Cultural Policy in Nigeria PDF Download
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Author: T. A. Fasuyi
Publisher:
ISBN:
Category : Political Science
Languages : en
Pages : 76
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Book Description
Author: T. A. Fasuyi
Publisher:
ISBN:
Category : Political Science
Languages : en
Pages : 76
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Book Description
Author: Nigeria
Publisher:
ISBN:
Category : Art and state
Languages : en
Pages : 26
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Book Description
Author: Sule Bello
Publisher:
ISBN:
Category : Cultural policy
Languages : en
Pages : 270
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Book Description
Author: Frank Aig-Imoukhuede
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 194
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Book Description
Author:
Publisher:
ISBN:
Category : Africa
Languages : en
Pages : 44
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Book Description
Author: Ebun Clark
Publisher:
ISBN:
Category : Institution building
Languages : en
Pages : 136
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Book Description
Author: Luke Uka Uche
Publisher: Concept Publishing Company
ISBN: 9788170222323
Category : Political Science
Languages : en
Pages : 292
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Book Description
This Study Brings To The Fore The Precarious Predicament Of The Mass Media Of A Country Whose Political Culture Is Characterised By Divergent And Powerful Interest Groups With Insatiable Political And Economic Demands On The Larger Political Entity. It Demonstrates How Nigeria`S Development As A Nation State Has Similarily Influenced The Way And Manner Of The Organisation, Administration And Contents Of Her Mass Media Systems.
Author: Kalu N. Kalu
Publisher: Routledge
ISBN: 1351065807
Category : Political Science
Languages : en
Pages : 400
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Book Description
Demonstrating how political culture facilitates or distorts political preferences and political outcomes, this book explores how the historical development of social conditions and the current social structures shape understandings and constrain individual and collective actions within the Nigerian political system. Political Culture, Change, and Security Policy examines the extent to which specific norms and socialization processes within the political and civic culture abet corruption or the proclivity to engage in corrupt practices and how they help reinforce political attitudes and civic norms that have the potential to undermine the effectiveness of government. It also delineates specific doctrinal models and strategic framework essential to the development and implementation of Nigeria’s national security policy, as well as innovative approaches to national development planning. Professor Kalu N. Kalu offers an exhaustive study that integrates several quantitative models in addressing a series of theoretical and empirical questions that inform historical and contemporary issues of the Nigerian project. The general premise is that it is not enough to simply highlight the problems of the state and address the what question, we must also address the why and how questions that drive political change, policy preferences, and competing political outcomes.
Author: Assoc. Prof. Dr. Serhan ADA
Publisher: Hiperlink Eğitim İletişim Yayın Gıda Sanayi ve Pazarlama Tic. Ltd. Şti.
ISBN: 6258410049
Category : Reference
Languages : en
Pages : 267
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Book Description
We were in the mids of 2019 when we decided to organize a young researchers conference as the most important transnational event, subsequent to the inauguration of the UNESCO Chair of Culture Policy and Cultural Diplomacy of Istanbul Bilgi University established in 2018, held together with the chairs working in the same field. While deciding on the method, content, and form of participation of the conference we consulted with UNESCO chairs, with which we have been in cooperation for a long time. As a result, we decided to invite “young” researchers who are in the early stages of their academic career, irrespective of their age, and who have had their master’s degree and/or conducting doctoral studies. Our purpose was to ensure that they would start a dialogue with their colleagues in similar statuses and benefit from the comments of reviewers having experience in the profession, through the assessment of their presentations. We wished the conference that we planned to last two days to address the main themes of cultural policy. Hence, we projected holding of five sessions on the themes of “Culture as Agent in International Relations,” “Managing and Sharing Cultural Heritage,” “Cities: New Actors of Cultural Policy,” “Cultural Industries: Film as a Case,” and “Culture and Arts in all Their Forms.” Our call for applications has been welcomed with considerable interest. At that time, another thing happened as well. We wanted those young researchers would meet face-to-face, get to know each other, and exchange their views outside of the conference. However, the pandemic broke out and we were faced with the choices of postponing the conference or acknowledging to hold it online, due to travel prohibitions and lockdowns. As a result, the second alternative prevailed to maintain the excitement of the studies of the researchers. Our conference was held online, while Covid-19 was reigning with all its severity, on 21-22 August 2020. At the conference, papers of a total of eighteen researchers in charge at universities or working professionally in the sector in four continents took place. The fact that almost all of the researchers included the original features of the practice, which emerged from the theoretical literature in different subfields of cultural policy, but which they followed closely or were a part of directly, in their analyzes, was attention inviting. At the same time, it was possible to see in the presentations the traces of the (mostly negative) impacts of the international political environment, which continues with tensions, hot or cold conflicts, and inequalities, in addition to the oppressive political environment prevailing in the countries of today, on cultural policy. On the other hand, the lack of presentation and discussion of enough examples concerning cultural policies at the city scale was noteworthy. However, the quest of the young ones working in these disciplines, for new concepts and different methodological approaches, was extremely clear.
Author: Andrew Apter
Publisher: University of Chicago Press
ISBN: 0226023567
Category : Social Science
Languages : en
Pages : 345
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Book Description
When Nigeria hosted the Second World Black and African Festival of Arts and Culture (FESTAC) in 1977, it celebrated a global vision of black nationhood and citizenship animated by the exuberance of its recent oil boom. Andrew Apter's The Pan-African Nation tells the full story of this cultural extravaganza, from Nigeria's spectacular rebirth as a rapidly developing petro-state to its dramatic demise when the boom went bust. According to Apter, FESTAC expanded the horizons of blackness in Nigeria to mirror the global circuits of its economy. By showcasing masks, dances, images, and souvenirs from its many diverse ethnic groups, Nigeria forged a new national culture. In the grandeur of this oil-fed confidence, the nation subsumed all black and African cultures within its empire of cultural signs and erased its colonial legacies from collective memory. As the oil economy collapsed, however, cultural signs became unstable, contributing to rampant violence and dissimulation. The Pan-African Nation unpacks FESTAC as a historically situated mirror of production in Nigeria. More broadly, it points towards a critique of the political economy of the sign in postcolonial Africa.
