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Author: Frank Cook
Publisher:
ISBN: 9781540024848
Category :
Languages : en
Pages : 0
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Book Description
(Music Pro Guides). Cubase 101: Music Production with Cubase 10 teaches the fundamentals of using Cubase Artist software. Designed to support instructor-led training and independent learning, this course book covers everything readers need to know to complete a Cubase project. In this course, students will learn to build multitrack projects, record live audio, use MIDI and virtual instruments, and add audio processing to their recordings. The included hands-on exercises will help students develop essential techniques for recording, editing, and mixing within the Cubase environment. Topics of discussion include audio basics and principles of digital audio, system hardware options (audio interfaces, MIDI controllers, etc.), software installation, the Cubase file structure and organization, the Cubase user interface and toolset, project parameters, file size considerations, working with tracks and track types, recording audio, managing audio for a project, importing media files, recording MIDI and assigning virtual instruments, navigating through tracks and media, using editing techniques and operations, mixing and processing tracks, basic automation techniques, and creating a final bounce.
Author: Frank D. Cook
Publisher: Rowman & Littlefield
ISBN: 1538137267
Category : Music
Languages : en
Pages : 334
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Book Description
Learn the basics of recording, editing, and mixing audio using Cubase Elements, Artist, or Pro. Experience the software used worldwide by musicians, producers, engineers, mixers, and audio professionals. Filled with tips and insights, Audio Production Basics with Cubase 10.5 will get you working fast. With this book and the included media files, you’ll get the practical, hands-on exposure you need. We cover everything from setting up your computer to the fundamentals of audio production, including: Basic Digital Audio Workstation operations and audio hardware options Principles of sound production and microphone use Essential Cubase concepts and operations MIDI fundamentals for playing and performing with virtual instruments Multi-track recording Plug-in use and signal processing techniques Mixing your project and using automation Outputting your final mixdown Cubase software is very powerful, yet fun and easy to use. Everything you learn here will apply to all editions of Cubase (Elements, Artist, and Pro), so you can easily upgrade in the future no matter where you are starting today. Take the first step now, with Audio Production Basics with Cubase 10.5.
Author: Frank Cook
Publisher:
ISBN: 9781540024848
Category :
Languages : en
Pages : 0
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Book Description
(Music Pro Guides). Cubase 101: Music Production with Cubase 10 teaches the fundamentals of using Cubase Artist software. Designed to support instructor-led training and independent learning, this course book covers everything readers need to know to complete a Cubase project. In this course, students will learn to build multitrack projects, record live audio, use MIDI and virtual instruments, and add audio processing to their recordings. The included hands-on exercises will help students develop essential techniques for recording, editing, and mixing within the Cubase environment. Topics of discussion include audio basics and principles of digital audio, system hardware options (audio interfaces, MIDI controllers, etc.), software installation, the Cubase file structure and organization, the Cubase user interface and toolset, project parameters, file size considerations, working with tracks and track types, recording audio, managing audio for a project, importing media files, recording MIDI and assigning virtual instruments, navigating through tracks and media, using editing techniques and operations, mixing and processing tracks, basic automation techniques, and creating a final bounce.
Author: Darren Jones
Publisher: Lulu.com
ISBN: 1326870270
Category :
Languages : en
Pages : 600
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Book Description
Author: Eric Kuehnl
Publisher: Rowman & Littlefield
ISBN: 1538134705
Category : Music
Languages : en
Pages : 361
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Book Description
Learn the basics of producing music with Ableton Live software. Ableton Live has become one of the most popular platforms for music production since its introduction in 2001. Its intuitive interface allows beginners to make music right away, while offering deep functionality to satisfy even the most advanced user. Ableton Live 101 and the included online media files will guide you through the fundamentals of music production, including: studio setup and configuration, using basic Ableton Live controls, creating Ableton Live sets, importing and working with audio and MIDI files, recording audio and MIDI, making selections and navigating, editing audio and MIDI, and basic mixing and exporting. Mastering these basic skills is the first step toward becoming an Ableton Live expert. Get started on your path to modern music production today with Ableton Live 101!
Author: Darren Jones
Publisher: Lulu.com
ISBN: 1326839888
Category :
Languages : en
Pages : 604
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Book Description
Author: Darren Jones
Publisher: Lulu.com
ISBN: 1326696394
Category : Cubase
Languages : en
Pages : 540
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Learn the fundamentals of Cubase for recording, performing, mixing, and producing music of all kinds. In this course, author Mark Struthers gives a basic overview of Cubase, suitable for beginners who are new to the software's powerful audio and MIDI features. He shows how to install Cubase and walks you through the interface, including the main zones, toolbar, and inspector. Mark then reviews the basic workflows, such as using the Steinberg Hub to create projects from templates; organizing media; recording audio and MIDI directly into a project; and adjusting playback, transport, tempo, and other important settings that have an impact of the quality of your final mix. You should leave this course with the knowledge and confidence required to create your own Cubase projects.
Author: Tim Dittmar
Publisher: Taylor & Francis
ISBN: 1136111735
Category : Technology & Engineering
Languages : en
Pages : 258
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Book Description
Audio Engineering 101 is a real world guide for starting out in the recording industry. If you have the dream, the ideas, the music and the creativity but don't know where to start, then this book is for you! Filled with practical advice on how to navigate the recording world, from an author with first-hand, real-life experience, Audio Engineering 101 will help you succeed in the exciting, but tough and confusing, music industry. Covering all you need to know about the recording process, from the characteristics of sound to a guide to microphones to analog versus digital recording. Dittmar covers all the basics- equipment, studio acoustics, the principals of EQ/ compression, music examples to work from and when and how to use compression. FAQ's from professionals give you real insight into the reality of life on the industry.
Author: GILHO SONG
Publisher: Song gilho
ISBN:
Category : Art
Languages : en
Pages : 69
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Book Description
Hello I am a composer working in Korea. I have been using Cubase for a long time. For those who are new to Cubase, we have created a lecture easily and intuitively. Take a look at the list and pass by if you know anything. I hope this lecture will be helpful to you. Thank you. Preface This book is based on Cubase 10.5. There are three major classes in Cubase documentation. Chapter 1 The first subject is a beginner course You can learn easily.Instrument recording, vocal recording, mixing, mastering, etc. within 1 hour The purpose of this book is to learn the workflow of music production by simply experiencing it. Chapter 2 Chapter 2 explained in more detail the functions learned in Chapter 1 and important functions that were not mentioned. We have explained the functions for making great music, so it will be useful for making music. Chapter 3 As a class explaining the advanced functions of Cubase, we explained the functions that can be conveniently operated. There are many video lectures on YouTube. However, there are some advantages of document lectures. I hope you can learn easily by using it. Chapter 1 Content list 1-1.Create project 1-2.Create an instrument track and a MIDI track 1-3.Create 16 instrument tracks 1-4.Loading an instrument 1-5.Try recording an instrument 1-6.Make MP3 1-7.Voice recording 1-8.Add voice reverb 1-9.Glossary,What to do when there is no sound Chapter 2 Content list 2-1.Keycommand.Preferences,Project Setup 2-2.Tempo,Signature Create a track 2-3.Midi Function, Controller 2-4.Render.Bounce,Transpose 2-5.Sampler track 2-6.Musical Mode(Audio beat control) 2-7.VariAudio(Pitch control), Harmony 2-8.Groove Agent 2-9.Audio Warp(Audio Quantize) 2-10.Alignment(Matching the beat time between files) 2-11.Processes,Fade in,Fade out 2-12.Chord Pads, Beat designer, Chord Track(Code automatic display) 2-13.Punch in out(Automatic recording), Lanes 2-14.Automation,MediaBay(Sound storage) utilization 2-15.Score,MIDI file extraction through VariAudio 2-16.Import(Loading audio files) 2-17.Export (Create a Multi) 2-18.Mixer Chapter3 Content list 3-1.Articulation, Expression Map 3-2.Template 3-3.Import Tracks from Project 3-4.Channel Strip 3-5.Combine selection Tools 3-6.Auto Tune 3-7.Controll Room 3-8.VST Connect Pro 3-9.EQ, Compressor
Author: Mike Collins
Publisher: Taylor & Francis
ISBN: 113611565X
Category : Technology & Engineering
Languages : en
Pages : 538
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Book Description
This comprehensive reference features all the major audio software: SONAR XL; Cubase SX; Logic Audio Platinum; Digital Performer; Nuendo; Pro Tools; Peak; Spark XL; SonicWorx; Audition (Cool Edit Pro); WaveLab; Sound Forge. If you need advice on which systems to purchase, which are most suitable for particular projects, and on moving between platforms mid-project, this book should be your one-stop reference. Mike Collins is a trainer and consultant who has been tackling these issues for years and his expert advice will save you time and money. Each section covers a specific system, providing a handy overview of its key features and benefits, including help with setup. "Hints" and "Tips" appear throughout these sections, addressing issues such as how to record drum loops using a virtual drum-machine, recording basslines and keyboard pads using virtual synthesizers, and adding strings, brass or other instruments using virtual samplers. Mike then illustrates how to convert these MIDI recordings into audio tracks to mix alongside vocals, guitars and any other real instruments. The many short tutorials provide both a source of comparison and means to get up to speed fast on any given software. Mike Collins is a music technology consultant and writer who has been making music in London's recording studios variously as a MIDI programmer, session musician, recording engineer, producer and arranger since 1981. He offers freelance Pro Tools engineering, consultancy, troubleshooting and personal tuition, as well as presenting seminars and lectures on related music technology and audio recording topics. Mike has written over 500 articles for magazines such as Macworld (UK), Pro Sound News Europe, Sound on Sound and AudioMedia, and for Electronic Musician and MIX in the USA. Mike's wide-ranging career and experience enables him to bring excellent insight from all sides into his writing, from technical detail to creative expression. Starting out as a musician and club DJ in the 1970's, Mike moved into professional recording in the 1980's, initially as a Songwriter/Producer for EMI Records. Later he worked as a Songwriter for Chappell Music; as a Film Sound Consultant for Dolby Labs; as a Music Producer for TV recordings; and as Senior Recording Engineer and Music Technology Specialist at Yamaha's London R & D Studio. Throughout the 1990's Mike worked as a MIDI Programmer on records, films and music tours with bands such as the Shamen and film composers such as Ryuichi Sakamoto and David Arnold. Mike was Executive Consultant to Re-Pro (The Guild of Record Producers and Engineers) between 1996 and 1999 and Technical Consultant to the Music Producers Guild (MPG), contributing to the Education Group and organising and presenting Technical Seminars between 1999 and 2002. He has a BSc in Electroacoustics and an MSc in Music Information Technology.
