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Author: Janet E. Buerger
Publisher: University of Chicago Press
ISBN: 9780226079851
Category : Art
Languages : en
Pages : 304
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Book Description
Upon its introduction in 1839, the daguerreotype was hailed as a magical reflection of reality. Today, these early examples of the first practical photographic process offer fascinating windows into the past. The daguerreotypes collected here not only document the birth of photography and its aesthetic and historical legacy but also provide insight into French art and culture. Lavishly illustrated, this volume is the first complete catalog of the French daguerreotype collection of the International Museum of Photography at George Eastman House. Janet E. Buerger uses this remarkable collection of images to produce a cultural history of the daguerreotype's most learned following—an elite group of mid-nineteenth-century intellectuals who sought to understand and develop the usefulness, potential, and beauty of this camera image. This varied group, including entrepreneurs, painters, scientists, and historians, enables Buerger to trace the influence of photography into virtually every area of nineteenth-century European intellectual life.
Author: Janet E. Buerger
Publisher: University of Chicago Press
ISBN: 9780226079851
Category : Art
Languages : en
Pages : 304
Get Book Here
Book Description
Upon its introduction in 1839, the daguerreotype was hailed as a magical reflection of reality. Today, these early examples of the first practical photographic process offer fascinating windows into the past. The daguerreotypes collected here not only document the birth of photography and its aesthetic and historical legacy but also provide insight into French art and culture. Lavishly illustrated, this volume is the first complete catalog of the French daguerreotype collection of the International Museum of Photography at George Eastman House. Janet E. Buerger uses this remarkable collection of images to produce a cultural history of the daguerreotype's most learned following—an elite group of mid-nineteenth-century intellectuals who sought to understand and develop the usefulness, potential, and beauty of this camera image. This varied group, including entrepreneurs, painters, scientists, and historians, enables Buerger to trace the influence of photography into virtually every area of nineteenth-century European intellectual life.
Author: Ilisa Barbash
Publisher: Aperture
ISBN: 9781597114783
Category : History
Languages : en
Pages : 0
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Book Description
To Make Their Own Way in the World is a profound consideration of some of the most challenging images in the early history of photography. The fifteen daguerreotypes--made in 1850 by photographer Joseph T. Zealy--portray Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty, men and women of African descent who were enslaved in South Carolina. Since 1976, when the daguerreotypes were rediscovered at Harvard University's Peabody Museum, the photographs have been the subject of intense and widespread study. To Make Their Own Way in the World features essays by prominent scholars who explore everything from the photographs' historical context and the "science" of race to the ways in which photography created a visual narrative of slavery and its effects. Multidisciplinary, deeply collaborative, and with more than two hundred illustrations, including new photography by contemporary artist Carrie Mae Weems, this book frames the Zealy daguerreotypes as works of urgent contemporary inquiry. Copublished by Aperture and Peabody Museum Press
Author: Isak Dinesen
Publisher: University of Chicago Press
ISBN: 9780226153063
Category : Fiction
Languages : en
Pages : 260
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Book Description
"Isak Dinesen . . . had an original approach to life that permeated all her work. She loved storytelling, with the result that most of her essays are quasi-narratives, which proceed not from major to minor premise but from one anecdote to another as the way of making concrete whatever idea she is considering. Her work is a delight and at times a marvel."—The New Yorker "Through these daguerreotypes we begin to understand other periods, the renunciations of World War I, the purpose of houses and mansions, of ritual ceremonials, such as tatooing. We are given a fresh and vivid view of the women's movement . . . which urges that what our 'small society' needs beyond human beings who have demonstrated what they can do, is people who are. 'Indeed, our own time,' she wrote in 1953, 'can be said to need a revision from doing to being.' She demonstrated it in her own work and craft, with courage and with dignity. This collection is as real as a gallery of old daguerreotypes, moving and unfaded. The work, as Hannah Arendt says, of a wise woman."—Robert Kirsch, Los Angeles Times "These essays . . . have the flavor of good conversation: humorous, easy, personal but not oppressive, the distillation of reading, thought, and experience. Their subjects are of surprisingly current interest. We need make no concessions to the past, need not set our watches back to 'historical.' Isak Dinesen was not a faddish thinker. . . . 'In history it is always the human element that has a chance for eternal life,' Dinesen remarks, and she gives these essays their chance."—Penelope Mesic, Chicago
Author: M. Susan Barger
Publisher: JHU Press
ISBN: 9780801864582
Category : History
Languages : en
Pages : 276
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Book Description
Our scientific work gave us the opportunity to take a new look and interpretation of the scientific and technological literature on the daguerreotype and to reevaluate its technical history.--from the Preface to the 1999 edition
Author: Bates Lowry
Publisher: Getty Publications
ISBN: 0892365366
Category : Art
Languages : en
Pages : 258
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Book Description
By the middle of the nineteenth century, the most common method of photography was the daguerreotype—Louis Jacques Mandé Daguerre’s miraculous invention that captured in a camera visual images on a highly polished silver surface through exposure to light. In this book are presented nearly eighty masterpieces—many never previously published—from the J. Paul Getty Museum’s extensive daguerreotype collection.
Author: Stephen C. Pinson
Publisher: Metropolitan Museum of Art
ISBN: 1588396630
Category : Photography
Languages : en
Pages : 256
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Book Description
In 1842, the pioneering French photographer Joseph-Philibert Girault de Prangey (1804–1892) set out eastward across the Mediterranean, daguerreotype equipment in tow. He spent the next three years documenting lands that were then largely unknown to the West, including Greece, Egypt, Turkey, Syria, and Lebanon, in some of the earliest surviving photographic images of these places. Monumental Journey, the first monograph in English on this brilliant yet enigmatic artist, explores the hundreds of daguerreotypes Girault made during his unprecedented trip, offering a rare, early look at sites and cities that have since been altered—sometimes irrevocably—by urban, environmental, and political change. Beautiful full-scale reproductions of Girault’s photographs, many published here for the first time, and incisive essays shed new light on the arc of his career and his groundbreaking contributions to the burgeoning fields of photography, archaeology, and architectural history. Monumental Journey presents an artist of astonishing innovation whose work occupies a singular space at the border of history and modernity, tradition and invention, endurance and evanescence. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author: Jerry Spagnoli
Publisher:
ISBN: 9783865212009
Category : Daguerreotype
Languages : en
Pages : 0
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Book Description
Jerry Spagnoli is one of the world's foremost daguerreotypists and this book brings together the last decade of his work, including selections from his Western Landscape and Anatomical Studies series and a comprehensive presentation of his documentary series The Last Great Daguerreian Survey of the Twentieth Century. Adopting a narrative form which unifies what at first appears to be disparate subjects, the viewer is led on a journey through a world distilled through the idiosyncratic perspective of the daguerreotype, a world which is both familiar and uncanny. Daguerreotypes have long been noted for their accuracy and veracity. In the hands of Spagnoli the technical limitations of the medium, the long exposures, odd tonalities, shallow focus and the necessity of large cumbersome cameras, are exploited to produce images which are at once completely objective yet intensely personal.
Author: Beaumont Newhall
Publisher: Courier Corporation
ISBN: 9780486233222
Category : Photography
Languages : en
Pages : 276
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Book Description
Wonderful portraits, 1850s towns, landscapes; full text plus 104 photos. Enlarged edition.
Author: Todd Gustavson
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 376
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Book Description
"Few inventions have had as powerful an influence as the camera, and few modes of expression have enjoyed the enduring artistic, scientific, and popular appeal of photography. We are so focused on the products of the camera, the indelible images marking our lives and times, that it's easy to forget the instrument itself has a history. Now that history has been comprehensively traced for photography buffs and amateurs alike by Todd Gustavson, Curator of Technology at George Eastman House. In this ... volume, hundreds of new and archival images from George Eastman House bring the story to life and provide an unmatched reference source. Vast in its scope, this ... book is an in-depth visual and narrative look at the camera, and consequently photography itself"--Jacket.
Author: Sarah Kate Gillespie
Publisher: MIT Press
ISBN: 0262034107
Category : Photography
Languages : en
Pages : 227
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Book Description
The American daguerreotype as something completely new: a mechanical invention that produced an image, a hybrid of fine art and science and technology. The daguerreotype, invented in France, came to America in 1839. By 1851, this early photographic method had been improved by American daguerreotypists to such a degree that it was often referred to as “the American process.” The daguerreotype—now perhaps mostly associated with stiffly posed portraits of serious-visaged nineteenth-century personages—was an extremely detailed photographic image, produced though a complicated process involving a copper plate, light-sensitive chemicals, and mercury fumes. It was, as Sarah Kate Gillespie shows in this generously illustrated history, something wholly and remarkably new: a product of science and innovative technology that resulted in a visual object. It was a hybrid, with roots in both fine art and science, and it interacted in reciprocally formative ways with fine art, science, and technology. Gillespie maps the evolution of the daguerreotype, as medium and as profession, from its introduction to the ascendancy of the “American process,” tracing its relationship to other fields and the professionalization of those fields. She does so by recounting the activities of a series of American daguerreotypists, including fine artists, scientists, and mechanical tinkerers. She describes, for example, experiments undertaken by Samuel F. B. Morse as he made the transition from artist to inventor; how artists made use of the daguerreotype, both borrowing conventions from fine art and establishing new ones for a new medium; the use of the daguerreotype in various sciences, particularly astronomy; and technological innovators who drew on their work in the mechanical arts. By the 1860s, the daguerreotype had been supplanted by newer technologies. Its rise (and fall) represents an early instance of the ever-constant stream of emerging visual technologies.
