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Author: David Worrall
Publisher: Routledge
ISBN: 1317315499
Category : History
Languages : en
Pages : 272
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Book Description
Under the 1737 Licensing Act, Covent Garden, Dury Lane and regional Theatres Royal held a monopoly on the dramatic canon. This work explores the presentation of foreign cultures and ethnicities on the popular British stage from 1750 to 1840. It argues that this illegitimate stage was the site for a plebeian Enlightenment.
Author: David Worrall
Publisher: Routledge
ISBN: 1317315499
Category : History
Languages : en
Pages : 272
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Book Description
Under the 1737 Licensing Act, Covent Garden, Dury Lane and regional Theatres Royal held a monopoly on the dramatic canon. This work explores the presentation of foreign cultures and ethnicities on the popular British stage from 1750 to 1840. It argues that this illegitimate stage was the site for a plebeian Enlightenment.
Author: David Grimsted
Publisher: Univ of California Press
ISBN: 9780520059962
Category : History
Languages : en
Pages : 312
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Book Description
David Grimsted's Melodrama Unveiled explores early American drama to try to understand why such severely limited plays were so popular for so long. Concerned with both the plays and the dramatic settings that gave them life, Grimsted offers us rich descriptions of the interaction of performers, audiences, critics, managers, and stage mechanics. Because these plays had to appeal immediately and directly to diverse audiences, they provide dramatic clues to the least common denominator of social values and concerns. In considering both the context and content of popular culture, Grimsted's book suggests how theater reflected the rapidly changing society of antebellum America.
Author: Rima Drell Reck
Publisher: LSU Press
ISBN: 9780807125120
Category : Literary Criticism
Languages : en
Pages : 200
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Book Description
At the beginning of the nineteenth century, Philadelphia was the theatrical center of the United States, owing largely to the elegant Chestnut Street Theatre and its excellent resident company of actors. The survival and success of the company can be greatly attributed to Anne Brunton Merry.Mrs. Merry, who made her first appearance on stage at the ago of sixteen, experienced meteoric success in the English theatre, and after only three years was being favorably compared with te famed Sarah Siddons. She came to the Chestnut Street company in 1796, tow years afer its formation, and through her portrayals of Shakespearean heroines, as well as roles in sentimental comedy and in tragedy, she soon became the most celebrated actress in the American theatre. She established new standards of excellence in her stage portrayals, and during her tenure as manger of the Chestnut Street theatre, she transferred her own high standards to the entire company, demanding a carefully executed theatre operation and advancing the acting profession to a new level of social acceptance. In this sympathetic portrait of an unusual woman, Professor Doty traces Mrs. Merry's career from its beginning at the Bristol theatre in England in 1785 to its tragically early end in 1808. From contemporary newspapers, periodicals, memoirs, and diaries, the author has fashioned a fascinating story of a great actress and her contribution to the development of American repertory theatre during this vital period.
Author: T. Bowers
Publisher: Springer
ISBN: 113701461X
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
Innovative and multidisciplinary, this collection of essays marks out the future of Atlantic Studies, making visible the emphases and purposes now emerging within this vital comparative field. The contributors model new ways to understand the unexpected roles that seduction stories and sentimental narratives played for readers struggling to negotiate previously unimagined differences between and among people, institutions, and ideas.
Author: Benjamin Franklin Fisher IV
Publisher: Routledge
ISBN: 1317206592
Category : History
Languages : en
Pages : 510
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Book Description
First published in 1988, this book aims to provide keys to the study of Gothicism in British and American literature. It gathers together much material that had not been cited in previous works of this kind and secondary works relevant to literary Gothicism — biographies, memoirs and graphic arts. Part one cites items pertaining to significant authors of Gothic works and part two consists of subject headings, offering information about broad topics that evolve from or that have been linked with Gothicism. Three indexes are also provided to expedite searches for the contents of the entries. This book will be of interest to students of literature.
Author: Heather Nathans
Publisher: University of Michigan Press
ISBN: 0472130307
Category : Drama
Languages : en
Pages : 297
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Book Description
Shows how the earliest representations of Jewish characters on American stages mirrored treatment of Jewish Americans outside the playhouse
Author: Philip S. Klein
Publisher: Penn State Press
ISBN: 027103839X
Category : History
Languages : en
Pages : 651
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Book Description
Author: Jim Cullen
Publisher: John Wiley & Sons
ISBN: 0470673656
Category : History
Languages : en
Pages : 309
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Book Description
The second edition of Popular Culture in American History updates the text for a contemporary readership and explores academic developments in this area of study over the last decade. Fully revised second edition with over 50 percent new material Compact and classroom-friendly format Includes the best writing on popular culture from the 1970s onwards Essays examine pivotal moments, issues, and genres in American popular culture, from the ‘penny press’ to the Internet
Author: Don B. Wilmeth
Publisher: Cambridge University Press
ISBN: 9780521472043
Category : Drama
Languages : en
Pages : 554
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Book Description
The Cambridge History of American Theatre is an authoritative and wide-ranging history of American theatre in all its dimensions, from theatre building to play writing, directors, performers, and designers. Engaging the theatre as a performance art, a cultural institution, and a fact of American social and political life, the History recognizes changing styles of presentation and performance and addresses the economic context that conditions the drama presented. The History approaches its subject with a full awareness of relevant developments in literary criticism, cultural analysis, and performance theory. At the same time, it is designed to be an accessible, challenging narrative. Volume One deals with the colonial inceptions of American theatre through the post-Civil War period: the European antecedents, the New World influences of the French and Spanish colonists, and the development of uniquely American traditions in tandem with the emergence of national identity.
Author: Thomas Biggs
Publisher: University of Michigan Press
ISBN: 047213213X
Category : History
Languages : en
Pages : 265
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Book Description
Poetics of the First Punic War investigates the literary afterlives of Rome’s first conflict with Carthage. From its original role in the Middle Republic as the narrative proving ground for epic’s development out of verse historiography, to its striking cultural reuse during the Augustan and Flavian periods, the First Punic War (264–241 BCE) holds an underappreciated place in the history of Latin literature. Because of the serendipitous meeting of historical content and poetic form in the third century BCE, a textualized First Punic War went on to shape the Latin language and its literary genres, the practices and politics of remembering war, popular visions of Rome as a cultural capital, and numerous influential conceptions of Punic North Africa. Poetics of the First Punic War combines innovative theoretical approaches with advances in the philological analysis of Latin literature to reassess the various “texts” of the First Punic War, including those composed by Vergil, Propertius, Horace, and Silius Italicus. This book also contains sustained treatment of Naevius’ fragmentary Bellum Punicum (Punic War) and Livius Andronicus’ Odusia (Odyssey), some of the earliest works of Latin poetry. As the tradition’s primary Roman topic, the First Punic War is forever bound to these poems, which played a decisive role in transmitting an epic view of history.
