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Author: William Shakespeare
Publisher: London : Cornmarket
ISBN:
Category : Drama
Languages : en
Pages : 116
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Book Description
Author: William Shakespeare
Publisher: London : Cornmarket
ISBN:
Category : Drama
Languages : en
Pages : 116
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Book Description
Author: Anne Young Wilson
Publisher:
ISBN:
Category :
Languages : en
Pages : 502
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Book Description
Author: Brian Vickers
Publisher: Routledge
ISBN: 1134783477
Category : History
Languages : en
Pages : 598
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Book Description
The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling student and researcher to read the material.
Author: William Shakespeare
Publisher: Bloomsbury Publishing
ISBN: 1408151812
Category : Drama
Languages : en
Pages : 505
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Book Description
In Cymbeline, Ancient Britain's female heir to the throne is slandered by a decadent Italian while the Romans invade Britain to retain it as part of their empire. Shakespeare's late romance is full of unpredictable conjunctions that are explored in the comprehensive introduction to this new, fully-illustrated Arden edition. Valerie Wayne takes a transformative look at the play's critical and performance history by examining its attention to gender, calumny and sexuality together with nationhood, colonialism and British identities. The authoritative play text is amply annotated to clarify its language and allusions, and three appendices delineate the play's textual history, its rich use of music and its casting. Offering students and scholars alike a wealth of insight and new research, this edition maintains the rigorous standards of the Arden Shakespeare.
Author: Louis Michael Eich
Publisher:
ISBN:
Category :
Languages : en
Pages : 436
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Book Description
Author: Jean I. Marsden
Publisher: University Press of Kentucky
ISBN: 0813185556
Category : Drama
Languages : en
Pages : 283
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Book Description
Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history—the rewriting and restructuring of Shakespeare's plays. Many of us are familiar with Nahum Tate's "audacious" adaptation of King Lear with its resoundingly happy ending, but Tate was only one of a score of playwrights who adapted Shakespeare's plays. Between 1660 and 1777, more than fifty adaptations appeared in print and on the stage, works in which playwrights augmented, substantially cut, or completely rewrote the original plays. The plays were staged with new characters, new scenes, new endings, and, underlying all this novelty, new words. Why did this happen? And why, in the later eighteenth century, did it stop? These questions have serious implications regarding both the aesthetics of the literary text and its treatment, for the adaptations manifest the period's perceptions of Shakespeare. As such, they demonstrate an important evolution in the definition of poetic language, and in the idea of what constitutes a literary work. In The Re-Imagined Text, Jean I. Marsden examines both the adaptations and the network of literary theory that surrounds them, thereby exploring the problems of textual sanctity and of the author's relationship to the text. As she demonstrates, Shakespeare's works, and English literature in general, came to be defined by their words rather than by the plots and morality on which the older aesthetic theory focused—a clear step toward our modern concern for the word and its varying levels of signification.
Author: Brian Vickers
Publisher: Routledge
ISBN:
Category :
Languages : en
Pages : 608
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Book Description
Author: George Clinton Densmore Odell
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 612
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Book Description
Author: Birmingham Public Libraries. Shakespeare Memorial Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 298
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Book Description
Author: John C. Greene
Publisher: Lexington Books
ISBN: 1611461189
Category : Art
Languages : en
Pages : 703
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Book Description
This is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin's theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan's becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820.
