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Author: Museum of Modern Art (New York, N.Y.)
Publisher: New York : Published for the Museum of Modern Art by Arno Press, 1966 [c1936]
ISBN:
Category : Art
Languages : en
Pages : 262
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Book Description
Cubism and abstract art, by A.H. Barr, Jr.Catalog, by Dorothy C. Miller and Ernestine M. Fantl.Bibliography, by Beaumont Newhall (p. 234-249). Also contains a catalogue, compiled by Dorothy C. Miller and Ernestine M. Fantl, of an exhibition held at the Museum of Modern Art, New York, and a bibliography by Beaumont Newhall.
Author: Museum of Modern Art (New York, N.Y.)
Publisher: New York : Published for the Museum of Modern Art by Arno Press, 1966 [c1936]
ISBN:
Category : Art
Languages : en
Pages : 262
Get Book Here
Book Description
Cubism and abstract art, by A.H. Barr, Jr.Catalog, by Dorothy C. Miller and Ernestine M. Fantl.Bibliography, by Beaumont Newhall (p. 234-249). Also contains a catalogue, compiled by Dorothy C. Miller and Ernestine M. Fantl, of an exhibition held at the Museum of Modern Art, New York, and a bibliography by Beaumont Newhall.
Author: Pepe Karmel
Publisher: National Geographic Books
ISBN: 0500239584
Category : Art
Languages : en
Pages : 0
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Book Description
A leading authority on the subject presents a radically new approach to the understanding of abstract art, in this richly illustrated and persuasive history. In his fresh take on abstract art, noted art historian Pepe Karmel chronicles the movement from a global perspective, while embedding abstraction in a recognizable reality. Moving beyond the canonical terrain of abstract art, the author demonstrates how artists from around the world have used abstract imagery to express social, cultural, and spiritual experience. Karmel builds this fresh approach to abstract art around five inclusive themes: body, landscape, cosmology, architecture, and man-made signs and patterns. In the process, this history develops a series of narratives that go far beyond the established figures and movements traditionally associated with abstract art. Each narrative is complemented by a number of featured abstract works, arranged in thought-provoking pairings with accompanying extended captions that provide an in-depth analysis. This wide-ranging examination incorporates work from Asia, Australia, Africa, and South America, as well as Europe and North America, through artists ranging from Wu Guanzhong, Joan Miró, Jackson Pollock, to Hilma af Klint, and Odili Donald Odita. Breaking new ground, Karmel has forged a new history of this key art movement.
Author: Charles Harrison
Publisher: Yale University Press
ISBN: 9780300055160
Category : Art
Languages : en
Pages : 280
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Book Description
On art in the early 20th century
Author: Leah Dickerman
Publisher: The Museum of Modern Art
ISBN: 0870708287
Category : Art
Languages : en
Pages : 378
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Book Description
This book explores the development of abstraction from the moment of its declaration around 1912 to its establishment as the foundation of avant-garde practice in the mid-1920s. The book brings together many of the most influential works in abstractions early history to draw a cross-media portrait of this watershed moment in which traditional art was reinvented in a wholesale way. Works are presented in groups that serve as case studies, each engaging a key topic in abstractions first years: an artist, a movement, an exhibition or thematic concern. Key focal points include Vasily Kandinskys ambitious Compositions V, VI and VII; a selection of Piet Mondrians work that offers a distilled narrative of his trajectory to Neo-plasticism; and all the extant Suprematist pictures that Kazimir Malevich showed in the landmark 0.10 exhibition in 1915.0Exhibition: MoMA, New York, USA (23.12.2012-15.4.2013).
Author: Gordon Hughes
Publisher: University of Chicago Press
ISBN: 022615906X
Category : Art
Languages : en
Pages : 178
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Book Description
The first English-language study of the influential French painter Robert Delaunay to appear in thirty years. Delaunay has long been appreciated as one of the leading Parisian artists of the early twentieth century. And art historians have consistently viewed his vibrantly colored paintings starting in 1912 as early experiments in abstraction. Hughes, however, tautly argues that Delaunay was not just one of the earliest artists to work in pure abstraction, but the earliest one to do so. The colorful, optically driven canvases that Delaunay produced set him apart from the more ethereal abstraction of Kandinsky, Mondrian, Malevich, and Kupka, with whom he is often clubbed and whose spiritual motivations he rejected. Delaunay s paintings were grounded in material sensation and reflected the modern optical science of his time. They had nothing in common with the idealism that drove Kandinsky and the others. As a result, his work set the stage not only for the kind of abstraction that would come to dominate painting in the mid twentieth century (Pollock, Stella, Still, Kline); it also inspired the critics who theorized and elevated that particular strain of modernist practice."
Author: John Golding
Publisher: Princeton University Press
ISBN: 0691252947
Category : Art
Languages : en
Pages : 313
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Book Description
A groundbreaking account of the meaning of abstract painting From Mondrian's bold geometric forms to Kandinsky's use of symbols to Pollock's "dripped paintings," the richly diverse movement of abstract painting challenges anyone trying to make sense of either individual works or the phenomenon as a whole. Applying his insights as an art historian and a painter, John Golding offers a unique approach to understanding the evolution of abstractionism by looking at the personal artistic development of seven of its greatest practitioners. He re-creates the journey undertaken by each painter in his move from representational art to the abstract—a journey that in most cases began with cubism but led variously to symbolism, futurism, surrealism, theosophy, anthropology, Jungian analysis, and beyond. For each artist, spiritual quest and artistic experimentation became inseparable. And despite their different techniques and philosophies, these artists shared one goal: to break a path to a new, ultimate pictorial truth. The book first explores the works and concerns of three pioneering European abstract painters—Mondrian, Malevich, Kandinsky—and then those of their American successors—Pollock, Newman, Rothko, and Still. Golding shows how each painter sought to see the world and communicate his vision in the purest or most expressive form possible. For example, Mondrian found his way into abstraction through a spiritual response to the landscape of his native Holland, Malevich through his apprehension of the human body, Kandinsky through a blend of religious mysticism and symbolism. Line and color became the focus for many of their creative endeavors. In the 1940s and 50s, the Americans raised the level of pictorial innovation, beginning most notably with Pollock and his Jung-inspired concept of action. Golding makes a powerful case that at its best and most profound, abstract painting is heavily imbued with meaning and content. Through a blend of biography, art analysis, and cultural history, Paths to the Absolute offers remarkable insights into how a sense of purpose is achieved in painting, and how abstractionism engaged with the intellectual currents of its time. Please note: All images in this ebook are presented in black and white and have been reduced in size.
Author: Andrew Carnduff Ritchie
Publisher: Ayer Publishing
ISBN:
Category : Art, Abstract
Languages : en
Pages : 159
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Book Description
Author: Joyce Raimondo
Publisher: Watson-Guptill
ISBN: 9780823099986
Category : Art, Abstract
Languages : en
Pages : 0
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Book Description
Big ideas in abstract art—for little people! The Art Explorers series offers a new approach to art, encouraging kids to interpret what they see in famous artworks, then try the techniques themselves.What’s the Big Idea?: Activities and Adventures in Abstract Art, the fifth book in the series, draws children into the intriguing, involving world of abstract art by highlighting the work of six famous artists. FromRed Cannaby Georgia O’Keeffe toWeeping Womanby Pablo Picasso, fromLa Villeby Fernand Leacute;ger to a plate fromJazzby Henri Matisse, fromMyxomatoseby Alexander Calder toWater of the Flowery Millby Arshile Gorky, each artist is represented by a famous artwork, paired with questions to get kids thinking about what they see. Easy-to-follow activities provide hands-on experience with the artist's techniques, subject, and media, each illustrated with examples by real kids. Packed with great art and great activities,What’s the Big Idea?lets kids understand art—and become artists themselves. Praise for Art Explorers “Highly useful and entertaining.”—School Library Journal “Offers creative ideas for children.”—Publishers Weekly “A breath of fresh air.”—Library Media Connection “Well done.”—Kirkus Reviews “A terrific resource.”—Big Apple Parent • Interactive introduction to six famous artists: Pablo Picasso, Henri Matisse, Fernand Leacute;ger, Georgia O’Keeffe, Alexander Calder, and Arshile Gorky • Hands-on approach to understanding great art • School budget cuts? Parents and teachers need Art Explorers—ideal for homeschoolers, too!
Author: Magdalena Dabrowski
Publisher: Museum
ISBN:
Category : Art
Languages : en
Pages : 298
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Book Description
Magdalena Dabrowski retraces the course of geometric abstract art in our century, she divides the years from 1910 to 1980- into five spans. The first: Origins of the Nonobjective - Cubism, Futurism, Cubo-Futurism. The second: Surface to space - Suprematism, de Stiji, Russian Constructivism. Then, Internation constructivism, followed by Paris-New Yourk connection and finally, Nonfigurative tendrncies.
Author: Stephanie Straine
Publisher: National Geographic Books
ISBN: 0500295751
Category : Art
Languages : en
Pages : 0
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Book Description
The Art Essentials Series continues with a vivid introduction to the ever-evolving story of abstract art told through the work of more than seventy-five groundbreaking artists. While it is considered by many artists to be a pure and simplistic form of expression, abstract art is also often thought of as vague or exceedingly theoretical. This new installment in the Art Essentials series demystifies the concept and history of abstraction, taking the reader on a journey that spans the globe and examines the pioneering artists of the last century who advanced abstraction with their work and changed in the process. Weaving together narratives of familiar artists with fascinating accounts of lesser-known figures, author Stephanie Straine follows the history of abstraction from its multifaceted beginnings in Europe through its appearance and transformation during global constructivist, abstract expressionist, and minimalist movements. This book showcases a diverse spectrum of global artists and provides insight into abstraction in the digital age, analyzing historical debates about the abstract through the works of contemporary artists such as Julie Mehretu, El Anatsui, and Rana Begum. With her lively and illuminating discussion, Straine offers a much-needed, straightforward introduction to abstraction and reveals the wide range of philosophical, political, and visual theories that have shaped this essential art form.
