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Author:
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 4
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Book Description
Author:
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 4
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Book Description
Author: Albert Wachtel
Publisher: Susquehanna University Press
ISBN: 9780945636274
Category : Literary Criticism
Languages : en
Pages : 192
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Book Description
There are basic problems, and if we can't solve them we should hold off on theorizing. To begin at the beginning, what was Father Flynn's "great wish" for the boy in "The Sisters"? The uncle thinks he knows, but is he right? Can we be sure? How? And how about the beginning and end of "An Encounter"? How do they fit together? What is the specific import to the boy in "Araby" of the shards of conversation between the salesgirl and the Britishers? Can we (or Eveline) be certain of Frank's motives in her story? If not, what relevance do they have? And how in A Portrait of the Artist as a Young Man do Stephen's use and understanding of art evolve? In what crucial respects do they fall short of the understanding a careful reader of the novel can attain? What in Ulysses does Buck Mulligan have in mind when he demands "twopence for a pint" (of what!)? And in what ways are Bloom's ruminations about things like "mity cheese" that "digests all but itself" and saltwater fish ("Why is it that [they] are not...") crucial to the novel? There are bigger questions. What roles do all the accidental occurrences play? Do they heighten or diminish causality and probability? What are the functions of allusion and stylistic experimentation? Is/are there any overriding significance/s to the whole? Is there a didactic component in Joyce's writing? If so, is the didactic element a flaw in his art? What is the relationship between art and instruction--in Joyce and in general? Is good didactic art a contradiction in terms? These latter questions are enticing, but to speculate, theorize, deconstruct, or decontextualize Joyce's works with regard to them without a firm understanding, and perhaps even answers to, the vital though sometimes seemingly trivial former questions is to abrogate critical responsibility and relinquish what one of the formative giants of the twentieth century has to say to us. When relevant, the former are almost always answerable, and the mundane answers, often surprising, are frequently crucial not only for answering the latter questions but for fresh insight into both Joyce's world and our own. By mapping routes to the revelations such mundane "facts" yield, The Cracked Lookingglass establishes a firm base for future interpretations of Joyce's stories from Dubliners through Ulysses. It approaches his works as "fictional histories," grounding its "examplary" readings in relationships among the underlying facts of Joyce's created worlds. The study presents both a method of inquiry and, as examples of its fruit, some of the ways in which the apparent undiscoverables of Joyce's fiction disclose new and indisputable insights into his characters and stories, and through them our world. The approach opens avenues of access to the depths of Dubliners; to the assessments of art, religion, and human relationships in A Portrait of the Artist as a Young Man; to the necessitous underpinnings of Joyce's experimentation in Ulysses, the ground and justification of his uses of "psychocasual chance," the "mythical method," and the seemingly gratuitous stylistic experiments that mirror our lives and suggest new directions for them.
Author: Katherine Anne Porter
Publisher: Penguin Classics
ISBN: 9780241339626
Category :
Languages : en
Pages : 64
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Book Description
She only wished to prove to herself she was once more on a train going somewhere' A tender story of devotion, resentment and ennui from the Pulitzer Prize-winning writer.
Author: B.C.L.
Publisher: Pink Flamingo Media
ISBN: 1954079494
Category : Fiction
Languages : en
Pages : 127
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Book Description
Erotic Thriller. Cara Keene, a heretofore happily married artist from California. Her husband, Robert a successful software engineer. Everything seems to be going great for the young couple, except that Cara is haunted by a man in her dreams. He comes to her each night in heated, nightmare passion, becoming more demanding as time moves on. This shadow man satisfies her in a deep, dark, sado-masochistic way. Though she wants to be free of his seduction, her desire runs too deep. Following a tragic accident, Cara moves to New York in hopes of a fresh start. But even there, she cannot escape the shadow man. Her story continues on the seedy streets of 1990's New York City where a new love interest, introduces her to an underground world of sex parties and counter-culture. Is this her dreams calling to her? But where will this fraught path lead and the madness end? We witness Cara growing into a new being, a fulfilled and wild creature. But danger is not far away. Something awaits that is far more real than dreamy shadows.
Author: Mary Titus
Publisher: University of Georgia Press
ISBN: 0820341142
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
During a life that spanned ninety years, Katherine Anne Porter (1890-1980) witnessed dramatic and intensely debated changes in the gender roles of American women. Mary Titus draws upon unpublished Porter papers, as well as newly available editions of her early fiction, poetry, and reviews, to trace Porter’s shifting and complex response to those cultural changes. Titus shows how Porter explored her own ambivalence about gender and creativity, for she experienced firsthand a remarkable range of ideas concerning female sexuality. These included the Victorian attitudes of the grandmother who raised her; the sexual license of revolutionary Mexico, 1920s New York, and 1930s Paris; and the conservative, ordered attitudes of the Agrarians. Throughout Porter’s long career, writes Titus, she “repeatedly probed cultural arguments about female creativity, a woman’s maternal legacy, romantic love, and sexual identity, always with startling acuity, and often with painful ambivalence.” Much of her writing, then, serves as a medium for what Titus terms Porter’s “gender-thinking”--her sustained examination of the interrelated issues of art, gender, and identity. Porter, says Titus, rebelled against her upbringing yet never relinquished the belief that her work as an artist was somehow unnatural, a turn away from the essential identity of woman as “the repository of life,” as childbearer. In her life Porter increasingly played a highly feminized public role as southern lady, but in her writing she continued to engage changing representations of female identity and sexuality. This is an important new study of the tensions and ambivalence inscribed in Porter’s fiction, as well as the vocational anxiety and gender performance of her actual life.
Author: Harry John Mooney
Publisher: University of Pittsburgh Pre
ISBN: 0822973987
Category : Literary Criticism
Languages : en
Pages : 61
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Book Description
One of the earliest, and still one of the most perceptive analyses of Katherine Anne Porter, it gives careful interpretation of the style and intent of Porter's work from 1935 through the publication and critical reception of Ship of Fools.
Author: Maria Louisa Charlesworth
Publisher:
ISBN:
Category : Religous fiction
Languages : en
Pages : 226
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Book Description
Author: Declan Kiberd
Publisher: Harvard University Press
ISBN: 9780674463646
Category : Drama
Languages : en
Pages : 738
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Book Description
The result is a major literary history of modern Ireland, combining detailed and daring interpretations of literary masterpieces with assessments of the wider role of language, sport, clothing, politics, and philosophy in the Irish revival.
Author: James Augustus Henry Murray
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 556
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Book Description
Author: Ástráður Eysteinsson
Publisher: John Benjamins Publishing
ISBN: 9789027234544
Category : Art
Languages : en
Pages : 584
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Book Description
The two-volume work Modernism has been awarded the prestigious 2008 MSA Book Prize! Modernism has constituted one of the most prominent fields of literary studies for decades. While it was perhaps temporarily overshadowed by postmodernism, recent years have seen a resurgence of interest in modernism on both sides of the Atlantic. These volumes respond to a need for a collective and multifarious view of literary modernism in various genres, locations, and languages. Asking and responding to a wealth of theoretical, aesthetic, and historical questions, 65 scholars from several countries test the usefulness of the concept of modernism as they probe a variety of contexts, from individual texts to national literatures, from specific critical issues to broad cross-cultural concerns. While the chief emphasis of these volumes is on literary modernism, literature is seen as entering into diverse cultural and social contexts. These range from inter-art conjunctions to philosophical, environmental, urban, and political domains, including issues of race and space, gender and fashion, popular culture and trauma, science and exile, all of which have an urgent bearing on the poetics of modernity.
