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Author: Susan Hamilton
Publisher: Broadview Press
ISBN: 1770484191
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
“Pardon me; I must seem to you so stupid! Why is the property of the woman who commits Murder, and the property of the woman who commits Matrimony, dealt with alike by your law?” So ends the “little allegory” in conversational form with which Frances Power Cobbe opens the 1868 essay that gives this collection its title. Cobbe was a widely read essayist of remarkable lucidity and power; her pieces display incisive wit and remarkable focus as she returns repeatedly to “the woman question,” but it was typical of the time that when Cobbe died she was described in the Wellesley Index to Victorian periodicals as a “miscellaneous writer.” Cobbe was not alone; as much as 15 per cent of the essays in Victorian periodicals were written by women, yet even the best of these pieces were allowed by the male-dominated world of scholarship to disappear from print. This anthology makes available again some of the best Victorian writing by women. The second edition has been revised and updated; additions include a chronology and an essay by Frances Power Cobbe on the education of women.
Author: Susan Hamilton
Publisher: Broadview Press
ISBN: 1770484191
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
“Pardon me; I must seem to you so stupid! Why is the property of the woman who commits Murder, and the property of the woman who commits Matrimony, dealt with alike by your law?” So ends the “little allegory” in conversational form with which Frances Power Cobbe opens the 1868 essay that gives this collection its title. Cobbe was a widely read essayist of remarkable lucidity and power; her pieces display incisive wit and remarkable focus as she returns repeatedly to “the woman question,” but it was typical of the time that when Cobbe died she was described in the Wellesley Index to Victorian periodicals as a “miscellaneous writer.” Cobbe was not alone; as much as 15 per cent of the essays in Victorian periodicals were written by women, yet even the best of these pieces were allowed by the male-dominated world of scholarship to disappear from print. This anthology makes available again some of the best Victorian writing by women. The second edition has been revised and updated; additions include a chronology and an essay by Frances Power Cobbe on the education of women.
Author: Laurence W. Mazzeno
Publisher: Rowman & Littlefield
ISBN: 144223234X
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
Victorian literature’s fascination with the past, its examination of social injustice, and its struggle to deal with the dichotomy between scientific discoveries and religious faith continue to fascinate scholars and contemporary readers. During the past hundred years, traditional formalist and humanist criticism has been augmented by new critical approaches, including feminism and gender studies, psychological criticism, cultural studies, and others. In Twenty-First Century Perspectives on Victorian Literature, twelve scholars offer new assessments of Victorian poetry, novels, and nonfiction. Their essays examine several major authors and works, and introduce discussions of many others that have received less scholarly attention in the past. General reviews of the current status of Victorian literature in the academic world are followed by essays on such writers as Charles Dickens, Alfred Tennyson, Thomas Hardy, and the Brontë sisters. These are balanced by essays that focus on writing by women, the development of the social problem novel, and the continuity of Victorian writers with their Romantic forebears. Most importantly, the contributors to this volume approach Victorian literature from a decidedly contemporary scholarly angle and write for a wide audience of specialists and non-specialists alike. Their essays offer readers an idea of how critical commentary in recent years has influenced—and in some cases changed radically—our understanding of and approach to literary study in general and the Victorian period in particular. Hence, scholars, teachers, and students will find the volume a useful survey of contemporary commentary not just on Victorian literature, but also on the period as a whole.
Author: Patrick McDonagh
Publisher: Liverpool University Press
ISBN: 1846310954
Category : Social Science
Languages : en
Pages : 385
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Book Description
In ancient Athens, “idiots” were those selfish citizens who dishonorably declined to participate in the life of the polis, and whose disavowal of the public interest was seen as poor taste and an indication of judgment. Over time, however, the term idiot has shifted from that philosophically uncomplicated definition to an ever-changing sociological signifier, encompassing a wide range of meanings and beliefs for those concerned with intellectual and cognitive disability. Idiocy: A Cultural History offers for the first time a analysis of the concept, drawing on cultural, sociological, scientific, and popular representations ranging from Wordsworth’s “Idiot Boy” and Dickens’ Barnaby Rudge to Down’s “Ethnic classification of idiots.” It tracks how our changing definition of idiocy intersects with demography, political movements, philosophical traditions, economic concerns, and the growth of the medical profession.
Author:
Publisher: Cambria Press
ISBN: 1621969797
Category :
Languages : en
Pages : 342
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Book Description
Author: KerenRosa Hammerschlag
Publisher: Routledge
ISBN: 1351566598
Category : Art
Languages : en
Pages : 259
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Book Description
Keren Rosa Hammerschlag's Frederic Leighton: Death, Mortality, Resurrection offers a timely reexamination of the art of the late Victorian period's most institutionally powerful artist, Frederic Lord Leighton (1830-1896). As President of the Royal Academy from 1878 to 1896, Leighton was committed to the pursuit of beauty in art through the depiction of classical subjects, executed according to an academic working-method. But as this book reveals, Leighton's art and discourse were beset by the realisation that academic art would likely die with him. Rather than achieving classical perfection, Hammerschlag argues, Leighton's figures hover in transitional states between realism and idealism, flesh and marble, life and death, as gothic distortions of the classical ideal. The author undertakes close readings of key paintings, sculptures, frescos and drawings in Leighton's oeuvre, and situates them in the context of contemporaneous debates about death and resurrection in theology, archaeology and medicine. The outcome is a pleasurably macabre counter-biography that reconfigures what it meant to be not just a late-Victorian neoclassicist and royal academician, but President of the Victorian Royal Academy.
Author: J. King
Publisher: Springer
ISBN: 0230503578
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
The Victorian Woman Question in Contemporary Feminist Fiction explores the representation of Victorian womanhood in the work of some of today's most important British and North American novelists including A.S. Byatt, Sarah Waters, Margaret Atwood, Angela Carter and Toni Morrison. By analysing these novels in the context of the scientific, religious and literary discourses that shaped Victorian ideas about gender, it contributes to an important inter-disciplinary debate. For while showing the power of these discourses to shape women's roles, the novels also suggest how individual women might challenge that power through their own lives.
Author: Jillmarie Murphy
Publisher: University of Delaware
ISBN: 1611490510
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Monstrous Kinships: Realism and Attachment Theory in the Novels of Mary Shelley, Herman Melville, Thomas Hardy, Stephen Crane, Theodore Dreiser, and Vladimir Nabokov investigates the connection between realist fiction of the nineteenth and early twentieth century and the psychoanalytic approach of John Bowlby's Attachment Theory. While traditional Freudian psychology derives from the conventional romanticism of the nineteenth century, Attachment Theory arises from the guiding principles of realism and the veratist's devotion to long-term, direct observation of subject matter. Additionally, because Attachment Theory originated in the field of child psychoanalysis, this book highlights the detrimental effects of parental obsession on the child character in each novel. Chapter 1, a comparison between Mary Shelley's Frankenstein and Herman Melville's Pierre, contextualizes the realistic elements of each novel and, via Attachment Theory, highlights the similarities in each text among child trauma, parental abandonment, obsession, and loss, and the eventual hopelessness of the main characters. These two novels have never been jointly analyzed, yet they include several noteworthy comparative elements, particularly in relation to parental attachment and loss, lack of authorial distance, and several characteristic realist elements that encompass both typically defined Romantic works of fiction. In Chapter 2, Jude the Obscure reflects both conventional realism and Hardy's own place in history as a writer of realist fiction toward the end of the Victorian era. A cogent shift toward realism, Jude treats the catastrophic results of abandonment, industrialism, and poverty for children and adults alike. In Chapter 3, Stephen Crane's Maggie: A Girl of the Streets depicts an American Naturalist text that explores low-life fiction and its concentration on familial violence, sexual taboos, and parental alcoholism, showing that the effects of alcoholism on children in literature demonstrate some of the most destructive aspects of child trauma. Chapter 4 highlights parental religious fanaticism, poverty, and the tragic consequences of both in Theodore Dreiser's An American Tragedy. Although the main character, Clyde Griffiths, struggles against his fate, he is haunted by his ascetic upbringing which leads him to contemplate and set in motion the murder of an innocent young woman. The Epilogue considers Vladimir Nabokov's Lolita, but in keeping with the concept of Attachment Theory, this section highlights the role of Charlotte Haze as the primary offender in Dolores Haze's exploitation. Poised between Modernism and Postmodernism, Lolita serves to reflect the transitional elements of Attachment Theory: the past set against the future, middle age versus youth, and the old world confronting the new. As literary critics and theorists as well as creative writers expand their range of inquiry to include the child as primary subject in various treatments of post-colonial and transnational culture, the subject of Monstrous Kinships is timely and rather ahead of the critical curve.
Author: Joseph Black
Publisher: Broadview Press
ISBN: 1554811333
Category : Literary Collections
Languages : en
Pages : 1791
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Book Description
In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations, and an unparalleled number of illustrations and contextual materials. Innovative, authoritative and comprehensive, The Broadview Anthology of British Literature has established itself as a leader in the field. The full anthology comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible by using the passcode obtained with the purchase of one or more of the bound volumes. The two-volume Broadview Anthology of British Literature: Concise Edition provides an attractive alternative to the full six-volume anthology. Though much more compact, the Concise Edition nevertheless provides instructors with substantial choice, offering both a strong selection of canonical authors and a sampling of lesser-known works. With an unparalleled number of illustrations and contextual materials, accessible and engaging introductions, and full explanatory annotations, this edition of the acclaimed Broadview Anthology provides concise yet wide-ranging coverage for British literature survey courses. Sylvia Townsend Warner, Stevie Smith, J.M. Coetzee, Eavan Boland, and Zadie Smith are among those given full author entries for the first time. There are also new selections by a number of authors who were already included in the anthology—among them Seamus Heaney, Margaret Atwood, and Carol Ann Duffy. There are new contextual materials as well—including material on “The Natural, the Supernatural, and the Sublime” in the Age of Romanticism section, and material on “The New Art of Photography” in The Victorian Era. The new edition concludes with a new section offering a range of poetry, fiction, and non-fiction prose under the heading “Literature, Politics, and Cultural Identity in the Late Twentieth- and Early Twenty-first Centuries.” The Concise edition will also now include a substantial website component, providing for much greater flexibility. And an increasing number of works from the full six-volume anthology (or from its website component) are being made available in stand-alone Broadview Anthology of British Literature editions. (Tennyson’s In Memoriam, for example, which was previously included in these pages, will now be available both as part of a stand-alone Broadview Anthology of British Literature edition of Tennyson’s selected poetry and as part of the website component of the anthology’s Concise Edition.)
Author: Ian Ward
Publisher: Bloomsbury Publishing
ISBN: 1350079316
Category : History
Languages : en
Pages : 209
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Book Description
The Age of Reform – the hundred years from 1820 to 1920 - has become synonymous with innovation and change but this period was also in many ways a deeply conservative and cautious one. With reform came reaction and revolution and this was as true of the law as it was of literature, art and technology. The age of Great Exhibitions and Great Reform Acts was also the age of newly systemized police forces, courts and prisons. A Cultural History of Law in the Age of Reform presents an overview of the period with a focus on human stories located in the crush between legal formality and social reform: the newly uniformed police, criminal mugshots, judge and jury, the shame of child labor, and the need for neighborliness in the crowded urban and increasingly industrial landscapes of Europe and the United States. Drawing upon a wealth of visual and textual sources, A Cultural History of Law in the Age of Reform presents essays that examine key cultural case studies of the period on the themes of justice, constitution, codes, agreements, arguments, property and possession, wrongs, and the legal profession.
Author: Patricia Hollis
Publisher: Routledge
ISBN: 1136247904
Category : History
Languages : en
Pages : 362
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Book Description
Assembling a full and comprehensive collection of material which illustrates all aspects of the emergent women’s movement during the years 1850-1900, this fascinating book will prove invaluable to students of nineteenth century social history and women's studies, to those studying the Victorian novel and to sociologists. Women’s pamphlets and speeches, parliamentary debates and popular journalism, letters and memoirs, royal commissions and the leading reviews, are all used to document the conflicting images of women: ‘surplus women’ and the issue of emigration; women’s work and male hostility to it; the opening of education by Emily Davies; the claim to equity at law; the attack on the sexual double standard, led by Josephine Butler; women’s public service from philanthropy – exemplified in a Mary Carpenter or Louisa Twining or Octavia Hill – to local government; and finally women’s entry into politics led by Lydia Becker. The contents range from Caroline Norton on her battle for child custody in the 1830s to Annie Besant’s inspiration of the match-girl’s strike in 1888, and from W. T. Stead on child prostitution to Mrs Humphrey War’s Appeal against female suffrage in 1889. The book was originally published in 1979.
