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Author: Paschal Kyoore
Publisher: International Folkloristics
ISBN: 9781433147043
Category : Dagaaba (African people)
Languages : en
Pages : 0
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Book Description
Dagara Verbal Art examines verbal art among the Dagara people of West Africa. It provides invaluable primary material for research, and does a close analysis of folktale narration, proverb usage, riddling, chanting of dirges and popular songs by male and female praise singers, and xylophone music performance as forms of verbal art. Folktales are characterized by wit, humor, and satire, and songs within tales are a mise-en-abyme, a story within a story that entertains but also enhances the narration through the participation of the audience in the performance. Moreover, Dagara tales are didactic and moralizing as a way of controlling the behavior of individuals in society. Riddling entertains but also helps to develop the cognitive abilities of children, and demands critical and logical thinking on the part of the participating audience. Proverbs were collected in context and analyzed closely for their meaning. The study also examines closely the art of speech-making, and concludes that a good locutor knows what figures of speech to use in order to enhance communication with the audience. This study concludes that an authentic theory of Dagara--and for that matter, generally African--folklore must be grounded on a thorough knowledge of the traditions, rites and rituals, and the socio-political structures that have held the society together in its historical experience. Dagara Verbal Art is an important resource for areas such as African studies, African literature and folklore, folklore in general, anthropology, culture studies, ethnomusicology, ethnic studies, and gender studies, among others.
Author: Paschal Kyoore
Publisher: International Folkloristics
ISBN: 9781433147043
Category : Dagaaba (African people)
Languages : en
Pages : 0
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Book Description
Dagara Verbal Art examines verbal art among the Dagara people of West Africa. It provides invaluable primary material for research, and does a close analysis of folktale narration, proverb usage, riddling, chanting of dirges and popular songs by male and female praise singers, and xylophone music performance as forms of verbal art. Folktales are characterized by wit, humor, and satire, and songs within tales are a mise-en-abyme, a story within a story that entertains but also enhances the narration through the participation of the audience in the performance. Moreover, Dagara tales are didactic and moralizing as a way of controlling the behavior of individuals in society. Riddling entertains but also helps to develop the cognitive abilities of children, and demands critical and logical thinking on the part of the participating audience. Proverbs were collected in context and analyzed closely for their meaning. The study also examines closely the art of speech-making, and concludes that a good locutor knows what figures of speech to use in order to enhance communication with the audience. This study concludes that an authentic theory of Dagara--and for that matter, generally African--folklore must be grounded on a thorough knowledge of the traditions, rites and rituals, and the socio-political structures that have held the society together in its historical experience. Dagara Verbal Art is an important resource for areas such as African studies, African literature and folklore, folklore in general, anthropology, culture studies, ethnomusicology, ethnic studies, and gender studies, among others.
Author: Mark Ali
Publisher: LIT Verlag
ISBN: 3643962169
Category : Social Science
Languages : en
Pages : 258
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Book Description
Y? Gorógoró Yaa: Dagaare Folktales in Parallel Texts is a relevant book on Dagaare oral literature and complements earlier works. The most innovative feature of the book is the application of Parallel Text Theory in the organisation and translation of the folktales. This satisfies both foreign and local readers who speak and write Dagaare. The book will revive research interest among Dagaaba scholars and reveal more about the nature of Dagaaba Oral Traditions and the rich cultural and traditional values of the Dagaaba of West Africa. Y? Gorógoró Yaa: Dagaaba Sensell? P?retaa tori ne la ba Yelkããyelli nang wa paale danw?? deme puori. A gane nga y?mpaalaa kpongi la o nang de p?retaa tieori kp? ne a sensell? wuobu ane a le?roo po?. A ngaa na kyaane la nembolle ane tembiiri gangkanema zaa nang wono ky? kanna Dagaare ninge. A gane na senge la Dagaaba ganzanne karegyugiri pe?repe?reb? g?nzuuro ane enno? po? ky? maaleng yuo y?l? yaga nang be ba ban??y?l? ane ba yip?ge esonne nang be a Afereka Luou s?ng nga. Mark Ali is a Lecturer in Dagaare at the University of Education, Winneba, Ghana Adams Bodomo is a Professor of Afrcan Studies at the University of Vienna, Austria
Author: Paschal Kyiiripuo
Publisher:
ISBN: 9781952799211
Category :
Languages : en
Pages :
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Book Description
Tales were collected over a number of years in the Nandom area (Ghana) among the Dagara people who live in Ghana, Burkina Faso, and Côte d'Ivoire. They reflect the beliefs and values of the Dagara people, and how they relate to the fauna and flora of the West African region. Tales are meant to entertain, but above all they are didactic by nature and help to teach children and adults alike on what is considered acceptable behaviour in their culture. The collection includes a popular tale about a little boy called Yagangnaa. His name means "wiser than the chief", and he engages in a war of wits with a tyrannical chief and proves to be wittier than the chief. The tales also feature animal characters such as the spider, the rabbit, the tortoise, the donkey, the elephant, and the hyena, among others. Yagangnaa and the hunter are the main human characters. The stories portray character traits such as greed, intelligence, fortitude, malice, hard work, pride, and generosity. Among the Dagara people, though individual valour is acknowledged and rewarded, people are constantly reminded of how their behaviour reflects on the family and the clan, and how their community at large would be judged and perceived by outsiders. Story-telling is a didactic activity and develops children's cognitive abilities in ways that cannot be achieved through reading alone. One main feature of this collection is the prominence of the trickster figure represented among the animal characters mainly by the spider, the rabbit, and the tortoise, and among the human characters by Yagangnaa and the hunter. Because of the history of slave trade, the trickster figure is also prominent in the folklore of the descendants of Africans in the Americas who inherited the tradition from their ancestors.
Author: Paschal Baylon Kiiripuo Kyoore
Publisher:
ISBN: 9781937030025
Category : Folklore
Languages : en
Pages : 222
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Book Description
Author: Rainer Vossen
Publisher: Oxford University Press, USA
ISBN: 0199609896
Category : Foreign Language Study
Languages : en
Pages : 1104
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Book Description
Une source inconnue indique : "This book provides a comprehensive overview of current research in African languages, drawing on insights from anthropological linguistics, typology, historical and comparative linguistics, and sociolinguistics. It covers a wide range of topics, from grammatical sketches of individual languages to sociocultural and extralinguistic issues."
Author: Richard Bauman
Publisher:
ISBN:
Category : Oratory
Languages : en
Pages : 51
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Book Description
Author: Alexis Bekyane Tengan
Publisher: P.I.E-Peter Lang S.A., Editions Scientifiques Internationales
ISBN: 9789052018669
Category : Dagaaba (African people)
Languages : en
Pages : 0
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Book Description
Throughout history, oral cultures lacking the medium of writing have relied on secret cults and societies to keep the authoritative versions of their sacred compositions, originally passed on to them as myths of divine origins, alive and remembered. In this book, the author, after many years spent observing secret rites, presents different versions of the White Bagr mythical narrative, following the ritual calendar. These rites, which are found among the Dagara/Lobi societies in West Africa, form a crucial part of the year-long rites of initiation of selected neophytes into bagr society. In addition to giving a detailed ethnographic description of this society, its initiation rites and a bilingual version of their mythical narrations, the author seeks to explain how memory is constructed, retained and transmitted in orature, and what it takes to give a proper oration, without errors, slips of the tongue and deviation, as well as examining how the performance is critically received by bagr society and the Dagara people.
Author:
Publisher: BRILL
ISBN: 9004392947
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
These essays by scholars in postcolonial studies demonstrate that the humanities’ relevance lies, not in creating a “world culture” to address the world’s problems, but in critical analyses of alterity, difference, and how the Other is perceived, defined and subdued.
Author: Mark Ali
Publisher: Language Science Press
ISBN: 3961103232
Category : Foreign Language Study
Languages : en
Pages : 365
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Book Description
This book presents an extensive dictionary of the Dagaare language (Niger-Congo; Gur (Mabia)), focussing on the dialect of Central Dagaare, spoken in the Upper West region of Ghana. The dictionary provides comprehensive definitions, example sentences and the English translations, phonetic forms, inflected forms, etymological notes as well as information dialectal variation. This work is intended as a resource for linguists, but also as a resource for Dagaare speakers. Also included is a grammatical sketch of Dagaare contributed by Prof. Adams Bodomo.
Author: Fernando Orejuela
Publisher: Indiana University Press
ISBN: 025303843X
Category : Music
Languages : en
Pages : 145
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Book Description
Music has always been integral to the Black Lives Matter movement in the United States, with songs such as Kendrick Lamar’s "Alright," J. Cole’s "Be Free," D’Angelo and the Vanguard's "The Charade," The Game’s "Don’t Shoot," Janelle Monae’s "Hell You Talmbout," Usher’s "Chains," and many others serving as unofficial anthems and soundtracks for members and allies of the movement. In this collection of critical studies, contributors draw from ethnographic research and personal encounters to illustrate how scholarly research of, approaches to, and teaching about the role of music in the Black Lives Matter movement can contribute to public awareness of the social, economic, political, scientific, and other forms of injustices in our society. Each chapter in Black Lives Matter and Music focuses on a particular case study, with the goal to inspire and facilitate productive dialogues among scholars, students, and the communities we study. From nuanced snapshots of how African American musical genres have flourished in different cities and the role of these genres in local activism, to explorations of musical pedagogy on the American college campus, readers will be challenged to think of how activism and social justice work might appear in American higher education and in academic research. Black Lives Matter and Music provokes us to examine how we teach, how we conduct research, and ultimately, how we should think about the ways that black struggle, liberation, and identity have evolved in the United States and around the world.
