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Author: Damien Hirst
Publisher: Steidl
ISBN: 9783869309910
Category :
Languages : en
Pages : 3892
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Book Description
In 2005 Damien Hirst began photographing every dispensing pharmacy in the Greater London area. Shooting both the individual pharmacists behind their counters and the exterior views of the city's 1,832 chemists, the project has taken over a decade to complete. The images are brought together in their entirety in this extraordinary ten-volume artist's book, which presents a portrait of the city through the people and places that prescribe the medicines we take on a habitual and daily basis. Hirst's career-long obsession with the minimalist aesthetics employed by pharmaceutical companies--the cool colors and simple geometric forms--fi rst manifested in his series of Medicine Cabinets, conceived in 1988 while still at Goldsmiths College. For his 1992 installation Pharmacy Hirst recreated an entire chemist within the gallery space, stating: "I've always seen medicine cabinets as bodies, but also like a cityscape or civilization, with some sort of hierarchy within it. [ Pharmacy ] is also like a contemporary museum. In a hundred years it will look like an old apothecary." Pharmacy London similarly embodies the artist's realization of an "idea of a moment in time." The publica- tion also, however, reads as a distilled expression of Hirst's continuing belief in the near-religious role medicine plays in our society.
Author: Damien Hirst
Publisher: Steidl
ISBN: 9783869309910
Category :
Languages : en
Pages : 3892
Get Book Here
Book Description
In 2005 Damien Hirst began photographing every dispensing pharmacy in the Greater London area. Shooting both the individual pharmacists behind their counters and the exterior views of the city's 1,832 chemists, the project has taken over a decade to complete. The images are brought together in their entirety in this extraordinary ten-volume artist's book, which presents a portrait of the city through the people and places that prescribe the medicines we take on a habitual and daily basis. Hirst's career-long obsession with the minimalist aesthetics employed by pharmaceutical companies--the cool colors and simple geometric forms--fi rst manifested in his series of Medicine Cabinets, conceived in 1988 while still at Goldsmiths College. For his 1992 installation Pharmacy Hirst recreated an entire chemist within the gallery space, stating: "I've always seen medicine cabinets as bodies, but also like a cityscape or civilization, with some sort of hierarchy within it. [ Pharmacy ] is also like a contemporary museum. In a hundred years it will look like an old apothecary." Pharmacy London similarly embodies the artist's realization of an "idea of a moment in time." The publica- tion also, however, reads as a distilled expression of Hirst's continuing belief in the near-religious role medicine plays in our society.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 232
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Book Description
Author: Sotheby's (Firm)
Publisher:
ISBN:
Category : Art auctions
Languages : en
Pages : 232
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Book Description
Author: Damien Hirst
Publisher: Other Criteria
ISBN: 9781906967376
Category : Art
Languages : en
Pages : 0
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Book Description
Published on the occasion of Damien Hirst’s exhibition at L&M Arts, New York, in October 2010, this first--and complete--book on the artist's medicine cabinets is contextualized by the artist’s following of the punk movement. The first twelve sculptures in the book are named after the title tracks on the Sex Pistols’ Never Mind the Bollocks album. The front-page newspaper spreads punctuating the book from the album’s release year (1977) and the year of the cabinets’ completion (1989) provide a context for reading James Frey’s story-poem, Fuck This and Fuck That, which describes the listless protest of a teenage waster. The song titles and cabinet names - No Feelings, Liar, and Seventeen - resound with the frustrations of Thatcherite Britain and the violence borne out in daily uprest and anarchy, as depicted in the news: IRA MEN HELD IN BIG SWOOP; RIOT SHIELDS OUT AGAIN and DOCKS JOBS-FOR-LIFE TO BE AXED BY AUTUMN. Hirst’s medicine cabinets have long been described as temples of medicinal hierarchies providing nothing more than a short-term cure in the face of death. Viewing the pervasive successes and exploitations of the pharmaceutical industry as a belief system in itself is evidence of our society's dependency and a form of escapism. Hirst has commented: "I’ve always seen medicine cabinets as bodies, but also like a cityscape or civilization, with some sort of hierarchy within it. It’s also like a contemporary museum of the Middle Ages. In a hundred years’ time this will look like an old apothecary. A museum of something that’s around today." The publication features a transcription of a radio conversation between Damien Hirst and Steve Jones, guitarist for the Sex Pistols, covering music, girls, money, drugs, drinks, and smokes. The book’s index lists every medicine cabinet ever made and the exhibition itself includes original Sex Pistols memorabilia including album sleeves and t-shirts. This is the signed and lmiited edition of this book.
Author: Damien Hirst
Publisher: Tate Publishing(UK)
ISBN: 9781849760140
Category : Art and Design / eflch
Languages : en
Pages : 0
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Book Description
Published on the occasion of the exhibition Damien Hirst, Tate Modern, 4 April - 9 September 2012.
Author:
Publisher: Fondation Cartier Pour l'Art Contemporain, Paris
ISBN: 9782869251595
Category :
Languages : en
Pages : 330
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Book Description
Incandescent and celebratory paintings of cherry blossoms from Damien Hirst, in a glorious oversize volume With 107 new works, Cherry Blossoms marks a new chapter in Damien Hirst's career-long exploration of the physical relationship between artist and canvas that began with his Spot Paintings in 1986. Hirst describes his cherry blossoms as garish and messy and fragile"; the series signals a shift in Hirst's career away from minimalism and "the imagined mechanical painter" toward a painting that delights in the potential haphazardness of the medium, as well as the artist's own fallibility as a creator. Rich in color and striking in number, Hirst's Cherry Blossoms are both an appropriation and a tribute to the pictorial art of the 19th and 20th centuries. Damien Hirst (born 1965) rose to prominence in the 1990s as one of the Young British Artists, garnering attention for his controversial site-specific pieces. A 1989 graduate of Goldsmiths College, Hirst was awarded the Turner Prize in 1995. Now one of the contemporary art world's most famous figures, Hirst continues to surprise audiences with a staggering diversity of work, ranging from sculpture and painting to installation and performance art. In 2012, a retrospective of his nearly 30-year career was staged at Tate Modern. Hirst is represented by Gagosian.
Author:
Publisher:
ISBN:
Category : Medicine and art
Languages : en
Pages : 0
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Book Description
Author: Deborah Wye
Publisher: The Museum of Modern Art
ISBN: 9780870701252
Category : Architecture
Languages : en
Pages : 296
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Book Description
Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.
Author: Jason Beard
Publisher: Other Criteria
ISBN: 9781904212140
Category : Art
Languages : en
Pages : 0
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Book Description
This catalogue illustrates the complete paintings featured in Damien Hirst’s recent New York exhibition ‘The Elusive Truth’. Extended captions written by the artist accompany many of the paintings. Damien Hirst’s art takes on numerous forms. He tackles the big subjects of love, desire, life and death, and creates unavoidable sculptures and paintings that contain irony, wit and wisdom while questioning art’s role in contemporary culture. ‘The Elusive Truth’, Hirst’s recent exhibition of paintings, signals an exciting new direction in his work.
Author: Damien Hirst
Publisher:
ISBN: 9781873968444
Category : Art, British
Languages : en
Pages : 334
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Book Description
A provocative collection of Damien Hirst's ideas and obsessions, created in collaboration with designer Jonathan Barnbrook. Pieces of his artwork are set against a visual narrative of drawings, words, photography, typography, pop-ups and other special effects. An essay by novelist Gordon Burn looks at Hirst's work and the breadth of its impact.
