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Author:
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ISBN:
Category : Languages, Modern
Languages : en
Pages : 218
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Book Description
Author:
Publisher:
ISBN:
Category : Languages, Modern
Languages : en
Pages : 218
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Book Description
Author: Princeton University. Library
Publisher:
ISBN:
Category : Classified catalogs
Languages : en
Pages : 658
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Author:
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ISBN:
Category : Education
Languages : en
Pages : 824
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Author:
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ISBN:
Category :
Languages : en
Pages : 206
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Book Description
Author: Louis Halphen
Publisher:
ISBN:
Category :
Languages : en
Pages : 286
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Book Description
Author: Edward Joseph Hoffman
Publisher: Slatkine
ISBN:
Category :
Languages : en
Pages : 396
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Book Description
Author: Daniel Poirion
Publisher: Presses Paris Sorbonne
ISBN: 9782840500438
Category : Civilization, Medieval, in literature
Languages : fr
Pages : 562
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Book Description
Author: Helen Abbott
Publisher: Routledge
ISBN: 1317175069
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
As the status of poetry became less and less certain over the course of the nineteenth century, poets such as Baudelaire and Mallarmé began to explore ways to ensure that poetry would not be overtaken by music in the hierarchy of the arts. Helen Abbott examines the verse and prose poetry of these two important poets, together with their critical writings, to address how their attitudes towards the performance practice of poetry influenced the future of both poetry and music. Central to her analysis is the issue of 'voice', a term that remains elusive in spite of its broad application. Acknowledging that voice can be physical, textual and symbolic, Abbott explores the meaning of voice in terms of four categories: (1) rhetoric, specifically the rules governing the deployment of voice in poetry; (2) the human body and its effect on how voice is used in poetry; (3) exchange, that is, the way voices either interact or fail to interact; and (4) music, specifically the question of whether poetry should be sung. Abbott shows how Baudelaire and Mallarmé exploit the complexity and instability of the notion of voice to propose a new aesthetic that situates poetry between conversation and music. Voice thus becomes an important process of interaction and exchange rather than something stable or static; the implications of this for Baudelaire and Mallarmé are profoundly significant, since it maps out the possible future of poetry.
Author:
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ISBN:
Category : Languages, Modern
Languages : en
Pages : 258
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Book Description
Author: Judith Labarthe
Publisher: Peter Lang
ISBN: 9789052011967
Category : Literary Criticism
Languages : fr
Pages : 486
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Book Description
Genre faussement désuet, la poésie épique, loin de consister seulement en un poème célébrant les exploits d'un héros, apparaît comme un genre polysémique, échappant à toute réduction idéologique de type nationaliste, donnant accès à une subtile représentation de soi dans ses rapports à l'Autre, renaissant sans cesse hors de ses frontières génériques. Dans ses formes stylistiques, liées à l'oralité ou au passage à l'écrit, populaires ou savantes, ou dans ses effets de sens (le «travail» épique, la «poétique de la fixité», la représentation du monde), sa modernité, historique ou théorique, est incontestable. L'ouvrage se propose d'explorer diverses formes modernes de la poésie épique selon un axe qui suit la Route de la Soie (d'Europe en Extrême-Orient, en passant par l'épopée arabe et persane). En émerge l'hypothèse de l'épopée comme genre universel, ou reposant du moins sur un «fondement anthropologique» commun. Cette synthèse comparatiste, fruit du travail de chercheurs de différentes nationalités, spécialistes de littératures, de langues, d'histoire de l'art, ou de musicologie, renouvelle l'approche du genre gr'ce à l'ampleur des domaines linguistiques et culturels mis en relation, et à l'originalité des outils d'analyse proposés.
