Author: Michael Chibnik
Publisher: University of Texas Press
ISBN: 0292782667
Category : Art
Languages : en
Pages : 308
Book Description
Since the mid-1980s, whimsical, brightly colored wood carvings from the Mexican state of Oaxaca have found their way into gift shops and private homes across the United States and Europe, as Western consumers seek to connect with the authenticity and tradition represented by indigenous folk arts. Ironically, however, the Oaxacan wood carvings are not a traditional folk art. Invented in the mid-twentieth century by non-Indian Mexican artisans for the tourist market, their appeal flows as much from intercultural miscommunication as from their intrinsic artistic merit. In this beautifully illustrated book, Michael Chibnik offers the first in-depth look at the international trade in Oaxacan wood carvings, including their history, production, marketing, and cultural representations. Drawing on interviews he conducted in the carving communities and among wholesalers, retailers, and consumers, he follows the entire production and consumption cycle, from the harvesting of copal wood to the final purchase of the finished piece. Along the way, he describes how and why this "invented tradition" has been promoted as a "Zapotec Indian" craft and explores its similarities with other local crafts with longer histories. He also fully discusses the effects on local communities of participating in the global market, concluding that the trade in Oaxacan wood carvings is an almost paradigmatic case study of globalization.
Crafting Tradition
Author: Michael Chibnik
Publisher: University of Texas Press
ISBN: 0292782667
Category : Art
Languages : en
Pages : 308
Book Description
Since the mid-1980s, whimsical, brightly colored wood carvings from the Mexican state of Oaxaca have found their way into gift shops and private homes across the United States and Europe, as Western consumers seek to connect with the authenticity and tradition represented by indigenous folk arts. Ironically, however, the Oaxacan wood carvings are not a traditional folk art. Invented in the mid-twentieth century by non-Indian Mexican artisans for the tourist market, their appeal flows as much from intercultural miscommunication as from their intrinsic artistic merit. In this beautifully illustrated book, Michael Chibnik offers the first in-depth look at the international trade in Oaxacan wood carvings, including their history, production, marketing, and cultural representations. Drawing on interviews he conducted in the carving communities and among wholesalers, retailers, and consumers, he follows the entire production and consumption cycle, from the harvesting of copal wood to the final purchase of the finished piece. Along the way, he describes how and why this "invented tradition" has been promoted as a "Zapotec Indian" craft and explores its similarities with other local crafts with longer histories. He also fully discusses the effects on local communities of participating in the global market, concluding that the trade in Oaxacan wood carvings is an almost paradigmatic case study of globalization.
Publisher: University of Texas Press
ISBN: 0292782667
Category : Art
Languages : en
Pages : 308
Book Description
Since the mid-1980s, whimsical, brightly colored wood carvings from the Mexican state of Oaxaca have found their way into gift shops and private homes across the United States and Europe, as Western consumers seek to connect with the authenticity and tradition represented by indigenous folk arts. Ironically, however, the Oaxacan wood carvings are not a traditional folk art. Invented in the mid-twentieth century by non-Indian Mexican artisans for the tourist market, their appeal flows as much from intercultural miscommunication as from their intrinsic artistic merit. In this beautifully illustrated book, Michael Chibnik offers the first in-depth look at the international trade in Oaxacan wood carvings, including their history, production, marketing, and cultural representations. Drawing on interviews he conducted in the carving communities and among wholesalers, retailers, and consumers, he follows the entire production and consumption cycle, from the harvesting of copal wood to the final purchase of the finished piece. Along the way, he describes how and why this "invented tradition" has been promoted as a "Zapotec Indian" craft and explores its similarities with other local crafts with longer histories. He also fully discusses the effects on local communities of participating in the global market, concluding that the trade in Oaxacan wood carvings is an almost paradigmatic case study of globalization.
Crafting Tradition
Author:
Publisher:
ISBN:
Category : Culture and tourism
Languages : en
Pages : 8
Book Description
Publisher:
ISBN:
Category : Culture and tourism
Languages : en
Pages : 8
Book Description
Crafting Wiccan Traditions
Author: Raven Grimassi
Publisher: Llewellyn Worldwide
ISBN: 9780738711089
Category : Body, Mind & Spirit
Languages : en
Pages : 246
Book Description
Would you like to embark on a transformative journey unlike any other? In this comprehensive guide, award-winning author Raven Grimassi shows you how to craft a Wiccan tradition that is imbued with your unique signature. Based upon your core beliefs, you can design a spiritual system that best reflects your personal needs. Choose a patron deity, work with egregores, create a Book of Shadows, conduct rituals to honor gods and goddesses—the possibilities are endless. Perfect for the solitary or group practitioner, this book will help you craft a coherent and empowering traditional structure that is based on strong Wiccan foundations, yet entirely your own. Call forth the power of Wiccan mythos as you explore the sacred circle, ritual and magical correspondences to nature, initiation rites, the eight Sabbats, and the Wheel of the Year. Pioneer your own spiritual tradition—and take the first step on your personalized path to the divine.
Publisher: Llewellyn Worldwide
ISBN: 9780738711089
Category : Body, Mind & Spirit
Languages : en
Pages : 246
Book Description
Would you like to embark on a transformative journey unlike any other? In this comprehensive guide, award-winning author Raven Grimassi shows you how to craft a Wiccan tradition that is imbued with your unique signature. Based upon your core beliefs, you can design a spiritual system that best reflects your personal needs. Choose a patron deity, work with egregores, create a Book of Shadows, conduct rituals to honor gods and goddesses—the possibilities are endless. Perfect for the solitary or group practitioner, this book will help you craft a coherent and empowering traditional structure that is based on strong Wiccan foundations, yet entirely your own. Call forth the power of Wiccan mythos as you explore the sacred circle, ritual and magical correspondences to nature, initiation rites, the eight Sabbats, and the Wheel of the Year. Pioneer your own spiritual tradition—and take the first step on your personalized path to the divine.
Stickley Style
Author: David M. Cathers
Publisher: Simon and Schuster
ISBN: 0684856034
Category : Architecture
Languages : en
Pages : 232
Book Description
An Archetype Press book.
Publisher: Simon and Schuster
ISBN: 0684856034
Category : Architecture
Languages : en
Pages : 232
Book Description
An Archetype Press book.
Crafting an Indigenous Nation
Author: Jenny Tone-Pah-Hote
Publisher: UNC Press Books
ISBN: 1469643677
Category : History
Languages : en
Pages : 163
Book Description
In this in-depth interdisciplinary study, Jenny Tone-Pah-Hote reveals how Kiowa people drew on the tribe's rich history of expressive culture to assert its identity at a time of profound challenge. Examining traditional forms such as beadwork, metalwork, painting, and dance, Tone-Pah-Hote argues that their creation and exchange were as significant to the expression of Indigenous identity and sovereignty as formal political engagement and policymaking. These cultural forms, she argues, were sites of contestation as well as affirmation, as Kiowa people used them to confront external pressures, express national identity, and wrestle with changing gender roles and representations. Combatting a tendency to view Indigenous cultural production primarily in terms of resistance to settler-colonialism, Tone-Pah-Hote expands existing work on Kiowa culture by focusing on acts of creation and material objects that mattered as much for the nation's internal and familial relationships as for relations with those outside the tribe. In the end, she finds that during a time of political struggle and cultural dislocation at the turn of the twentieth century, the community's performative and expressive acts had much to do with the persistence, survival, and adaptation of the Kiowa nation.
Publisher: UNC Press Books
ISBN: 1469643677
Category : History
Languages : en
Pages : 163
Book Description
In this in-depth interdisciplinary study, Jenny Tone-Pah-Hote reveals how Kiowa people drew on the tribe's rich history of expressive culture to assert its identity at a time of profound challenge. Examining traditional forms such as beadwork, metalwork, painting, and dance, Tone-Pah-Hote argues that their creation and exchange were as significant to the expression of Indigenous identity and sovereignty as formal political engagement and policymaking. These cultural forms, she argues, were sites of contestation as well as affirmation, as Kiowa people used them to confront external pressures, express national identity, and wrestle with changing gender roles and representations. Combatting a tendency to view Indigenous cultural production primarily in terms of resistance to settler-colonialism, Tone-Pah-Hote expands existing work on Kiowa culture by focusing on acts of creation and material objects that mattered as much for the nation's internal and familial relationships as for relations with those outside the tribe. In the end, she finds that during a time of political struggle and cultural dislocation at the turn of the twentieth century, the community's performative and expressive acts had much to do with the persistence, survival, and adaptation of the Kiowa nation.
Heritage
Author: The People of Goda
Publisher: Createspace Independent Publishing Platform
ISBN: 9781530457380
Category :
Languages : en
Pages : 192
Book Description
Expressive works by selected members of the 'People of Goda' of the Clan of Tubal Cain that illustrate the impetus and the mood of the moment. This relates how we feel about the legacy we have received and the task that lies ahead for its interpretation and continuance aspected through the Veils of the Mothers' in Truth , Love & Beauty. Relayed in prose and verse, words and images divert the reader into the place of 'Work' of labour devotion and duty - of Heritage.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781530457380
Category :
Languages : en
Pages : 192
Book Description
Expressive works by selected members of the 'People of Goda' of the Clan of Tubal Cain that illustrate the impetus and the mood of the moment. This relates how we feel about the legacy we have received and the task that lies ahead for its interpretation and continuance aspected through the Veils of the Mothers' in Truth , Love & Beauty. Relayed in prose and verse, words and images divert the reader into the place of 'Work' of labour devotion and duty - of Heritage.
Crafting Qualitative Research: Working in the Postpositivist Traditions
Author: Pushkala Prasad
Publisher: Routledge
ISBN: 1317473698
Category : Business & Economics
Languages : en
Pages : 350
Book Description
Courses in management research have traditionally focused on quantitative techniques, and no available text adequately covers the many different perspectives within the qualitative model or shows which qualitative techniques work best in different settings. "Crafting Qualitative Research" fills this need. In clear and readable prose, this comprehensive text offers a detailed guide to the rich diversity of qualitative research traditions, with examples and applications specifically designed for the field of management. Each of the book's four main sections includes a descriptive "tree" diagram that lays out the historical origins of that section's traditions. Each chapter is devoted to a specific methodology and includes historical origins and development; techniques and applications; current controversies and emerging issues; and a summary box highlighting that method's utility. With its detailed and easy-to-understand coverage, this will be the text of choice for any instructor who wants to include the qualitative approach in a research methods course, as well as a useful resource for anyone doing research in the post-positivist traditions.
Publisher: Routledge
ISBN: 1317473698
Category : Business & Economics
Languages : en
Pages : 350
Book Description
Courses in management research have traditionally focused on quantitative techniques, and no available text adequately covers the many different perspectives within the qualitative model or shows which qualitative techniques work best in different settings. "Crafting Qualitative Research" fills this need. In clear and readable prose, this comprehensive text offers a detailed guide to the rich diversity of qualitative research traditions, with examples and applications specifically designed for the field of management. Each of the book's four main sections includes a descriptive "tree" diagram that lays out the historical origins of that section's traditions. Each chapter is devoted to a specific methodology and includes historical origins and development; techniques and applications; current controversies and emerging issues; and a summary box highlighting that method's utility. With its detailed and easy-to-understand coverage, this will be the text of choice for any instructor who wants to include the qualitative approach in a research methods course, as well as a useful resource for anyone doing research in the post-positivist traditions.
A Theory of Craft
Author: Howard Risatti
Publisher: ReadHowYouWant.com
ISBN: 1458762009
Category : Art
Languages : en
Pages : 586
Book Description
What is craft? How is it different from fine art or design? In A Theory of Craft, Howard Risatti examines these issues by comparing handmade ceramics, glass, metalwork, weaving, and furniture to painting, sculpture, photography, and machine-made design from Bauhaus to the Memphis Group. He describes craft's unique qualities as functionality combined with an ability to express human values that transcend temporal, spatial, and social boundaries. Modern design today has taken over from craft the making of functional objects of daily use by employing machines to do work once done by hand. Understanding the aesthetic and social implications of this transformation forces us to see craft as well as design and fine art in a new perspective, Risatti argues. Without a way of understanding and valuing craft on its own terms, the field languishes aesthetically, being judged by fine art criteria that automatically deny art status to craft objects. Craft must articulate a role for itself in contemporary society, says Risatti; otherwise it will be absorbed by fine art or design and its singular approach to understanding the world will be lost. A Theory of Craft is a signal contribution to establishing a craft theory that recognizes, defines, and celebrates the unique blend of function and human aesthetic values embodied in the craft object.
Publisher: ReadHowYouWant.com
ISBN: 1458762009
Category : Art
Languages : en
Pages : 586
Book Description
What is craft? How is it different from fine art or design? In A Theory of Craft, Howard Risatti examines these issues by comparing handmade ceramics, glass, metalwork, weaving, and furniture to painting, sculpture, photography, and machine-made design from Bauhaus to the Memphis Group. He describes craft's unique qualities as functionality combined with an ability to express human values that transcend temporal, spatial, and social boundaries. Modern design today has taken over from craft the making of functional objects of daily use by employing machines to do work once done by hand. Understanding the aesthetic and social implications of this transformation forces us to see craft as well as design and fine art in a new perspective, Risatti argues. Without a way of understanding and valuing craft on its own terms, the field languishes aesthetically, being judged by fine art criteria that automatically deny art status to craft objects. Craft must articulate a role for itself in contemporary society, says Risatti; otherwise it will be absorbed by fine art or design and its singular approach to understanding the world will be lost. A Theory of Craft is a signal contribution to establishing a craft theory that recognizes, defines, and celebrates the unique blend of function and human aesthetic values embodied in the craft object.
Japanese Studio Crafts
Author: Rupert Faulkner
Publisher: University of Pennsylvania Press
ISBN: 9780812233353
Category : Art
Languages : en
Pages : 202
Book Description
A beautiful presentation of outstanding works of craft being created in Japan today.
Publisher: University of Pennsylvania Press
ISBN: 9780812233353
Category : Art
Languages : en
Pages : 202
Book Description
A beautiful presentation of outstanding works of craft being created in Japan today.
Jewelry and Metalwork in the Arts and Crafts Tradition
Author: Elyse Zorn Karlin
Publisher: Schiffer Publishing
ISBN: 9780764318986
Category : Art metal-work
Languages : en
Pages : 0
Book Description
Traces the roots of the Arts and Crafts style of jewelry and metalwork from the late nineteenth century to the present, highlighting key movements, styles, and techniques that have been popular through the years.
Publisher: Schiffer Publishing
ISBN: 9780764318986
Category : Art metal-work
Languages : en
Pages : 0
Book Description
Traces the roots of the Arts and Crafts style of jewelry and metalwork from the late nineteenth century to the present, highlighting key movements, styles, and techniques that have been popular through the years.