Author: Sujatha Fernandes
Publisher: Duke University Press
ISBN: 0822388227
Category : Art
Languages : en
Pages : 241
Book Description
In Cuba something curious has happened over the past fifteen years. The government has allowed vocal criticism of its policies to be expressed within the arts. Filmmakers, rappers, and visual and performance artists have addressed sensitive issues including bureaucracy, racial and gender discrimination, emigration, and alienation. How can this vibrant body of work be reconciled with the standard representations of a repressive, authoritarian cultural apparatus? In Cuba Represent! Sujatha Fernandes—a scholar and musician who has performed in Cuba—answers that question. Combining textual analyses of films, rap songs, and visual artworks; ethnographic material collected in Cuba; and insights into the nation’s history and political economy, Fernandes details the new forms of engagement with official institutions that have opened up as a result of changing relationships between state and society in the post-Soviet period. She demonstrates that in a moment of extreme hardship and uncertainty, the Cuban state has moved to a more permeable model of power. Artists and other members of the public are collaborating with government actors to partially incorporate critical cultural expressions into official discourse. The Cuban leadership has come to recognize the benefits of supporting artists: rappers offer a link to increasingly frustrated black youth in Cuba; visual artists are an important source of international prestige and hard currency; and films help unify Cubans through community discourse about the nation. Cuba Represent! reveals that part of the socialist government’s resilience stems from its ability to absorb oppositional ideas and values.
Cuba Represent!
Author: Sujatha Fernandes
Publisher: Duke University Press
ISBN: 0822388227
Category : Art
Languages : en
Pages : 241
Book Description
In Cuba something curious has happened over the past fifteen years. The government has allowed vocal criticism of its policies to be expressed within the arts. Filmmakers, rappers, and visual and performance artists have addressed sensitive issues including bureaucracy, racial and gender discrimination, emigration, and alienation. How can this vibrant body of work be reconciled with the standard representations of a repressive, authoritarian cultural apparatus? In Cuba Represent! Sujatha Fernandes—a scholar and musician who has performed in Cuba—answers that question. Combining textual analyses of films, rap songs, and visual artworks; ethnographic material collected in Cuba; and insights into the nation’s history and political economy, Fernandes details the new forms of engagement with official institutions that have opened up as a result of changing relationships between state and society in the post-Soviet period. She demonstrates that in a moment of extreme hardship and uncertainty, the Cuban state has moved to a more permeable model of power. Artists and other members of the public are collaborating with government actors to partially incorporate critical cultural expressions into official discourse. The Cuban leadership has come to recognize the benefits of supporting artists: rappers offer a link to increasingly frustrated black youth in Cuba; visual artists are an important source of international prestige and hard currency; and films help unify Cubans through community discourse about the nation. Cuba Represent! reveals that part of the socialist government’s resilience stems from its ability to absorb oppositional ideas and values.
Publisher: Duke University Press
ISBN: 0822388227
Category : Art
Languages : en
Pages : 241
Book Description
In Cuba something curious has happened over the past fifteen years. The government has allowed vocal criticism of its policies to be expressed within the arts. Filmmakers, rappers, and visual and performance artists have addressed sensitive issues including bureaucracy, racial and gender discrimination, emigration, and alienation. How can this vibrant body of work be reconciled with the standard representations of a repressive, authoritarian cultural apparatus? In Cuba Represent! Sujatha Fernandes—a scholar and musician who has performed in Cuba—answers that question. Combining textual analyses of films, rap songs, and visual artworks; ethnographic material collected in Cuba; and insights into the nation’s history and political economy, Fernandes details the new forms of engagement with official institutions that have opened up as a result of changing relationships between state and society in the post-Soviet period. She demonstrates that in a moment of extreme hardship and uncertainty, the Cuban state has moved to a more permeable model of power. Artists and other members of the public are collaborating with government actors to partially incorporate critical cultural expressions into official discourse. The Cuban leadership has come to recognize the benefits of supporting artists: rappers offer a link to increasingly frustrated black youth in Cuba; visual artists are an important source of international prestige and hard currency; and films help unify Cubans through community discourse about the nation. Cuba Represent! reveals that part of the socialist government’s resilience stems from its ability to absorb oppositional ideas and values.
Political Essay on the Island of Cuba
Author: Alexander von Humboldt
Publisher: University of Chicago Press
ISBN: 0226465675
Category : History
Languages : en
Pages : 548
Book Description
The research Alexander von Humboldt amassed during his five-year trek through the Americas in the early 19th century proved foundational to the fields of botany and geology. But his visit to Cuba yielded observations that extended far beyond the natural world. This title presents a physical and cultural study of the island nation.
Publisher: University of Chicago Press
ISBN: 0226465675
Category : History
Languages : en
Pages : 548
Book Description
The research Alexander von Humboldt amassed during his five-year trek through the Americas in the early 19th century proved foundational to the fields of botany and geology. But his visit to Cuba yielded observations that extended far beyond the natural world. This title presents a physical and cultural study of the island nation.
Cuba and Revolutionary Latin America
Author: Dirk Kruijt
Publisher: Zed Books Ltd.
ISBN: 1783608056
Category : Art
Languages : en
Pages : 247
Book Description
The Cuban revolution served as a rallying cry to people across Latin America and the Caribbean. The revolutionary regime has provided vital support to the rest of the region, offering everything from medical and development assistance to training and advice on guerrilla warfare. Cuba and Revolutionary Latin America is the first oral history of Cuba’s liberation struggle. Drawing on a vast array of original testimonies, Dirk Kruijt looks at the role of both veterans and the post-Revolution fidelista generation in shaping Cuba and the Americas. Featuring the testimonies of over sixty Cuban officials and former combatants, Cuba and Revolutionary Latin America offers unique insight into a nation which, in spite of its small size and notional pariah status, remains one of the most influential countries in the Americas.
Publisher: Zed Books Ltd.
ISBN: 1783608056
Category : Art
Languages : en
Pages : 247
Book Description
The Cuban revolution served as a rallying cry to people across Latin America and the Caribbean. The revolutionary regime has provided vital support to the rest of the region, offering everything from medical and development assistance to training and advice on guerrilla warfare. Cuba and Revolutionary Latin America is the first oral history of Cuba’s liberation struggle. Drawing on a vast array of original testimonies, Dirk Kruijt looks at the role of both veterans and the post-Revolution fidelista generation in shaping Cuba and the Americas. Featuring the testimonies of over sixty Cuban officials and former combatants, Cuba and Revolutionary Latin America offers unique insight into a nation which, in spite of its small size and notional pariah status, remains one of the most influential countries in the Americas.
Dreaming in Cuban
Author: Cristina García
Publisher: Ballantine Books
ISBN: 0307798003
Category : Fiction
Languages : en
Pages : 274
Book Description
“Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post
Publisher: Ballantine Books
ISBN: 0307798003
Category : Fiction
Languages : en
Pages : 274
Book Description
“Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post
Cuba
Author: Alan West-Durán
Publisher: Reaktion Books
ISBN: 1780238606
Category : History
Languages : en
Pages : 314
Book Description
As American-Cuban relations begin to warm, tourists are rushing to discover the throwback tropical paradise just eighty miles off of the American coast. But even as diplomatic relations are changing and the country opens up to the Western world, Cuba remains a rare and fascinating place. Cuba: A Cultural History tells the story of Cuba’s history through an exploration of its rich and vibrant culture. Rather than offer a timeline of Cuban history or a traditional genre-by-genre history of Cuban culture, Alan West-Durán invites readers to enter Cuban history from the perspective of the island’s uniquely creative cultural forms. He traces the restless island as it ebbs and flows with the power, beauty, and longings of its culture and history. In a world where revolutionary socialism is an almost quaint reminder of the decades-old Cold War, the island nation remains one of the few on the planet guided by a Communist party, still committed to fighting imperialism, opposed to the injustices of globalization, and wedded to the dream of one day building a classless society, albeit in a distant future. But as this book shows, Cuba is more than a struggling socialist country—it is a nation with a complex and turbulent history and a rich and varied culture.
Publisher: Reaktion Books
ISBN: 1780238606
Category : History
Languages : en
Pages : 314
Book Description
As American-Cuban relations begin to warm, tourists are rushing to discover the throwback tropical paradise just eighty miles off of the American coast. But even as diplomatic relations are changing and the country opens up to the Western world, Cuba remains a rare and fascinating place. Cuba: A Cultural History tells the story of Cuba’s history through an exploration of its rich and vibrant culture. Rather than offer a timeline of Cuban history or a traditional genre-by-genre history of Cuban culture, Alan West-Durán invites readers to enter Cuban history from the perspective of the island’s uniquely creative cultural forms. He traces the restless island as it ebbs and flows with the power, beauty, and longings of its culture and history. In a world where revolutionary socialism is an almost quaint reminder of the decades-old Cold War, the island nation remains one of the few on the planet guided by a Communist party, still committed to fighting imperialism, opposed to the injustices of globalization, and wedded to the dream of one day building a classless society, albeit in a distant future. But as this book shows, Cuba is more than a struggling socialist country—it is a nation with a complex and turbulent history and a rich and varied culture.
Cuba
Author: Rex A. Hudson
Publisher: Government Printing Office
ISBN: 9780844410456
Category : History
Languages : en
Pages : 538
Book Description
"Describes and analyzes the economic, national security, political, and social systems and institutions of Cuba."--Amazon.com viewed Jan. 4, 2021.
Publisher: Government Printing Office
ISBN: 9780844410456
Category : History
Languages : en
Pages : 538
Book Description
"Describes and analyzes the economic, national security, political, and social systems and institutions of Cuba."--Amazon.com viewed Jan. 4, 2021.
Cuba: What Everyone Needs to Know
Author: Julia E Sweig
Publisher: Oxford University Press, USA
ISBN: 019974081X
Category : History
Languages : en
Pages : 305
Book Description
Ever since Fidel Castro assumed power in Cuba in 1959, Americans have obsessed about the nation ninety miles south of the Florida Keys. America's fixation on the tropical socialist republic has only grown over the years, fueled in part by successive waves of Cuban immigration and Castro's larger-than-life persona. Cubans are now a major ethnic group in Florida, and the exile community is so powerful that every American president has kowtowed to it. But what do most Americans really know about Cuba itself? In Cuba: What Everyone Needs to Know, Julia Sweig, one of America's leading experts on Cuba and Latin America, presents a concise and remarkably accessible portrait of the small island nation's unique place on the world stage over the past fifty years. Yet it is authoritative as well. Following a scene-setting introduction that describes the dynamics unleashed since summer 2006 when Fidel Castro transferred provisional power to his brother Raul, the book looks backward toward Cuba's history since the Spanish American War before shifting to more recent times. Focusing equally on Cuba's role in world affairs and its own social and political transformations, Sweig divides the book chronologically into the pre-Fidel era, the period between the 1959 revolution and the fall of the Soviet Union, the post-Cold War era, and-finally-the looming post-Fidel era. Informative, pithy, and lucidly written, it will serve as the best compact reference on Cuba's internal politics, its often fraught relationship with the United States, and its shifting relationship with the global community.
Publisher: Oxford University Press, USA
ISBN: 019974081X
Category : History
Languages : en
Pages : 305
Book Description
Ever since Fidel Castro assumed power in Cuba in 1959, Americans have obsessed about the nation ninety miles south of the Florida Keys. America's fixation on the tropical socialist republic has only grown over the years, fueled in part by successive waves of Cuban immigration and Castro's larger-than-life persona. Cubans are now a major ethnic group in Florida, and the exile community is so powerful that every American president has kowtowed to it. But what do most Americans really know about Cuba itself? In Cuba: What Everyone Needs to Know, Julia Sweig, one of America's leading experts on Cuba and Latin America, presents a concise and remarkably accessible portrait of the small island nation's unique place on the world stage over the past fifty years. Yet it is authoritative as well. Following a scene-setting introduction that describes the dynamics unleashed since summer 2006 when Fidel Castro transferred provisional power to his brother Raul, the book looks backward toward Cuba's history since the Spanish American War before shifting to more recent times. Focusing equally on Cuba's role in world affairs and its own social and political transformations, Sweig divides the book chronologically into the pre-Fidel era, the period between the 1959 revolution and the fall of the Soviet Union, the post-Cold War era, and-finally-the looming post-Fidel era. Informative, pithy, and lucidly written, it will serve as the best compact reference on Cuba's internal politics, its often fraught relationship with the United States, and its shifting relationship with the global community.
Living Ideology in Cuba
Author: Katherine Gordy
Publisher: University of Michigan Press
ISBN: 0472052616
Category : Political Science
Languages : en
Pages : 297
Book Description
A revealing look at the complicated and continual negotiation between the Cuban state and society over the meaning of socialism
Publisher: University of Michigan Press
ISBN: 0472052616
Category : Political Science
Languages : en
Pages : 297
Book Description
A revealing look at the complicated and continual negotiation between the Cuban state and society over the meaning of socialism
Governing Spirits
Author: Reinaldo L. Román
Publisher: Univ of North Carolina Press
ISBN: 080788894X
Category : History
Languages : en
Pages : 288
Book Description
Freedom of religion did not come easily to Cuba or Puerto Rico. Only after the arrival of American troops during the Spanish-American War were non-Catholics permitted to practice their religions openly and to proselytize. When government efforts to ensure freedom of worship began, reformers on both islands rejoiced, believing that an era of regeneration and modernization was upon them. But as new laws went into effect, critics voiced their dismay at the rise of popular religions. Reinaldo L. Roman explores the changing relationship between regulators and practitioners in neocolonial Cuba and Puerto Rico. Spiritism, Santeria, and other African-derived traditions were typically characterized in sensational fashion by the popular press as "a plague of superstition." Examining seven episodes between 1898 and the Cuban Revolution when the public demanded official actions against "misbelief," Roman finds that when outbreaks of superstition were debated, matters of citizenship were usually at stake. He links the circulation of spectacular charges of witchcraft and miracle-making to anxieties surrounding newly expanded citizenries that included people of color. Governing Spirits also contributes to the understanding of vernacular religions by moving beyond questions of national or traditional origins to illuminate how boundaries among hybrid practices evolved in a process of historical contingencies.
Publisher: Univ of North Carolina Press
ISBN: 080788894X
Category : History
Languages : en
Pages : 288
Book Description
Freedom of religion did not come easily to Cuba or Puerto Rico. Only after the arrival of American troops during the Spanish-American War were non-Catholics permitted to practice their religions openly and to proselytize. When government efforts to ensure freedom of worship began, reformers on both islands rejoiced, believing that an era of regeneration and modernization was upon them. But as new laws went into effect, critics voiced their dismay at the rise of popular religions. Reinaldo L. Roman explores the changing relationship between regulators and practitioners in neocolonial Cuba and Puerto Rico. Spiritism, Santeria, and other African-derived traditions were typically characterized in sensational fashion by the popular press as "a plague of superstition." Examining seven episodes between 1898 and the Cuban Revolution when the public demanded official actions against "misbelief," Roman finds that when outbreaks of superstition were debated, matters of citizenship were usually at stake. He links the circulation of spectacular charges of witchcraft and miracle-making to anxieties surrounding newly expanded citizenries that included people of color. Governing Spirits also contributes to the understanding of vernacular religions by moving beyond questions of national or traditional origins to illuminate how boundaries among hybrid practices evolved in a process of historical contingencies.
The Cinema of Cuba
Author: Ann Marie Stock
Publisher: Bloomsbury Publishing
ISBN: 178673253X
Category : Performing Arts
Languages : en
Pages : 338
Book Description
Contemporary Cuba is opening up to the rest of the world. Its colonial past and the Communist revolution have left a lasting imprint on society, yet there is a tangible sense of rapid change which is reflected in the island's national cinema. New screen technologies and digital distribution media have supported the efficacy and global reach of Cuban filmmakers whose work, somewhat in lieu of adequate distribution and traditional screening facilities in Cuba itself, is often disseminated via 'flash' (USB memory sticks).Channelling an energetic DIY attitude through grassroots movements and ad-hoc resourcefulness, the new filmmakers of Cuba have inspired the editors of this book to embrace their contagious enthusiasm through essays on authentic Cuban cinema. Whilst the book provides a comprehensive overview of the history behind current practices, it also moves beyond this to examine key case studies as well as 'snapshots' of individuals working within the industry today. Chapters celebrate the shared creativity as well as diversity of Cuban cinema, including both productions of the Cuban Film Institute's (ICAIC) as well as those from the industry margins. The films discussed demonstrate a driving cinematic force through social criticism, the emphasis of debate and historical change through film, reassessments of gender relations, the use of new technologies and much more.
Publisher: Bloomsbury Publishing
ISBN: 178673253X
Category : Performing Arts
Languages : en
Pages : 338
Book Description
Contemporary Cuba is opening up to the rest of the world. Its colonial past and the Communist revolution have left a lasting imprint on society, yet there is a tangible sense of rapid change which is reflected in the island's national cinema. New screen technologies and digital distribution media have supported the efficacy and global reach of Cuban filmmakers whose work, somewhat in lieu of adequate distribution and traditional screening facilities in Cuba itself, is often disseminated via 'flash' (USB memory sticks).Channelling an energetic DIY attitude through grassroots movements and ad-hoc resourcefulness, the new filmmakers of Cuba have inspired the editors of this book to embrace their contagious enthusiasm through essays on authentic Cuban cinema. Whilst the book provides a comprehensive overview of the history behind current practices, it also moves beyond this to examine key case studies as well as 'snapshots' of individuals working within the industry today. Chapters celebrate the shared creativity as well as diversity of Cuban cinema, including both productions of the Cuban Film Institute's (ICAIC) as well as those from the industry margins. The films discussed demonstrate a driving cinematic force through social criticism, the emphasis of debate and historical change through film, reassessments of gender relations, the use of new technologies and much more.