D’Amboise writes about dancing with and courting one of the company’s members, who became his wife for fifty-three years, and the four children they had . . . On going to Hollywood to make Seven Brides for Seven Brothers and being offered a long-term contract at MGM (“If you’re not careful,” Balanchine warned, “you will have sold your soul for seven years”) . . . On Jerome Robbins (“Jerry could be charming and complimentary, and then, five minutes later, attack, and crush your spirit—all to see how it would influence the dance movements”). D’Amboise writes of the moment when he realizes his dancing career is over and he begins a new life and new dream teaching children all over the world about the arts through the magic of dance. A riveting, magical book, as transformative as dancing itself.
Author:
Publisher:
ISBN: 0373601751
Category :
Languages : en
Pages : 395
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Book Description
Author: Nadine George-Graves
Publisher: Univ of Wisconsin Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
"The author's long-term engagement with the company has given her unprecedented access to Urban Bush Women. This Clearly contributes to her in-depth understanding of the dynamics of the company and of the choreographic processes that undergird Urban Bush Women Concert Pieces."---Sarah Davies Cordova, author of Paris Dances: Textual Choreographies in the Ninettenth-Century French Novel --
