Author: Keith Robinson
Publisher: Lulu.com
ISBN: 0244743304
Category : Performing Arts
Languages : en
Pages : 140
Get Book Here
Book Description
In 1872 George Carter Stent published five Chinese folk tunes with the melody and lyrics in an article called " Chinese Lyrics" . I think they are quite significant examples of a genre of Chinese folk song that is now less popular. With the help of Wang lingli 王玲利 we have translated the traditional Chinese into Simplified Chinese and provided fresh English translations. I have created new original piano accompaniments for each song. My aim is to try and make the melodies more accessible to western audiences and singers. The songs are published in Chinese with the pinyin above. In addition there is a complete version of the Chinese lyrics with tones and pinyin and an English translation to explain what each song is about. My dream is that one day I will go to a song recital and hear Chinese songs sung in Chinese, just as we listen to Schubert's lieder sung in German, or Faure songs sung in French, and it will seem completely normal.
Author: Lijun Zhang
Publisher: Indiana University Press
ISBN: 0253044138
Category : Social Science
Languages : en
Pages : 179
Get Book Here
Book Description
Chinese folklorists are well acquainted with the work of their English-language colleagues, but until recently the same could not be said about American scholars' knowledge of Chinese folkloristics. Chinese Folklore Studies Today aims to address this knowledge gap by illustrating the dynamics of contemporary folklore studies in China as seen through the eyes of the up-and-coming generation of scholars. Contributors to this volume focuses on topics that have long been the dominant areas of folklore studies in China, including myth, folk song, and cultural heritage, as well as topics that are new to the field, such as urban folklore and women's folklore. The ethnographic case studies presented here represent a broad range of geographic areas within mainland China and also introduce English-language readers to relevant Chinese literature on each topic, creating the foundation for further cross-cultural collaborations between English-language and Chinese folkloristics.
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1036
Get Book Here
Book Description
Author: Tobias Janz
Publisher: transcript Verlag
ISBN: 383944649X
Category : Music
Languages : en
Pages : 375
Get Book Here
Book Description
This collection investigates the concept of modernity in music and its multiple interpretations in Europe and East Asia. Through contributions by both European and East Asian musicologists it discusses how a decentered understanding of musical modernity could be matched on multiple historiographical perspectives while being attentive to the specificities of local music and their narratives in East Asia and Europe. The essays connect local, global and transnational history with sociological theories of modernity and modernization, making the volume an important contribution to overcoming the Eurocentric dichotomy between western music and world music within the field of historical musicology.
Author: George Grove
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 1028
Get Book Here
Book Description
Author: Levi S. Gibbs
Publisher: University of Hawaii Press
ISBN: 0824876024
Category : Music
Languages : en
Pages : 290
Get Book Here
Book Description
When itinerant singers from China’s countryside become iconic artists, worlds collide. The lives and performances of these representative singers become sites for conversations between the rural and urban, local and national, folk and elite, and traditional and modern. In Song King: Connecting People, Places, and Past in Contemporary China, Levi S. Gibbs examines the life and performances of “Folksong King of Western China” Wang Xiangrong (b. 1952) and explores how itinerant performers come to serve as representative symbols straddling different groups, connecting diverse audiences, and shifting between amorphous, place-based local, regional, and national identities. Moving from place to place, these border walkers embody connections between a range of localities, presenting audiences with traditional, modern, rural, and urban identities among which to continually reposition themselves in an evolving world. Born in a small mountain village near the intersection of the Great Wall and the Yellow River in a border region with a rich history of migration, Wang Xiangrong was exposed to a wide range of songs as a child. The songs of Wang’s youth prepared him to create a repertoire of region-representing pieces and mediate between regions, nations, and multinational corporations in national and international performances. During the course of a career that included meeting Deng Xiaoping in 1980 and running with the Olympic torch in 2008, Wang’s life, songs, and performances have come to highlight various facets of social identity in contemporary China. Drawing on extensive fieldwork with Wang and other professional folksingers from northern Shaanxi province at weddings, Chinese New Year galas, business openings, and Christmas concerts, Song King argues that songs act as public conversations people can join in on. As song kings and queens fuse personal and collective narratives in performances of iconic songs, they provide audiences with compelling models for socializing personal experience, negotiating a sense of self and group in an ever-changing world.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
Get Book Here
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Author: Zhihe Wang
Publisher: Walter de Gruyter
ISBN: 3110328445
Category : Philosophy
Languages : en
Pages : 235
Get Book Here
Book Description
This book offers a uniquely process relational oriented Chinese approach to inter-religious dialogue called Chinese Harmonism. The key features of Chinese harmonism are peaceful co-existence, mutual transformation, and openness to change. As developed with help from Whiteheadian process thought, Chinese harmonism provides a middle way between particularism and universalism, showing how diversity can exist within unity. Chinese harmonism is open to similarities among religions, but it also emphasizes that differences among religions can be complementary rather than contradictory. Thus Chinese harmonism implies an attitude of respect for others and a willingness to learn from others, without reducing the other to one’s own identity: that is, to sameness. By emphasizing the possibility of complementariness, a process oriented Chinese harmonism avoids a dichotomy between universalism and particularism represented respectively by John Hick and S. Mark Heim, and will make room for a genuine openness and do justice to the culturally and religiously “other.”
Author: Florence Wheelock Ayscough
Publisher:
ISBN:
Category : China
Languages : en
Pages : 358
Get Book Here
Book Description
Author: Christopher Payk
Publisher: University of Notre Dame Pess
ISBN: 0268208271
Category : Biography & Autobiography
Languages : en
Pages : 319
Get Book Here
Book Description
The first full-length critical biography and theological analysis of Wang Mingdao, the spiritual father of China’s House Church Movement. One of the most influential figures in Chinese Christianity, church leader and evangelist Wang Mingdao rejected state control of religion in favor of the religious freedom of the unregistered House Churches—a choice that made him a frequent target of government persecution. In this thorough new biography, scholar Christopher Payk traces Wang’s life and Christian development through the sociopolitical tumult of twentieth-century China. Drawing on unpublished sermons, journals, and additional sources in English and Chinese, Payk argues persuasively that Wang’s theology—while largely based on Christian scripture—was shaped by Confucian tradition, reason, and personal experience. Following Christ and Confucius brings new clarity to Wang’s uncompromising faith and lasting impact.
