Author: Alexander Stepanov
Publisher: Parkstone Press
ISBN:
Category : Art
Languages : en
Pages : 184
Book Description
Numerous color and b & w reproductions from mostly European and a few US museums, reinforce the commentary of Stepanov (St. Petersburg Institute of Art History) on Cranach the Elder as a German Renaissance master. Though not as well known as his Catholic Italian contemporaries, Protestant Cranach bequeathed a legacy of diverse works on religious and secular subjects (hunting scenes are notable) and painting techniques which influenced generations of artists. As a court artist (for Frederick the Wise, Saxony), he also designed costumes, furniture, and parade-ground arms. Includes a chronology of the works of Cranach and his notable peers, but no index. 9.5x12.5" c. Book News Inc
Lucas Cranach the Elder, 1472-1553
Author: Alexander Stepanov
Publisher: Parkstone Press
ISBN:
Category : Art
Languages : en
Pages : 184
Book Description
Numerous color and b & w reproductions from mostly European and a few US museums, reinforce the commentary of Stepanov (St. Petersburg Institute of Art History) on Cranach the Elder as a German Renaissance master. Though not as well known as his Catholic Italian contemporaries, Protestant Cranach bequeathed a legacy of diverse works on religious and secular subjects (hunting scenes are notable) and painting techniques which influenced generations of artists. As a court artist (for Frederick the Wise, Saxony), he also designed costumes, furniture, and parade-ground arms. Includes a chronology of the works of Cranach and his notable peers, but no index. 9.5x12.5" c. Book News Inc
Publisher: Parkstone Press
ISBN:
Category : Art
Languages : en
Pages : 184
Book Description
Numerous color and b & w reproductions from mostly European and a few US museums, reinforce the commentary of Stepanov (St. Petersburg Institute of Art History) on Cranach the Elder as a German Renaissance master. Though not as well known as his Catholic Italian contemporaries, Protestant Cranach bequeathed a legacy of diverse works on religious and secular subjects (hunting scenes are notable) and painting techniques which influenced generations of artists. As a court artist (for Frederick the Wise, Saxony), he also designed costumes, furniture, and parade-ground arms. Includes a chronology of the works of Cranach and his notable peers, but no index. 9.5x12.5" c. Book News Inc
Lucas Cranach the Elder
Author: Bonnie Noble
Publisher: University Press of America
ISBN: 076184337X
Category : Art
Languages : en
Pages : 237
Book Description
Law and gospel and the strategies of pictorial rhetoric -- The Schneeberg altarpiece and the structure of worship -- The Wittenberg altarpiece : communal devotion and identity -- Holy visions and pious testimony: Weimar altarpiece -- Public worship to private devotion : Cranach's Reformation Madonna panels.
Publisher: University Press of America
ISBN: 076184337X
Category : Art
Languages : en
Pages : 237
Book Description
Law and gospel and the strategies of pictorial rhetoric -- The Schneeberg altarpiece and the structure of worship -- The Wittenberg altarpiece : communal devotion and identity -- Holy visions and pious testimony: Weimar altarpiece -- Public worship to private devotion : Cranach's Reformation Madonna panels.
The Serpent & the Lamb
Author: Steven E. Ozment
Publisher:
ISBN: 9780300192537
Category : Reformation and art
Languages : en
Pages : 0
Book Description
A retelling of the story of the German Renaissance and Reformation through the lives of two controversial figures of the 16th century: the Saxon court painter Lucas Cranach and the Wittenberg reformer Martin Luther.
Publisher:
ISBN: 9780300192537
Category : Reformation and art
Languages : en
Pages : 0
Book Description
A retelling of the story of the German Renaissance and Reformation through the lives of two controversial figures of the 16th century: the Saxon court painter Lucas Cranach and the Wittenberg reformer Martin Luther.
The Texture of Images
Author: Livia Cárdenas
Publisher: BRILL
ISBN: 9004440127
Category : History
Languages : en
Pages : 574
Book Description
Textures of Images presents for the first time a fundamental analysis and synopsis of the printed relic-book genre. The author brings into focus the specific mediality and aesthetics of this kind of printed books between the Late Middle Ages and the Early Modern Period.
Publisher: BRILL
ISBN: 9004440127
Category : History
Languages : en
Pages : 574
Book Description
Textures of Images presents for the first time a fundamental analysis and synopsis of the printed relic-book genre. The author brings into focus the specific mediality and aesthetics of this kind of printed books between the Late Middle Ages and the Early Modern Period.
The Origins of Protestant Aesthetics in Early Modern Europe
Author: William A. Dyrness
Publisher: Cambridge University Press
ISBN: 1108493351
Category : Art
Languages : en
Pages : 245
Book Description
The aesthetics of everyday life, as reflected in art museums and galleries throughout the western world, is the result of a profound shift in aesthetic perception that occurred during the Renaissance and Reformation. In this book, William A. Dyrness examines intellectual developments in late Medieval Europe, which turned attention away from a narrow range liturgical art and practices and towards a celebration of God's presence in creation and in history. Though threatened by the human tendency to self-assertion, he shows how a new focus on God's creative and recreative action in the world gave time and history a new seriousness, and engendered a broad spectrum of aesthetic potential. Focusing in particular on the writings of Luther and Calvin, Dyrness demonstrates how the reformers' conceptual and theological frameworks pertaining to the role of the arts influenced the rise of realistic theater, lyric poetry, landscape painting, and architecture in the sixteenth and seventeenth centuries.
Publisher: Cambridge University Press
ISBN: 1108493351
Category : Art
Languages : en
Pages : 245
Book Description
The aesthetics of everyday life, as reflected in art museums and galleries throughout the western world, is the result of a profound shift in aesthetic perception that occurred during the Renaissance and Reformation. In this book, William A. Dyrness examines intellectual developments in late Medieval Europe, which turned attention away from a narrow range liturgical art and practices and towards a celebration of God's presence in creation and in history. Though threatened by the human tendency to self-assertion, he shows how a new focus on God's creative and recreative action in the world gave time and history a new seriousness, and engendered a broad spectrum of aesthetic potential. Focusing in particular on the writings of Luther and Calvin, Dyrness demonstrates how the reformers' conceptual and theological frameworks pertaining to the role of the arts influenced the rise of realistic theater, lyric poetry, landscape painting, and architecture in the sixteenth and seventeenth centuries.
German Paintings of the Fifteenth Through Seventeenth Centuries
Author: John Oliver Hand
Publisher: Cambridge University Press
ISBN: 9780521450935
Category : Painting
Languages : en
Pages : 215
Book Description
A catalogue of fifteenth and sixteenth century German paintings in the National Gallery of Art, Washington DC.
Publisher: Cambridge University Press
ISBN: 9780521450935
Category : Painting
Languages : en
Pages : 215
Book Description
A catalogue of fifteenth and sixteenth century German paintings in the National Gallery of Art, Washington DC.
German Paintings in the Metropolitan Museum of Art, 1350-1600
Author: Maryan W. Ainsworth
Publisher: Metropolitan Museum of Art
ISBN: 1588394875
Category : History
Languages : en
Pages : 386
Book Description
Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.
Publisher: Metropolitan Museum of Art
ISBN: 1588394875
Category : History
Languages : en
Pages : 386
Book Description
Paintings by Renaissance masters Lucas Cranach the Elder, Albrecht Durer, and Hans Holbein the Younger are among the works featured in this lavish volume, the first to comprehensively study the largest collection of early German paintings in America. These works, created in the 14th through 16th centuries in the region that comprises present-day Germany, Austria, and Switzerland, include religious images - such as "Virgin and Child with Saint Anne" by Durer and the double-sided altarpiece "The Dormition of the Virgin" by Hans Schaufelein - as well as remarkable portraits by Holbein and the iconic "Judgment of Paris" by Cranach. In all, more than 70 works are thoroughly discussed and analyzed, making this volume an incomparable resource for the study of this rich artistic period.
Cranach, a Family of Master Painters
Author: Werner Schade
Publisher: Putnam Publishing Group
ISBN: 9780399118319
Category : Art, High Renaissance
Languages : en
Pages : 476
Book Description
Publisher: Putnam Publishing Group
ISBN: 9780399118319
Category : Art, High Renaissance
Languages : en
Pages : 476
Book Description
Lucas Cranach
Author: Teresa Präauer
Publisher: Hatje Cantz Verlag
ISBN: 3775758887
Category : Art
Languages : en
Pages : 134
Book Description
Lucas Cranach the Elder created around 500 works during his lifetime. With his portraits of Martin Luther and Philipp Melanchton and as court painter to Frederick the Wise, he became one of the most sought-after painters of the Reformation. At the same time, Cranach was the first to translate the Italian Renaissance tradition of the life-size nude into art north of the Alps; his lascivious, barely veiled depiction of Venus, the goddess of love, bears witness to this. On the occasion of the large Cranach exhibition at the Kunsthistorisches Museum in Vienna, the Austrian writer Teresa Präauer explores the work of this busy prince of painters from A to Z.
Publisher: Hatje Cantz Verlag
ISBN: 3775758887
Category : Art
Languages : en
Pages : 134
Book Description
Lucas Cranach the Elder created around 500 works during his lifetime. With his portraits of Martin Luther and Philipp Melanchton and as court painter to Frederick the Wise, he became one of the most sought-after painters of the Reformation. At the same time, Cranach was the first to translate the Italian Renaissance tradition of the life-size nude into art north of the Alps; his lascivious, barely veiled depiction of Venus, the goddess of love, bears witness to this. On the occasion of the large Cranach exhibition at the Kunsthistorisches Museum in Vienna, the Austrian writer Teresa Präauer explores the work of this busy prince of painters from A to Z.
Early Colour Printing
Author: Elizabeth Savage
Publisher:
ISBN: 9781911300755
Category : Color prints
Languages : en
Pages : 0
Book Description
This richly illustrated publication reproduces and describes effectively every early modern German color print held at the British Museum. It is one of the world's most significant collections of these rare milestones of cultural heritage and technology. New photography reveals 150 impressions in jaw-dropping detail, most life-size. Some have never been seen in public or reproduced. It is the first major study of the first wave of German color printing. It spans medieval printing in the late 1400s through the Renaissance and Reformation of the 1500s. Early Colour Printing features masterpieces by leading figures like Erhard Ratdolt, Lucas Cranach, Hans Baldung Grien, and Hans Burgkmair, as well as unfairly overlooked entrepreneurs and innovators like Erasmus Loy (and his daughter Anna). Their breakthroughs reproduced artworks and simplified astronomical calculations. They created trends in interior design and signalled 'red-letter days'. They helped musicians sight-read and they color-coded metals for goldsmiths. These diverse new functions and markets might seem unrelated. But they are connected, and they cannot be understood in isolation. From artworks to missals, icons to wallpapers, this book breaks new ground by revealing the fascinating underlying technologies that enabled the production of these color-printed objects. The many inventions of color printing in the German-speaking lands began with medieval novel solutions. They were devised long before color printing inks could be formulated. Then, color printing techniques transformed how printed material could be used during the technological and cultural revolutions of the sixteenth century. Later designers and artists around Europe celebrated these techniques' heritage for centuries, from the 'D rer Renaissance' until chromolithography revolutionized the print market in the nineteenth century. Early Colour Printing captures this story in rich detail. It sets the stage for second wave of German color woodcut, which was triggered by the Expressionist revival at the turn of the twentieth century. Thoroughly researched and engagingly written, this collection guide will be a standard reference on German graphic art, early modern visual culture, and the history of printing itself. Early Colour Printing: German Renaissance Woodcuts at the British Museum offers significant new research, including previously unidentified examples of early modern color-printing. Some are believed to be unique in the world; others were made decades before the landmark invention of colorful chiaroscuro woodcut in Italy in 1516. By modeling a printer- and technology-based approach to the history of printing, it contributes to scholarship by pinpointing attributions to printers--not just to artists or designers. In doing so, it lays the groundwork for a new understanding of the history of print, one that encompasses all forms of printed material. This publication derives from an exhibition at the British Museum curated by Elizabeth Savage.
Publisher:
ISBN: 9781911300755
Category : Color prints
Languages : en
Pages : 0
Book Description
This richly illustrated publication reproduces and describes effectively every early modern German color print held at the British Museum. It is one of the world's most significant collections of these rare milestones of cultural heritage and technology. New photography reveals 150 impressions in jaw-dropping detail, most life-size. Some have never been seen in public or reproduced. It is the first major study of the first wave of German color printing. It spans medieval printing in the late 1400s through the Renaissance and Reformation of the 1500s. Early Colour Printing features masterpieces by leading figures like Erhard Ratdolt, Lucas Cranach, Hans Baldung Grien, and Hans Burgkmair, as well as unfairly overlooked entrepreneurs and innovators like Erasmus Loy (and his daughter Anna). Their breakthroughs reproduced artworks and simplified astronomical calculations. They created trends in interior design and signalled 'red-letter days'. They helped musicians sight-read and they color-coded metals for goldsmiths. These diverse new functions and markets might seem unrelated. But they are connected, and they cannot be understood in isolation. From artworks to missals, icons to wallpapers, this book breaks new ground by revealing the fascinating underlying technologies that enabled the production of these color-printed objects. The many inventions of color printing in the German-speaking lands began with medieval novel solutions. They were devised long before color printing inks could be formulated. Then, color printing techniques transformed how printed material could be used during the technological and cultural revolutions of the sixteenth century. Later designers and artists around Europe celebrated these techniques' heritage for centuries, from the 'D rer Renaissance' until chromolithography revolutionized the print market in the nineteenth century. Early Colour Printing captures this story in rich detail. It sets the stage for second wave of German color woodcut, which was triggered by the Expressionist revival at the turn of the twentieth century. Thoroughly researched and engagingly written, this collection guide will be a standard reference on German graphic art, early modern visual culture, and the history of printing itself. Early Colour Printing: German Renaissance Woodcuts at the British Museum offers significant new research, including previously unidentified examples of early modern color-printing. Some are believed to be unique in the world; others were made decades before the landmark invention of colorful chiaroscuro woodcut in Italy in 1516. By modeling a printer- and technology-based approach to the history of printing, it contributes to scholarship by pinpointing attributions to printers--not just to artists or designers. In doing so, it lays the groundwork for a new understanding of the history of print, one that encompasses all forms of printed material. This publication derives from an exhibition at the British Museum curated by Elizabeth Savage.