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Author: Karen L. Georgi
Publisher: Penn State Press
ISBN: 0271062479
Category : Art
Languages : en
Pages : 150
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Book Description
American Civil War–era art critics James Jackson Jarves, Clarence Cook, and William J. Stillman classified styles and defined art in terms that have become fundamental to our modern periodization of the art of the nineteenth century. In Critical Shift, Karen Georgi rereads many of their well-known texts, finding certain key discrepancies between their words and our historiography that point to unrecognized narrative desires. The book also studies ruptures and revolutionary breaks between “old” and “new” art, as well as the issue of the morality of “true” art. Georgi asserts that these concepts and their sometimes loaded expression were part of larger rhetorical structures that gainsay the uses to which the key terms have been put in modern historiography. It has been more than fifty years since a book has been devoted to analyzing the careers of these three critics, and never before has their role in the historiography and periodization of American art been analyzed. The conclusions drawn from this close rereading of well-known texts challenge the fundamental nature of “historical context” in American art history.
Author: Karen L. Georgi
Publisher: Penn State Press
ISBN: 0271062479
Category : Art
Languages : en
Pages : 150
Get Book Here
Book Description
American Civil War–era art critics James Jackson Jarves, Clarence Cook, and William J. Stillman classified styles and defined art in terms that have become fundamental to our modern periodization of the art of the nineteenth century. In Critical Shift, Karen Georgi rereads many of their well-known texts, finding certain key discrepancies between their words and our historiography that point to unrecognized narrative desires. The book also studies ruptures and revolutionary breaks between “old” and “new” art, as well as the issue of the morality of “true” art. Georgi asserts that these concepts and their sometimes loaded expression were part of larger rhetorical structures that gainsay the uses to which the key terms have been put in modern historiography. It has been more than fifty years since a book has been devoted to analyzing the careers of these three critics, and never before has their role in the historiography and periodization of American art been analyzed. The conclusions drawn from this close rereading of well-known texts challenge the fundamental nature of “historical context” in American art history.
Author: Chris Carlsson
Publisher:
ISBN: 9780926664081
Category : History
Languages : en
Pages : 320
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Book Description
A new anthology celebrating the accomplishments of the Critical Mass movement over the past twenty years. From both theoretical and practical perspectives, the book explores how Critical Mass has gone around the world, how it has evolved along the way, and the impacts it has had on local politics, transportation, and cultures. Includes contributions from San Francisco, Paris, Chicago, Los Angeles, Puerto Elegre, Manchester, Madrid, Buenos Aires, Rome, São Paulo, A Coruña, Guadalajara, Nuevo León, Budapest, Prague, Helsinki, Ponce, Mexico City, Bilbao, Baton Rouge, Capetown, Vigo, Naples, New York City, Portland, London, Berkeley, Florianopolis, Calais, Dubai, and Palestine!
Author: Norman Norwood Holland
Publisher: Columbia University Press
ISBN: 0231076517
Category : History
Languages : en
Pages : 280
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Book Description
Asserting that literary theory needs a dose of common sense, this treatise attacks Saussurean linguistics as outmoded and discredited in its elimination of its subjects. It claims that postmodernist ideas of the individual rest on false linguistic and psychological premises.
Author: Gerrit Haas
Publisher: transcript Verlag
ISBN: 3839437040
Category : Literary Criticism
Languages : en
Pages : 191
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Book Description
Gerrit Haas re-theorises the peculiar textual conduct of ficto/critical writing, which inextricably intersects fictional with critical discourses as well as aesthetics with poetics and ethics. The slash here signals the conjunction between a self-reflexive ficto-critical insight and a wider discursive ficto-critical motivation. In its refined form, this twofold trope shifts perspective from the prevalent generic between onto the meta-generic level of our textual practices. Ultimately, the ficto/critical is thus qualified as an unheard-of interventionist aesthetic of deconstruction directed at the ramifications of our textual cultures.
Author: Kevin S. Sandler
Publisher: Rutgers University Press
ISBN: 9780813525389
Category : Art
Languages : en
Pages : 292
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Book Description
On cartoon animation
Author: Fabio L. Vericat Pérez-Mínguez
Publisher: Universitat de València
ISBN: 843708556X
Category : Literary Criticism
Languages : en
Pages : 291
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Book Description
Antes de dedicarse por completo a la literatura, T.S. Eliot fue un serio estudiante de filosofía. Este estudio pretende determinar la importancia de este hecho en su desarrollo como crítico literario. La intención es argumentar que el cambio que Eliot hizo de la filosofía a la literatura fue instigado con la esperanza de encontrar en el campo literario un estilo que había vencido durante sus estudios filosóficos.
Author: Robert W. Thatcher
Publisher: Taylor & Francis
ISBN: 1000397785
Category : Psychology
Languages : en
Pages : 403
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Book Description
Originally published in 1977, this title describes the basic structure and function of the brain, as well as the highest cognitive functions, using data from various disciplines to detail ways in which behaviorally relevant functions are mediated by the neural systems. Among the topics discussed are the neurophysiology of emotion, the chemical basis of memory, daily subjective experience and psychopathology, and information representation. A major purpose of this volume was to provide the student not only with a sound foundation in functional neuroscience, but also to equip them with a detailed understanding of how these facts and methods can be applied to clinical problems.
Author: Karl Spracklen
Publisher: Routledge
ISBN: 1317427033
Category : Business & Economics
Languages : en
Pages : 203
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Book Description
Within events management, events are commonly categorised within two axes, size and content. Along the size axis events range between the small scale and local, through major events, which garner greater media interest, to internationally significant hallmark and mega events such as the Edinburgh Festival and the Tour de France. Content is frequently divided into three forms – culture, sport or business. However, such frameworks overlook and depoliticise a significant variety of events, those more accurately construed as protest. This book brings together new research and theories from around the world and across sociology, leisure studies, politics and cultural studies to develop a new critical pedagogy and critical theory of events. It is the first research monograph that deals explicitly with the concept of critical event studies (CES), the idea that it is impossible to explore and understand events without understanding the wider social, cultural and political contexts. It addresses questions such as can the occupation and reclamation of specific spaces by activists be understood as events within its framework? And is the activity of activists in these spaces a leisure activity? If those, and other similar activities, can be read as events and leisure, what does admitting them into the scope of events management and leisure studies mean for our understanding of them and how the study of events management is to be conceptualised? This title will be of interest to undergraduate and postgraduate students on events management and related courses and scholars interested in understanding the ways in which events are constructed by the social, the cultural and the political.
Author: Christopher K. Brooks
Publisher: Cambridge Scholars Publishing
ISBN: 1527540413
Category : Performing Arts
Languages : en
Pages : 198
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Book Description
This volume offers film enthusiasts and teachers an investigation into what film critics do and examines what ideologies inform their evaluations. By employing recent television programs and films and comparing them to older ones, the study is able to trace changes in the methodologies of film and media critics. The work argues for the emergence of neofuturism as a chosen method of interpretation, contrasting with the dominance of postmodernism as the evaluative method through the early years of the new millennium. It also asks the questions who evaluates film and why? In doing so, the study questions the criteria for film evaluation, the validity of some reviews, and asks the question whether the evaluative system needs to change altogether.
Author: Hans-Joachim. Mittag
Publisher: Routledge
ISBN: 1351414259
Category : Business & Economics
Languages : en
Pages : 684
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Book Description
This comprehensive textbook is a basic reference which should be recommended to students and teachers in engineering, technology and management as well as to the whole community of professionals already working in quality-related areas. The book aims to be a step-by-step introduction to statistical quality assurance. It has been specifically designed for self-study and includes over 100 fully solved exercises and worked examples. In addition to traditional quality control procedures the book also presents very carefully elaborated results of recent research in order to encourage their adoption into practice.
