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Author: Edmund Woodmansee Borden
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 24
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Book Description
Author: Edmund Woodmansee Borden
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 24
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Book Description
Author: Ann Louise Wagner
Publisher: University of Illinois Press
ISBN: 9780252065903
Category : Music
Languages : en
Pages : 472
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Book Description
Whether in the private parlor, public hall, commercial "dance palace," or sleazy dive, dance has long been opposed by those who viewed it as immoral--more precisely as being a danger to the purity of those who practiced it, particularly women. In Adversaries of Dance, Ann Wagner presents a major study of opposition to dance over a period of four centuries in what is now the United States. Wagner bases her work on the thesis that the tradition of opposition to dance "derived from white, male, Protestant clergy and evangelists who argued from a narrow and selective interpretation of biblical passages," and that the opposition thrived when denominational dogma held greater power over people's lives and when women's social roles were strictly limited. Central to Wagner's work, which will be welcomed by scholars of both religion and dance, are issues of gender, race, and socioeconomic status. "There are no other works that even begin to approach this definitive accomplishment." --Amanda Porterfield, author of Female Piety in Puritan New England
Author: Arthur Alan Torpy
Publisher: Scarecrow Press
ISBN: 0810870827
Category : Religion
Languages : en
Pages : 187
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Book Description
This book examines the life of Samuel Wesley, exploring the influences of his early Dissenting upbringing, his Oxford education, subsequent published writings, and post 1709 sermons.
Author: Jonathan Townley Crane
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 142
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Book Description
This book is a typical example of mid-nineteenth-century anti-dance literature. Crane takes the position that the ancients, including the Greeks and Egyptians, danced only for religious purposes. The author additionally notes that dancing in the Bible was done by "maidens and women alone." Also typical of this type of literature, the author decries the religious ceremonies of the "savage and the semi-civilized" world of non-Christians, especially the customs of non-Europeans. Crane concludes that balls have a bad effect on health and are a waste of time.
Author:
Publisher:
ISBN:
Category : Apologetics
Languages : en
Pages : 748
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Book Description
Author: Katharina Anna Ivanyi
Publisher: BRILL
ISBN: 9004431845
Category : History
Languages : en
Pages : 278
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Book Description
In Virtue, Piety and the Law Katharina Ivanyi examines Birgivī Meḥmed Efendī’s (d. 981/1573) al-Ṭarīqa al-muḥammadiyya, a major work of pietist exhortation and advice, composed by the sixteenth-century Ottoman jurist, Ḥadīth scholar and grammarian, who would articulate a style of religiosity that had considerable reformist appeal into modern times. Linking the cultivation of individual virtue to questions of wider political, social and economic concern, Birgivī played a significant role in the negotiation and articulation of early modern Ottoman Ḥanafī piety. Birgivī’s deep mistrust of the passions of the human soul led him to prescribe a regime of self-surveillance and control that was only matched in rigor by his likewise exacting interpretation of the law in matters of everyday life, as much as in state practices, such as the cash waqf, Ottoman land tenure and taxation.
Author: Karin van Nieuwkerk
Publisher: University of Texas Press
ISBN: 0292745869
Category : Performing Arts
Languages : en
Pages : 333
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Book Description
In the 1980s, Egypt witnessed a growing revival of religiosity among large sectors of the population, including artists. Many pious stars retired from art, “repented” from “sinful” activities, and dedicated themselves to worship, preaching, and charity. Their public conversions were influential in spreading piety to the Egyptian upper class during the 1990s, which in turn enabled the development of pious markets for leisure and art, thus facilitating the return of artists as veiled actresses or religiously committed performers. Revisiting the story she began in “A Trade like Any Other”: Female Singers and Dancers in Egypt, Karin van Nieuwkerk draws on extensive fieldwork among performers to offer a unique history of the religious revival in Egypt through the lens of the performing arts. She highlights the narratives of celebrities who retired in the 1980s and early 1990s, including their spiritual journeys and their influence on the “pietization” of their fans, among whom are the wealthy, relatively secular, strata of Egyptian society. Van Nieuwkerk then turns to the emergence of a polemic public sphere in which secularists and Islamists debated Islam, art, and gender in the 1990s. Finally, she analyzes the Islamist project of “art with a mission” and the development of Islamic aesthetics, questioning whether the outcome has been to Islamize popular art or rather to popularize Islam. The result is an intimate thirty-year history of two spheres that have tremendous importance for Egypt—art production and piety.
Author: William W. Gardner
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
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Book Description
Author: William T. Dwight
Publisher: BoD – Books on Demand
ISBN: 3375121482
Category : Fiction
Languages : en
Pages : 750
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Book Description
Reprint of the original, first published in 1859.
Author: Klaus Mann
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 200
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Book Description
Klaus Mann, the gifted son of Thomas Mann, published this first novel in 1925, when he was 18. Set mainly in Berlin during the brilliant and tragic years of the short-lived Weimar Republic, it is very much a young man's workromantic, posturing, wide-eyed. The esthete Andreas Magnus aspires to be a painter but instead leaves the cocoon of home to explore the depths of the Berlin demimondethe scarlet world of the cabarets and boulevards, back alleys and rooming houses, of strong drink, cocaine and rampant sex, transvestites, homosexuals and lesbians. His is the ``lost generation,'' too young to have fought in the Great War of 1914-18, wandering amidst the moral debris. A gay friend kills himself outside his door; more a witness than a participant, he, himself, is enamored of a young man who fathers a child upon his one female friend and slips away to Paris. Following his traces, Andreas observes in the bohemian quarter the lurid carnival and bacchanalian revels of the Artists' Ball. Not in Berlin, not in Paris, nor anywhere else will he find the God he seeks, the love he longs for, the Meaning of Life that eludes him.
