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Author: Rebecca Harris-Warrick
Publisher: Cambridge University Press
ISBN: 1107137896
Category : Music
Languages : en
Pages : 505
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Book Description
Examines the evolving practices in music, librettos, choreographed dance, and staging throughout the history of French Baroque opera.
Author: Rebecca Harris-Warrick
Publisher: Cambridge University Press
ISBN: 1107137896
Category : Music
Languages : en
Pages : 505
Get Book Here
Book Description
Examines the evolving practices in music, librettos, choreographed dance, and staging throughout the history of French Baroque opera.
Author: Rebecca Harris-Warrick
Publisher:
ISBN: 9781316778036
Category : Dance in opera
Languages : en
Pages : 506
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Book Description
Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. This book exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement is essential to understanding the work. The book considers the operas of Lully and the 46-year period between the death of Lully and the arrival of Rameau, when influences from the commedia dell'arte and other theatres began to inflect French operatic practices. It explores the intersections of musical, textual, choreographic and staging practices at a complex institution - the Academie Royale de Musique - which upheld as a fundamental aesthetic principle the integration of dance into opera.
Author: Rebecca Harris-Warrick
Publisher: Cambridge University Press
ISBN: 1316776719
Category : Music
Languages : en
Pages : 505
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Book Description
Since its inception, French opera has embraced dance, yet all too often operatic dancing is treated as mere decoration. Dance and Drama in French Baroque Opera exposes the multiple and meaningful roles that dance has played, starting from Jean-Baptiste Lully's first opera in 1672. It counters prevailing notions in operatic historiography that dance was parenthetical and presents compelling evidence that the divertissement - present in every act of every opera - is essential to understanding the work. The book considers the operas of Lully - his lighter works as well as his tragedies - and the 46-year period between the death of Lully and the arrival of Rameau, when influences from the commedia dell'arte and other theatres began to inflect French operatic practices. It explores the intersections of musical, textual, choreographic and staging practices at a complex institution - the Académie Royale de Musique - which upheld as a fundamental aesthetic principle the integration of dance into opera.
Author: Bruce Haynes
Publisher: Oxford University Press
ISBN: 0195189876
Category : Music
Languages : en
Pages : 305
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Book Description
Publisher description
Author: John S. Powell
Publisher: Clarendon Press
ISBN: 9780198165996
Category : History
Languages : en
Pages : 622
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Book Description
During the course of the 17th century, the dramatic arts reached a pinnacle of development in France; but despite the volumes devoted to the literature and theatre of the ancien régime, historians have largely neglected the importance of music and dance. This study defines the musical practices of comedy, tragicomedy, tragedy, and mythological and non-mythological pastoral drama, from the arrival of the first repertory companies in Paris until the establishment of the Comédie-Française.
Author: David Charlton
Publisher: Cambridge University Press
ISBN: 9781009011754
Category : Music
Languages : en
Pages : 0
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Book Description
This is the first book for a century to explore the development of French opera with spoken dialogue from its beginnings. Musical comedy in this form came in different styles and formed a distinct genre of opera, whose history has been obscured by neglect. Its songs were performed in private homes, where operas themselves were also given. The subject-matter was far wider in scope than is normally thought, with news stories and political themes finding their way onto the popular stage. In this book, David Charlton describes the comedic and musical nature of eighteenth-century popular French opera, considering topics such as Gherardi's theatre, Fair Theatre and the 'musico-dramatic art' created in the mid-eighteenth century. Performance practices, singers, audience experiences and theatre staging are included, as well as a pioneering account of the formation of a core of 'canonical' popular works.
Author: Buford Norman
Publisher: Summa Publications, Inc.
ISBN: 9781883479350
Category : Drama
Languages : en
Pages : 428
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Book Description
After situating the libretti in the context of French classicism, the author first discusses the prologues to the Quinault-Lully operas, then devotes a chapter to each of the libretti in which he examines such traditional literary elements as performance history, plot, characterization, and style, as well as issues more specifically related to musical theater. The concluding chapter summarizes what opera can tell us about French classicism and explores in depth some of the key theoretical issues such as representation, imitation, and recognition.
Author: Emily Kilpatrick
Publisher: Cambridge University Press
ISBN: 1316395707
Category : Music
Languages : en
Pages : 287
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Book Description
Maurice Ravel's operas L'Heure espagnole (1907/1911) and L'Enfant et les sortilèges (1919–25) are pivotal works in the composer's relatively small œuvre. Emerging from periods shaped by very distinct musical concerns and historical circumstances, these two vastly different works nevertheless share qualities that reveal the heart of Ravel's compositional aesthetic. In this comprehensive study, Emily Kilpatrick unites musical, literary, biographical and cultural perspectives to shed new light on Ravel's operas. In documenting the operas' history, setting them within the cultural canvas of their creation and pursuing diverse strands of analytical and thematic exploration, Kilpatrick reveals crucial aspects of the composer's working life: his approach to creative collaboration, his responsiveness to cultural, aesthetic and musical debate, and the centrality of language and literature in his compositional practice. The first study of its kind, this book is an invaluable resource for students, specialists, opera-goers and devotees of French music.
Author: Rebecca Harris-Warrick
Publisher: Cambridge University Press
ISBN: 9780521020220
Category : Biography & Autobiography
Languages : en
Pages : 364
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Book Description
Le Mariage de la Grosse Cathos, a short ballet performed at the court of Louis XIV, is of major importance to the study of French Baroque dance. This facsimile reproduction of the entire manuscript is accompanied by a comprehensive study of the work itself and the context in which it was created and performed. Dated 1688, it provides a wealth of new and detailed information on numerous aspects of theatrical dance. It differs from the known choreographic sources in many respects, the two most important being the completeness of all its components--choreography, music, and text--and the use of a previously unknown dance notation system.
Author: Ralph P. Locke
Publisher: Cambridge University Press
ISBN: 1316298205
Category : Music
Languages : en
Pages : 473
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Book Description
During the years 1500–1800, European performing arts reveled in a kaleidoscope of Otherness: Middle-Eastern harem women, fortune-telling Spanish 'Gypsies', Incan priests, Barbary pirates, moresca dancers, and more. In this prequel to his 2009 book Musical Exoticism, Ralph P. Locke explores how exotic locales and their inhabitants were characterized in musical genres ranging from instrumental pieces and popular songs to oratorios, ballets, and operas. Locke's study offers new insights into much-loved masterworks by composers such as Cavalli, Lully, Purcell, Rameau, Handel, Vivaldi, Gluck, and Mozart. In these works, evocations of ethnic and cultural Otherness often mingle attraction with envy or fear, and some pieces were understood at the time as commenting on conditions in Europe itself. Locke's accessible study, which includes numerous musical examples and rare illustrations, will be of interest to anyone who is intrigued by the relationship between music and cultural history, and by the challenges of cross-cultural (mis)understanding.
