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Author: Barbara Newman
Publisher: University of Pennsylvania Press
ISBN: 9780812202915
Category : History
Languages : en
Pages : 476
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Book Description
Contrary to popular belief, the medieval religious imagination did not restrict itself to masculine images of God but envisaged the divine in multiple forms. In fact, the God of medieval Christendom was the Father of only one Son but many daughters—including Lady Philosophy, Lady Love, Dame Nature, and Eternal Wisdom. God and the Goddesses is a study in medieval imaginative theology, examining the numerous daughters of God who appear in allegorical poems, theological fictions, and the visions of holy women. We have tended to understand these deities as mere personifications and poetic figures, but that, Barbara Newman contends, is a mistake. These goddesses are neither pagan survivals nor versions of the Great Goddess constructed in archetypal psychology, but distinctive creations of the Christian imagination. As emanations of the Divine, mediators between God and the cosmos, embodied universals, and ravishing objects of identification and desire, medieval goddesses transformed and deepened Christendom's concept of God, introducing religious possibilities beyond the ambit of scholastic theology and bringing them to vibrant imaginative life. Building a bridge between secular and religious conceptions of allegorized female power, Newman advances such questions as whether medieval writers believed in their goddesses and, if so, in what manner. She investigates whether the personifications encountered in poetic fictions can be distinguished from those that appear in religious visions and questions how medieval writers reconcile their statements about the multiple daughters of God with orthodox devotion to the Son of God. Furthermore, she examines why forms of feminine God-talk that strike many Christians today as subversive or heretical did not threaten medieval churchmen. Weaving together such disparate texts as the writings of Latin and vernacular poets, medieval schoolmen, liturgists, and male and female mystics and visionaries, God and the Goddesses is a direct challenge to modern theologians to reconsider the role of goddesses in the Christian tradition.
Author: Barbara Newman
Publisher: University of Pennsylvania Press
ISBN: 9780812202915
Category : History
Languages : en
Pages : 476
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Book Description
Contrary to popular belief, the medieval religious imagination did not restrict itself to masculine images of God but envisaged the divine in multiple forms. In fact, the God of medieval Christendom was the Father of only one Son but many daughters—including Lady Philosophy, Lady Love, Dame Nature, and Eternal Wisdom. God and the Goddesses is a study in medieval imaginative theology, examining the numerous daughters of God who appear in allegorical poems, theological fictions, and the visions of holy women. We have tended to understand these deities as mere personifications and poetic figures, but that, Barbara Newman contends, is a mistake. These goddesses are neither pagan survivals nor versions of the Great Goddess constructed in archetypal psychology, but distinctive creations of the Christian imagination. As emanations of the Divine, mediators between God and the cosmos, embodied universals, and ravishing objects of identification and desire, medieval goddesses transformed and deepened Christendom's concept of God, introducing religious possibilities beyond the ambit of scholastic theology and bringing them to vibrant imaginative life. Building a bridge between secular and religious conceptions of allegorized female power, Newman advances such questions as whether medieval writers believed in their goddesses and, if so, in what manner. She investigates whether the personifications encountered in poetic fictions can be distinguished from those that appear in religious visions and questions how medieval writers reconcile their statements about the multiple daughters of God with orthodox devotion to the Son of God. Furthermore, she examines why forms of feminine God-talk that strike many Christians today as subversive or heretical did not threaten medieval churchmen. Weaving together such disparate texts as the writings of Latin and vernacular poets, medieval schoolmen, liturgists, and male and female mystics and visionaries, God and the Goddesses is a direct challenge to modern theologians to reconsider the role of goddesses in the Christian tradition.
Author: Jeff B. Pool
Publisher: Wipf and Stock Publishers
ISBN: 1556354657
Category : Religion
Languages : en
Pages : 545
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Book Description
This book constitutes the second volume of a three-volume study of Christian testimonies to divine suffering: God's Wounds: Hermeneutic of the Christian Symbol of Divine Suffering, vol. 2, Evil and Divine Suffering. The larger study focuses its inquiry into the testimonies to divine suffering themselves, seeking to allow the voices that attest to divine suffering to speak freely, then to discover and elucidate the internal logic or rationality of this family of testimonies, rather than defending these attestations against the dominant claims of classical Christian theism that have historically sought to eliminate such language altogether from Christian discourse about the nature and life of God. This second volume of studies proceeds on the basis of the presuppositions of this symbol, those implicit attestations that provide the conditions of possibility for divine suffering-that which constitutes divine vulnerability with respect to creation-as identified and examined in the first volume of this project: an understanding of God through the primary metaphor of love (God is love); and an understanding of the human as created in the image of God, with a life (though finite) analogous to the divine life-the imago Dei as love. The second volume then investigates the first two divine wounds or modes of divine suffering to which the larger family of testimonies to divine suffering normally attest: (1) divine grief, suffering because of betrayal by the beloved human or human sin; and (2) divine self-sacrifice, suffering for the beloved human in its bondage to sin or misery, to establish the possibility of redemption and reconciliation. Each divine wound, thus, constitutes a response to a creaturely occasion. The suffering in each divine wound also occurs in two stages: a passive stage and an active stage. In divine grief, God suffers because of human sin, betrayal of the divine lover by the beloved human: divine sorrow as the passive stage of divine grief; and divine anguish as the active stage of divine grief. In divine self-sacrifice, God suffers in response to the misery or bondage of the beloved human's infidelity: divine travail (focused on the divine incarnation in Jesus of Nazareth) as the active stage of divine self-sacrifice; and divine agony (focused on divine suffering in the crucifixion of Jesus of Nazareth) as the passive stage of divine self-sacrifice.
Author: Hannah Arendt
Publisher: University of Chicago Press
ISBN: 9780226025971
Category : Biography & Autobiography
Languages : en
Pages : 258
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Book Description
During the late 1950s and early 1960s, as she was completing or reworking her most influential studies of political life, Arendt was simultaneously annotating and revising her dissertation on Augustine, amplifying its argument with terms and concepts she was using in her political works of the same period.
Author: Robert Alexander Duff
Publisher:
ISBN:
Category : Ethics
Languages : en
Pages : 540
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Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 276
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Author: Cornelius Tacitus
Publisher: Cambridge University Press
ISBN: 9780521609319
Category : History
Languages : en
Pages : 388
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Book Description
The first in a four-volume edition of Tacitus Annals 1-6. The Annals are Tacitus' brilliant account of Roman imperial history from the death of Augustus to the death of Nero. Books 1-6 describe the reign of Tiberius. Professor Goodyear's introduction to the series deals concisely with the background to the Annals. He outlines the history of Tacitean scholarship to the present day and shows how Tacitus' historical judgements were sometimes distorted by his preoccupations with style and with the moral function of historical writing. The commentary attends equally to literary, historical and textual questions. There are several appendixes on topics of more specialized interest.
Author: Defensor (monachus Locogiacensis)
Publisher:
ISBN:
Category :
Languages : en
Pages : 278
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Book Description
Author: E. W. Rhodes
Publisher:
ISBN:
Category :
Languages : en
Pages : 284
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Book Description
Author: G.S. Crispus
Publisher: Рипол Классик
ISBN: 5873930317
Category : History
Languages : en
Pages : 235
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Book Description
Author: Sarah Spence
Publisher: Cornell University Press
ISBN: 1501746294
Category : Language Arts & Disciplines
Languages : en
Pages : 183
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Book Description
Rhetorics of Reason and Desire traces the appearance of rhetoric in key literary works from classical times to the Middle Ages, focusing on the reception and transformation of Ciceronian rhetoric in Vergil's Aeneid, Augustine's Confessions and On Christian Doctrine, and the lyrics of the early troubadours.
