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Author: Lewis D. Moore
Publisher: McFarland
ISBN: 0786482397
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
The hard-boiled private detective is among the most recognizable characters in popular fiction since the 1920s--a tough product of a violent world, in which police forces are inadequate and people with money can choose private help when facing threatening circumstances. Though a relatively recent arrival, the hard-boiled detective has undergone steady development and assumed diverse forms. This critical study analyzes the character of the hard-boiled detective, from literary antecedents through the early 21st century. It follows change in the novels through three main periods: the Early (roughly 1927-1955), during which the character was defined by such writers as Carroll John Daly, Dashiell Hammett and Raymond Chandler; the Transitional, evident by 1964 in the works of John D. MacDonald and Michael Collins, and continuing to around 1977 via Joseph Hansen, Bill Pronzini and others; and the Modern, since the late 1970s, during which such writers as Loren D. Estleman, Liza Cody, Sara Paretsky, Sue Grafton and many others have expanded the genre and the detective character. Themes such as violence, love and sexuality, friendship, space and place, and work are examined throughout the text. Instructors considering this book for use in a course may request an examination copy here.
Author: Lewis D. Moore
Publisher: McFarland
ISBN: 0786482397
Category : Literary Criticism
Languages : en
Pages : 307
Get Book Here
Book Description
The hard-boiled private detective is among the most recognizable characters in popular fiction since the 1920s--a tough product of a violent world, in which police forces are inadequate and people with money can choose private help when facing threatening circumstances. Though a relatively recent arrival, the hard-boiled detective has undergone steady development and assumed diverse forms. This critical study analyzes the character of the hard-boiled detective, from literary antecedents through the early 21st century. It follows change in the novels through three main periods: the Early (roughly 1927-1955), during which the character was defined by such writers as Carroll John Daly, Dashiell Hammett and Raymond Chandler; the Transitional, evident by 1964 in the works of John D. MacDonald and Michael Collins, and continuing to around 1977 via Joseph Hansen, Bill Pronzini and others; and the Modern, since the late 1970s, during which such writers as Loren D. Estleman, Liza Cody, Sara Paretsky, Sue Grafton and many others have expanded the genre and the detective character. Themes such as violence, love and sexuality, friendship, space and place, and work are examined throughout the text. Instructors considering this book for use in a course may request an examination copy here.
Author: Nate Evans
Publisher:
ISBN: 9781402212451
Category : Juvenile Fiction
Languages : en
Pages : 132
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Book Description
Humpty Dumpty Jr. has always gotten the bad guy.Always. Except once, when the case got too personal. You know that case. The one about his Dad... And now, a frantic call for help tells him that someone is making it personal again. "Johnny" Cakes, a two-bit pancake punk, has escaped from jail. And Patty, of the famous (and delicious) Pat-A-Cake Bakery, has disappeared. Could "Johnny" Cakes be behind it? Whoever kidnappedPatty better watch out; Humpty is no soft-cooked Egg. He is 100% Hardboiled. From the (fairly) scrambled minds of three acclaimed children's writers and illustrators comes a hilarious new detective who always cracks the case. Set on the grimy streets of New Yolk City, where the Queen of Hearts lives in Queens (where else?), the adventures of Humpty Dumpty Jr. are sure to delight early and chapter-book readers alike. This is the start of a very funny, totally action-packed newseries no one will want to miss! "Once Upon a Crime: There was a detective. Me. Humpty Dumpty Jr., Hardboiled Detective. I'm a good egg who always cracks the case. One morning, sitting at my desk, I watched the sun rise out my grimy window. Dawn light played peek-a-boo through the tall skyscrapers of the gritty city. My city. New Yolk City."
Author: Maureen T. Reddy
Publisher: Rutgers University Press
ISBN: 9780813532028
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
This text explores the ways in which crime fiction manipulates cultural constructions such as race and gender to inscribe dominant cultural discourses. It notes that even those writers who set out to revise conventions repeatedly produce some of the genre's most conservative elements.
Author: Sandra Dumais
Publisher: Owlkids
ISBN: 9781771476447
Category : Juvenile Fiction
Languages : en
Pages : 0
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Book Description
A hilarious barnyard mystery featuring a bumbling goat detective A peaceful day on the farm turns to panic when Hen discovers her egg has been stolen! The only one who can crack the case? Billiam Van Hoof, the world's number one goat detective (at least, that's what he calls himself). As Van Hoof questions the animals and collects clues--a piece of eggshell, a yellow feather, and some tiny footprints--the answer to the mystery becomes obvious to everyone except the bumbling inspector. Readers will enjoy piecing together the clues long before the hapless goat detective and will laugh along with his ridiculous conclusions. The bright, comic illustrations in this graphic novel are filled with visual jokes and quirky details that kids will delight in finding. With a cast of lovable characters, this goofy mystery story--the first in the Farm Crimes series--is a great introduction to graphic novels, now in paperback.
Author: A. Lee Martinez
Publisher: Tor Books
ISBN: 1429925345
Category : Fiction
Languages : en
Pages : 318
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Book Description
From the award-winning author of Gil's All Fright Diner comes a fantastic sci-fi mystery read The Automatic Detective Even in Empire City, a town where weird science is the hope for tomorrow, it's hard for a robot to make his way. It's even harder for a robot named Mack Megaton, a hulking machine designed to bring mankind to its knees. But Mack's not interested in world domination. He's just a bot trying to get by, trying to demonstrate that he isn't just an automated smashing machine, and to earn his citizenship in the process. It should be as easy as crushing a tank for Mack, but some bots just can't catch a break. When Mack's neighbors are kidnapped, Mack sets off on a journey through the dark alleys and gleaming skyscrapers of Empire City. Along the way, he runs afoul of a talking gorilla, a brainy dame, a mutant lowlife, a little green mob boss, and the secret conspiracy at the heart of Empire's founders---not to mention more trouble than he bargained for. What started out as one missing family becomes a battle for the future of Empire and every citizen that calls her home. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author: Tony Hillerman
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 712
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Book Description
Edgar Allan Poe's "Murders in the Rue Morgue" launched the detective story in 1841. The genre began as a highbrow form of entertainment, a puzzle to be solved by a rational sifting of clues. In Britain, the stories became decidedly upper crust: the crime often committed in a world of manor homes and formal gardens, the blood on the Persian carpet usually blue. But from the beginning, American writers worked important changes on Poe's basic formula, especially in use of language and locale. As early as 1917, Susan Glaspell evinced a poignant understanding of motive in a murder in an isolated farmhouse. And with World War I, the Roaring '20s, the rise of organized crime and corrupt police with Prohibition, and the Great Depression, American detective fiction branched out in all directions, led by writers such as Dashiell Hammett and Raymond Chandler, who brought crime out of the drawing room and into the "mean streets" where it actually occurred. In The Oxford Book of American Detective Stories, Tony Hillerman and Rosemary Herbert bring together thirty-three tales that illuminate both the evolution of crime fiction in the United States and America's unique contribution to this highly popular genre. Tracing its progress from elegant "locked room" mysteries, to the hard-boiled realism of the '30s and '40s, to the great range of styles seen today, this superb collection includes the finest crime writers, including Erle Stanley Gardner, Raymond Chandler, Ross Macdonald, Rex Stout, Ellery Queen, Ed McBain, Sue Grafton, and Hillerman himself. There are also many delightful surprises: Bret Harte, for instance, offers a Sherlockian pastiche with a hero named Hemlock Jones, and William Faulkner blends local color, authentic dialogue, and dark, twisted pride in "An Error in Chemistry." We meet a wide range of sleuths, from armchair detective Nero Wolfe, to Richard Sale's journalist Daffy Dill, to Robert Leslie Bellem's wise-cracking Hollywood detective Dan Turner, to Linda Barnes's six-foot tall, red-haired, taxi-driving female P.I., Carlotta Carlyle. And we sample a wide variety of styles, from tales with a strongly regional flavor, to hard-edged pulp fiction, to stories with a feminist perspective. Perhaps most important, the book offers a brilliant summation of America's signal contribution to crime fiction, highlighting the myriad ways in which we have reshaped this genre. The editors show how Raymond Chandler used crime, not as a puzzle to be solved, but as a spotlight with which he could illuminate the human condition; how Ed McBain, in "A Small Homicide," reveals a keen knowledge of police work as well as of the human sorrow which so often motivates crime; and how Ross Macdonald's Lew Archer solved crime not through blood stains and footprints, but through psychological insight into the damaged lives of the victim's family. And throughout, the editors provide highly knowledgeable introductions to each piece, written from the perspective of fellow writers and reflecting a life-long interest--not to say love--of this quintessentially American genre. American crime fiction is as varied and as democratic as America itself. Hillerman and Herbert bring us a gold mine of glorious stories that can be read for sheer pleasure, but that also illuminate how the crime story evolved from the drawing room to the back alley, and how it came to explore every corner of our nation and every facet of our lives.
Author: Curt Colbert
Publisher: Akashic Books
ISBN: 1936070456
Category : Fiction
Languages : en
Pages : 219
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Book Description
“Featuring short, edgy fiction on the Emerald City’s seamy underbelly . . . seedy characters, private detectives and the like from all over urban Seattle.” —Kitsap Daily News Early Seattle was a hardscrabble seaport filled with merchant sailors, longshoremen, lumberjacks, rowdy saloons, and a rough-and-tumble police force not immune to corruption and graft. Now it’s home to big businesses and a flourishing art, theatre, and club scene. Seattle’s evolution to high-finance and high-tech has simply provided even greater opportunity and reward to those who might be ethically, morally, or economically challenged (crooks, in other words). Seattle Noir features stories by G.M. Ford, Skye Moody, R. Barri Flowers, Thomas P. Hopp, Patricia Harrington, Bharti Kirchner, Kathleen Alcalá, Simon Wood, Brian Thornton, Lou Kemp, Curt Colbert, Robert Lopresti, Paul S. Piper, and Stephan Magcosta. You’ll find tales of a wealthy couple whose marriage is filled with not-so-quiet desperation; a credit card scam that goes over-limit; femmes fatales and hommes fatales; a group of mystery writers whose fiction causes friction; a Native American shaman caught in a web of secrets and tribal allegiances; sex, lies, and slippery slopes . . . “Stories that reflect Seattle’s ethnic diversity as well as tales from its rough past to its glory days of Boeing, Starbucks and Microsoft.” —Publishers Weekly “A new collection of stories all set in Seattle, with characters that break the mold. In many of the Seattle Noir stories, it’s the heroes, not the subsidiary characters, that are African-American, Native-American, Hispanic-American.” —The Seattle Times
Author: Jonathan Latimer
Publisher: Open Road Media
ISBN: 1453206000
Category : Fiction
Languages : en
Pages : 199
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Book Description
Just days from meeting the reaper, a convicted murderer hires Chicago’s most hard-boiled PI to save his neck—before the executioner can claim it Robert Westland’s death is just around the corner when he finally decides to fight the murder rap that’s sending him to the electric chair. Fingered for his wife’s grisly demise, Westland is in a bind, and his last hope is Bill Crane, a booze-soaked detective who’s as ruthless with a quip as he is when trawling the streets for Chicago’s most brutal criminal element. Crane’s got just a few days to suss out the real killer—someone clever enough to off Westland’s wife and lock her in a room whose only key belongs to Westland himself. Fueled by an abundance of liquor and a habit of bad manners, Crane sets his sights on a cast of oddball characters among whom hides a murderer. But in 1930s Chicago, everyone’s got a secret, and the pressure is on for Crane to separate the dangerous from the truly homicidal before it’s too late.
Author: Lewis D. Moore
Publisher: McFarland
ISBN: 1476618992
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
A literary examination of the influence of 19th century sleuths on the early hard-boiled investigators, this book explores the importance of works by Edgar Allan Poe, Charles Dickens, Wilkie Collins and Sir Arthur Conan Doyle to the development of detective series by Carroll John Daly, Dashiell Hammett, Raymond Chandler, Brett Halliday, Mickey Spillane, Thomas B. Dewey, John D. MacDonald, Ross Macdonald, Richard S. Prather and William Campbell Gault. Authors from the transitional (1964-1977) and modern periods (1979 to the present) are also discussed to show the ongoing influence of the 19th century detective writers.
Author: Newton Thornburg
Publisher: Diversion Books
ISBN: 1626817464
Category : Fiction
Languages : en
Pages : 357
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Book Description
“A thriller, and a whacking good thriller, too . . . shows how much can be done within a classic form by a writer who knows his business.”—The New York Times Alex Cutter is a scarred and crippled Vietnam veteran, obsessed with a murder he’s convinced his buddy, Richard Bone, witnessed. That it was committed by the powerful tycoon JJ Wolfe only makes Cutter even surer that Bone saw the unthinkable. Captivated by Cutter’s demented logic, Bone is prepared to cross the country with Cutter in search of proof of the murder. Their quest takes them into the Ozarks—home base of the Wolfe empire—where Bone discovers that Cutter is pursuing both a cold-blooded killer, but also an even bigger and more elusive enemy. “Tense, funny, and despairing . . . charged with a passion that makes even grotesques seem likeable and, more important, credible right up to the last, startling sentence.”—Time “May be the quintessential cult crime classic . . . continues to be cited by other writers as groundbreaking . . . The ending is pure Chinatown, with a dose of Easy Rider, and it leaves us reeling.”—Booklist (starred review) Praise for Newton Thornburg “A commanding writer of unusual delicacy and power.”—The New Yorker “A born storyteller.”—St. Louis Post-Dispatch “One of the truly great American writers of the 20th century.”—The Guardian
