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Author: Andrew Topsfield
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 336
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Book Description
Court Painting at Udaipur
Author: Andrew Topsfield
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 336
Get Book Here
Book Description
Court Painting at Udaipur
Author: Dipti Khera
Publisher: Princeton University Press
ISBN: 0691201846
Category : Art
Languages : en
Pages : 232
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Book Description
"India retains one of the richest painting traditions in the history of global visual culture, one that both parallels aspects of European traditions and also diverges from it. While European artists venerated the landscape and landscape paintings, it is rare in the Indian tradition to find depictions of landscapes for their sheer beauty and mood, without religious or courtly significance. There is one glorious exception: Painters from the city of Udaipur in Northwestern India specialized in depicting places, including the courtly worlds and cities of rajas, sacred landscapes of many gods, and bazaars bustling with merchants, pilgrims, and craftsmen. Their court paintings and painted invitation scrolls displayed rich geographic information, notions of territory, and the bhāva, or feel, emotion, and mood of a place. This is the first book to use artistic representations of place to trace the major aesthetic, intellectual, and political shifts in South Asia over the long eighteenth century. While James Tod, the first British colonial agent based in Udaipur, established the region's reputation as a principality in a state of political and cultural deterioration, author Dipti Khera uses these paintings to suggest a counter-narrative of a prosperous region with beautiful and bountiful cities, and plentiful rains and lakes. She explores the perspectives of courtly communities, merchants, pilgrims, monks, laypeople, and officers, and the British East India Company's officers, explorers, and artists. Throughout, she draws new conclusions about the region's intellectual and artistic practices, and its shifts in political authority, mobility, and urbanity"--
Author: Dipti Khera
Publisher: Princeton University Press
ISBN: 0691209111
Category : Art
Languages : en
Pages : 232
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Book Description
A look at the painting traditions of northwestern India in the eighteenth century, and what they reveal about the political and artistic changes of the era In the long eighteenth century, artists from Udaipur, a city of lakes in northwestern India, specialized in depicting the vivid sensory ambience of its historic palaces, reservoirs, temples, bazaars, and durbars. As Mughal imperial authority weakened by the late 1600s and the British colonial economy became paramount by the 1830s, new patrons and mobile professionals reshaped urban cultures and artistic genres across early modern India. The Place of Many Moods explores how Udaipur’s artworks—monumental court paintings, royal portraits, Jain letter scrolls, devotional manuscripts, cartographic artifacts, and architectural drawings—represent the period’s major aesthetic, intellectual, and political shifts. Dipti Khera shows that these immersive objects powerfully convey the bhava—the feel, emotion, and mood—of specific places, revealing visions of pleasure, plenitude, and praise. These memorialized moods confront the ways colonial histories have recounted Oriental decadence, shaping how a culture and time are perceived. Illuminating the close relationship between painting and poetry, and the ties among art, architecture, literature, politics, ecology, trade, and religion, Khera examines how Udaipur’s painters aesthetically enticed audiences of courtly connoisseurs, itinerant monks, and mercantile collectives to forge bonds of belonging to real locales in the present and to long for idealized futures. Their pioneering pictures sought to stir such emotions as love, awe, abundance, and wonder, emphasizing the senses, spaces, and sociability essential to the efficacy of objects and expressions of territoriality. The Place of Many Moods uncovers an influential creative legacy of evocative beauty that raises broader questions about how emotions and artifacts operate in constituting history and subjectivity, politics and place.
Author: Andrew Topsfield
Publisher: Mapin Publishing Pvt
ISBN:
Category : Art
Languages : en
Pages : 180
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Book Description
These paintings reveal the resilient imagination of the traditional Mewar artists under the influences of the Mughal School and later of Western art and photography.
Author: Crispin Branfoot
Publisher: Bloomsbury Publishing
ISBN: 1838608974
Category : History
Languages : en
Pages : 321
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Book Description
One of the most remarkable artistic achievements of the Mughal Empire was the emergence in the early seventeenth century of portraits of identifiable individuals, unprecedented in both South Asia and the Islamic world. Appearing at a time of increasing contact between Europe and Asia, portraits from the reigns of the great Mughal emperor-patrons Akbar, Jahangir and Shah Jahan are among the best-known paintings produced in South Asia. In the following centuries portraiture became more widespread in the visual culture of South Asia, especially in the rich and varied traditions of painting, but also in sculpture and later prints and photography. This collection seeks to understand the intended purpose of a range of portrait traditions in South Asia and how their style, setting and representation may have advanced a range of aesthetic, social and political functions. The chapters range across a wide historical period, exploring ideals of portraiture in Sanskrit and Persian literature, the emergence and political symbolism of Mughal portraiture, through to the paintings of the Rajput courts, sculpture in Tamil temples and the transformation of portraiture in colonial north India and post-independence Pakistan. This specially commissioned collection of studies from a strong list of established scholars and rising stars makes a significant contribution to South Asian history, art and visual culture.
Author: Mahesh Rangarajan
Publisher: Oxford University Press
ISBN: 019908937X
Category : Nature
Languages : en
Pages : 397
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Book Description
Environmental history of India has developed as an important field of inquiry in the last twenty-five years. While providing major insights, the existing scholarship has primarily focused on drawing sharp lines of distinction - those between geographical spaces (forest, rivers, farms), people (herders, farmers, townspeople), eras (colonial, post-colonial) and so on. The limitations of these sharp divides are brought to the forefront when there is a critical engagement with the region's contested environmental past. Shifting Ground brings together an array of essays that pose critical questions regarding India's environmental past and the way it has been approached by scholars. From debunking the idea of a primeval, pristine forest cover, to analysing the dynamics that shape human-animal relations, to examining the conflicts created by post-Independence projects of rural development and conservation - this volume touches upon the various aspects of environmental studies and juxtaposes them with social history, history of science and technology and history of trade and culture. Drawing on original case studies the book not only explores the past, but also portrays how its traditions are often invoked to be deployed in contemporary conflicts - those that are often aggravated by the pressures on natural assets created by the recent prosperity and the vaulting aspirations of a rapidly expanding Indian middle class.
Author: Sugata Ray
Publisher: Taylor & Francis
ISBN: 0429515871
Category : Social Science
Languages : en
Pages : 436
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Book Description
This book surveys the intersections between water systems and the phenomenology of visual cultures in early modern, colonial and contemporary South Asia. Bringing together contributions by eminent artists, architects, curators and scholars who explore the connections between the environmental and the cultural, the volume situates water in an expansive relational domain. It covers disciplines as diverse as literary studies, environmental humanities, sustainable design, urban planning and media studies. The chapters explore the ways in which material cultures of water generate technological and aesthetic acts of envisioning geographies, and make an intervention within political, social and cultural discourses. A critical interjection in the sociologies of water in the subcontinent, the book brings art history into conversation with current debates on climate change by examining water’s artistic, architectural, engineering, religious, scientific and environmental facets from the 16th century to the present. This is one of the first books on South Asia’s art, architecture and visual history to interweave the ecological with the aesthetic under the emerging field of eco art history. The volume will be of interest to scholars and general readers of art history, Islamic studies, South Asian studies, urban studies, architecture, geography, history and environmental studies. It will also appeal to activists, curators, art critics and those interested in water management.
Author: Rosemary Crill
Publisher: Mapin Publishing Pvt Ltd
ISBN: 9788189995379
Category : Portrait painting, Indic
Languages : en
Pages : 184
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Book Description
The role of the portrait in India between 1560 and 1860 served as an official chronicle or eye-witness account, as a means of revealing the intimate moments of everyday life, and as a tool for propaganda. Yet the proliferation and mastery of Indian portraiture in the Mughal and Rajput courts brought a new level of artistry and style to the genre.
Author: Julie E. Hughes
Publisher: Harvard University Press
ISBN: 0674074807
Category : History
Languages : en
Pages : 361
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Book Description
One summer evening in 1918, a leopard wandered into the gardens of an Indian palace. Roused by the alarms of servants, the prince’s eldest son and his entourage rode elephant-back to find and shoot the intruder. An exciting but insignificant vignette of life under the British Raj, we may think. Yet to the participants, the hunt was laden with symbolism. Carefully choreographed according to royal protocols, recorded by scribes and commemorated by court artists, it was a potent display of regal dominion over men and beasts alike. Animal Kingdoms uncovers the far-reaching cultural, political, and environmental importance of hunting in colonial India. Julie E. Hughes explores how Indian princes relied on their prowess as hunters to advance personal status and solidify power. Believing that men and animals developed similar characteristics by inhabiting a shared environment, they sought out quarry—fierce tigers, agile boar—with traits they hoped to cultivate in themselves. Largely debarred from military activities under the British, they also used the hunt to establish meaningful links with the historic battlefields and legendary deeds of their ancestors. Hunting was not only a means of displaying masculinity and heroism, however. Indian rulers strove to present a picture of privileged ease, perched in luxuriously outfitted shooting boxes and accompanied by lavish retinues. Their interest in being sumptuously sovereign was crucial to elevating the prestige of prized game. Animal Kingdoms will inform historians of the subcontinent with new perspectives and captivate readers with descriptions of its magnificent landscapes and wildlife.
Author: John Guy
Publisher: Metropolitan Museum of Art
ISBN: 1588394301
Category : Painters
Languages : en
Pages : 226
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Book Description
Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.
