Author: Margaret Atwood
Publisher: Virago
ISBN: 0748113401
Category : Fiction
Languages : en
Pages : 331
Book Description
By the author of The Handmaid's Tale and Alias Grace Curious Pursuits is a collection of personal essays, book reviews and articles from the fierce, ingenious mind of Margaret Atwood, ranging from 1970 to the present. Atwood remembers moving to London as a starry-eyed teenager in 1964 and her first attempts at gardening; she discusses feminist utopias in fiction, and writes moving odes on beloved classics like Anne of Green Gables. Personal life and fiction are shelved side by side in this revealing, insightful collection of Atwood's non-fiction writing. PRAISE FOR Curious Pursuits 'A goldmine' Sunday Times 'Reminds one that Atwood is a superbly funny (as well as serious) writer; her wit is winningly relaxed and genial as well as sharp' Spectator 'The glimpses into the writing process and her reflections on identity will delight fans of her novels, who will also recognise flashes of her mordant wit' Times
Curious Pursuits
Author: Margaret Atwood
Publisher: Virago
ISBN: 0748113401
Category : Fiction
Languages : en
Pages : 331
Book Description
By the author of The Handmaid's Tale and Alias Grace Curious Pursuits is a collection of personal essays, book reviews and articles from the fierce, ingenious mind of Margaret Atwood, ranging from 1970 to the present. Atwood remembers moving to London as a starry-eyed teenager in 1964 and her first attempts at gardening; she discusses feminist utopias in fiction, and writes moving odes on beloved classics like Anne of Green Gables. Personal life and fiction are shelved side by side in this revealing, insightful collection of Atwood's non-fiction writing. PRAISE FOR Curious Pursuits 'A goldmine' Sunday Times 'Reminds one that Atwood is a superbly funny (as well as serious) writer; her wit is winningly relaxed and genial as well as sharp' Spectator 'The glimpses into the writing process and her reflections on identity will delight fans of her novels, who will also recognise flashes of her mordant wit' Times
Publisher: Virago
ISBN: 0748113401
Category : Fiction
Languages : en
Pages : 331
Book Description
By the author of The Handmaid's Tale and Alias Grace Curious Pursuits is a collection of personal essays, book reviews and articles from the fierce, ingenious mind of Margaret Atwood, ranging from 1970 to the present. Atwood remembers moving to London as a starry-eyed teenager in 1964 and her first attempts at gardening; she discusses feminist utopias in fiction, and writes moving odes on beloved classics like Anne of Green Gables. Personal life and fiction are shelved side by side in this revealing, insightful collection of Atwood's non-fiction writing. PRAISE FOR Curious Pursuits 'A goldmine' Sunday Times 'Reminds one that Atwood is a superbly funny (as well as serious) writer; her wit is winningly relaxed and genial as well as sharp' Spectator 'The glimpses into the writing process and her reflections on identity will delight fans of her novels, who will also recognise flashes of her mordant wit' Times
Postmodern Utopias and Feminist Fictions
Author: Jennifer A. Wagner-Lawlor
Publisher: Cambridge University Press
ISBN: 1107245230
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
This study examines feminist speculative fiction from the late twentieth and early twenty-first century, and finds within it a new vision for the future. Rejecting notions of postmodern utopia as exclusionary, Jennifer A. Wagner-Lawlor advances one defined in terms of hospitality, casting what she calls 'imaginative sympathy' as the foundation of utopian desire. Tracing these themes through the works of Atwood, Butler, Lessing and Winterson, as well as those of well-known Muslim feminists such as El Saadawi, Parsipur and Mernissi, Wagner-Lawlor balances literary analysis with innovative extensions of feminist philosophy to show how inclusionary utopian thinking can inform and promote political agency. Examining these contemporary fictions reveals the rewards of attending to a community that acknowledges difference, diversity and the imaginative potential of every human being.
Publisher: Cambridge University Press
ISBN: 1107245230
Category : Literary Criticism
Languages : en
Pages : 249
Book Description
This study examines feminist speculative fiction from the late twentieth and early twenty-first century, and finds within it a new vision for the future. Rejecting notions of postmodern utopia as exclusionary, Jennifer A. Wagner-Lawlor advances one defined in terms of hospitality, casting what she calls 'imaginative sympathy' as the foundation of utopian desire. Tracing these themes through the works of Atwood, Butler, Lessing and Winterson, as well as those of well-known Muslim feminists such as El Saadawi, Parsipur and Mernissi, Wagner-Lawlor balances literary analysis with innovative extensions of feminist philosophy to show how inclusionary utopian thinking can inform and promote political agency. Examining these contemporary fictions reveals the rewards of attending to a community that acknowledges difference, diversity and the imaginative potential of every human being.
Science, Gender and History
Author: Suparna Banerjee
Publisher: Cambridge Scholars Publishing
ISBN: 1443873934
Category : Literary Criticism
Languages : en
Pages : 160
Book Description
The first substantial study comparing Mary Shelley and Margaret Atwood, this book examines a selection of the speculative/fantastic novels of these two influential writers from the perspectives of contemporary feminist, postcolonial and science studies. Situating her readings at the troubled intersections of science, gender and history(-making), Banerjee juxtaposes Shelley’s Frankenstein and The Last Man with Atwood’s The Handmaid’s Tale and Oryx and Crake in a way that respects historical difference while convincingly suggesting a tradition of ongoing socio-political critique in the work of women writers of the fantastic over the past two centuries. She offers insightful fresh readings of Shelley and Atwood, bringing out how the cognate values of technoscience and capitalistic imperialism work in tandem to foster oppressive gender ideologies, social inequity and environmental ruin. Banerjee explores how Shelley and Atwood levy powerful critiques of both positivist, masculinist science and the politico-economic proclivities of their respective times, engaging, in the process, with the meaning of the (post)human, the cultural impact of male (Romantic) egotism and the public/private division, the colonial impulse and its modern day counterpart, the patriarchal ideologies of ‘love’ and motherhood, and the sexual-politics of official historiography. Combining lively, creative scholarship with theoretical rigour, the book offers a nuanced study of the ways in which Shelley’s and Atwood’s novels each take critical aim at some of the conventional oppositions—nature/culture, masculine/feminine, reason/emotion, art/science—that have since long defined our lives in western technoculture. The book re-opens the ‘two-cultures’ debate, suggesting that Shelley’s and Atwood’s futuristic visions posit humanistic education and art as the ‘saving graces’ that might counter the schisms and reductionism innate to the technocapitalistic world view. One highlight of the book is the way the author goes beyond a strong critical consensus on Frankenstein and reads the novel not as a denunciation of technological violation of nature but as a subversion of the thematic itself of Nature versus Culture. Similar innovative interpretations are offered on the gender question in The Last Man, and on Atwood’s engagement with ‘feminist mothering’ in Oryx and Crake.
Publisher: Cambridge Scholars Publishing
ISBN: 1443873934
Category : Literary Criticism
Languages : en
Pages : 160
Book Description
The first substantial study comparing Mary Shelley and Margaret Atwood, this book examines a selection of the speculative/fantastic novels of these two influential writers from the perspectives of contemporary feminist, postcolonial and science studies. Situating her readings at the troubled intersections of science, gender and history(-making), Banerjee juxtaposes Shelley’s Frankenstein and The Last Man with Atwood’s The Handmaid’s Tale and Oryx and Crake in a way that respects historical difference while convincingly suggesting a tradition of ongoing socio-political critique in the work of women writers of the fantastic over the past two centuries. She offers insightful fresh readings of Shelley and Atwood, bringing out how the cognate values of technoscience and capitalistic imperialism work in tandem to foster oppressive gender ideologies, social inequity and environmental ruin. Banerjee explores how Shelley and Atwood levy powerful critiques of both positivist, masculinist science and the politico-economic proclivities of their respective times, engaging, in the process, with the meaning of the (post)human, the cultural impact of male (Romantic) egotism and the public/private division, the colonial impulse and its modern day counterpart, the patriarchal ideologies of ‘love’ and motherhood, and the sexual-politics of official historiography. Combining lively, creative scholarship with theoretical rigour, the book offers a nuanced study of the ways in which Shelley’s and Atwood’s novels each take critical aim at some of the conventional oppositions—nature/culture, masculine/feminine, reason/emotion, art/science—that have since long defined our lives in western technoculture. The book re-opens the ‘two-cultures’ debate, suggesting that Shelley’s and Atwood’s futuristic visions posit humanistic education and art as the ‘saving graces’ that might counter the schisms and reductionism innate to the technocapitalistic world view. One highlight of the book is the way the author goes beyond a strong critical consensus on Frankenstein and reads the novel not as a denunciation of technological violation of nature but as a subversion of the thematic itself of Nature versus Culture. Similar innovative interpretations are offered on the gender question in The Last Man, and on Atwood’s engagement with ‘feminist mothering’ in Oryx and Crake.
The Cambridge Companion to Margaret Atwood
Author: Coral Ann Howells
Publisher: Cambridge University Press
ISBN: 1139827316
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
Margaret Atwood's international celebrity has given a new visibility to Canadian literature in English. This Companion provides a comprehensive critical account of Atwood's writing across the wide range of genres within which she has worked for the past forty years, while paying attention to her Canadian cultural context and the multiple dimensions of her celebrity. The main concern is with Atwood the writer, but there is also Atwood the media star and public performer, cultural critic, environmentalist and human rights spokeswoman, social and political satirist, and mythmaker. This immensely varied profile is addressed in a series of chapters which cover biographical, textual, and contextual issues. The Introduction contains an analysis of dominant trends in Atwood criticism since the 1970s, while the essays by twelve leading international Atwood critics represent the wide range of different perspectives in current Atwood scholarship.
Publisher: Cambridge University Press
ISBN: 1139827316
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
Margaret Atwood's international celebrity has given a new visibility to Canadian literature in English. This Companion provides a comprehensive critical account of Atwood's writing across the wide range of genres within which she has worked for the past forty years, while paying attention to her Canadian cultural context and the multiple dimensions of her celebrity. The main concern is with Atwood the writer, but there is also Atwood the media star and public performer, cultural critic, environmentalist and human rights spokeswoman, social and political satirist, and mythmaker. This immensely varied profile is addressed in a series of chapters which cover biographical, textual, and contextual issues. The Introduction contains an analysis of dominant trends in Atwood criticism since the 1970s, while the essays by twelve leading international Atwood critics represent the wide range of different perspectives in current Atwood scholarship.
Manual of Museum Exhibitions
Author: Maria Piacente
Publisher: Rowman & Littlefield
ISBN: 1538152827
Category : Business & Economics
Languages : en
Pages : 477
Book Description
All museum activities converge in the very public forum of the exhibition. Whether large or small, exhibitions are responsible for driving museum attendance and revenue as well as showcasing new research and engaging audiences in new ideas. As museums move from a transmission to a visitor-centered model, exhibitions are more experience driven, participatory, and interactive, built around multiple perspectives and powerful storytelling. The exhibition development process is more complex than ever as audiences demand more dynamic, diverse and inclusive experiences. Museum leaders, interpretive planners, designers, and curators are rising to the challenges in innovative ways. This manual details the exhibition process in a straightforward way that can be easily adapted by institutions of any size. It explores the exhibition planning and development process in a wealth of detail, providing the technical and practical methodologies museum professionals need today. This 3rd edition includes many new features and expanded chapters on evaluation, virtual exhibitions multimedia, travelling exhibition, curiosity and motivation, DEAI (diversity, equity, accessibility and inclusion), while retaining the essential content related to interpretive planning, roles and responsibility, and content development. New and exciting case studies, exhibition examples, and more than 200 color photos and figures illustrate every step of the process. No museum or museum professional can be without this critical guide to an essential function.
Publisher: Rowman & Littlefield
ISBN: 1538152827
Category : Business & Economics
Languages : en
Pages : 477
Book Description
All museum activities converge in the very public forum of the exhibition. Whether large or small, exhibitions are responsible for driving museum attendance and revenue as well as showcasing new research and engaging audiences in new ideas. As museums move from a transmission to a visitor-centered model, exhibitions are more experience driven, participatory, and interactive, built around multiple perspectives and powerful storytelling. The exhibition development process is more complex than ever as audiences demand more dynamic, diverse and inclusive experiences. Museum leaders, interpretive planners, designers, and curators are rising to the challenges in innovative ways. This manual details the exhibition process in a straightforward way that can be easily adapted by institutions of any size. It explores the exhibition planning and development process in a wealth of detail, providing the technical and practical methodologies museum professionals need today. This 3rd edition includes many new features and expanded chapters on evaluation, virtual exhibitions multimedia, travelling exhibition, curiosity and motivation, DEAI (diversity, equity, accessibility and inclusion), while retaining the essential content related to interpretive planning, roles and responsibility, and content development. New and exciting case studies, exhibition examples, and more than 200 color photos and figures illustrate every step of the process. No museum or museum professional can be without this critical guide to an essential function.
Margaret Atwood
Author: Marion Wynne-Davies
Publisher: Northcote House Pub Limited
ISBN: 0746309430
Category : Literary Criticism
Languages : en
Pages : 121
Book Description
This book traces the chronological development of Atwood's global reputation from Canadian nationhood to world-wide politics and from the role of women to gender identity. Chapters offer a comprehensive overview of her poetry, novels, shorter fiction, children's books, criticism and experimental multi-genre work. There are more detailed analyses of Atwood's most influential writing, from her first novels such as Surfacing and The Edible Woman, through the works that ensured her international reputation such as The Handmaid's Tale, Cat's Eye and The Robber Bride, to her most recent work, Alias Grace and Oryx and Crake. Wynne-Davies presents these works through an overall understanding of Atwood's intelligence, humour, linguistic dexterity, breadth of vision and ethical integrity.
Publisher: Northcote House Pub Limited
ISBN: 0746309430
Category : Literary Criticism
Languages : en
Pages : 121
Book Description
This book traces the chronological development of Atwood's global reputation from Canadian nationhood to world-wide politics and from the role of women to gender identity. Chapters offer a comprehensive overview of her poetry, novels, shorter fiction, children's books, criticism and experimental multi-genre work. There are more detailed analyses of Atwood's most influential writing, from her first novels such as Surfacing and The Edible Woman, through the works that ensured her international reputation such as The Handmaid's Tale, Cat's Eye and The Robber Bride, to her most recent work, Alias Grace and Oryx and Crake. Wynne-Davies presents these works through an overall understanding of Atwood's intelligence, humour, linguistic dexterity, breadth of vision and ethical integrity.
The Theater of Experiment
Author: Al Coppola
Publisher: Oxford University Press
ISBN: 0190627263
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
The first book-length study of the relationship between science and theater during the long eighteenth century in Britain, The Theater of Experiment explores the crucial role of spectacle in the establishment of modern science by analyzing how eighteenth-century science was "staged" in a double sense. On the one hand, this study analyzes science in performance: the way that science and scientists were made a public spectacle in comedies, farces, and pantomimes for purposes that could range from the satiric to the pedagogic to the hagiographic. But this book also considers the way in which these plays laid bare science as performance: that is, the way that eighteenth-century science was itself a kind of performing art, subject to regimes of stagecraft that traversed the laboratory, the lecture hall, the anatomy theater, and the public stage. Not only did the representation of natural philosophy in eighteenth-century plays like Thomas Shadwell's Virtuoso, Aphra Behn's The Emperor of the Moon, Susanna Centlivre's The Basset Table, and John Rich's Necromancer, or Harelequin Doctor Faustus, influence contemporary debates over the role that experimental science was to play public life, the theater shaped the very form that science itself was to take. By disciplining, and ultimately helping to legitimate, experimental philosophy, the eighteenth-century stage helped to naturalize an epistemology based on self-evident, decontextualized facts that might speak for themselves. In this, the stage and the lab jointly fostered an Enlightenment culture of spectacle that transformed the conditions necessary for the production and dissemination of scientific knowledge. Precisely because Enlightenment public science initiatives, taking their cue from the public stages, came to embrace the stagecraft and spectacle that Restoration natural philosophy sought to repress from the scene of experimental knowledge production, eighteenth-century science organized itself around not the sober, masculine "modest witness" of experiment but the sentimental, feminized, eager observer of scientific performance.
Publisher: Oxford University Press
ISBN: 0190627263
Category : Literary Criticism
Languages : en
Pages : 281
Book Description
The first book-length study of the relationship between science and theater during the long eighteenth century in Britain, The Theater of Experiment explores the crucial role of spectacle in the establishment of modern science by analyzing how eighteenth-century science was "staged" in a double sense. On the one hand, this study analyzes science in performance: the way that science and scientists were made a public spectacle in comedies, farces, and pantomimes for purposes that could range from the satiric to the pedagogic to the hagiographic. But this book also considers the way in which these plays laid bare science as performance: that is, the way that eighteenth-century science was itself a kind of performing art, subject to regimes of stagecraft that traversed the laboratory, the lecture hall, the anatomy theater, and the public stage. Not only did the representation of natural philosophy in eighteenth-century plays like Thomas Shadwell's Virtuoso, Aphra Behn's The Emperor of the Moon, Susanna Centlivre's The Basset Table, and John Rich's Necromancer, or Harelequin Doctor Faustus, influence contemporary debates over the role that experimental science was to play public life, the theater shaped the very form that science itself was to take. By disciplining, and ultimately helping to legitimate, experimental philosophy, the eighteenth-century stage helped to naturalize an epistemology based on self-evident, decontextualized facts that might speak for themselves. In this, the stage and the lab jointly fostered an Enlightenment culture of spectacle that transformed the conditions necessary for the production and dissemination of scientific knowledge. Precisely because Enlightenment public science initiatives, taking their cue from the public stages, came to embrace the stagecraft and spectacle that Restoration natural philosophy sought to repress from the scene of experimental knowledge production, eighteenth-century science organized itself around not the sober, masculine "modest witness" of experiment but the sentimental, feminized, eager observer of scientific performance.
Escaping from the Prison-House of Language and Digging for Meanings in Texts among Texts: Metafiction and Intertextuality in Margaret Atwood’s Novels Lady Oracle and The Blind Assassin
Author: Andrea Strolz
Publisher: ibidem-Verlag / ibidem Press
ISBN: 3838256433
Category : Language Arts & Disciplines
Languages : en
Pages : 152
Book Description
Margaret Atwood's novels are photographs of her characters' lives: while words only ever describe her protagonists’ blurred visions of their pasts, their 'true' stories are told in subtexts which run parallel or even contrary to the main story line and which depict the unseen, the buried, the 'untrue'. Replete with intertextual references, her fiction illuminates that and why "[w]hat isn’t there has a presence, like the absence of light" (The Blind Assassin). She plays with our conventional modes of perception to make us aware of the way we frame reality in our minds. Andrea Strolz discusses in her book the interrelation between metafictional and intertextual features in two of Atwood's novels that share many similarities, even though written in different decades. She examines how Atwood weaves intertextual references into her fiction, how she facilitates a reader's recognition of the intertexts, and she shows that Atwood's narrator-protagonists also reflect on our age as one of intertextuality.
Publisher: ibidem-Verlag / ibidem Press
ISBN: 3838256433
Category : Language Arts & Disciplines
Languages : en
Pages : 152
Book Description
Margaret Atwood's novels are photographs of her characters' lives: while words only ever describe her protagonists’ blurred visions of their pasts, their 'true' stories are told in subtexts which run parallel or even contrary to the main story line and which depict the unseen, the buried, the 'untrue'. Replete with intertextual references, her fiction illuminates that and why "[w]hat isn’t there has a presence, like the absence of light" (The Blind Assassin). She plays with our conventional modes of perception to make us aware of the way we frame reality in our minds. Andrea Strolz discusses in her book the interrelation between metafictional and intertextual features in two of Atwood's novels that share many similarities, even though written in different decades. She examines how Atwood weaves intertextual references into her fiction, how she facilitates a reader's recognition of the intertexts, and she shows that Atwood's narrator-protagonists also reflect on our age as one of intertextuality.
In Other Worlds
Author: Margaret Atwood
Publisher: Anchor
ISBN: 0385533977
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
A marvelous collection of wide-ranging essays from the bestselling author of The Handmaid's Tale and The Testaments, exploring her lifelong relationship to science fiction—as a reader and as a writer The ebook edition of this title contains over thirty additional, illuminating ebook-exclusive illustrations by the author At a time when the borders between genres are increasingly porous, she maps the fertile crosscurrents of speculative and science fiction, utopias, dystopias, slipstream, and fantasy, musing on the age-old human impulse to imagine new worlds. She shares the evolution of her personal fascination with SF, from her childhood invention of a race of flying superhero rabbits to her graduate study of its Victorian antecedents to the creation of her own acclaimed novels. Studded with appreciations of such influential writers as Marge Piercy, Ursula K. LeGuin, Kazuo Ishiguro, H. Rider Haggard, Aldous Huxley, H. G. Wells, and Jonathan Swift, In Other Worlds is as humorous and charming as it is insightful and provocative.
Publisher: Anchor
ISBN: 0385533977
Category : Literary Criticism
Languages : en
Pages : 274
Book Description
A marvelous collection of wide-ranging essays from the bestselling author of The Handmaid's Tale and The Testaments, exploring her lifelong relationship to science fiction—as a reader and as a writer The ebook edition of this title contains over thirty additional, illuminating ebook-exclusive illustrations by the author At a time when the borders between genres are increasingly porous, she maps the fertile crosscurrents of speculative and science fiction, utopias, dystopias, slipstream, and fantasy, musing on the age-old human impulse to imagine new worlds. She shares the evolution of her personal fascination with SF, from her childhood invention of a race of flying superhero rabbits to her graduate study of its Victorian antecedents to the creation of her own acclaimed novels. Studded with appreciations of such influential writers as Marge Piercy, Ursula K. LeGuin, Kazuo Ishiguro, H. Rider Haggard, Aldous Huxley, H. G. Wells, and Jonathan Swift, In Other Worlds is as humorous and charming as it is insightful and provocative.
Miscellaneous Remains from the common-place book of R. W. ... Being a collection of notes and essays made during the preparation of his various works. Edited by Miss E. J. Whately
Author: Richard Whately
Publisher:
ISBN:
Category :
Languages : en
Pages : 350
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 350
Book Description