Author: Louis A. Perez, Jr.
Publisher: University of Pittsburgh Press
ISBN: 0822971208
Category : History
Languages : en
Pages : 205
Book Description
Cuban Studies 39 includes essays on: the recent transformation of the Cuban film animation industry; the influence of the liberal agenda of Justo Rufino Barrios on Jose Mart; a profile of the music of the Special Period and its social commentary; an in-depth examination of the contents, important themes, and enormous research potential of the Miscelnea de Expedientes collection at the Cuban National Archive; and a realistic assessment on the political future of Cuba.
Cuban Studies 39
Author: Louis A. Perez, Jr.
Publisher: University of Pittsburgh Press
ISBN: 0822971208
Category : History
Languages : en
Pages : 205
Book Description
Cuban Studies 39 includes essays on: the recent transformation of the Cuban film animation industry; the influence of the liberal agenda of Justo Rufino Barrios on Jose Mart; a profile of the music of the Special Period and its social commentary; an in-depth examination of the contents, important themes, and enormous research potential of the Miscelnea de Expedientes collection at the Cuban National Archive; and a realistic assessment on the political future of Cuba.
Publisher: University of Pittsburgh Press
ISBN: 0822971208
Category : History
Languages : en
Pages : 205
Book Description
Cuban Studies 39 includes essays on: the recent transformation of the Cuban film animation industry; the influence of the liberal agenda of Justo Rufino Barrios on Jose Mart; a profile of the music of the Special Period and its social commentary; an in-depth examination of the contents, important themes, and enormous research potential of the Miscelnea de Expedientes collection at the Cuban National Archive; and a realistic assessment on the political future of Cuba.
Essays in Cuban Intellectual History
Author: R. Rojas
Publisher: Springer
ISBN: 0230611079
Category : Social Science
Languages : en
Pages : 199
Book Description
Well-known essayist and Cuban historian Rafael Rojas presents a collection of his best work, one which focuses on - and offers alternatives to - the central myths that have organized Cuban culture from the nineteenth century to the present. Rojas explores the most important themes of Cuban intellectual history, including the legacy of José Martí, the cultural effect of the war in 1898, the construction of a national canon of Cuban literature, the works of classical intellectuals of the republican period, the literary magazine Orígenes, the ideological impact of the Cuban Revolution, and the possibilities of a democratic transition in the island at the beginning of the twenty-firstcentury.
Publisher: Springer
ISBN: 0230611079
Category : Social Science
Languages : en
Pages : 199
Book Description
Well-known essayist and Cuban historian Rafael Rojas presents a collection of his best work, one which focuses on - and offers alternatives to - the central myths that have organized Cuban culture from the nineteenth century to the present. Rojas explores the most important themes of Cuban intellectual history, including the legacy of José Martí, the cultural effect of the war in 1898, the construction of a national canon of Cuban literature, the works of classical intellectuals of the republican period, the literary magazine Orígenes, the ideological impact of the Cuban Revolution, and the possibilities of a democratic transition in the island at the beginning of the twenty-firstcentury.
Cuban Palimpsests
Author: Jose Quiroga
Publisher: U of Minnesota Press
ISBN: 9780816642144
Category : Social Science
Languages : en
Pages : 300
Book Description
Four decades ago, the Cuban revolution captured the world’s attention and imagination. Its impact around the world was as much cultural as geopolitical. Within Cuba, the state developed a strictly defined national and collective memory that led directly from a colonial past to a utopian future, but this narrative came to a halt in the early 1990s. The collapse of Cuba’s sponsor, the Soviet Union, and the end of the Cold War preceded the so- called “Special Period in Times of Peace,” a euphemistic phrase that masked the genuine anxiety shared by leaders and people about the nation’s future. In Cuban Palimpsests, José Quiroga explores the sites, both physical and imaginative, where memory bears upon Cuba’s collective history in ways that illuminate this extended moment of uncertainty. Crossing geographical, political, and cultural borders, Quiroga moves with ease between Cuba, Miami, and New York. He traces generational shifts within the exile community, contrasts Havana’s cultural richness with its economic impoverishment, follows the cloak-and-dagger narratives of revolutionary and counterrevolutionary spy fiction and film, and documents the world’s ongoing fascination with Cuban culture. From the nostalgic photographs of Walker Evans to the iconic stature of Fidel Castro, from the literary expressions of despair to the beat of Cuban musical rhythms, from the haunting legacy of artist Ana Mendieta to the death of Celia Cruz and the reburial of Che Guevara, Cuban Palimpsests memorializes the ruins of Cuba’s past and offers a powerful meditation on its enigmatic place within the new world order. José Quiroga is professor and department chair of Spanish and Portuguese at Emory University. He is the author of Understanding Octavio Paz and Tropics of Desire: Interventions from Queer Latino America.
Publisher: U of Minnesota Press
ISBN: 9780816642144
Category : Social Science
Languages : en
Pages : 300
Book Description
Four decades ago, the Cuban revolution captured the world’s attention and imagination. Its impact around the world was as much cultural as geopolitical. Within Cuba, the state developed a strictly defined national and collective memory that led directly from a colonial past to a utopian future, but this narrative came to a halt in the early 1990s. The collapse of Cuba’s sponsor, the Soviet Union, and the end of the Cold War preceded the so- called “Special Period in Times of Peace,” a euphemistic phrase that masked the genuine anxiety shared by leaders and people about the nation’s future. In Cuban Palimpsests, José Quiroga explores the sites, both physical and imaginative, where memory bears upon Cuba’s collective history in ways that illuminate this extended moment of uncertainty. Crossing geographical, political, and cultural borders, Quiroga moves with ease between Cuba, Miami, and New York. He traces generational shifts within the exile community, contrasts Havana’s cultural richness with its economic impoverishment, follows the cloak-and-dagger narratives of revolutionary and counterrevolutionary spy fiction and film, and documents the world’s ongoing fascination with Cuban culture. From the nostalgic photographs of Walker Evans to the iconic stature of Fidel Castro, from the literary expressions of despair to the beat of Cuban musical rhythms, from the haunting legacy of artist Ana Mendieta to the death of Celia Cruz and the reburial of Che Guevara, Cuban Palimpsests memorializes the ruins of Cuba’s past and offers a powerful meditation on its enigmatic place within the new world order. José Quiroga is professor and department chair of Spanish and Portuguese at Emory University. He is the author of Understanding Octavio Paz and Tropics of Desire: Interventions from Queer Latino America.
Handmade in Cuba
Author: Ruth Behar
Publisher: University Press of Florida
ISBN: 168340288X
Category : Art
Languages : en
Pages : 346
Book Description
Handmade in Cuba is an in-depth examination of Ediciones Vigía, an artisanal press that published exquisite books crafted from simple supplies during some of Cuba’s most dire economic periods. Vividly illustrated, this volume shows how the publishing collective responded to the nation’s changing historical and political situation from the margins of society, representing Cuban culture across the boundaries of race, age, gender, and genre. In this volume, poets and scholars reflect on the unique artistic direction of Rolando Estévez, who oversaw the creation of over 500 handmade books and magazines between 1985 and 2014. They highlight the beautiful designs and unusual materials selected, including fabric, metals, wood, feathers, and discarded items. Through diverse perspectives, including an interview with Estévez himself, the essays showcase the unlimited inventive possibilities of books as objects, as sculptural pieces, and as installations. Even in the age of technology, Estévez generated enormous excitement and admiration for these hand-crafted books, and this volume offers the first inside view of this important alternative publishing space. Contributors: Ruth Behar | Juanamaría Cordones-Cook | Gwendolyn Díaz | Erin Finzer | William Luis | Nancy Morejón | Kim Nochi | Carina Pino Santos | Kristin Schwain | Elzbieta Sklodowska
Publisher: University Press of Florida
ISBN: 168340288X
Category : Art
Languages : en
Pages : 346
Book Description
Handmade in Cuba is an in-depth examination of Ediciones Vigía, an artisanal press that published exquisite books crafted from simple supplies during some of Cuba’s most dire economic periods. Vividly illustrated, this volume shows how the publishing collective responded to the nation’s changing historical and political situation from the margins of society, representing Cuban culture across the boundaries of race, age, gender, and genre. In this volume, poets and scholars reflect on the unique artistic direction of Rolando Estévez, who oversaw the creation of over 500 handmade books and magazines between 1985 and 2014. They highlight the beautiful designs and unusual materials selected, including fabric, metals, wood, feathers, and discarded items. Through diverse perspectives, including an interview with Estévez himself, the essays showcase the unlimited inventive possibilities of books as objects, as sculptural pieces, and as installations. Even in the age of technology, Estévez generated enormous excitement and admiration for these hand-crafted books, and this volume offers the first inside view of this important alternative publishing space. Contributors: Ruth Behar | Juanamaría Cordones-Cook | Gwendolyn Díaz | Erin Finzer | William Luis | Nancy Morejón | Kim Nochi | Carina Pino Santos | Kristin Schwain | Elzbieta Sklodowska
Sound, Image, and National Imaginary in the Construction of Latin/o American Identities
Author: Héctor Fernández L'Hoeste
Publisher: Lexington Books
ISBN: 1498565247
Category : History
Languages : en
Pages : 245
Book Description
Sound, Image, and National Imaginary in the Construction of Latin/o American Identities addresses a gap in the many narratives discussing the cultural histories of Latin American nations, particularly in terms of the birth, configuration, and perpetuation of national identities. It argues that these processes were not as gradual or constrained as traditionally conceived. The actual circumstances dictating the adoption of particular technologies for the representation of national ideas shifted and varied according to many factors including local circumstances, political singularities, economic disparities, and highly individualized cultural transitions. This book proposes a model of chronology that is valid not only for nations that underwent strong processes of nationalism during the early or mid-twentieth century, but also for those that experienced highly idiosyncratic cultural, economic, and political development into the early twenty-first century.
Publisher: Lexington Books
ISBN: 1498565247
Category : History
Languages : en
Pages : 245
Book Description
Sound, Image, and National Imaginary in the Construction of Latin/o American Identities addresses a gap in the many narratives discussing the cultural histories of Latin American nations, particularly in terms of the birth, configuration, and perpetuation of national identities. It argues that these processes were not as gradual or constrained as traditionally conceived. The actual circumstances dictating the adoption of particular technologies for the representation of national ideas shifted and varied according to many factors including local circumstances, political singularities, economic disparities, and highly individualized cultural transitions. This book proposes a model of chronology that is valid not only for nations that underwent strong processes of nationalism during the early or mid-twentieth century, but also for those that experienced highly idiosyncratic cultural, economic, and political development into the early twenty-first century.
Visions of Power in Cuba
Author: Lillian Guerra
Publisher: UNC Press Books
ISBN: 0807837369
Category : History
Languages : en
Pages : 488
Book Description
In the tumultuous first decade of the Cuban Revolution, Fidel Castro and other leaders saturated the media with altruistic images of themselves in a campaign to win the hearts of Cuba's six million citizens. In Visions of Power in Cuba, Lillian Guerra argues that these visual representations explained rapidly occurring events and encouraged radical change and mutual self-sacrifice. Mass rallies and labor mobilizations of unprecedented scale produced tangible evidence of what Fidel Castro called "unanimous support" for a revolution whose "moral power" defied U.S. control. Yet participation in state-orchestrated spectacles quickly became a requirement for political inclusion in a new Cuba that policed most forms of dissent. Devoted revolutionaries who resisted disastrous economic policies, exposed post-1959 racism, and challenged gender norms set by Cuba's one-party state increasingly found themselves marginalized, silenced, or jailed. Using previously unexplored sources, Guerra focuses on the lived experiences of citizens, including peasants, intellectuals, former prostitutes, black activists, and filmmakers, as they struggled to author their own scripts of revolution by resisting repression, defying state-imposed boundaries, and working for anti-imperial redemption in a truly free Cuba.
Publisher: UNC Press Books
ISBN: 0807837369
Category : History
Languages : en
Pages : 488
Book Description
In the tumultuous first decade of the Cuban Revolution, Fidel Castro and other leaders saturated the media with altruistic images of themselves in a campaign to win the hearts of Cuba's six million citizens. In Visions of Power in Cuba, Lillian Guerra argues that these visual representations explained rapidly occurring events and encouraged radical change and mutual self-sacrifice. Mass rallies and labor mobilizations of unprecedented scale produced tangible evidence of what Fidel Castro called "unanimous support" for a revolution whose "moral power" defied U.S. control. Yet participation in state-orchestrated spectacles quickly became a requirement for political inclusion in a new Cuba that policed most forms of dissent. Devoted revolutionaries who resisted disastrous economic policies, exposed post-1959 racism, and challenged gender norms set by Cuba's one-party state increasingly found themselves marginalized, silenced, or jailed. Using previously unexplored sources, Guerra focuses on the lived experiences of citizens, including peasants, intellectuals, former prostitutes, black activists, and filmmakers, as they struggled to author their own scripts of revolution by resisting repression, defying state-imposed boundaries, and working for anti-imperial redemption in a truly free Cuba.
Sexual Revolutions in Cuba
Author: Carrie Hamilton
Publisher: Univ of North Carolina Press
ISBN: 0807835196
Category : History
Languages : en
Pages : 319
Book Description
Chronicling the history of sexuality in Cuba since the 1959 revolution, this book frames the relationship between passion and politics in the revolution's wider history and argues that the Cuban revolutionary regime intervened in the sexual lives of Cubans in a variety of ways and transformed key areas of Cuban life, including the family, reproduction, sexual values, and sexual relationships. Drawing from a major oral history project--the “Memories of the Revolution” oral history project conducted by a team of British and Cuban researchers (Hamilton was one of the British researchers on the team) between 2003 and 2007--Hamilton explores the experiences and perceptions of sexuality among Cubans across generations and social groups. She contextualizes the oral histories within an array of archival and secondary sources, relating them to issues of race, class, and gender, as well as to social, economic, and political change. Organized thematically, the volume opens with a historical overview that points out that after 1959 revolutionary values continued to coexist with pre-revolutionary ideologies in a potent and often contradictory mix. Succeeding chapters examine discourse on love, romance, and passion on both personal and national levels; male and female homosexuality; sexual repression; and changing gender roles and service to the revolution. Hamilton explores conflicting notions of Cuba as a site of desire on the one hand, and as a place of intense sexual repression, especially with regard to homosexuality, on the other. She identifies many ways in which revolutionary policy affected sexual behavior, including changes to policy and laws, mass education programs, leaders' pronouncements on the relationship between good revolutionaries and private life, and the provision of incentives to encourage certain forms of sexual union and repressive measures to discourage and punish others. Hamilton argues that sexual politics were central to the construction of a new revolutionary society.
Publisher: Univ of North Carolina Press
ISBN: 0807835196
Category : History
Languages : en
Pages : 319
Book Description
Chronicling the history of sexuality in Cuba since the 1959 revolution, this book frames the relationship between passion and politics in the revolution's wider history and argues that the Cuban revolutionary regime intervened in the sexual lives of Cubans in a variety of ways and transformed key areas of Cuban life, including the family, reproduction, sexual values, and sexual relationships. Drawing from a major oral history project--the “Memories of the Revolution” oral history project conducted by a team of British and Cuban researchers (Hamilton was one of the British researchers on the team) between 2003 and 2007--Hamilton explores the experiences and perceptions of sexuality among Cubans across generations and social groups. She contextualizes the oral histories within an array of archival and secondary sources, relating them to issues of race, class, and gender, as well as to social, economic, and political change. Organized thematically, the volume opens with a historical overview that points out that after 1959 revolutionary values continued to coexist with pre-revolutionary ideologies in a potent and often contradictory mix. Succeeding chapters examine discourse on love, romance, and passion on both personal and national levels; male and female homosexuality; sexual repression; and changing gender roles and service to the revolution. Hamilton explores conflicting notions of Cuba as a site of desire on the one hand, and as a place of intense sexual repression, especially with regard to homosexuality, on the other. She identifies many ways in which revolutionary policy affected sexual behavior, including changes to policy and laws, mass education programs, leaders' pronouncements on the relationship between good revolutionaries and private life, and the provision of incentives to encourage certain forms of sexual union and repressive measures to discourage and punish others. Hamilton argues that sexual politics were central to the construction of a new revolutionary society.
Diary as Literature: Through the Lens of Multiculturalism in America
Author: Angela R. Hooks
Publisher: Vernon Press
ISBN: 1622738942
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
Meandering plots, dead ends, and repetition, diaries do not conform to literary expectations, yet they still manage to engage the reader, arouse empathy and elicit emotional responses that many may be more inclined to associate with works of fiction. Blurring the lines between literary genres, diary writing can be considered a quasi-literary genre that offers a unique insight into the lives of those we may have otherwise never discovered. This edited volume examines how diarists, poets, writers, musicians, and celebrities use their diary to reflect on multiculturalism and intercultural relations. Within this book, multiculturalism is defined as the sociocultural experiences of underrepresented groups who fall outside the mainstream of race, ethnicity, religion, gender, sexual orientation, disability, and language. Multiculturalism reflects different cultures and racial groups with equal rights and opportunities, equal attention and representation without assimilation. In America, the multicultural society includes various cultural and ethnic groups that do not necessarily have engaging interaction with each other whereas, importantly, intercultural is a community of cultures who learn from each other, and have respect and understand different cultures. Presented as a collection of academic essays and creative writing, The Diary as Literature Through the Lens of Multiculturalism in America analyses diary writing in its many forms from oral diaries and memoirs to letters and travel writing. Divided into three sections: Diaries of the American Civil War, Diaries of Trips and Letters of Diaspora, and Diaries of Family, Prison Lyrics, and a Memoir, the contributors bring a range of expertise to this quasi-literary genre including comparative and transatlantic literature, composition and rhetoric, history and women and gender studies.
Publisher: Vernon Press
ISBN: 1622738942
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
Meandering plots, dead ends, and repetition, diaries do not conform to literary expectations, yet they still manage to engage the reader, arouse empathy and elicit emotional responses that many may be more inclined to associate with works of fiction. Blurring the lines between literary genres, diary writing can be considered a quasi-literary genre that offers a unique insight into the lives of those we may have otherwise never discovered. This edited volume examines how diarists, poets, writers, musicians, and celebrities use their diary to reflect on multiculturalism and intercultural relations. Within this book, multiculturalism is defined as the sociocultural experiences of underrepresented groups who fall outside the mainstream of race, ethnicity, religion, gender, sexual orientation, disability, and language. Multiculturalism reflects different cultures and racial groups with equal rights and opportunities, equal attention and representation without assimilation. In America, the multicultural society includes various cultural and ethnic groups that do not necessarily have engaging interaction with each other whereas, importantly, intercultural is a community of cultures who learn from each other, and have respect and understand different cultures. Presented as a collection of academic essays and creative writing, The Diary as Literature Through the Lens of Multiculturalism in America analyses diary writing in its many forms from oral diaries and memoirs to letters and travel writing. Divided into three sections: Diaries of the American Civil War, Diaries of Trips and Letters of Diaspora, and Diaries of Family, Prison Lyrics, and a Memoir, the contributors bring a range of expertise to this quasi-literary genre including comparative and transatlantic literature, composition and rhetoric, history and women and gender studies.
Cuba
Author: Julia E. Sweig
Publisher: Oxford University Press
ISBN: 0190620382
Category : Political Science
Languages : en
Pages : 385
Book Description
Ever since Fidel Castro assumed power in Cuba in 1959, Americans have obsessed about the nation ninety miles south of the Florida Keys. America's fixation on the tropical socialist republic has only grown over the years, fueled in part by successive waves of Cuban immigration and Castro's larger-than-life persona. Cubans are now a major ethnic group in Florida, and the exile community is so powerful that every American president has curried favor with it. But what do most Americans really know about Cuba itself? In this third edition of the widely hailed Cuba: What Everyone Needs to Know®, Julia Sweig updates her concise and remarkably accessible portrait of the small island nation. This edition contains a new foreword that discusses developments since Obama and Raul Castro announced the normalization of US-Cuba relations and restored formal diplomatic ties. A new final chapter discusses how normalization came to pass and covers Pope Francis' visit to Cuba, where he met with Fidel and Raul Castro. Expansive in coverage and authoritative in scope, the book looks back over Cuba's history since the Spanish American War before shifting to recent times. Focusing equally on Cuba's role in world affairs and its own social and political transformations, Sweig divides the book chronologically into the pre-Fidel era, the period between the 1959 revolution and the fall of the Soviet Union, the post-Cold War era, and -- finally -- the post-Fidel era. Informative, pithy, and lucidly written, it is the best compact reference on Cuba's internal politics, its often fraught relationship with the United States, and its shifting relationship with the global community. What Everyone Needs to Know® is a registered trademark of Oxford University Press.
Publisher: Oxford University Press
ISBN: 0190620382
Category : Political Science
Languages : en
Pages : 385
Book Description
Ever since Fidel Castro assumed power in Cuba in 1959, Americans have obsessed about the nation ninety miles south of the Florida Keys. America's fixation on the tropical socialist republic has only grown over the years, fueled in part by successive waves of Cuban immigration and Castro's larger-than-life persona. Cubans are now a major ethnic group in Florida, and the exile community is so powerful that every American president has curried favor with it. But what do most Americans really know about Cuba itself? In this third edition of the widely hailed Cuba: What Everyone Needs to Know®, Julia Sweig updates her concise and remarkably accessible portrait of the small island nation. This edition contains a new foreword that discusses developments since Obama and Raul Castro announced the normalization of US-Cuba relations and restored formal diplomatic ties. A new final chapter discusses how normalization came to pass and covers Pope Francis' visit to Cuba, where he met with Fidel and Raul Castro. Expansive in coverage and authoritative in scope, the book looks back over Cuba's history since the Spanish American War before shifting to recent times. Focusing equally on Cuba's role in world affairs and its own social and political transformations, Sweig divides the book chronologically into the pre-Fidel era, the period between the 1959 revolution and the fall of the Soviet Union, the post-Cold War era, and -- finally -- the post-Fidel era. Informative, pithy, and lucidly written, it is the best compact reference on Cuba's internal politics, its often fraught relationship with the United States, and its shifting relationship with the global community. What Everyone Needs to Know® is a registered trademark of Oxford University Press.
Cuba
Author: Julia Sweig
Publisher: Oxford University Press
ISBN: 0190620374
Category : History
Languages : en
Pages : 385
Book Description
Informative, pithy, and lucidly written, Cuba: What Everyone Needs to Know, 3rd edition, is the best compact reference on Cuba's internal politics, its often fraught relationship with the United States, and its shifting relationship with the global community.
Publisher: Oxford University Press
ISBN: 0190620374
Category : History
Languages : en
Pages : 385
Book Description
Informative, pithy, and lucidly written, Cuba: What Everyone Needs to Know, 3rd edition, is the best compact reference on Cuba's internal politics, its often fraught relationship with the United States, and its shifting relationship with the global community.