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Author: Anthony Shay
Publisher: Mazda Publishers
ISBN:
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
In spite of the negative reactions solo improvised dance can evoke, nonetheless it is also loved and performed throughout the Iranian world, emphasizing the ambiguity that accompanies its performances in various social contexts."--Jacket.
Author: Ida Meftahi
Publisher: Routledge
ISBN: 1317620615
Category : History
Languages : en
Pages : 276
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Book Description
Gender and Dance in Modern Iran: Biopolitics on Stage investigates the ways dancing bodies have been providing evidence for competing representations of modernity, urbanism, and religiosity across the twentieth century. Focusing on the transformation of the staged dancing body, its space of performance, and spectatorial cultural ideology, this book traces the dancing body in multiple milieus of performance, including the Pahlavi era’s national artistic scene and the popular café and cabaret stages, as well as the commercial cinematic screen and the post-revolutionary Islamized theatrical stage. It links the socio-political discourses on performance with the staged public dancer, in order to interrogate the formation of dominant categories of "modern," "high," and "artistic," and the subsequent "othering" of cultural realms that were discursively peripheralized from the "national" stage. Through the study of archival and ethnographic research as well as a diverse literature pertaining to music, theater, cinema, and popular culture, it combines a close reading of primary sources such as official documents, press materials, and program notes with visual analysis of filmic materials and imageries, as well as interviews with practitioners. It offers an original and informed exploration into the ways performing bodies and their public have been associated with binary notions of vice and virtue, morality and immorality, commitment and degeneration, chastity and eroticism, and veiled-ness and nakedness. Engaging with a range of methodological and historiographical methods, including postcolonial, performance, and feminist studies, this book is a valuable resource for students and scholars of Middle East history and Iranian studies, as well as gender studies and dance and performance studies.
Author: Saloumeh Gholami
Publisher: Dr Ludwig Reichert
ISBN: 9783954901968
Category : Ballet
Languages : en
Pages : 0
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Book Description
"This volume is an extraordinary history of dance, full of mystery and humor. The various developments in the history of this art in Iran have never before been presented in a single book, making -Dance in Iran: Past and Present- the most comprehensive work on the subject to date. The book examines the major branches of Iranian regional, ethnic, and national dances as well as Iranian ballet and describes their history to the present."--Page [4] of cover.
Author: Anthony Shay
Publisher: Mazda Publishers
ISBN:
Category : Performing Arts
Languages : en
Pages : 256
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Book Description
In spite of the negative reactions solo improvised dance can evoke, nonetheless it is also loved and performed throughout the Iranian world, emphasizing the ambiguity that accompanies its performances in various social contexts."--Jacket.
Author: Anthony Shay
Publisher: Mazda Publishers
ISBN:
Category : Performing Arts
Languages : en
Pages : 256
Get Book Here
Book Description
In spite of the negative reactions solo improvised dance can evoke, nonetheless it is also loved and performed throughout the Iranian world, emphasizing the ambiguity that accompanies its performances in various social contexts."--Jacket.
Author: Nesta Ramazani
Publisher: Syracuse University Press
ISBN: 9780815607274
Category : Biography & Autobiography
Languages : en
Pages : 338
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Book Description
This is an extraordinary autobiography of a young girl growing up in Iran. The daughter of an English Christian mother and an Iranian Zoroastrian father, Nesta Ramazani sketches her personal life story against the backdrop of a society marked by the fusion of Iranian, Islamic, and Western cultures, and by the efforts of an authoritarian state to force modernization on a traditional society. Within this multicultural tapestry of personal, cultural, and national life, the author portrays how she came to love Persian and Western music, poetry, and dance. But translating this love into practice seemed an insurmountable task until an American woman pioneered the establishment of the first indigenous Iranian ballet company. As a member of this troupe, the author violated convention, performing first in her native land and then traveling abroad to exhibit this beautiful synthesis of Persian/Western forms to foreign audiences. The significance of this work transcends an autobiography penned by an Iranian woman—still a taboo in traditional Iranian society—it is a unique microcosm of today’s universal quest for a dialogue among civilizations. Ramazani’s story will appeal not only to students of Iran, the Middle East, and women’s studies, but also to general readers.
Author: Ida Meftahi
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Ida Meftahi
Publisher: Routledge
ISBN: 1317620623
Category : History
Languages : en
Pages : 201
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Book Description
Gender and Dance in Modern Iran: Biopolitics on Stage investigates the ways dancing bodies have been providing evidence for competing representations of modernity, urbanism, and religiosity across the twentieth century. Focusing on the transformation of the staged dancing body, its space of performance, and spectatorial cultural ideology, this book traces the dancing body in multiple milieus of performance, including the Pahlavi era’s national artistic scene and the popular café and cabaret stages, as well as the commercial cinematic screen and the post-revolutionary Islamized theatrical stage. It links the socio-political discourses on performance with the staged public dancer, in order to interrogate the formation of dominant categories of "modern," "high," and "artistic," and the subsequent "othering" of cultural realms that were discursively peripheralized from the "national" stage. Through the study of archival and ethnographic research as well as a diverse literature pertaining to music, theater, cinema, and popular culture, it combines a close reading of primary sources such as official documents, press materials, and program notes with visual analysis of filmic materials and imageries, as well as interviews with practitioners. It offers an original and informed exploration into the ways performing bodies and their public have been associated with binary notions of vice and virtue, morality and immorality, commitment and degeneration, chastity and eroticism, and veiled-ness and nakedness. Engaging with a range of methodological and historiographical methods, including postcolonial, performance, and feminist studies, this book is a valuable resource for students and scholars of Middle East history and Iranian studies, as well as gender studies and dance and performance studies.
Author: Elaheh Hatami
Publisher: transcript Verlag
ISBN: 3839460808
Category : Performing Arts
Languages : en
Pages : 203
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Book Description
This book is a critical study of Iranian dance and the works of Iranian-American female dancers in exile. Focusing on the study of contemporary Iranian dance through analysis of the choreographies of three female dancers in diaspora (namely Aisan Hoss, Shahrzad Khorsandi, and Banafsheh Sayyad), this research is among the first of its kind. Elaheh Hatami investigates the transformation of professional Iranian dance and discusses the role of relocation and displacement in its performance. She argues that Iranian dance and Iranian female dancers have always been in exile - not only in a physical sense, but also in the metaphorical sense of ›exile‹ implying foreignness, exclusion, and marginalization.
Author: Anthony Shay
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 1084
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Book Description
Author: Haideh Ahmadzadeh
Publisher:
ISBN: 9781716892448
Category : Ballet dancers
Languages : en
Pages : 326
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Book Description
Born in Tehran in 1930 into a mixed family of a Tartar mother and an Azerbayjani father, Haideh Ahmadzadeh started dancing at the age of seven in a country that was struggling to keep up with modern times. Dancing for girls was not an accepted or desirable occupation. Her love of dance made her overcome many obstacles and with the approval and backing of her mother and later her husband Nejad, she got to the top of her profession. With a great deal of hard work, discipline and drive, Haideh and Nejad founded a Ballet Academy, Iranian National Ballet Company and Iranian Folk Dance, Music and Song Group. They performed regularly for State guests at home and abroad, their travels wrought with a great deal of incident and adventure. When the Islamic Revolution put a stop to all artistic activities in Iran, Haideh and Nejad had to leave a lifetime's work behind and seek new adventures in the West.
