Author: Hal Gladfelder
Publisher: JHU Press
ISBN: 080187565X
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
Stories of transgression–Gilgamesh, Prometheus, Oedipus, Eve—may be integral to every culture's narrative imaginings of its own origins, but such stories assumed different meanings with the burgeoning interest in modern histories of crime and punishment in the later decades of the seventeenth century. In Criminality and Narrative in Eighteenth-Century England, Hal Gladfelder shows how the trial report, providence book, criminal biography, and gallows speech came into new commercial prominence and brought into focus what was most disturbing, and most exciting, about contemporary experience. These narratives of violence, theft, disruptive sexuality, and rebellion compelled their readers to sort through fragmentary or contested evidence, anticipating the openness to discordant meanings and discrepant points of view which characterizes the later fictions of Defoe and Fielding. Beginning with the various genres of crime narrative, Gladfelder maps a complex network of discourses that collectively embodied the range of responses to the transgressive at the turn of the eighteenth century. In the book's second and third parts, he demonstrates how the discourses of criminality became enmeshed with emerging novelistic conceptions of character and narrative form. With special attention to Colonel Jack, Moll Flanders, and Roxana, Gladfelder argues that Defoe's narratives concentrate on the forces that shape identity, especially under conditions of outlawry, social dislocation, and urban poverty. He next considers Fielding's double career as author and magistrate, analyzing the interaction between his fiction and such texts as the aggressively polemical Enquiry into the Causes of the Late Increase in Robbers and his eyewitness accounts of the sensational Canning and Penlez cases. Finally, Gladfelder turns to Godwin's Caleb Williams, Wollstonecraft's Maria, and Inchbald's Nature and Art to reveal the degree to which criminal narrative, by the end of the eighteenth century, had become a necessary vehicle for articulating fundamental cultural anxieties and longings. Crime narratives, he argues, vividly embody the struggles of individuals to define their place in the suddenly unfamiliar world of modernity.
Criminality and Narrative in Eighteenth-Century England
Author: Hal Gladfelder
Publisher: JHU Press
ISBN: 080187565X
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
Stories of transgression–Gilgamesh, Prometheus, Oedipus, Eve—may be integral to every culture's narrative imaginings of its own origins, but such stories assumed different meanings with the burgeoning interest in modern histories of crime and punishment in the later decades of the seventeenth century. In Criminality and Narrative in Eighteenth-Century England, Hal Gladfelder shows how the trial report, providence book, criminal biography, and gallows speech came into new commercial prominence and brought into focus what was most disturbing, and most exciting, about contemporary experience. These narratives of violence, theft, disruptive sexuality, and rebellion compelled their readers to sort through fragmentary or contested evidence, anticipating the openness to discordant meanings and discrepant points of view which characterizes the later fictions of Defoe and Fielding. Beginning with the various genres of crime narrative, Gladfelder maps a complex network of discourses that collectively embodied the range of responses to the transgressive at the turn of the eighteenth century. In the book's second and third parts, he demonstrates how the discourses of criminality became enmeshed with emerging novelistic conceptions of character and narrative form. With special attention to Colonel Jack, Moll Flanders, and Roxana, Gladfelder argues that Defoe's narratives concentrate on the forces that shape identity, especially under conditions of outlawry, social dislocation, and urban poverty. He next considers Fielding's double career as author and magistrate, analyzing the interaction between his fiction and such texts as the aggressively polemical Enquiry into the Causes of the Late Increase in Robbers and his eyewitness accounts of the sensational Canning and Penlez cases. Finally, Gladfelder turns to Godwin's Caleb Williams, Wollstonecraft's Maria, and Inchbald's Nature and Art to reveal the degree to which criminal narrative, by the end of the eighteenth century, had become a necessary vehicle for articulating fundamental cultural anxieties and longings. Crime narratives, he argues, vividly embody the struggles of individuals to define their place in the suddenly unfamiliar world of modernity.
Publisher: JHU Press
ISBN: 080187565X
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
Stories of transgression–Gilgamesh, Prometheus, Oedipus, Eve—may be integral to every culture's narrative imaginings of its own origins, but such stories assumed different meanings with the burgeoning interest in modern histories of crime and punishment in the later decades of the seventeenth century. In Criminality and Narrative in Eighteenth-Century England, Hal Gladfelder shows how the trial report, providence book, criminal biography, and gallows speech came into new commercial prominence and brought into focus what was most disturbing, and most exciting, about contemporary experience. These narratives of violence, theft, disruptive sexuality, and rebellion compelled their readers to sort through fragmentary or contested evidence, anticipating the openness to discordant meanings and discrepant points of view which characterizes the later fictions of Defoe and Fielding. Beginning with the various genres of crime narrative, Gladfelder maps a complex network of discourses that collectively embodied the range of responses to the transgressive at the turn of the eighteenth century. In the book's second and third parts, he demonstrates how the discourses of criminality became enmeshed with emerging novelistic conceptions of character and narrative form. With special attention to Colonel Jack, Moll Flanders, and Roxana, Gladfelder argues that Defoe's narratives concentrate on the forces that shape identity, especially under conditions of outlawry, social dislocation, and urban poverty. He next considers Fielding's double career as author and magistrate, analyzing the interaction between his fiction and such texts as the aggressively polemical Enquiry into the Causes of the Late Increase in Robbers and his eyewitness accounts of the sensational Canning and Penlez cases. Finally, Gladfelder turns to Godwin's Caleb Williams, Wollstonecraft's Maria, and Inchbald's Nature and Art to reveal the degree to which criminal narrative, by the end of the eighteenth century, had become a necessary vehicle for articulating fundamental cultural anxieties and longings. Crime narratives, he argues, vividly embody the struggles of individuals to define their place in the suddenly unfamiliar world of modernity.
Criminality and Narrative in Eighteenth-Century England
Author: Hal Gladfelder
Publisher: JHU Press
ISBN: 9780801866081
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
These narratives of violence, theft, disruptive sexuality, and rebellion compelled their readers to sort through fragmentary or contested evidence, anticipating the openness to discordant meanings and discrepant points of view which characterize the later fictions of Defoe and Fielding."--BOOK JACKET.
Publisher: JHU Press
ISBN: 9780801866081
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
These narratives of violence, theft, disruptive sexuality, and rebellion compelled their readers to sort through fragmentary or contested evidence, anticipating the openness to discordant meanings and discrepant points of view which characterize the later fictions of Defoe and Fielding."--BOOK JACKET.
Crime and Punishment in Eighteenth Century England
Author: Frank McLynn
Publisher: Routledge
ISBN: 1136093087
Category : History
Languages : en
Pages : 432
Book Description
McLynn provides the first comprehensive view of crime and its consequences in the eighteenth century: why was England notorious for violence? Why did the death penalty prove no deterrent? Was it a crude means of redistributing wealth?
Publisher: Routledge
ISBN: 1136093087
Category : History
Languages : en
Pages : 432
Book Description
McLynn provides the first comprehensive view of crime and its consequences in the eighteenth century: why was England notorious for violence? Why did the death penalty prove no deterrent? Was it a crude means of redistributing wealth?
The Art of Alibi
Author: Jonathan H. Grossman
Publisher: JHU Press
ISBN: 9780801867552
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
In The Art of Alibi, Jonathan Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, these scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel. Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dickens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s. -- John Sutherland, University College London
Publisher: JHU Press
ISBN: 9780801867552
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
In The Art of Alibi, Jonathan Grossman reconstructs the relation of the novel to nineteenth-century law courts. During the Romantic era, courthouses and trial scenes frequently found their way into the plots of English novels. As Grossman states, "by the Victorian period, these scenes represented a powerful intersection of narrative form with a complementary and competing structure for storytelling." He argues that the courts, newly fashioned as a site in which to orchestrate voices and reconstruct stories, arose as a cultural presence influencing the shape of the English novel. Weaving examinations of novels such as William Godwin's Caleb Williams, Mary Shelley's Frankenstein, and Charles Dickens's The Pickwick Papers and Oliver Twist, along with a reading of the new Royal Courts of Justice, Grossman charts the exciting changes occurring within the novel, especially crime fiction, that preceded and led to the invention of the detective mystery in the 1840s. -- John Sutherland, University College London
Rakes, Highwaymen, and Pirates
Author: Erin Mackie
Publisher: JHU Press
ISBN: 0801890888
Category : Biography & Autobiography
Languages : en
Pages : 244
Book Description
Synthesizing the histories of masculinity, manners, and radicalism, Rakes, Highwaymen, and Pirates offers a fresh perspective on the eighteenth-century aristocratic male.
Publisher: JHU Press
ISBN: 0801890888
Category : Biography & Autobiography
Languages : en
Pages : 244
Book Description
Synthesizing the histories of masculinity, manners, and radicalism, Rakes, Highwaymen, and Pirates offers a fresh perspective on the eighteenth-century aristocratic male.
Turned to Account
Author: Lincoln B. Faller
Publisher: Cambridge University Press
ISBN: 9780521326728
Category : Biography & Autobiography
Languages : en
Pages : 378
Book Description
Turned to Account is a study that focuses on the popular genre of criminal biography, examining how it played upon and reflected English society's fears and interest in aberrant behaviour. Faller examines ways in which ordinary Englishmen read, wrote and presumably thought on the subject of criminal actions and character.
Publisher: Cambridge University Press
ISBN: 9780521326728
Category : Biography & Autobiography
Languages : en
Pages : 378
Book Description
Turned to Account is a study that focuses on the popular genre of criminal biography, examining how it played upon and reflected English society's fears and interest in aberrant behaviour. Faller examines ways in which ordinary Englishmen read, wrote and presumably thought on the subject of criminal actions and character.
Print Culture, Crime and Justice in 18th-Century London
Author: Richard M. Ward
Publisher: Bloomsbury Publishing
ISBN: 1472511905
Category : History
Languages : en
Pages : 338
Book Description
In the first half of the 18th century there was an explosion in the volume and variety of crime literature published in London. This was a 'golden age of writing about crime', when the older genres of criminal biographies, social policy pamphlets and 'last-dying speeches' were joined by a raft of new publications, including newspapers, periodicals, graphic prints, the Old Bailey Proceedings and the Ordinary's Account of malefactors executed at Tyburn. By the early 18th century propertied Londoners read a wider array of printed texts and images about criminal offenders – highwaymen, housebreakers, murderers, pickpockets and the like – than ever before or since. Print Culture, Crime and Justice in 18th-Century London provides the first detailed study of crime reporting across this range of publications to explore the influence of print upon contemporary perceptions of crime and upon the making of the law and its administration in the metropolis. This historical perspective helps us to rethink the relationship between media, the public sphere and criminal justice policy in the present.
Publisher: Bloomsbury Publishing
ISBN: 1472511905
Category : History
Languages : en
Pages : 338
Book Description
In the first half of the 18th century there was an explosion in the volume and variety of crime literature published in London. This was a 'golden age of writing about crime', when the older genres of criminal biographies, social policy pamphlets and 'last-dying speeches' were joined by a raft of new publications, including newspapers, periodicals, graphic prints, the Old Bailey Proceedings and the Ordinary's Account of malefactors executed at Tyburn. By the early 18th century propertied Londoners read a wider array of printed texts and images about criminal offenders – highwaymen, housebreakers, murderers, pickpockets and the like – than ever before or since. Print Culture, Crime and Justice in 18th-Century London provides the first detailed study of crime reporting across this range of publications to explore the influence of print upon contemporary perceptions of crime and upon the making of the law and its administration in the metropolis. This historical perspective helps us to rethink the relationship between media, the public sphere and criminal justice policy in the present.
Eighteenth-century Genre and Culture
Author: Dennis Todd
Publisher: University of Delaware Press
ISBN: 9780874137590
Category : Literary Collections
Languages : en
Pages : 332
Book Description
This collection of essays, including contributions by Paula Backscheider, Martin C. Battestin, and Patricia Meyer Spacks- examines the relationship between history, literary forms, and the cultural contexts of British literature from the late seventeenth to the late eighteenth century. Topics include print culture and the works of Mary, Lady Chudleigh; the politics of early amatory fiction; Susanna Centlivre's use of plot; novels by women between 1760 and 1788; and the connection between gender and narrative form in the criminal biographies of the 1770s.
Publisher: University of Delaware Press
ISBN: 9780874137590
Category : Literary Collections
Languages : en
Pages : 332
Book Description
This collection of essays, including contributions by Paula Backscheider, Martin C. Battestin, and Patricia Meyer Spacks- examines the relationship between history, literary forms, and the cultural contexts of British literature from the late seventeenth to the late eighteenth century. Topics include print culture and the works of Mary, Lady Chudleigh; the politics of early amatory fiction; Susanna Centlivre's use of plot; novels by women between 1760 and 1788; and the connection between gender and narrative form in the criminal biographies of the 1770s.
Colonel Jack
Author: Daniel Defoe
Publisher: Broadview Press
ISBN: 1770485139
Category : Fiction
Languages : en
Pages : 418
Book Description
Long dismissed by critics as a novel of merely historical interest, Colonel Jack is one of Daniel Defoe’s most entertaining, revealing, and complex works. It is the supposed autobiography of an English gentleman who begins life as a child of the London streets. He and his brothers are brought up as pickpockets and highwaymen, but Jack seeks to improve himself. Kidnapped and taken to America, he becomes first a slave, then an overseer on plantations in Maryland. Jack’s story is one of dramatic turns of fortune that ultimately lead to a life of law-abiding prosperity as a plantation owner. Historical appendices relate to eighteenth-century Virginia and Maryland and to contemporary crime, punishment, and imprisonment.
Publisher: Broadview Press
ISBN: 1770485139
Category : Fiction
Languages : en
Pages : 418
Book Description
Long dismissed by critics as a novel of merely historical interest, Colonel Jack is one of Daniel Defoe’s most entertaining, revealing, and complex works. It is the supposed autobiography of an English gentleman who begins life as a child of the London streets. He and his brothers are brought up as pickpockets and highwaymen, but Jack seeks to improve himself. Kidnapped and taken to America, he becomes first a slave, then an overseer on plantations in Maryland. Jack’s story is one of dramatic turns of fortune that ultimately lead to a life of law-abiding prosperity as a plantation owner. Historical appendices relate to eighteenth-century Virginia and Maryland and to contemporary crime, punishment, and imprisonment.
Cultural Histories of Law, Media and Emotion
Author: Katie Barclay
Publisher: Taylor & Francis
ISBN: 1000619842
Category : History
Languages : en
Pages : 261
Book Description
Cultural Histories of Law, Media and Emotion: Public Justice explores how the legal history of long-eighteenth-century Britain has been transformed by the cultural turn, and especially the associated history of emotion. Seeking to reflect on the state of the field, 13 essays by leading and emerging scholars bring cutting-edge research to bear on the intersections between law, print culture and emotion in Britain across the eighteenth and nineteenth centuries. Divided into three sections, this collection explores the ‘public’ as a site of legal sensibility; it demonstrates how the rhetoric of emotion constructed the law in legal practice and in society and culture; and it highlights how approaches from cultural and emotions history have recentred the individual, the biography and the group to explain long-running legal-historical problems. Across this volume, authors evidence how engagements between cultural and legal history have revitalised our understanding of law’s role in eighteenth-century culture and society, not least deepening our understanding of justice as produced with and through the public. This volume is the ideal resource for upper-level undergraduates, postgraduates and scholars interested in the history of emotions as well as the legal history of Britain from the late seventeenth to the nineteenth century.
Publisher: Taylor & Francis
ISBN: 1000619842
Category : History
Languages : en
Pages : 261
Book Description
Cultural Histories of Law, Media and Emotion: Public Justice explores how the legal history of long-eighteenth-century Britain has been transformed by the cultural turn, and especially the associated history of emotion. Seeking to reflect on the state of the field, 13 essays by leading and emerging scholars bring cutting-edge research to bear on the intersections between law, print culture and emotion in Britain across the eighteenth and nineteenth centuries. Divided into three sections, this collection explores the ‘public’ as a site of legal sensibility; it demonstrates how the rhetoric of emotion constructed the law in legal practice and in society and culture; and it highlights how approaches from cultural and emotions history have recentred the individual, the biography and the group to explain long-running legal-historical problems. Across this volume, authors evidence how engagements between cultural and legal history have revitalised our understanding of law’s role in eighteenth-century culture and society, not least deepening our understanding of justice as produced with and through the public. This volume is the ideal resource for upper-level undergraduates, postgraduates and scholars interested in the history of emotions as well as the legal history of Britain from the late seventeenth to the nineteenth century.