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Author: E. Rouget y Loscos
Publisher:
ISBN:
Category :
Languages : es
Pages : 56
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Book Description
Author: E. Rouget y Loscos
Publisher:
ISBN:
Category :
Languages : es
Pages : 56
Get Book Here
Book Description
Author: E. Rouget
Publisher:
ISBN:
Category :
Languages : es
Pages : 56
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Book Description
Author: Exposicion General de Bellas Artes. Madrid, 1876
Publisher:
ISBN:
Category : Art
Languages : es
Pages : 0
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Book Description
Author: E. Rouget y Loscos
Publisher:
ISBN:
Category : Art
Languages : es
Pages : 56
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : es
Pages : 112
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Book Description
Author: Mey-Yen Moriuchi
Publisher: Penn State Press
ISBN: 0271081546
Category : Art
Languages : en
Pages : 179
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Book Description
The years following Mexican independence in 1821 were critical to the development of social, racial, and national identities. The visual arts played a decisive role in this process of self-definition. Mexican Costumbrismo reorients current understanding of this key period in the history of Mexican art by focusing on a distinctive genre of painting that emerged between 1821 and 1890: costumbrismo. In contrast to the neoclassical work favored by the Mexican academy, costumbrista artists portrayed the quotidian lives of the lower to middle classes, their clothes, food, dwellings, and occupations. Based on observations of similitude and difference, costumbrista imagery constructed stereotypes of behavioral and biological traits associated with distinct racial and social classes. In doing so, Mey-Yen Moriuchi argues, these works engaged with notions of universality and difference, contributed to the documentation and reification of social and racial types, and transformed the way Mexicans saw themselves, as well as how other nations saw them, during a time of rapid change for all aspects of national identity. Carefully researched and featuring more than thirty full-color exemplary reproductions of period work, Moriuchi’s study is a provocative art-historical examination of costumbrismo’s lasting impact on Mexican identity and history. E-book editions have been made possible through support of the Art History Publication Initiative (AHPI), a collaborative grant from the Andrew W. Mellon Foundation.
Author:
Publisher:
ISBN:
Category :
Languages : es
Pages : 141
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Author: Exposición de Obras de Bellas Artes
Publisher: Forgotten Books
ISBN: 9780483960794
Category : Art
Languages : es
Pages : 106
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Book Description
Excerpt from Catálogo de la Exposición General de Bellas Artes de 1876 Alaminos D. J uan), natural de Baeza, provincia de Jaen, discípulo de la Escuela especial de Pintura, Escultura y Grabado. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Rebecca Rogers
Publisher: Routledge
ISBN: 135176733X
Category : History
Languages : en
Pages : 275
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Book Description
This book argues for the importance of bringing women and gender more directly into the dynamic field of exposition studies. Reclaiming women for the history of world fairs (1876-1937), it also seeks to introduce new voices into these studies, dialoguing across disciplinary and national historiographies. From the outset, women participated not only as spectators, but also as artists, writers, educators, artisans and workers, without figuring among the organizers of international exhibitions until the 20th century. Their presence became more pointedly acknowledged as feminist movements developed within the Western World and specific spaces dedicated to women’s achievements emerged. International exhibitions emerged as showcases of "modernity" and "progress," but also as windows onto the foreign, the different, the unexpected and the spectacular. As public rituals of celebration, they transposed national ceremonies and protests onto an international stage. For spectators, exhibitions brought the world home; for organizers, the entire world was a fair. Women were actors and writers of the fair narrative, although acknowledgment of their contribution was uneven and often ephemeral. Uncovering such silence highlights how gendered the triumphant history of modernity was, and reveals the ways women as a category engaged with modern life within that quintessential modern space—the world fair.
Author: Francisco Alcántara
Publisher:
ISBN:
Category : Art
Languages : es
Pages : 354
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Book Description
